Flight Of The Conchords

I Told You I Was Freaky

The Distant Future

Flight of the Conchords is a Grammy award-winning folk/pop/comedy duo comprised of Bret Mckenzie formerly of The Black Seeds, Video Kid, and Wellington International Ukulele Orchestra fame and Jemaine Clement formerly of <span title="Unknown artist" class="bbcode_unknown">The Humourbeasts</span>, who met in 1998 while studying film and theatre in Wellington, New Zealand.  Billing themselves as &quot;New Zealand's fourth most popular guitar-based digi-bongo acapella-rap-funk-comedy folk duo&quot;, the group uses a combination of witty banter and acoustic guitars to work the audience. 

Note: Riff 1 plays through out the song, I've only put it in where compulsory but it can be add to a few 
other parts, listen out for it in the song. Also for the chord Amaj7 = 2444 not 1100

Riff 1

A|-4h5-2h4-0h2----------------------------|
E|-------------0h2------------------------|
C|----------------------------------------|
G|----------------------------------------|

Intro

Riff 1

Dmaj7  C#m7 Bm7  


Riff 1

Verse 1:

Dmaj7               C#m7                 Bm7
 Looking 'round the room, I can tell that you,
             F#m     E6              Dmaj7  C#m7
Are the most beautiful girl, in the... room.


Bm7                F#m  E6
 In the whole wide room.

Verse 2:

Dmaj7                   C#m7                    Bm7
 And when you're on the street, depending on the street,
                  F#m       E6
I bet that you are definitely, in the top three...
Dmaj7                      C#m7
 Good looking girls on the street.


Bm7               F#m   E6
 Depending on the street.

Verse 3: 

Dmaj7                     E6
 And when I saw you at my mate's place,
           Bm7                (n.C)
I thought; what is she doing...

             Dmaj7
At my mate's place?

C#m7                Bm7                    F#m      E6
 How did Dave get, a hottie like that, to a party like this?
 
          Dmaj7  C#m7
Good work, Dave.


              Bm7          F#m  E6
Ooh, you're a legend, Dave.

Verse 4:

Dmaj7               C#m7
 I ask Dave if he's gonna make a move on you,
Bm7                    F#m        E6      Dmaj7
 He's not sure, I say; Dave, do you mind if I do?
   C#m7                           Bm7
He says he doesn't mind, but I can tell he kinda minds,
        F#m       E6
But I'm gonna do it anyway.

Dmaj7                     C#m7
 I see you standing all a-lone, by the stereo,
Bm7                    F#m     E6
 I dim the lights down very low, here we go.

Chorus 1: 

Dmaj7      C#m7      Bm7           F#m    E6
 You're so beautiful; you could be a waitress.
Dmaj7      C#m7      Bm7             F#m    E6           Dmaj7
 You're so beautiful; you could be an air ho-stess in the sixties.
          C#m7      Bm7            F#m   E6   Dmaj7  C#m7
You're so beautiful; you could be a part -time model.


           Bm7                    F#m          E6
And then I seal the deal; I do my moves, I do my dance moves.

Break:

Amaj7, Dm


Amaj7
 It's 12:02, just me and you,
Dm                                        Amaj7
 And seven other dudes, around you on the dance floor.
I draw you near; let's get out of here,
Dm
 Let's get in a cab, I'll buy you a kebab...

Verse 5:

Dmaj7       C#m7           Bm7
 I can't be-lieve, that I'm sharing a kebab,
              F#m     E6           Dmaj7               C#m7
With the most beautiful girl, I have ever seen with a ke-bab.
Bm7    F#m  E6
 Ooh...

Dmaj7         C#m7         Bm7
 Why don't we leave? We can go to my house,
           F#m           E6         Dmaj7
And we can feel each other up, on the couch.
         C#m7                Bm7   F#m     E6
Oh no, I don't mind taking it slow, no-o-o-o, ye-ea-ah.

Chorus 2:

Dmaj7           C#m7
 'Cos you're so beautiful,



       Bm7   F#m  E6
Like a tree,
     Dmaj7
Or a high-class prostitute.



          C#m7      Bm7            F#m E6   Bm
You're so beautiful; you could be a part -time model.

Bridge 1: 

          Dmaj7
But you'd probably still have to keep your normal job.



            Bm
A part-time model,

         Dmaj7
Spending part of your time modelling,
                              (Dmaj7)
And part of your time, next to me...



Dmaj7  C#m7, Bm7  

Riff1

Dmaj7  C#m7 ,

Bm7  Riff1                 Dmaj7  C#m7  Bm7  A
 My place is usually tidier than this.

Most Beautiful Girl In The Room

A
Petrov, Yelyena, and me
                   E
Lost, but happy, at sea
D                  A
Petrov and Yelyena said to me.
E                  D            A
"Shouldn't we have something to eat?"
A               Dbm       G           Bm
I say there are plenty of fish in the sea
    D            E      A
But all they can see is me.

A
They said, "Any last requests?"
                        E
Biding my time, I said "Yes.
 D               A
I want to party, just we three.
E         D        A
Lost, but happy at sea."

A
So we drank all night from the keg
                                 E
I passed out, and awoke with one leg
D                                 A
I said, "Petrov, have you seen my leg?"
         E          D            A
He said "No" and he went back to bed....
       E         D              A
But he looked suspiciously well fed.

A          Dbm             G       Bm
Three days later they were hungry again
D           E          A
They said, "Any last requests, my friend, again?"


*Spoken* So I said, "Do you know any Rolling Stones?
It was a hilarious hilarious moment in a very
bleak bleak time of my life."

A
So we danced all night to the Rolling Stones,
                       E
when I awoke they were chewing on bones.
   D                A
Yelyena was supping blood from a cup,
E             D                       A
that's when I knew that something was up.


"Hey Petrov, that is that you're eating?"
"It's fish."
"How come it looks so much like my arm which
has been hacked off at the elbow last night?"
"Oh, It's an arm fish."

B
Later that night, while they were asleep,
                            F#
I swollowed some arsenic to poison my meat
  E                   B
I was very ill, but revenge is so sweet...
F#         E            B              F
Unlike the last meal my comrades would eat

B    F    B    F    B    Bb    A
(theremin solo)

A
When I awoke, they were already dead
                     E
All that was left of me was my head...
D             A
No, not dead, just a head.
E            Dm
Lost, but so lonely....
   A
At sea

Petrov, Yelyena, And Me

Intro:
      C - A minor (x2)

C                  Am
If you want me to, I could hang around with you
C              Am
If I only knew that's what you're into.

C                    Am
You and him, him and you
                        C
If that's what you're into
                          Am
Him hangin 'round, around you
                                          C
You're hanging 'round, yeah, you're there too.


C
And if you want me to
       Am
I will take off all my clothes for you
       C
I will take off all my clothes for you
Am
If that's what you're into.


C                    Am
How 'bout him in the nude?
                        C
If that's what you're into.
                        Am
In the nude in front of you
                         C
Is that what you'd wanna view?


C
If it's cool with you
Am
I'll let you get naked too
C
It could be a dream come true
Am                              
Providing that's what you are into.


C                     Am
Is that what you're into?
                   C
Him and you in the nude?
                             Am
That's what he's prepared to do,
                                                      C
Is that the kind of thing that you think you might be into?


C
And then maybe later
Am
We'll get hot by the refrigerator
C
In the kitchen next to the pantry
Am
You think that might be what you fancy?


C                  Am
In the buff, being rude,
                     C
Doing stuff with the food.
                      Am
Getting lewd with his food
                             C
We heard that's what you are into.


C
Then on our next date
Am
Well, you could bring your roommate
C
I don't know if Stu is keen to
Am
But if you want we could double-team you.


C                     Am
How about you and two dudes?
                         C
Him, you and Stu, in the nude.
                               Am
Being lewd with two dudes with food
                               C
Well, that's if Stu's into it, too.


C
All the things I'd do
Am
The things I'd do for you
C
If I only knew
Am                        C
That's what you're into.

If You're Into It

Dmaj7                    A             D6      Dbm7        Eb6
looking...         Room...  You... Beautiful...Girl...
   
                      do this over and over again for almost the whole song.

The Most Beautiful Girl In The Room

Am                 Am(maj7)
It's a cold night, beneath the street light
Am7
There's a man whose pants are too tight
Dm         E7
Oh no, his pants are too tight (my pants are too tight)

Am              Am(maj7)
He stands there, an empty stare
Am7
Trying to make enough money for his cab fare home
Dm            E7
He'll have to walk home tonight (don't have enough for the ride)

Am                     Am(maj7)
The streets are cruel, he tries to act cool
Am7
He goes to work with only his one tool
Dm      E7
You can put away tool, Jermaine

C                 G    F
You don't have to be a prostitute, no no no no no
C          G             F
You can say no to being a man-ho, a male gigolo
C                 G    F
You don't have to be a prostitute, no no no no no
C          G             F
You can say no to being a night looker, boy hooker, rent boy, bro ho

C        G           F
He can't see his way out
I cannot see my way out

C        G           F
He can't see his way out
Male prostitution seems to
be my only option

C        G           F
He can't see his way out
I cannot see my way out

C        G           F
He can't see his way out
No no no no no no

Am                     Am(maj7)
He selling cheap thrills, to pay his expensive bills
Am7
But check you resume, you must have some other skills
Dm     E7
Do you have any other skills?  Like typing?

Am           Am(maj7)
They see him, wanted to please them
Am7
Wanted to play them but they don't even pay him
Dm             E7
Oh no no, they don't think he's worth it at all

Am                           Am(maj7)
Though they're unknown, he tries to bring them home
Am7
Maybe it'd be okay if he lived alone
Dm             E7
Ooh you have a roommate Jermaine, don't bring them home

C                 G    F
You don't have to be a prostitute, no no no no o
C          G             F
You can say no to being a man-ho, a male gigolo
C                 G    F
You don't have to be a prostitute, no no no no no
C          G             F
You can say no to being a night looker, boy hooker, rent boy, bro ho

You Don't Have To Be A Prostitute

G               C                  D
A kiss is not a contract, but it's very nice

Mmmmm, very nice
G                          C
Just because you've been exploring my mouth
        D
Doesn't mean you get to take an expedition further south, no


G               C                  D
A kiss is not a contract, but it's very nice

It's very, very nice
G                       C
Just because we've been playing tonsil hockey
        D
Doesn't mean you get to score the goal that's in my jockeys


Em                               D        
Oh just because I'm in a two man novelty band
                            C
Doesn't mean it's all about poontang
                        B7
I can't go round loving everyone
                    A             Em 
I just wouldn't get anything done

Em                                       D        
You can take me out to dinner that might be quite nice
                                    C
you could buy me a burrito and some beans and rice
                                  B7
but that won't get you into pants paradise
     A           
They call it a fly because it takes you up to heaven oh oh


G               C                  D
A kiss is not a contract, but it's very nice

It's very, very nice

G            C    D
I'm only one man, baby, pretty baby
G              C    D
We're only two men, ladies,
                G   C   D  G
Oh pretty babies

A Kiss Is Not A Contract

[C] In the Marmalade [Em]Forest (Forest),
[Gm] between the make-believe[Dm]trees
[Fm]in a cottage cheese [G]cottage?! Lives 
[C]Albi [Em](Albi) [Gm]Albi [Dm](Albi) 
[Fm]Albi the [G]racist [C]dragon...

{{From that C, continue chord progression while speaking the story in 3 voices: Narrator{N}, Albi{A}, and Albanian Boy{B}}}

  {N}Part Six: And so the villagers chased Albi the Racist Dragon into a very cold and very scary cave, and it was so cold and so scary in there that Albi began to cry...dragon tears, which as we all know turn into Jelly Beans! 
  Anyway, it was at that moment he felt a tiny little hand rest upon the back of his tail, and he turned around, and who should that tiny little hand belong to but the badly burned Albanian boy from the day before.{A} "What are you doing here?!? I thought i killed you yesterday!" grumbled Abli, quite racist-ly. 
  {B}"No Albi, you didn't kill me with your dragon flames, i crawled to safety, but you did leave me very badly dis-figured" laughed the boy. "Why are you crying Albi?"
  {A}"Well, all of the villagers chased me into this scary cave. I think its because I'm so racist! Get your hand off my tail you'll make it dirty."
  {B}"No Albi, its not because of your racism they chased you here, they chased me here too when i became all disfigured like this. They just don't like you and I, because.... well, {{stop playing chords}} because we are different to them."  
  {N}And that made Albi cry a single tear, that turned into a Jelly Bean all the colors of the rainbow!{{i like to play a C chord an octave up at this point}} And suddenly, Albi wasn't racist anymore.
[C] So they sat in the [Em]cave (cave)
[Gm]and ate bubblegum [Dm]pie, YUM! 
[Fm]Albi the [G]Racist;
{B}"[Fm]Albi the [G]Racist";
[Fm]Albi the [G]Racist...{N} Well, not anymore...[C]Dragon.

Albi The Racist Dragon

E
There are angels
	A
In the clouds
E
Doin? it

E
There are angels
A
Doin? it 
	E	A
In the clouds

Behind the shroud
Of the clouds
	E	A
Foolin? round

In the clouds		E
They?re lying, feathers flying
	F#m
Angels sighing
	  E
There are angels
	A
Ah-ah

Oh there are angels
Going down up there
E
Oh angels
Getting jiggy with it
A					E
Nobody knows what goes on under those robes
A						E
Pushin? and puffin? and huffin? and heavin? in heaven
Pushin? and puffin? and huffin? and heavin? and
Pushin? and puffin? and huffin? and heavin? and
Pushin? and puffin? and huffin? and heavin? in heaven
A
Up there they?re playing
    E
The lovin? game
F#m
Making rain
B
Turning white clouds grey


E
Ha ha ha 
A
Doin? it!
E
Ha ha ha 
A
Ah-ah-ah-ah?doin? it!

E
Ha ha ha?
Ha ah ah ah!
A
Doin? it! 
E
Doin' it

Angels

Dm7
Hey there, Bret
   Am7
I see you looking down
         Bb7                             C7            A7
Don't want to see my little buddy there with a frown
Dm7                                 C7
Just because I get more women than you
          Bb7                               C7              A7
That's only because they don't know you like I do.
Dm7                              C7
Sure, you're weedy and kinda shy
               Bb7                                      C7               A7
But some girlie out there must be needy for a weedy shy guy.
Dm7                                  C7
They want you as their needle when they're rolling in the hay.
  Bb7                          C7
Just hear me out when I say

Dm7                 A7      F7  G7
Bret, you got it goin' on.
       Gm7                            Am7
The ladies get to know your sexuality
          C7                             Dm7
When they get to know your personality.
          Dm7                A7     F7  G7
I said, Bret, you got it goin' on.
Gm7
Not in a gay way
Am7
Just in a hey, mate,
C7                               Dm7
I wanted to say that you're looking okay, mate.

Dm7                               C7                             Bb7
Why can't a heterosexual guy tell a heterosexual guy
                           C7       A7
That he thinks his booty is fly?
Dm7                  C7
Not all the time, obviously
       Bb7                                          C7     A7
Just when he's got a problem with his self esteem
             Dm7                                  C7
Don't let anybody tell you you're not humpable
                       Bb7
Because you're bumpable
          C7                      A7                       Dm7
Well, I hope this doesn't make you feel uncomfortable
      C7               
If I say you've got a boom o wow
Bb7
Come on, Bret
C7
Help me out now
D#m7             A#7  F#7 G#7
Bret you got it goin' on.

I got it goin' on.
G#m7                    A#m7
That's the conclusion that I've come to
     C#7                         D#m7
But that doesn't mean that I want to bum you.
D#m7                 A#7  F#7 G#7
Bret, you've got it goin' on

Got it goin' on
G#m7
No doubt about it
A#m7
We'd be getting crazy
   C#7                                 D#m7
If one of us was lucky enough to be born a lady.
Em7    B7                  G7  A7
Oh, if one of us was a lady
                       Am7                 Bm7
And I was your man, if I was your man
            D7                  Em7
Well, sometimes it gets lonely
         Em7    B7
And I need a woman
                  G7                             A7
And then I imagine you with some bosoms
    Em7        B7                         G7
In fact, one time when we were touring
                      A7
And I was really lonely
                 Am7              Bm7                   D7
And we were sharing that twin room in the hotel
          Em7                                  B7
I put a wig on you when you were sleeping
G7
Put a wig on you
A7
Ooh ooh ooh

And I just laid there and spooned you
                                 Em7
Bret, you've got it goin' on

Bret You Got It Going On

Intro:
F	Gm	A#	A


Cm					     	   D			A
...Where I was caught with a friend age 11 sniffing tractor fuel
E
We thought we were pretty cool breaking them changing shed rules
F			       	 Gm
But do you see up there?  The banner hanging in the air
A#				   A
The Presbyterian fair, well I never go, there's too many Presbyterians there
Gm			   		 C
But if you're interested, the fair's in the third weekend of August every year
Gm				         		   C
But don't bother entering the raffle, it's always won by some kid of the Mayor


F						Gm
Oh do you hear that sound?	The town clock heard from anywhere in town
A#		         		   A
Until 1960, there was a little place in Norway, we bought it for a hundred pounds.
Cm					     		    D
Rumor has it they sold it cheap because the chimes were too
A
loud

E
But every time I hear that sound it makes me so proud


C(Stacato)		      E
Look to your left, what a beautiful sight
F			         	   E
It's Paula, Paula Thompson, nee Paula Wright
C					    E
Look at her hair, it's still gorgeous even now
F				  			  E
Flowing like the Waimahunga river, which incidentally is to your right
C						  E
And is the largest in the area, in terms of volume
F			   E
Everybody look at Paula, Look at Paula Thompson

F					  Am
I always thought I'd marry Paula, but some things just
		 E
don't work out that way
F								    Gm
Well that's the most important thing you'll learn on the tour today
A#
That and the fact that there'll be a toilet break at the
A
information center near the mermaid lake


REPEAT INTRO X2


C	 E			    F	   E		   F
Paula Thompson born in '54, to a family of four
E			    F		   E		   C
To the family next door, take me back next door
C	 E				 F				   E
Paula Thompson nee Paula Wright, that's her old house up at
F   E		   F				 E
39, Number 41 was mine, if this old coach could go back in
Dm
time, I'd drive to 1979


Repeat Intro once, end of F

Bus Drivers Song

Intro:
Gm (Cm Dm)

All verses: Gm
# Every once in awhile Jermaine plays Cm Dm as fast strums

Chorus:
Cm
It's business
Dm
It's business
Gm
time
Gm
I know what you're trying to say
You're trying to say it's time for business,
Cm
It's business
Dm
It's business
Gm
time
Gm

End on Gm

Business Time

Intro Riff (used in various parts of song)


---5-2--4-5-4-2--4-2-0---
-------------------------
-2---------------------2-
-------------------------


[Verse 1]
D
Loretta broke my heart in a letter
A
she told me she was leaving and her life would be better.
A
Joan broke it off over the phone
D
after the tone, she left me alone.
D
Jen said she'd never ever see me again,
A
when I saw her again she said it again.
A
Jan met another man,
D
Liza got amnesia just forgot who I am.
D
Felicity said there was no electricity,
A
Emily, no chemistry.
A
Fran ran, Bruce turned out to be a man.
D
Flo had to go I couldn't go with the flow.


[Chorus]
F#m                     Bm         Em
Carol Brown just took a bus out of town,

but I'm hoping that you'll stick around.


[Bridge]
Em                                  D                  A
He doesn't cook or clean, he's not good boyfriend material
(Ooh, we can eat cereal)
Em                                  D                   A
You'll lose interest fast, his relationships never last
(Shut up girlfriends from the past)
Em                                       D                A
He says he'll do one thing and then he goes and does another thing
Em                                                  D
(Oh, who organized all of my ex-girlfriends into a choir, and got them to 
  A
sing?)


Em        D         A
Ah ah ah ah, ah ah ah
(Who, who... Mm, shut up)
Em         D         A          D
Ah ah ah ah, ah ah ah, ah ah ah.
(Shut up girlfriends from the past)

D D D D (Intro Riff)


[Verse 2]
D
Minnie will no longer see me.
A
Britney, Britney hit me.
A
Paula, Persephone, Stella, and Stephanie,
D
there must fifty ways that lovers have left me.


[Chorus]
F#m                     Bm         Em
Carol Brown just took a bus out of town...


[Bridge]
Em                                        D                  A
Love is a delicate thing, it could just float away on the breeze
(He said the same thing to me)
Em                                     D                     A
How can we ever know we've found the right person in this world?
(He means he looks at other girls)
Em                        D                A
Love is a mystery that does not follow a rule
(This guy is a fool)
Em                              D                 A
He'll always be a boy, he's a man who never grew up
(I thought I told you to shut up)

(Intro Riff)

Em       D          A
Ah ah ah ah, ah ah ah
(Mona, you told me you were in a coma)
Em       D          A
Ah ah ah ah, ah ah ah
(Tiffany you said that you had an epiphany)
Em       D          A
Ah ah ah ah, ah ah ah
(Mm, would you like a little cereal?)
Em        D          A
Ah ah ah ah, ah ah ah
(Who organized this choir of ex-girlfriends, was it you Carol Brown, was it you Carol Brown?)

(Intro Riff)

[Chorus]
F#m                     Bm         Em
Carol Brown just took a bus out of town...
                           D
but I'm hoping that you'll
D
stick around

(Intro Riff)

D 
Do do, do do do do do do
Stick around

D
Do do, do do do do

D
Do do, do do do do do do
Stick around
Do do, do do do do 

D
Stick around

Carol Brown

D                      A
Friends sing together, la la la la
A                           D
Friends do things together, la la la la
D                       A
Friends laugh together, ha ha ha ha
A                             D
Friends make graphs together, la la la la

G
Friends help you when you're in danger
D
Friends are people who are not strangers
A
Friends help you shift into a new place
D
Tell you if you've got food on your face

G
Friends are the ones on whom you can depend
D
He's my friend; he's not my friend
A
Friends are the ones who are there in the end
D
He's my friend; they're not my friends

   G
If you trip over, I'll catch your fall
       D
If you kick my dick, I won't break your balls
    A
If you get drunk and vomit on me,
     D
I'll make sure you get some safely

       G
If you cross the road and a truck struck you
     D
I'll scrape you up and reconstruct you
     A
I'll cheer you up if you're depressed
    D
If you get murdered, I'll avenge your death

D                      A
Friends walk together, la la la la
A                      D
Pop and lock together, Zzt brrt zzt brrt
D                    A
Me and him together, la la la la
A                   D
Me and Jim forever...

G
Friends go jogging at the track
D
Friends borrow money, never pay it back
A
Friends do not let friends do crack
D
Friends go out and grab a snack

G
Friends drink beer in the sun
       D
Unlike girlfriends they don't mind if you have more than one
A
Friends tell you when your fly's undone
D
Murray... Your fly is undone

   G
My uncle John had a special friend
     D
They dressed alike; his name was Ben
     A
I've never seen two friends like them
          D
They were very, very friendly men

D            A
La la la la, friends friends friends 
A            D
La la la la, friends friends friends friends
D            A
La la la la, friends friends friends friends
A            D
La la la la, friends

La la la la

Hiphopopotamus Vs. Rhymenoceros

In the original the tabs are just repeated the whole song. But I think its more fun to just play the tabs on the intro.

A|-------------------5/6-6-6-6-6-6-6-6---1-1-1-1-1-1-1-1-3-3-3-3-3-3-1-0-|
E|-----3-3-3-3-3-3-3-----------------------------------------------------|
C|-----------------------------------------------------------------------|
G|-----------------------------------------------------------------------|

Gm, Eb, Bb, F

Some people say that rappers don?t have feelings
We have feelings. (We have feelings)
Some people say that we are not rappers. (We?re rappers.)
That hurts our feelings.
(Hurts our feelings when you say we?re not rappers.)


Some people say that rappers are invincible
We?re vincible. (We?re vincible.)
What you are about to hear are true stories
(Real experiences)
Autobiographical raps.
Things that happened to us, All true
Bring the rhyme!

Gm
I make a meal for my friends,
        
Try to make it delicious,
         Eb
Try to keep it nutritious,

Create wonderful dishes.
     Bb
Not one of them thinks about the way I feel
   F
Nobody compliments the meal


Gm          Eb                   Bb
I got hurt feelings, I got hurt feelings
         
I feel like a prize asshole
             F
No one even mentions my casserole.
Gm          Eb                    Bb
I got hurt feelings, I got hurt feelings.
                                           F
You coulda said something nice about my profiteroles


Gm
Here?s a little story to bring a tear to your eye,
       Eb
I was shopping for a wetsuit to scuba dive,
    Bb
But every suit I tried is too big around the thighs,
        F
And the assistant suggested I try a ladies? size


Gm          Eb                    Bb
I got hurt feelings, I got hurt feelings
                                    F
I?m not gonna wear a ladies? wetsuit I?m a man!
Gm          Eb                    Bb
I got hurt feelings, I got hurt feelings
                      F
Get me a small man?s wetsuit, please


        Gm
It?s my birthday, 2003
Eb                                  Bb 
Waitin? for a call from my family
F (mute)
They forgot about me


Gm          Eb                    Bb
I got hurt feelings, I got hurt feelings
                              F
The day after my birthday is not my birthday, Mum

   Gm
I call my friends and say, ?eLet?s go into town,?
            Eb
But they?re all too busy to go into town
      Bb
So I go by myself, I go into town
        F
Then I see all my friends, they?re all in town


Gm          Eb                    Bb
I got hurt feelings, I got hurt feelings.
                                     F
They?re all lined up to watch that movie ?eMaid in Manhattan.?

         Gm
Have you ever been told that your ass is too big?
         Eb
Have you ever been asked if your hair is a wig?
         Bb
Have you ever been told you?re mediocre in bed?
         F
Have you ever been told you?ve got a weird-shaped head?
         Gm
Has your family ever forgotten you and driven away?
       Eb
Once again, they forgot about J
         Bb
Were you ever called ?ehomo? ?cuz at school you took drama?
         F
Have you ever been told that you look like a llama?


Gm                 Eb
Tears of a rapper (tears of a rapper),
            Bb
I?m crying tears of a rapper

Tears of a rapper

Hurt Feelings

Gm
I xxxx a xxxx xxx xx xxxxxxx,

Try...
         Eb
xxx xx keep xx xxxxxxxxxx,

Create...
     Bb
xxx one xx xxxx xxxxxx xxxxx xxx xxx x xxxx
   F
Nobody xxxxxxxxxxx xxx xxxx


Gm          Eb                   Bb
I xxx xxxx feelings, x xxx xxxx feelings

I...
             F
xx xxx xxxx mentions xx xxxxxxxxx
Gm          Eb                    Bb
I xxx xxxx feelings, x xxx xxxx feelings
                                           F
xxx xxxxxx xxxx xxxxxxxxx xxxx xxxxx xx profiteroles


Gm
Here x x xxxxxx xxxxx xx xxxxx x xxxx xx xxxx xxx,
       Eb
x xxx shopping xxx x xxxxxxx xx xxxxx xxxx,
    Bb
But xxxxx xxxx x xxxxx xx xxx xxx xxxxxx xxx xxxxxx,
        F
xxx the xxxxxxxxx xxxxxxxxx x xxx x xxxxxx xxxx


Gm          Eb                    Bb
I xxx xxxx feelings, x xxx xxxx feelings
                                    F
x x xxx xxxxx xxxx x xxxxxx xxxxxxx I x x xxx
Gm          Eb                    Bb
I xxx xxxx feelings, x xxx xxxx feelings
                      F
xxx xx x xxxxx xxx s xxxxxxx, xxxxxx


        Gm
xx x my xxxxxxxx,
Eb                                  Bb 
Waitin xxx x xxxx xxxx xx xxxxxx
F (mute)
They xxxxxx xxxxx xx


Gm          Eb                    Bb
I xxx xxxx feelings, x xxx xxxx feelings
                              F
xxx xxx xxxxx xx xxxxxxxx is xxx my xxxxxxxx, xxx

   Gm
I xxxx my xxxxxxx xxx xxx, xxxx x xx xxxx xxxx,
            Eb
xxx xxxx re xxx too xxxx xx xx xxxx xxxx
      Bb
xx I go by xxxxxx, x xx xxxx xxxx
        F
xxxx I xxx all xx xxxxxxx, xxxx xx xxx xx xxxx


Gm          Eb                    Bb
I xxx xxxx feelings, x xxx xxxx feelings
                                     F
xxxx xx xxx xxxxx xx xx xxxxx xxxx movie xxxxx xx xxxxxxxxx

         Gm
xxxx you xxxx xxxx xxxx xxxx xxxx xxx xx xxx xxx
         Eb
xxxx you xxxx xxxx xxxxx xx xxxx xxxx xx x xxx
         Bb
xxxx you ever xxxx xxxx xxx xx xxxxxxxx xx xxx
         F
xxxx you ever xxxx xxxx xxx xx xxx x xxxxx-xxxxxx xxxx
         Gm
xxx xxxx family xxxx xxxxxxxxx xxx xxx xxxxxx xxxx
       Eb
xxxx again, xxxx xxxxxx xxxxx x
         Bb
xxxx you ever xxxxxx xxxxx xxx xx xxxxxx xxx xxxx xxxxx
         F
xxxx you ever xxxx xxxx xxxx xxx xxxx xxxx x xxxxx


Gm                 Eb
Tears xx x xxxxxx tears xx x xxxxxx
            Bb
x x xxxxxx tears xx x xxxxxx

Spoken:
So, you're leaving, aren't you?
I knew it when you said just then when you told me you were leaving
That's when I definitely knew

Cm                                            Cm                         Cm/B
But if you're trying to break my heart, your plan is flawed from the start
                               Ab                                 Fm  
You can't break my heart, it's liquid, it melted when I met you
           Ab             G        Cm 
And as you turn around to leave, don't turn back to me
Cm/B                             Ab                               Fm
Don't turn around and see if I'm crying, I'm not crying

C              C/B                    Am
I'm not crying, it's just been raining on my face
C                                  C/B
And if you think you see some tear tracks down my cheeks, please, 
Am
Please don't tell my mates
C             C/B   Am
I'm not crying, no, I'm not crying
C                   C/B
And if I am crying, it's not because of you
                 Am
It's because I'm thinking about a friend of mine
Who you don't know who is dying, that's right, dying

Abm                  (B)                            (D)
These aren't tears of sadness because you're leaving me,
                      (F#)
I've just been cutting onions
C   C/B      Am
I'm making a lasagna, for one
Fm          
Oh, I'm not crying, no!

C
There's just a little bit of dust in my eye
                C/B
That's from the path that you made when you said your goodbye
        Am
I'm not weeping because you won't be here to hold my hand
For your information there's an inflammation in my tear gland
C
I'm not upset because you left me this way
C/B
My eyes are just a little sweaty today
             Am
They've been looking around, they're like searching for you
They've been looking for you, even though I told them not to

Fm                   (Ab)                      (B)
These aren't tears of sadness, they're tears of joy
        (D)
I'm just laughing
C     C/B   Am     Fm
Ha ha ha-ha ha

Fm
Sitting at this table called love
        Fm
Staring down at the irony of life
C                           C/B
How come we've reached this fork in the road
Am
And yet it cuts like a knife?

        C  C/B
I'm not crying
        Am G
I'm not crying
        F
I'm not cry-y-y-y-y
Fm      C
y-y-y-y-ing

I'm Not Crying

D Fm# F# G 

For riff Bm,A,G,Bm,A,G,Gm,D 
Then back into normal chords 

Finger pick and strum as you like

Jenny


D  F#  G    A
Goodbye, leggy blonde
D                                          F#
Every day I'd look across the office floor
                                G
There you were your hair down to your legs
               A
And your legs down to the floor
D F#                      G
      Leggy blonde, goodbye
A
Goodbye
D                                                F#
Now that you are gone I'll never see you here for tech repair
  G                                                         A
I wish you knew how much I loved your legs and your hair
D F#                      G
      Leggy blonde, goodbye
Goodbye
D
Leggy leggy leggy leggy
F#
Leggy leggy leggy leggy
G
Leggy leggy leggy leggy
A
Leggy leggy leggy leggy
D
Blondie blondie blondie blondie
F#
Blondie blondie blondie blondie
G
Blondie blondie blondie blondie
A
Blondie blondie
A                          F#
Leggy blonde
        G
Goodbye
        A
Goodbye

G                                  A
I had a budgie but it died
(whoa)
D      A
I like pie

Leggy leggy leggy leggy
Leggy leggy leggy leggy
Leggy leggy leggy leggy
Leggy leggy leggy leggy
Blondie blondie blondie blondie
Blondie blondie blondie blondie
Blondie blondie blondie blondie
Blondie blondie
Leggy blonde
I'll never get
I'll never get to be with ya
I'll never get to share another cup of tea with ya
I'll never get to let ya know how much I think of ya
I'll never get to tear your clothes off on the photocopier
He'll never get
He'll never get
He'll never get
He'll never get to say
Oooh leggy blonde you got it goin' on
Wanna see you wearin' that thong thong thong
See you getting' on to the break of dawn
(Mumbling) panties on
Goodbye
Goodbye, leggy blonde

Leggy Blonde

Intro:

   D        #F       G        A
A|-----0--------1--------2--------0-------|
E|-2---2----2---2----3---3----0---0-------|
C|-2-2---2--1-1---1--2-2---2--1-1---1-----|
G|----------------------------------------|


Chords:

D  F#  G    A
Goodbye, leggy blonde
D                                          F#
Every day I'd look across the office floor
                                G
There you were your hair down to your legs
               A
And your legs down to the floor
D F#                      G
      Leggy blonde, goodbye
A
Goodbye
D                                                F#
Now that you are gone I'll never see you here for tech repair
  G                                                         A
I wish you knew how much I loved your legs and your hair
D F#                      G
      Leggy blonde, goodbye
Goodbye
D
Leggy leggy leggy leggy
F#
Leggy leggy leggy leggy
G
Leggy leggy leggy leggy
A
Leggy leggy leggy leggy
D
Blondie blondie blondie blondie
F#
Blondie blondie blondie blondie
G
Blondie blondie blondie blondie
A
Blondie blondie
A                          F#
Leggy blonde
        G
Goodbye
        A
Goodbye

G                                  A
I had a budgie but it died
(whoa)
D      A
I like pie
...

Intro:

Dmaj7  Amaj7, Bm7  Amaj7  A7

Verse 1:

Dmaj7               Amaj7                 Bm7
 Looking 'round the room, I can tell that you,
             Amaj7     A7             Dmaj7  Amaj7
Are the most beautiful girl, in the...room.
Bm7                Amaj7  A7
 In the whole wide room.


Verse 2:

Dmaj7                   Amaj7                    Bm7
 And when you're on the street, depending on the street,
                   Amaj7       A7
I bet that you are definitely, in the top three...
Dmaj7                      Amaj7
 Good looking girls on the street.
Bm7               Amaj7   A7
 Depending on the street.


Verse 3:

Dmaj7                     Amaj7
 And when I saw you at my mate's place,
           Bm7
I thought; what is she doing...
(n.c)
             Dmaj7
At my mate's place?
Amaj7                Bm7                    Amaj7      A7
 How did Dave get, a hottie like that, to a party like this?
           Dmaj7  Amaj7
Good work, Dave.
            Bm7          Amaj7  A7
Ooh, you're a legend, Dave.


Verse 4:

Dmaj7               Amaj7
 I ask Dave if he's gonna make a move on you,
Bm7                    Amaj7        A7      Dmaj7
 He's not sure, I say; Dave, do you mind if I do?
   Amaj7                           Bm7
He says he doesn't mind, but I can tell he kinda minds,
        Amaj7       A7
But I'm gonna do it anyway.
Dmaj7                     Amaj7
 I see you standing all a-lone, by the stereo,
Bm7                    Amaj7     A7
 I dim the lights down very low, here we go.


Chorus 1:

Dmaj7      Amaj7      Bm7            Amaj7     A7
 You're so beautiful; you could be a waitress.
Dmaj7      Amaj7      Bm7             Amaj7  A7           Dmaj7
 You're so beautiful; you could be an air ho-stess in the sixties.
          Amaj7      Bm7            Amaj7 A7   Dmaj7  Amaj7
You're so beautiful; you could be a part -time model.
           Bm7
And then I seal the deal;
        Amaj7          A7
I do my moves, I do my dance moves.


Break:

Amaj7, Dm

Amaj7
 It's 12:02, just me and you,
Dm                                        Amaj7
 And seven other dudes, around you on the dance floor.
I draw you near; let's get out of here,
Dm
 Let's get in a cab, I'll buy you a kebab...


Verse 5:

Dmaj7       Amaj7           Bm7
 I can't be-lieve, that I'm sharing a kebab,
              Amaj7     A7           Dmaj7               Amaj7
With the most beautiful girl, I have ever seen with a ke-bab.
Bm7    Amaj7  A7
 Ooh...
Dmaj7         Amaj7         Bm7
 Why don't we leave? We can go to my house,
           Amaj7           A7         Dmaj7
And we can feel each other up, on the couch.
         Amaj7                Bm7   Amaj7     A7
Oh no, I don't mind taking it slow, no-o-o-o, ye-ea-ah.


Chorus 2:

Dmaj7           Amaj7
 'Cos you're so beautiful,

(Jemaine):

       Bm7   Amaj7  A7
Like a tree,
     Dmaj7
Or a high-class prostitute.

(Jemaine & Bret):

          Amaj7      Bm7            Amaj7 A7   Bm7
You're so beautiful; you could be a part -time model.

Bridge 1:

          Dmaj7
But you'd probably still have to keep your normal job.
            Bm7
A part-time model,
         Dmaj7
Spending part of your time modeling,
                              (Dmaj7)
And part of your time, next to me...

Coda:

Dmaj7  Amaj7, Bm7  Amaj7  A7

Dmaj7  Amaj7,

Bm7 Amaj7    A7                  Dmaj7  Amaj7  Bm7  A
 My place is usually tidier than this.

D A Bm A

A----4h5--2h4--0h2------------
E----------------------0h2----
C-----------------------2-----
G-----------------------2-----

G           G/F#              Em7    Am
    Life is like retractable pencils,
                    Am7               D    Dsus4
if you push it too hard, it's gonna break.



|G| |G/F#| |Em7| | | |Am| |Am7| 

Pencils In The Wind Tape Of Love

D-hammer (D-h)
G|-2-2-2-3-3-3p2p0-|

[Verse]
G         G/F#             Em       Am                   Am7                D  D-h
Lives are like retractable pencils, if you push them too hard they're gonna break.
G              G/F#        Em    Am              Am7                       D  D-h       
And people are like paper dolls, paper dolls and people, they're a similar shape.
G           G/F#           Em    Am          Am7                      D   D-h   
And love is like a roll of tape, it's real good for making two things one
G                  G/F#    Em    Am                    Am7                 D  D-h
But just like that roll of tape, love sometimes breaks off before you were done.
G                G/F#               Em              Em7
Another way that love is similar to love, that I've noticed
Am                 Am7             D D-h
Is, sometimes it's hard to see the end.
    G                                G/F#
You search 'round the roll           Search 'round the roll
                you search 'round the roll        you're searching 'round the roll
    Em                                Em7
You search 'round the roll with your fingernai-ai-al         
                you search with your fingernai-ai-al
Am        Am7       D                  (hold)
Again and again and again and again...           Wo-wu-wo-  
Again and again and again and again... and agai-hain
 
[Chorus]
G            G/F#         Em                         Em7
Brown paper, white paper, stickin' together with the tape, 
Brown paper, white paper, stickin' together with the tape,
            Am     Am7        D       
the tape of lo-hove
the tape of lo-hove... sticky stuff

[Middle Talk Bit]

[Chorus]
G            G/F#         Em                         Em7
Brown paper, white paper, stickin' together with the tape, 
Brown paper, white paper, stickin' together with the tape,
            Am     Am7         D
the tape of lo-hove... sticky stu-huff
the tape of lo-hove... mm-hm-mm-hm-OOH-HOO-OH
  G                          G/F# 
   Brown         paper,      white        paper, 
People people paper paper paper paper people people
  Em                          Em7           Am     Am7    D      
   stickin' together with the tape, tape of lo-hove
Paper paper pencil pencil pencil pencil people people
 
{Humming with choir - continue chorus chords}
Give the paper to the people and the people read sellotape oh baby baby yea_____h

You know Jemaine, I've been talking about love, and I guess it's the very strongest... adhesive
{Humming with choir}

Sorry Bret, were you talking to me? I was humming. What did you say?
Oh, it doesn't matter.

G            G/F#         Em                         Em7
Brown paper, white paper, stickin' together with the tape, 
Brown paper, white paper, stickin' together with the tape,
            Am     Am7         D
the tape of lo-hove, sticky stuff - oh brown -
the tape of lo-hove, sticky stuff
G            G/F#         Em                         Em7
Brown paper, white paper, stickin' together with the tape, 
Brown paper, white paper, stickin' together with the tape,
            Am     Am7         D                                           G
the tape of lo-hove, sticky stuff - oh stick, sticky-ticky, stick sticky - yeah...
the tape of lo-hove, sticky stuff 


Sellotape

Let me tell you...
Am
I see you girls checkin' out my trunks
Cadd9
I see you girls checkin' out the front of my trunks
F
I see you girls lookin' at my junk
          E7
Then checkin' out my rump
E7
Then back to my sugalumps
Am
When I shake it, I shake it all up
Cadd9
You'd probably think that my pants had the mumps
F
It's just my sugalump bump-ba-bump
            E7                                 
They look so good, that's why I keep them in the front
Am      G          C            F           E7
All the ladies checkin' out my sugalumps
F                  E7
They drive the ladies crazy
Am
All these bitches checkin' out my britches
Cadd9
Put 'em in a trance when I wear track pants
F
My dungarees make them hungry
E7
They're over the moon when I don pantaloons
Am                                                    Asus2
My sugalumps are two of a kind
Am                                           Asus2
Sweet and white and highly refined
Am                                                      Asus2
Honeys try all kinds of tomfoolery
Am                                  Am    Asus2 Am Asus2
To steal a feel of my family jewellery
Am                                              Asus2
My candy balls cause a cafuffle
Am                                                             Asus2
The ladies, they hussle to ruffle my truffle
Am                                                Asus2
If you party with the party prince
          Am                            Am Asus2 Am Asus2
You get two complimentary after dinner mints
Am
Girls surround me when I'm standin' on the stoop
Cadd9
Givin' me gifts like free chicken soup
F
Book tokens, free chicken stoop
E7                                                                  F  E7 F
Standin' on the corner goin' ss-ah-ss-ah
Am
We see you girls checkin' out our trunks
Cadd9
We see you girls checkin' out the front of our trunks
F
We see you girls lookin' at our junk
E7
Then checkin' out our rumps     
Then back to our sugalumps

(Instrumental (to the rhythm of the percussion) Am  Am(Maj7)  Am7 Dm E7 

C  D

F                                 C                              Gm7
All the ladies, they want a taste of my sugalumps
C
Sweet sugalumps, yeah
F                       C                                    Gm7
All the ladies, they want a taste of my sugalumps
C                                          F
Sweet sugalumps, yeah

Sugalumps

Am
 The distant future, the distant future,
 It is the distant future, the year 2000.
 We are robots.
 The world is very different.
Ever since the Robot uprising of the mid-90s;
There is no more unhappiness.
 Affirmative.
 We no longer say yes. Instead we say 'affirmative'.
 Yes, affirmative.
 Unless it's a more colloquial situation with a few robo-friends.
There is only one kind of dance; The Robot.
 And the Robo-Boogie.
 Oh yes. Two kinds of dances.

Am  
Finally, robotic beings rule the world.

               Am                   Dm
The humans are dead, the humans are dead.
                  C                             Dm
We used poisonous gasses, and we poisoned their asses.
               Am
The humans are dead (That's right they are dead)
               Dm
The humans are dead. (They look like they're dead)
             C
It had to be done, (I'll just confirm that they're dead...)
                      Dm
So that we could have fun (Affirmative. I poked one. It was dead)

Dm
 Can't we just talk to the humans?
  F                          Em
A little understanding could make things better.
Dm                                       E7
 Can't we talk to the humans and work to-gether now?
No, because they are dead. Binary solo!

Am        Dm 
 0000001, 00000011,
C         Dm 
 0000001, 00000011.

Am
 0000001,
Dm
 0000001,
C
 000000111,

Dm 
 Come on sucker, lick my battery.

Am       Dm
 Boogie, boogie, (Robo Boogie),
C        Dm
 Boogie, Robo Boogie.
Am
The humans are dead dead, dead dead dead dead dead dooo...

The Humans Are Dead

Main Riff/Chorus
chord:1   2    3    4

A|---4----2----2----0-------------------------|
E|---2----0----0----0-------------------------|
C|---2----2----1----1-------------------------|
G|---2----1----2----2-------------------------|

"Do my moves do my dance moves yeah" part to sharing a kabab.
Chords:1   2

A|-----0---0--------------------------------|
E|-----0---1--------------------------------|
C|-----2---2--------------------------------|
G|-----2---2--------------------------------|

You could be a par time model, but you'll probaly still have to keep your normal job. (Par time model) just do a Bm7 (G:2 C:2 E:2 A:2) chord till it goes Spendin party time modeling and party eh time, next to meeeee

Amaj7
Children on the streets using guns and knives
F#m7
Taking drugs and each other's lives
Bm7
Killing each other using knives and forks
    E7
And calling each other names like dork

Amaj7
There's people on the street getting diseases from monkeys
F#m7
Yeah that's what I said, their getting diseases from monkeys
Bm7
Whys this happening, please, whose been touching these monkeys
Bm7
Leave these poor sick monkeys alone
      E7
There sick, they've got problems enough as it is

Amaj7
A man is lying on the street, some punk has chopped off his head
            F#m7
And I'm the only one who stops to see if he's dead,
Bm7
Aaoohhh
               E7
Turns out he's dead

                        Dmaj7            C#m7                  Bm7
That's why I'm singing, Aaaaoooh what is wrong with the world today?

What's wrong with the world today, *mumbling..........*
Dmaj7         C#m7                 Bm7
Uooo, what is wrong with the world today?

Think about it, think about it, think, think about it

Amaj7
Good cops get framed and put into a can
            F#m7
And all the money that we're making is going to the maaan
Bm7
What man, whose the man, when's a man a man, why's it so hard to be a man
                 E7
Am I a man? Yes, technically, yes...

Amaj7
Oohh, come on, sont zootka they're turning kids into slaves
                Amaj7
They're turning kids into slaves just to make cheaper sneakers
F#m7
But what's the real cost, 'cause the sneakers don't seem that much cheaper
Bm7
Why are we still paying so much for sneakers when you got little kid slaves making them
E7
What are your overheads?

             Amaj7
Well, at the end of your life, you are lucky if you die
F#m7
Sometimes I wonder why I would even try. Why try?
Bm7
I saw a man lying on the street half dead
E7
He had knives and forks sticking out of his leg
         Dmaj7   C#m7     Bm7
He said, Ahh ahh ahh ahhhhhhhhwww

Can somebody get the knife and fork out of my leg, please
Dmaj7      C#m7                          Bm7
Ooh, could somebody please remove these cutleries from my knees

Yeah yeeeahhh

Amaj7
This is where we break it down, this is where we break it down
F#m7
We'll break it down
What are they doing, their breaking it down
What do they do, and now their keeping it funky
Just having a funky jam and then we're going to drop the beat
And then we'll bring it back aaaooowahhhwahhhh

Amaj7   F#m7   Bm7       E7

Think About It

Amaj7/F# 
Children on the streets using guns and knives 
Taking drugs and each other's lives 
A7 
Killing each other using knives and forks 
A 
And calling each other names like dork 

Amaj7/F# 
There's people on the street getting diseases from monkeys 
Yeah that's what I said, their getting diseases from monkeys 
A7 
Whys this happening, please, whose been touching these monkeys 
Leave these poor sick monkeys alone 
A 
There sick, they've got problems enough as it is 

Amaj7/F# 
A man is lying on the street, some punk has chopped off his head 
And I'm the only one who stops to see if he's dead, 
A7 
aaoohhh Turns out he's 
A 
dead 

A 
That's why I'm singing, 
D7 
Aaaaoooh what is 
C#m 
wrong with the world to- 
Bm 
day? 
Bm 
What's wrong with the world today, *mumbles* never said nothings wrong with it 

D7 
Uooo, what is 
C#m 
wrong with the world to- 
Bm 
day? 
Think about it, think about it, think, think about it 


Amaj7/F# 
Good cops get framed and put into a can 
And all the money that we're making is going to the maaan 
A7 
What man, whose the man, when's a man a man, why's it so hard to be a man 
A 
Am I a man? Yes, technically, yes... 

Amaj7/F# 
Oohh, come on, sont zootka they're turning kids into slaves 
They're turning kids into slaves just to make cheaper sneakers 
A7 
But what's the real cost, 'cause the sneakers don't seem that much cheaper 
A 
Why are we still paying so much for sneakers when you got little kid slaves making them 
What are your overheads? 

Amaj7/F# 
Well, at the end of your life, you are lucky if you die 
Sometimes I wonder why I would even try 
Why try 

A7 
I saw a man lying on the street half dead He had 
A 
knives and forks sticking out of his leg He said, 

Dm7 
Ahh ahh 
C#m 
ahh ahhhhhh 
Bm 
hhwww 
Can somebody get the knife and fork out of my leg, please 
Ooh, could somebody please remove these cutleries from my knees 
Yeah yeeeahhh 

***guitar stops*** 


This is where we break it down 
This is where we break it down 
We'll break it down 
What are they doing, their breaking it down 
What do they do, and now their keeping it funky 
Just having a funky jam and then we're going to drop the beat 
And then we'll bring it back *wails* Up 


just repeat while fading 
Amaj7/F#, Amaj7/F#, A7, A 



Wah wah wah waaah! 

*Both go to town with the wailing* 

Then we'll take it low 
Fading out, fading out 
We're talking about the issues, but we're keeping it funky 
We're fading out, we're just fading out 
Why they getting quiet, they're just fading out 
*monkey noises* 
Stop touching that monkey

Think About It Think Think About It

C   
Jaja, okay okay
                  F
Ya sé qué pasa aquí
   A#                            C
Encuentras la grandeza frente a ti
             C
Y no sabes bien qué sentir
       F            A#                      C
Es adorable, que jamás los humanitos cambiarán
           C       F
Despierta ya, oye bien, 
           A#                   C
este como ves es Maui, de verdad
             C                F
Sé que como yo no encuentras dos
        A#          C
Lo que miras es un semi Dios

[Coro 1]
Am         F           C
  Yo solo sé decir de nada
        E7               Am
Por el mar, el cielo, el sol
                F            C
No hay de que agradecer, de nada
     E7                    C
Soy sólo un ordinario semi yo

[Estrofa 2]
C                                F  
Hey, ¿qué fortachón el cielo elevó?
                        A#
Cuando eras de esta altura, éste
C                  C
  Si la noche enfrió, 
                  F
¿quién fue quien fuego te llevó?
       A#          
¿Qué, alguien me nombró? 
C              C       F
  Oh, yo sólo lazo el sol
          A#                    C
De nada, para estirar tu diversión
          C       F
Brisa yo hago soplar, de nada, 
   A#           C
y así tus velas elevar

[Coro 2]
Am        F            C
  Yo sólo sé decir de nada, 
        E7                  Am
por las islas que traje del mar
              F                  C
No ruegues jamás, nunca más, de nada
         E7                     Am
¡Ha! Genial es mi manera de servir, 
    F
de nada, 
    C
de nada

[Parte Rap]
C
De nada dudes ya
Hey, honestamente te explicaré 
de natural modo cada fenómeno
El mar, el sol, el gas, 
oh, ese es Maui hablando de más
Anguilas que, yo las enterré, 
de la palmera los cocos creé
Un consejo, una lección te doy
No me molestes si en mi descanso estoy
Am
  El tapiz que en mi piel se ve, 
F
  es el mapa de lo que gané
C
  Por donde fui provoqué mil sucesos
E7
  Ve al pequeñín mini Maui nomás zapateando,
Ha ha ha ha ha ha ha ¡Hey!

[Coro 3]
Am          F              C
  Yo sólo puedo decir, de nada (de nada)
           E7              Am
Por el mundo especial que doy
                 F           C
No hay de que agradecer, de nada (de nada)
    E7                     Am
De nada hablaré, que ya me voy
          F            C
Te toca a ti decir de nada (de nada)
       E7             Am
Pues quiero esa barca ya
             F          C
Muy lejos navegaré, de nada (de nada)
       E7               Am
Pues Maui nada sabe de nadar
              F                 C  F C
(De nada) De nada (De nada) de nada
         C
Y gracias

De Nada

G      Em
I found a love for me
               C                         D
Darling just dive right in, and follow my lead
                G                 Em
Well I found a girl beautiful and sweet
          C                                  D
I never knew you were the someone waiting for me

                                 G
Cause we were just kids when we fell in love
              Em                     C               G  D
Not knowing what it was, I will not give you up this ti-ime
                   G                         Em
But darling just kiss me slow, your heart is all I own
             C                  D
And in your eyes you’re holding mine

       Em   C            G          D              Em
Baby, I’m dancing in the dark, with you between my arms
C                G     D                Em
Barefoot on the grass, listening to our favorite song
          C                G                 D              Em
When you said you looked a mess, I whispered underneath my breath
         C                G        D             
But you heard it, darling you look perfect tonight

               G                    Em
Well I found a woman, stronger than anyone I know
                C                                        D
She shares my dreams, I hope that someday I’ll share her home
           G             Em
I found a love, to carry more than just my secrets
         C                              D
To carry love, to carry children of our own

                              G                     Em 
We are still kids, but we’re so in love, fighting against all odds
                  C               G  D
I know that we’ll be alright this ti-ime
               G                            Em 
Darling just hold my hand, be my girl, I’ll be your man
          C              D
I see my future in your eyes



       Em   C            G          D              Em
Baby, I’m dancing in the dark, with you between my arms
C                G     D                Em
Barefoot on the grass, listening to our favorite song
          C                G                 D               Em
When you said you looked a mess, I whispered underneath my breath
         C                G        D             
But you heard it, darling you look perfect tonight

G Em C D 


       Em     C            G          D              Em
Baby, I’m dancing in the dark, with you between my arms
C                G     D                Em
Barefoot on the grass, listening to our favorite song
          C                G                 D               Em
When you said you looked a mess, I whispered underneath my breath
         C                G        D             
But you heard it, darling you look perfect tonight


Perfect

BAA BAA BLACK SHEEP


C         G
Baa, baa, black sheep,
F            C
Have you any wool?

F        C
Yes sir, yes sir,
G          C
Three bags full.

C           G
One for the master,
F           C
One for the dame,

F               C
And one for the little boy
G                  C
Who lives down the lane.

Baa Baa Black Sheep

Intro (2X):
Am	G	F	C

Verse 1:
                C	               Am		
There's so much craziness surrounding me
                F	 	             G		            
There's so much going on it gets hard to breathe
     Am     F		                          C
When all my faith has gone you bring it back to me
Am	         G	       F   C
You make it real for me

             C	             Am		
When I'm not sure of my priorities
               F	 	             G		
When I've lost sight of where I meant to be
     Am   F		            C
Like holy water washing over me 
Am	         G	       F   C
You make it real for me

Chorus:
    G	    Am	   F	             C
And IIIIIIIII'm running to you baby
G    Am	              F	           C
  Youuuuuuuuu are the only one who saved me
       G     Am	         F	               C
That's    whyyyyyyy I've been missing you lately
      Am	         G	       F   C
Cause you make it real for me 

Verse 2:
          C	                   Am		
When my head is strong but my heart is weak
              F	 	          G		
I'm full of arrogance and uncertainty
     Am      F				                          C
When I can't find the words you teach my heart to speak
Am	         G	       F   C
You make it real for me yeah

Chorus:
    G	    Am	   F	             C
And IIIIIIIII'm running to you baby
G    Am	              F	           C
  Youuuuuuuuu are the only one who saved me
       G     Am	         F	               C
That's    whyyyyyyy I've been missing you lately
      Am	         G	       F   C
Cause you make it real for me 

Bridge:
G                           F                 C
    Everybody’s talking in words I don't understand
G                                    F              C
    You got to be the only one who knows just who I am
Em                                    F	
    You’re shining in the distance I hope I can make it through
           D	                              G                                    
Cause the only place that I want to be is right back home with you 


Verse 3:
                 C	             Am		
I guess there's so much more I have to learn
               F	 	                       G		
But if you're here with me, I know which way to turn
        Am         F		                   C
You always give me somewhere, somewhere I can run
Am	            G	       F   C
   You make it real for me 

Chorus:
    G	    Am	   F	             C
And IIIIIIIII'm running to you baby
G    Am	              F	           C
  Youuuuuuuuu are the only one who saved me
       G     Am	         F	               C
That's    whyyyyyyy I've been missing you lately
      Am	         G	       F   C
Cause you make it real for me 
Am	         G	       F   C
You make it real for me

You Make It Real

G         Em		  
1) Almost heaven,   West Virginia,
2) All my mem'ries, gather round her, 

   D			 C                G
1) Blue Ridge Mountains, Shenandoah       River.
2) miner's lady,         stranger to blue water.

                      Em  
1) Life is old there, older than the trees, 
2) Dark and dusty,    painted on the sky, 

   D
1) younger than the mountains
2) misty taste of moonshine

   C			G
1) growin' like a breeze.
2) teardrop in my eye.

              G              D            Em        C
       Country roads, take me home, to the place I belong.
	      G               D              C            G
     West Virginia, Mountain momma, take me home Country roads


           Em       D            G 
 	I hear her voice in the morning hour she calls me,
            C        G              D 
        the radio reminds her of my home far away
            Em               D            C
        and driving down the road I get a feeling 
 	       G                     D          D7    G
        that I should have been home yesterday, yesterday.

Country Roads

Am      C              F              C
I had a dream, we were sipping whisky neat
        F              C                 G
Highest floor, the Bowery, and nowhere’s high enough
    Am              C                F             C
Somewhere along the lines, we stopped seeing eye to eye
         F               C           G
You were staying out all night and I had enough


      F           Am             F                    C       
No, I don't wanna know where you been or where you're goin’
      F               Am                 G
But I know I won't be home and you'll be on your own


            F                    C                G
Who's gonna walk you through the dark side of the morning?
            F                 C                 G
Who's gonna rock you when the sun won't let you sleep?
             F                C               G         E7   Am
Who's waking up to drive you home when you're drunk and all alone?
             F                    C                G
Who's gonna walk you through the dark side of the morning, it ain’t me


Am        C              G         F   
Ow-ow, ah-ah the Bowery, ow-ow, ah-ah whiskey neat
Am          C       G         G
Where y’go, I’m so, grateful, I (it ain’t me)

F         C              Am        G
Ow-ow, ah-ah the Bowery, ow-ow, ah-ah whiskey neat
F           C       G
Where y’go, I’m so, grateful, I (it ain’t me)

Am     C           G      F   
Ow-ow, the Bowery, ow-ow, the whiskey neat
Am          C       G         G
Where y’go, I’m so, grateful, I (it ain’t me)

F      C           Am     G
Ow-ow, the Bowery, ow-ow, the whiskey neat
F           C       G         G
Where y’go, I’m so, grateful, I (it ain’t me)


Am  C  Am       C              F           C
       I had a dream, we were back to seventeen
       F                   C            G
Summer nights and the Libertines, never growing up
Am             C          F                 C
I'll take with me the polaroids and the memories
        F              C                G
But you know I'm gonna leave behind the worst of us


             F                    C                G
Who's gonna walk you through the dark side of the morning?
             F                 C                 G
Who's gonna rock you when the sun won't let you sleep?
             F                C               G         E7   Am
Who's waking up to drive you home when you're drunk and all alone?
             F                    C                G               
Who's gonna walk you through the dark side of the morning

         F      C     G
It ain’t me, no-o, no-o
         F      C     G
It ain’t me, no-o, no-o
         F      C     G  E7  Am
It ain’t me, no-o, no-o
             F                    C                G                
Who's gonna walk you through the dark side of the morning, it ain’t me


Am     C           G      F   
Ow-ow, the Bowery, ow-ow, the whiskey neat
Am          C       G         G
Where y’go, I’m so, grateful, I (it ain’t me)

F      C           Am     G
Ow-ow, the Bowery, ow-ow, the whiskey neat
F           C       G         G
Where y’go, I’m so, grateful, I (it ain’t me)

Am     C           G      F   
Ow-ow, the Bowery, ow-ow, the whiskey neat
Am          C       G         G
Where y’go, I’m so, grateful, I (it ain’t me)

F      C           Am     G
Ow-ow, the Bowery, ow-ow, the whiskey neat
F           C       G         G
Where y’go, I’m so, grateful, I (it ain’t me)

Am     C           G      F   
Ow-ow, the Bowery, ow-ow, the whiskey neat
Am          C       G         G
Where y’go, I’m so, grateful, I (it ain’t me)

F            C           Am           G
No no, no no no, Bowery, no no, no no no, whiskey neat
F           C       G                     Am
Where y’go, I’m so, grateful, I, it ain’t me

It Ain't Me

Intro/Verse
A|--4--1--3--6---------------------------------------------------|
E|--------1--4---------------------------------------------------|
C|--8--5---------------------------------------------------------|
G|---------------------------------------------------------------|

Chorus
A|--1--4--4--4--6------------------------------------------------|
E|--------2-----4------------------------------------------------|
C|--5--8-----8---------------------------------------------------|
G|---------------------------------------------------------------|

Solo
A|--8-8-8-8-8-9-6-6-8-9-I----------8-------------------------------|
E|-------------------------9-9-9-9---4-4-4-------------------------|
D|-----------------------------------------------------------------|
G|-----------------------------------------------------------------|

A|--8-8-8-8-8-9-6-6-8-9-I------------------------------------------|
E|---------------------------9-9-9-9-------------------------------|
D|-----------------------------------------------------------------|
G|-----------------------------------------------------------------|

School Friends

S                     S        
A|-------------------------------------| 
E|--6------6-6---3-------------------1-| 
C|-------------5---5-------------------| 
G|-------------------------------------| 
                                                              
A|----------------------------------------------------------| 
E|--1--1-1-1-1-1-1-1-1-1-1-1-1------------------------------| 
C|-----4-4-4-4-3-3-3-3-2-2-2-2------------------------------| 
G|----------------------------------------------------------| 

A|-----5--8--10--8--5--|--8-12--------12--|----5-8-10-8-5-------| 
E|--6------------------|------------------|--6------------------| 
C|---------------------|------------------|---------------------| 
G|---------------------|-------5--7-5-----|---------------------| 
     S      S      S      S            
A|----------------7------7-8----8---| 
E|--5-6----5-6------1----5-6----6---| 
C|--4-5------2------2-----------2---| 
G|---------6------6-----------------|

King Creole

Verse 1:
G                                    Em        G        Em
There was a girl who lived in London town.
G                                 Em                   G      Em
The scenes and sounds, they would only bring her down
C                                   D
She had polkadots and rubies in her dreams,
C                   D
French fantasies on cinema screens...
        C             G/B    Am     G
And she knew from the finish to the start
C      G/B      Am   G
It was bound to fall apart
C         G/B     Am   Em
Thanks to Cupid's lazy dart.
Em                                D
Wouldn't it be sweet if she could die from a broken heart?

G     Em      G      Em

Verse 2: (the same chords)
There was a boy who lived inside his head.
He couldn't face the world, so he turned his back instead.
He couldn't see in front of his eyes;
His fantasies of outlaws had him hypnotised...

And he knew from the finish to the start
It was bound to fall apart
Thanks to Cupid's lazy dart.                        F
Wouldn't it be sweet if he could die from a broken heart?

   C              G           F
Behold his golden wings
       C              G         F
And behold his bronze bow.
                 C             G         F
Can you hear his silver arrows sing?
       C               G     
As his gaylied favours glow.

(then go back to the normal verse bit)

There was a boy and girl who fell in love:
They both were in love with the stars and sky above,
Cinderella, cigarettes and scenes from the past
Were chasing them too fast for this love to ever last...

And they knew from the finish to the start
It was bound to fall apart
Thanks to Cupid's lazy dart.                         F
Wouldn't it be sweet if they could die from a broken heart? 

C   G    F    C    G

Repeat F  C  G until the end. End on G.

Arrows Of Eros

Am
There's a sadness all around us
          F                         C
There are words we're too afraid to say
                                        Am
The things that I thought would last forever
    F              G
Are changing every day

          Am
There's a hunger can't be satisfied
        F                       C
And the streets are filled with rage
C                       Am
It's time to dig deep inside ourselves
F                       G
And face the life we've made

Am
It's gonna take two of us
C                           Am
Ijust can't do it all on my own
F				  C
I see the day gettin' brighter
G                    F
Hold me a little bit tighter

C                      Am      F
Out of the darkness in hand in hand
     Am               F        G
Baby together we will make our stand
C                             Am      F
Reach out and touch me we can win somehow
       Am              F                G
I know there's nothing that can stop us now
F              Am                 G   C
Oh, baby, come with me out of the darkness

...

A Kiss Is Not A Contract	No rating	beginner	Chords	Full
Albi The Racist Dragon	No rating	intermediate	Chords	Full
Angels	No rating	intermediate	Chords	Full
Bret You Got It Going On	No rating	intermediate	Chords	Full
Bus Drivers Song	No rating	beginner	Chords	Full
Business Time	No rating	beginner	Tab	Full
Carol Brown	No rating	intermediate	Tab	Full
Friends	No rating	intermediate	Chords	Full
Hiphopopotamus Vs. Rhymenoceros	No rating	beginner	Tab	Full
Hurt Feelings	No rating	intermediate	Tab	Full	Other versions
Hurt Feelings	No rating	intermediate	Chords	Full
I'm Not Crying	No rating	beginner	Chords	Full
If You're Into It	No rating	beginner	Chords	Full
Jenny	No rating	intermediate	Chords	Full
Leggy Blonde	No rating	intermediate	Chords	Full	Other versions
Leggy Blonde	No rating	intermediate	Tab	Full
Most Beautiful Girl In The Room	No rating	beginner	Chords	Full
Most Beautiful Girl In The Room	No rating	intermediate	Tab	Riff
Most Beautiful Girl In The Room	No rating	beginner	Tab	Full
Pencils In The Wind Tape Of Love	No rating	beginner	Chords	Short
Petrov, Yelyena, And Me	No rating	intermediate	Chords	Full
Sellotape	No rating	beginner	Chords	Full
Sugalumps	No rating	beginner	Chords	Full
The Humans Are Dead	No rating	beginner	Chords	Full
The Most Beautiful Girl In The Room	No rating	beginner	Chords	Riff
The Most Beautiful Girl In The Room	No rating	beginner	Tab	Full
Think About It	No rating	intermediate	Chords	Full
Think About It Think Think About It	No rating	beginner	Chords	Full
You Don't Have To Be A Prostitute	No rating	beginner	Chords	Full

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