A Fever You Can't Sweat Out

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Intro

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Am
Oh, well imagine, as I'm pacing the pews in a church corridor,
   Dm                                                            F
and I can't help but to hear, no I can't help but to hear an exchanging of words:
Am
"What a beautiful wedding! What a beautiful wedding!" says a bridesmaid to a waiter.
   Dm                                                               F
"Yes, but what a shame, what a shame, the poor groom's bride is a whore."


Am                  Dm                                                         G
I'd chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am                      Dm                                  F             G
No, it's much better to face these kinds of things with a sense of poise and rationality.
Am                     Dm                               F                     G
I'd chime in, "Haven't you people ever heard of closing a goddamn door?!"
Am                       Dm                          F            G
No, it's much better to face these kinds of things with a sense of...

Am                                                                              
           Dm
Well in fact, well I'll look at it this way, I mean technically our marriage is saved
                                                F
Well this calls for, a toast so, pour the champagne
Am                                                                           Dm
Oh! Well in fact, well I'll look at it this way, I mean technically our marriage is saved
                                                F
Well this calls for a toast, so pour the champagne, pour the champagne


Am                       Dm                    F                      G
I'd chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am         Dm                               F                 
     G
No, it's much better to face these kinds of things with a sense of ,poise and rationality
 Am F G
 Again...

Am                    Dm                                                   G
I'd chime in "Haven't you people ever heard of closing a goddamn door?!"
Am                      Dm                                  F             G
No, it's much better to face these kinds of things with a sense of poise and rationality.
Am                     Dm                               F                     G
I'd chime in, "Haven't you people ever heard of closing a goddamn door?!"
Am                       Dm                          F            G
No, it's much better to face these kinds of things with a sense of ,poise and rationality.
 Am F G
 Again......

I Write Sins Not Tragedies

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Am
Oh, well imagine, as I'm pacing the pews in a church corridor,
   Dm                                                            F
and I can't help but to hear, no I can't help but to hear an exchanging of words:
Am
"What a beautiful wedding! What a beautiful wedding!" says a bridesmaid to a waiter.
   Dm                                                               F
"Yes, but what a shame, what a shame, the poor groom's bride is a whore."


Am                     Dm                                    
                     G
I'd chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am                      Dm                                  F 
             G
No, it's much better to face these kinds of things with a sense of poise and rationality.
Am                     Dm                               F     
                G
I'd chime in, "Haven't you people ever heard of closing a goddamn door?!"
Am                       Dm                          F        
     G
No, it's much better to face these kinds of things with a sense of...

Am                                                                              
           Dm
Well in fact, well I'll look at it this way, I mean technically our marriage is saved
                                                F
Well this calls for, a toast so, pour the champagne
Am                                                                              
           Dm
Oh! Well in fact, well I'll look at it this way, I mean technically our marriage is saved
                                                F
Well this calls for a toast, so pour the champagne, pour the champagne


Am                       Dm                    F              
        G
I'd chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am         Dm                               F                 
     G
No, it's much better to face these kinds of things with a sense of ,poise and rationality
 Am F G
 Again...

Am                     Dm                                    
                     G
I'd chime in "Haven't you people ever heard of closing a goddamn door?!"
Am                      Dm                                  F 
             G
No, it's much better to face these kinds of things with a sense of poise and rationality.
Am                     Dm                               F     
                G
I'd chime in, "Haven't you people ever heard of closing a goddamn door?!"
Am                       Dm                          F        
     G
No, it's much better to face these kinds of things with a sense of ,poise and rationality.
 Am F G
 Again......

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**Verse 1**
Am
Oh,
 
Well imagine, 

As I'm pacing the pews in a church corridor,
      F 
And I can't help but to hear, 
                        Dm
No, I can't help but to hear an exchanging of words:
Am
"What a beautiful wedding! What a beautiful wedding!" says a bridesmaid to a waiter,
      F                                            Dm 
"And, yes, but what a shame, what a shame the poor groom's bride is a whore."
**Chorus**
Am    
I chime in with a
F                        Dm       G                 Am
"Haven't you people ever heard of closing a goddamn door!"
              F                    Dm
No, it's much better to face these kinds of things
                G
With a sense of poise and rationality.
Am        F
I chime in, 
                         Dm       G                 Am
"Haven't you people ever heard of closing a goddamn door!"
              F                    Dm     
No, it's much better to face these kinds of things
G              
With a sense of... 
**Verse 2**
Am
Well in fact, 

Well I'll look at it this way, 
                                   F
I mean technically our marriage is saved
                      Dm
Well this calls for a toast

So, pour the champagne
Am
Oh! Well in fact, 

Well I'll look at it this way, 
                                   F
I mean technically our marriage is saved

Well this calls for a toast, 
    Dm
So, pour the champagne, pour the champagne

**Instrumental**
(strum once) Am..Am F..Dm G..Am F

Am
I chime in with a
F                        Dm       G                 Am
"Haven't you people ever heard of closing a goddamn door!"
              F                    Dm
No, it's much better to face these kinds of things
                G
With a sense of poise and rationality.
Am
I chime in, 
F                        Dm       G                 Am
"Haven't you people ever heard of closing a goddamn door!"
              F                    Dm
No, it's much better to face these kinds of things
G 
With a sense of 

**Bridge**
Am    F   Dm       G   Am F Dm G
Poise and rationality

Am F Dm G (x2)
Again...

**Chorus**
Am 
I chime in,
F                        Dm       G                 Am 
"Haven't you people ever heard of closing a goddamn door!"
              F                    Dm
No, it's much better to face these kinds of things
                G (strum once)
With a sense of poise and rationality.
Am
I chime in,
F                        Dm       G                 Am
"Haven't you people ever heard of closing a goddamn door!"
              F                    Dm
No, it's much better to face these kinds of things

With a sense of 

**Bridge**
Am    F   Dm       G   Am F Dm G
Poise and rationality

Am F Dm G (x2)
Again...

Intro: C D C D (x2)


C D
Si es que no puedes hablar
C D
no te atrevas a volver
C D
si te quieres ocultar
C D
tal vez te podria ver
Em D C G C
y el amor que no sabe a quien y que
G C
hablará si tu verdad
Em F
te abrazara otra vez

Em C
Habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G C
y te hace feliz

C D


C D
Si no puedes escuchar
C D
aunque insistas hablaré
C D
si lo quieres mírame
C D
y tus ojos hablaran tal vez
Em D C G C
sentiras el amor e iras tras el
G C
hablaras si tu verdad
Em F
te abrazará otra vez

Em C
Habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G D
y te hace feliz
Em C
habla si puedes
G C
grita si temes
Em C
dime a quien quieres
G D
y te hace feliz


Em G C G
.(CUERDAS)... abrazaméeeeeeeee..
C Em F
quiero despertarme y entender

Em C
habla si puedes
G C
grita si temes
Em C
dime a quien quieres
G D
y que haces aquì
Em C
habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G C
y te hace feliz
G C
y te hace feliz

C D
(fin)

Habla si puedes

C
Working the village shop
E
Putting a poster up
Am
Dreaming of anything
C              Am               Em               Dm
Dreaming of the time when you're free from all the trouble you're in

C
In the mud, on your knees
E
Trying hard not to please
Am
Anyone, all the time
C              Am
Being a rebel's fine
           Em            C
But you go all the way to being brutal

Chorus:
G
You will have a boy tonight
You will have a boy tonight
F
On the first bus out of town
On the first bus out of town

Let's see your kit for games
All the girls look the same
You are challenging style for running miles
You're running miles in some boy's jumper

Boo to the business world!
You know a girl who's tax free on her back and making
Plenty cash
While you are working for the joy of giving

Chorus:
You will have a boy tonight
You will have a boy tonight
And you hope that she will see
And you hope that she will see

You are in two minds
Tossing a coin to decide whether you should tell your mum
About a dose of thrush you got while licking railings

But you read in a book
That you got free from Boots
There are lotions, there are potions
You can take to hide your shame from all those prying eyes

Lazy Jane, all the time
Painting lines
You sleeping at bus stops
Wondering how you got your name
And what you're going to do about it.

Chorus

Lazy Line Painter Jane

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Zebra

LA RE
Jo et duré a casa si fa mal temps
MI FA#m
Jo t’empararé si un cas tens por
SIm MI
Jo te cuidaré si estàs malalta
RE LA
De tot cor, de tot cor
RE REm LA
De tot cor

MI RE DO#m-SIm-LA

FA#m DO#m
Estic a punt d’anar-me’n
RE LA RE
Mes abans de partir et diré
REm LA
Que et duc dins es pensament

FA#m DO#m
No deix de recordar-te
RE LA RE
I alen els teus alens tot calents
REm SIm MI
De lluny i de prop me tens


Jo et duré...

FA#m DO#m
I a dalt de s’escenari
RE LA RE
Quan estic concentrat cantant
REm MI
Jo sempre te tenc present

FA#m DO#m
Perquè m’ets necessari
RE LA
Com s’aire que respir
RE REm SIm MI
Necessit estar amb tu en tot moment


Jo et duré... ( bis )

De tot cor

C                     G
Se a vida as vezes dá uns dias de segundos cinzas
           Am           F
E o tempo tic taca devagar
         Dm                   Am
Ponha o teu melhor vestido, brilha teu sorriso
      F              C
Vem pra cá, vem pra cá

                                     G
Se a vida muitas vezes só chuvisca, só garôa
        Am               F
E tudo não parece funcionar
         Dm                  Am
Deixe esse problema a toa, pra ficar na boa
      C
Vem pra cá

Refrão:
            Am              F
Do lado de cá, a vista é bonita
          C           G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C          E7
E o meu corpo dança sem parar
            F                  C                 G
Do lado de cá, tem música, amigos e alguém para amar
            C G Am F
Do lado de cá
            C G Am F
Do lado de cá

refrão:
           Am            F
Do lado de cá, a vista é bonita
          C           G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C          E7
E o meu corpo dança sem parar
            F                 C                 G
Do lado de cá, tem música, amigos e alguém para amar
            Am
Do lado de cá

             Am7M            Am7
A vida é agora, vê se não demora
  Dm            E7
Pra recomeçar
Am           Am7M          Am7
É so ter vontade de felicidade
  Dm     G
Pra pular

Refrão:
            Am              F
Do lado de cá, a vista é bonita
          C        G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C         E7
E o meu corpo dança sem parar
              F                C                  G
Do lado de cá, tem música, amigos e alguém para amar
            C G Am F
Do lado de cá
            C G Am F
Do lado de cá
            ( C G Am F ) (2x)
Do lado de cá

Do Lado De Cá

strumming pattern
D-DUD-D

F,G,C,Em7

mmmmm mmmm mmmm 

F                    G
Work, work, work, work, work, work. He said me haffi
C                   Em7
Work, work, work, work, work, work! He see me do mi
F                     G
Dirt, dirt, dirt, dirt, dirt, dirt! So me put in
C                   Em7
Work, work, work, work, work, work. When you ah guh
F                        G
Learn, learn, learn, learn, learn Meh nuh cyar if him
C                   Em7
Hurt, hurt, hurt, hurt, hurting


[Verse 1: Rihanna]

F              G
Dry! ...Me a desert
C                 Em7
Nuh time to have ya lerkin'
F                        G
Him ago act like him nuh like it
C                           Em7
You know I dealt with you the nicest
F                        G
Nuh body touch me in the righteous
C                     Em7
Nuh botha, text me in a crisis 
           F                    G
I believed all of your dreams, adoration
            C                    Em7
You took my heart and my keys and my patience
            F                        G
You took my heart on my sleeve for decoration
                C                          Em7
You mistaken my love I brought for you for foundation
           F             G
All that I wanted from you was to give me
C            Em7
Something that I never had
F                   G
Something that you've never seen
C                     Em7
Something that you've never been!
F     G
Mmmmm!
      C                          
But I wake up and act like nothing's wrong
D
Just get ready fi...


[Hook: Rihanna]
F                    G
Work, work, work, work, work, work. He said me haffi
C                   Em7
Work, work, work, work, work, work! He see me do mi
F                     G
Dirt, dirt, dirt, dirt, dirt, dirt! So me put in
C                   Em7
Work, work, work, work, work, work. When you ah guh
F                        G
Learn, learn, learn, learn, learn Meh nuh cyar if him
C                   Em7
Hurt, hurt, hurt, hurt, hurting
F             G
Ner ner ner ner ner ner!
               C           Em7
When you a guh ner ner ner ner ner ner!
                  F                 G
Before the tables turn turn turn turn turn turn!
C             Em7
Beg you something please


[Verse 2: Rihanna]

F            G
Baby don't you leave
               C                 Em7
Do''t leave me stuck here in the streets, 
   F                  G
uh huh If I get another chance to
       C                Em7
I will never, no never neglect you
      F                         G
I mean who am I to hold your past against you?
       C                    Em7
I just hope that it gets to you
  F           G
I hope that you see this through
  C                      Em7
I hope that you see this true
F          G
What can I say?
       C          
Please recognize I'm tryin', baby!!!
 Em7
I have to


[Hook: Rihanna]

F                    G
Work, work, work, work, work, work. He said me haffi
C                   Em7
Work, work, work, work, work, work! He see me do mi
F                     G
Dirt, dirt, dirt, dirt, dirt, dirt! So me put in
C                   Em7
Work, work, work, work, work, work. When you ah guh
F                        G
Learn, learn, learn, learn, learn Meh nuh cyar if him
C                   Em7
Hurt, hurt, hurt, hurt, hurting


[Verse 3: Drake]

N.C.
Yeah, okay
F        G        C                   Em7
You need to get done, done, done, done at work, come over
F               G
We just need to slow the motion
C                   Em7
Don't give that away to no one
F            G
Long distance, I need you
C                          Em7
When I see potential I just gotta see it through
F                        G
If you had a twin, I would still choose you
C                           Em7
I don't wanna rush into it, if it's too soon
      F      G               C              
But I know you need to get done, done, done, done
   Em7
If you come over
F            G
Sorry if I'm way less friendly
C                    Em7
I got n____s tryna end me,
F G           C                 Em7
oh,     I spilled all my emotions tonight, I'm sorry
F               G
Rollin', rollin', rollin', rollin', rollin'
C                                Em7
How many more shots until you're rollin'?
F              G
We just need a face to face
C                    Em7            F
You could pick the time and the place
               G
You spent some time away
C                Em7
Now you need to forward and give me all the...


[Hook: Rihanna]

F                    G
Work, work, work, work, work, work. He said me haffi
C                   Em7
Work, work, work, work, work, work! He see me do mi
F                     G
Dirt, dirt, dirt, dirt, dirt, dirt! So me put in
C                   Em7
Work, work, work, work, work, work. When you ah guh
F                        G
Learn, learn, learn, learn, learn Meh nuh cyar if him
C                   Em7
Hurt, hurt, hurt, hurt, hurting

mmm mmm mmm..


[Outro: Rihanna]

work work work work work work

F G C D
F G C D

Work

Verse 1:
           B
I'm going back to the time when we owned this town
      E
Down Powder Mill Lane, in the battlegrounds
C#m        B                   G#m  B     F#
We were friends and lovers and clueless clowns


Verse 2:
                      B       
I didn't know I'd be finding out now I was torn from you
         E
When we thought about things we were gonna do
C#m      B                    G#m B  F# 
We were wide eyed dreamers and wiser too


Chorus:
               E              B 
Go down to the rides on East Parade,
        G#m                   F#
by the lights of the Palace Arcade
                    E                     G#m   F#   
Watch night coming down on the Sovereign Light Café


Verse 3:
                          B
I'm begging you for some sign, but you've still got nothing to say
        E
Don't turn your back on me, don't walk away
C#m     B                   G#m  B   F#
I'm a better man now than I was that day


Chorus:
                      E              B 
Let's go down to the rides on East Parade,
        G#m                   F#
by the lights of the Palace Arcade
                    E                     G#m   F#   
Watch night coming down on the Sovereign Light Café

                 E               B
Go down to the bandstand on the pier
           G#m                    F#
Watch the drunks and the lovers appear
                      E                     G#m   F#     
Take time, just the stars at the Sovereign Light Café


Bridge:
   E        B           F#
I wheel my bike off the train,
        F#
Up the North Trade Road,
 E        B             F# 
Look for you on Marley Lane
                          G#m
In every building, every streetlight
                   E               F#  G#m  B  F#
Oh why did we ever go so far from home?


Verse 4:
                        B
You keep on leaving me mile long traces of who you are
         E
You can get a big house and a faster car
C#m      B                    G#m   B  F#
You can run away boy, but you won't go far


Chorus:
                      E              B
Let's go down to the rides on East Parade,
        G#m                   F#
by the lights of the Palace Arcade
                    E                     G#m   F#   
Watch night coming down on the Sovereign Light Café

                    E                B
Stroll down to the bandstand on the pier
           G#m                    F#
Watch the drunks and the lovers appear
                     E                      G#m   F#
Take time, just the stars at the Sovereign Light Café 

      E            B    G#m
La la la la la la la la Yeah, 
     F#                      E       B   F#
I'm going where the people know my name


Outro:
E B G#m F#
E B G#m F# B

Sovereign Light Cafe

C#
There's a portrait
     Ab
In a back room
           F#
Which I'll keep for days upon
          C#
Which I relent 
              B
And gaze for hours on
    Bbm                  F#
The muscle, skin and bone
         Ab
Of some imaginary friend

F# Ab F#

        C#
So how about it 
        Ab
Show me please 
           F#
How I will look in twenty years
           C#
And let me please 
          B
Interpret history 
       Bbm        F#
In every line and scar 
               Ab                  
That's painted there in front of me

F# Ab F# Ab F# Ab

           C#
It doesn't matter
         Ab
What I'm thinking
       F#
What I tell myself to do
         C#      F#
I end up calling

       C#
I stay in to
                   Ab
Defrost the fridge
        F#
Now the kid has gone to bed
             C#
A feeling of dread
              B         
At least when she's around
    Bbm
The trouble's there
     F#                        Ab
It's worse to wake up with her falling 'round the room

F# Ab F# Ab F# Ab

       C#
Listen Johnny
              F#
You're like a mother
       C#                     F#
To the girl you've fallen for
                 C#
And you're still falling

       C#
Listen Johnny
              Ab
You're like a mother
       F#
To the girl you've fallen for
                 C#
And you're still falling

            B
And if they come tonight
       Bbm
You'll roll up tight
     F#             Ab
And take whatever's coming to you next (oh, oh oh oh)

 F# Ab to end.

Slow Graffiti

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I Write Sins Not Tragedies

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