Panic! At the Disco is currently a two-piece rock band hailing from Las Vegas, Nevada. The current members are vocalist Brendon Urie and drummer Spencer Smith. Their debut album A Fever You Can't Sweat Out has sold over 2.2 million copies worldwide, 1.5 million of which were in the United States alone. This shot them into the international spotlight. Their sophomore album Pretty. Odd. debuted at number 2 on the Billboard 200.

Panic! at the disco est un groupe originaire de Las Vegas, Nevada. Leur musique mélange pop, electronique, dance, rock, et bien d'autres. Leur premier album A Fever You Can't Sweat Out (2005) a rencontré beaucoup de succès dans le Billboard 200. Il s'est vendu à environ un million de copies.   Histoire  Le groupe a commencé avec le guitariste Ryan Ross et le batteur Spencer Smith qui étaient amis.

Panic! at the Disco (von 2008 bis 2009 in der Schreibung &quot;Panic at the Disco&quot;) ist eine US-amerikanische Rockband aus Las Vegas, Nevada, die von vier High-School-Schülern gegründet wurde.  Bandgeschichte  Ursprünglich wurde die Gruppe als Coverband von blink-182 von den Schulfreunden Ryan Ross und Spencer Smith gegründet, später kamen Brendon Urie und Brent Wilson dazu. Der Bandname ist Textzeile des Liedes 

Panic! at the Disco, es una banda formada en Estados Unidos que mezcla sonidos como el Rock, el Techno, el Folk y el Indie. Actualmente se encuentra integrada por Brendon Urie, y Spencer Smith, tras anunciarse el 6 de julio de 2009 la partida del guitarrista y co-letrista Ryan Ross y el bajista Jon Walker a causa de diferencias en preferencias musicales.  Originalmente, Panic! at the Disco (con signo de exclamación integrado) estuvo formada por cuatro jóvenes procedentes de Las Vegas, NV.

This is the demo !

          Em         
Watch your mouth
     G                  Am
your speech is slurred enough
     C                      Em
that you might swallow your tounge
                          G
you'd want to give up the ghost
                   Am        C
with a little more poise than that
Em                          G
Or was it god who chokes in these situations?
Am               C             Em            G   Am   C
Running Late? No no, he called in. he called in-----.

Em		      G 	     
the hospice is a relaxing weekend getaway    
				  Am	       
where you are a cut above all the rest	    
 				      C     
sick and sad patients on first name basis

with all the top physicians        


G
Perscribed Pills                       
Em             Am
to offset the shakes 
              C
to offset the pills         [Chorus]

you know you should
G    Em            Am    C
take it a day at a time


            Em  G                     Am
That's when you stutter something profound
          C
to the support on the line
             Em
and with the way you've been talking
G               Am            C
every word gets you a step closer to hell.
Em               G
No, I just can't help it.
                Am        C
To say what everyone else is thinking
Em     G         Am      C
let me state the obvious again


[Chorus x2]

     Em                 G
I am alone in this bed, house and head
Am              C          
she never fixes this but at least she
Em   G      
I am alone in this bed
Am              C
she never fixes that but at least she
n.C.
makes me forget


[Chorus x2]


Nails For Breakfast Tacks For Snacks

Intro: C D Em x many times

C              Em              G
Well she's not bleeding on the ballroom floor
D                      C
Just for the attention
                  Em          G
Cause that's just rediculosly on
C                Em
Well she sure is gonna get it
G
Here's The setting
C                          Em
Fashion Magazines line the walls now
G                        D
The walls line the bullet holes

(Chorusx2)
G
Have some composure
D
Where is your posture
Em    C
Oh, no no
G
You're pulling the trigger
D
Pulling the trigger
Am  D
All wrong

(Bridge)
F             Am              Em           D
Give me envy, give me malice, give me your attention
F             Am              Em            A
Give me envy, give me malice, baby give me a break!
C                    G
When I say 'Shotgun' you say 'Wedding'
C          G         C         G
'Shottgun','Werdding','Sotgun','Wedding'

C                 Em
She didn't chose this role
D                     C
But she'll play it and make it sincere
Em          G
So you cry, so you cry
(give me a break)
C               D
But they believe it from the tears
Em                 C              A               C
And the teeth rirht down to the blood at her feet
Em           C
Boys will be boys
           Em           C                  Am
Hiding in Eastrogen and Wearing Aubergine Dreams
(give me a break)

(Chorusx2)

Em               D          C
Come on, this is screaming "Photo op." op.
Em       D
Come on, come on
C
This is screaming
C
This is screaming
C                  Asus2 Em
This is screaming "Photo op."
Em           C
Boys will be boys baby
Em           C
Boys will be boys
Em           C
Boys will be boys baby
Em           C
Boys will be boys

(Bridge)

Em           C
Boys will be boys
          Em            Em           C
Hiding in Eastrogen and boys will be boys
Em           C
Boys will be boys
          Em            C                  Am
Hiding in Eastrogen and wearing Aubergine Dreams

Time To Dance

Dm                  Am
Watch your mouth, who-oh-oh
             C                       F
Because your speech is slurred and I bet you just might swallow your tongue
 Dm              Am
(I'm sure you would)
             C                        F
Want to give up the ghost with just a little more poise than that
       Dm           Am                 C
(Well, oh-oh) Was it God who choked in these situations,
F
Running late? Oh, no, he called in
       Dm         Am                      C
(Well, oh-oh) Was it God who choked in these situations,
F
Running late? Oh, no, he called in

Gm
The hospice is
      F                          C                               Gm
A relaxing weekend getaway where you're a cut above all the rest
                                    F
Sick and sad patients on first-name basis
             C              Eb
With all the top physicians

Dm              F                     Bb
Prescribed pills to offset the shakes
                    Gm                   Dm
To offset the pills, you know you should
    F
Take it a day
    Bb    Gm
At a time

Dm A Dm A

Dm             Am                                C
That's when you s-s-stuttered something profound
              F
To the support of the line
        Dm                   Am                 C
And with the way you've been talking every word
                 F
Gives you a step closer to hell
Dm              Am
That's when you s-s-stuttered something profound
C              F
To the support of the line
        Dm                   Am                 C
And with the way you've been talking every word
                 Eb
Gives you a step closer to hell

Dm              F                     Bb
Prescribed pills to offset the shakes
                    Gm                   Dm
To offset the pills, you know you should
    F
Take it a day
    Bb    Gm
At a time
Dm              F                     Bb
Prescribed pills to offset the shakes
                    Gm                   Dm
To offset the pills, you know you should
    F
Take it a day
    Bb    Gm
At a time

Gm
I Am
 F                 C              Gm
Alone in this bed, house and head
                         F
And she never fixed this
       C           Gm
But at least she...
  
I Am
 F                    C
Alone in this bedroom
    Gm              F
And she never fixed this
       Eb
But at least she... (makes me forget)

Dm              F                     Bb
Prescribed pills to offset the shakes
                    Gm                   Dm
To offset the pills, you know you should
    F
Take it a day
    Bb    Gm
At a time
Dm              F                     Bb
Prescribed pills to offset the shakes
                    Gm                   Dm
To offset the pills, you know you should
    F
Take it a day
    Bb    Gm
At a time

Gm
The hospice is
      F                          C                               Gm
A relaxing weekend getaway where you're a cut above all the rest
                                    F
Sick and sad patients on first-name basis
             C              Eb
With all the top physicians

Nails For Breakfast, Tacks For Snacks

Bm             D
The I.V. and your hospital bed
G                            Em                      A
This was no accident this was a therapeudic chain of events


Bm
This is the scent of dead skin on the linoleum floor
D
This is the scent of quarentine wings in a hospital
G
It's not so pleasant and it's not so conventional
Em                                A
It sure as hell ain't normal but we deal, we deal

Bm
The anesthetic never set in and I'm wondering when
D
The apathy and urgency is that I thought I phoned in
G
It's not so pleasant and it's not so conventional
Em                               A
It sure as hell ain't normal but we deal, we deal

D
Just sit back just sit back

Just sit back and relax

Just sit back just sit back
                              Em   G
Just sit back and relax again...

G                            A                             Bm
Can't take the kid from the fight take the fight from the kid
Bm
Sit back relapse, sit back relapse again
G                            A                             Bm
Can't take the kid from the fight take the fight from the kid
Bm
Just sit back, just sit back

D
You're a regular decorated emergency
D
You're a regular decorated emergency

Bm
This is the scent of dead skin on the linoleum floor
G
This is the scent of quarentine wings in a hospital
D
It's not so pleasant and it's not so conventional
A                                A#m
It sure as hell ain't normal but we deal, we deal

Bm
The anesthetic never set in and I'm wondering when
G
The apathy and urgency is that I thought I phoned in
D
It's not so pleasant and it's not so conventional
A                                A#m
It sure as hell ain't normal but we deal, we deal

G                            A                             Bm
Can't take the kid from the fight take the fight from the kid
Bm
Sit back relapse, sit back relapse again
G                            A                             Bm
Can't take the kid from the fight take the fight from the kid
Bm
Just sit back, just sit back

G         F#m
Sit back, sit back, relax ,relapse
Em              D          G
Sit back sit back ba ba ba da da
A                                 Bm    Bm/D
You can't take the kid out of the fight...

Bm
You're a regular decorated emergency

The bruises and contrusions will remind me what you did when you wake
Bm
You've earned your place atop the ICU's Hall Of Fame

The camera caught you causing a comotion on the gurney again

Em
You're a regular decorated emergency
G
The bruises and contrusions will remind me what you did when you wake
Em
You've earned your place atop the ICU's Hall Of Fame
D                               G                         A
The camera caught you causing a comotion on the gurney again

G                            A                             Bm
Can't take the kid from the fight take the fight from the kid
Bm
Sit back relapse, sit back relapse again
G                            A                             Bm
Can't take the kid from the fight take the fight from the kid
Em
Just sit back, just sit back

G         F#m
Sit back, sit back, relax ,relapse
Em              D          G
Sit back sit back ba ba ba da da
A                                 Em
You can't take the kid out of the fight...

Bm             D
The I.V. and your hospital bed

G                            Em                      A
This was no accident this was a therapeudic chain of events

Camisado

Verse 1:
F#m                 Dmaj7                      Emaj
Sit tight I'm gunna need you to keep time come on,
               Dmaj7                 F#m
just snap snap snap your fingers for me.
                    Dmaj7                     Emaj
Good good now we're making some progress come on,
             Dmaj7                F#m
just tap tap tap your toes to the beat.

Pre-Chorus:
        Dmaj7  Emaj                  Dmaj7
And I believe, this here calls for a proper introduction,
   F#m             Dmaj7     Emaj                   Dmaj7
an well, don't you see, that I'm the nerrorator and this is just the
   F#m (hold)
prologue.

Chorus:
E5                       F#5                          D5
Swear to shake it up and you swear to listen on we're still so you,
A5              E5
desperate for attention.
F#5       E5       F#5                      hE5
I, aim to be, your eyes, trophy boys trophy wives.

Verse 2: (same chords)
Aplause aplause, no wait wait, dear studio audiance I've an anouncement
to make, it seems the artists these days are not who they seem.
So we'll pick back up on another page.

Bridge (just F#5 and E5 over the "swear to shake it up..." parts).

Just play the verse over the ba da da dat part, ending on Dmaj7

The Only Difference Between Martyrdom And Suicide Is Press Coverage

Intro

a|---0-----------0------------0----------0-------------|
e|-----------------------------------------------------|
C|-----4---4-------4----4-------4---4------4---4-------|
g|-------5---4--------5---4-------5--4-------5--4------|


a|-------5------------5------------3---3-------3---3---|
e|-----------------------------------------------------|
c|---6------------6------------5-----------5-----------|
g|-----5---5-4------5---5-4------4---4-------4---4-----|


Am
Oh, well imagine, as I'm pacing the pews in a church corridor,
   Dm                                                            F
and I can't help but to hear, no I can't help but to hear an exchanging of words:
Am
"What a beautiful wedding! What a beautiful wedding!" says a bridesmaid to a waiter.
   Dm                                                               F
"Yes, but what a shame, what a shame, the poor groom's bride is a whore."


Am                  Dm                                                         G
I'd chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am                      Dm                                  F             G
No, it's much better to face these kinds of things with a sense of poise and rationality.
Am                     Dm                               F                     G
I'd chime in, "Haven't you people ever heard of closing a goddamn door?!"
Am                       Dm                          F            G
No, it's much better to face these kinds of things with a sense of...

Am                                                                              
           Dm
Well in fact, well I'll look at it this way, I mean technically our marriage is saved
                                                F
Well this calls for, a toast so, pour the champagne
Am                                                                           Dm
Oh! Well in fact, well I'll look at it this way, I mean technically our marriage is saved
                                                F
Well this calls for a toast, so pour the champagne, pour the champagne


Am                       Dm                    F                      G
I'd chime in with a "Haven't you people ever heard of closing a goddamn door?!"
Am         Dm                               F                 
     G
No, it's much better to face these kinds of things with a sense of ,poise and rationality
 Am F G
 Again...

Am                    Dm                                                   G
I'd chime in "Haven't you people ever heard of closing a goddamn door?!"
Am                      Dm                                  F             G
No, it's much better to face these kinds of things with a sense of poise and rationality.
Am                     Dm                               F                     G
I'd chime in, "Haven't you people ever heard of closing a goddamn door?!"
Am                       Dm                          F            G
No, it's much better to face these kinds of things with a sense of ,poise and rationality.
 Am F G
 Again......

I Write Sins Not Tragedies

A 
is it still me that makes you sweat
F 
am i who you think about in bed when the
D 
lights are dim your hands are
E7 
shaking as youre sliding off your dress
A 
think of what you did
F 
how i hope to God it was worth it the
D 
lights are dim your heart is 
E7 
racing as your finger touch his skin
A 
Got more wit, a better kiss
F 
a hotter touch, a better f*** than any
D 
boy you'll ever meet sweetie
E7 
you had me girl i was
A 
it, look past the sweat a better
F 
love deserving of 
D 
exchanging body heat in the
E7 passenger seat, no no no
A 
you know it will
F 
always just be me
A 
let's get these teen hearts beating, 
F 
faster, faster
A 
so testosterone boys and
F 
harlequin girls will you
D 
dance to this beat and
E7 
hold a lover close
A 
so testosterone boys and
F 
harlequin girls will you
D 
dance to this beat and
E7 
hold a lover close
A 
so i guess we're back to us
F 
camera man swing the focus in case i've
D 
lost my train of thought where was it that we
E7 
last left off, pick up pick up well
A 
now i do recall
F 
we were just getting to the part where the
D 
shock sets in and the stomach acid
E7 
finds they're way to make you get sick
A 
i 
hope you didn't expect  to get
F 
all of the attention let's
D not get selfish 
E7 did you really think i'd let you kill this chorus
A 
lets get these teen hearts beating
F 
faster, faster
A 
so testosterone boys and
F 
harlequin girls will you
D 
dance to this beat and
E7 
hold a lover close
A 
so testosterone boys and
F 
harlequin girls will you
D 
dance to this beat and
E7 
hold a lover close

Lying Is The Most Fun A Girl Can Have Without Taking Her Clothes Off

A-------------------------------------------------|
e-----------------5------3------------------------|
C--8-8-4-4-3-4-4----8-8----8-8-6-6-6-3-3-3-3-4-6--|
g-------------------------------------------------|

A--2-2-2------------------------------------------|
E----------------3--------------------------------|
C--------3-3-2-8----8-6---6-8-6-4---4-6-4-3-------|
g-------------------------------------------------|
                                                    
A-------------------------------------------------|
E----------------5------3-------------------------|
C--8-8-4-4-3-4-4----8-8----8-8-6-6-6-3-3-3-3-4-6--|
g-------------------------------------------------|
                                                    
A--2-2-2----------------------------------1-------|
E----------------3--------------------------------|
C--------3-3-3-8----8-6---6-8-6-4---4-6-4---------|
g-------------------------------------------------|

Build God Then We'll Talk

VERSE:
        Am                        Em                 F
Now I'm of consenting age to be forgetting you in a cabaret. 
        Am                                      Em         F
Somewhere downtown where a burlesque queen may even ask my name 
       Am                                               
As she sheds her skin on stage
     Em                       F
I'm seated and sweating to a dance song on the club's P.A.
Am                              
The strip joint veteran sits two away 
Em                     F                          Am    C   Bm       F
Smirking between dignified sips of his dignified peach and lime daiquiri 

CHORUS:
Am        C            F              
And isn't this exactly where you'd like me 
    Dm                                 F
I'm exactly where you'd like me, you know
            Em         Dm             
Praying for love in a lap dance and paying in naivety 
Am            C            F              
Oh, and isn't this exactly where you'd like me 
    Dm                                 F
I'm exactly where you'd like me, you know
            Em         Am             
Praying for love in a lap dance and paying in naivety 

Oh......

VERSE:
    *PALM MUTE*
But I'm afraid that I 
Well, I may of faked it
    Am                   Em                F   
And I wouldn't be caught dead, dead, dead, dead in this place
      Am            Em  
Well, I'm afraid that I
            F            
That's right well, that I may have faked it 
Am             Em        F (ring out)
And I wouldn't be caught dead in this place 

CHORUS:
Am        C            F              
And isn't this exactly where you'd like me 
    Dm                                 F
I'm exactly where you'd like me, you know
            Em         Dm             
Praying for love in a lap dance and paying in naivety 
Am            C            F              
Oh, and isn't this exactly where you'd like me 
    Dm                                 F
I'm exactly where you'd like me, you know
            Em         Am             
Praying for love in a lap dance and paying in naivety

SOLO:
Am, Am, Dm, Dm, F, F   x2

      Am          Bm
Well, I'm afraid that I
        F
Well, I may of faked it                                     
     Am           Bm     F
And I wouldn't be caught dead, dead, dead, dead, dead in this place   x2 

CHORUS:
Am        C            F              
And isn't this exactly where you'd like me 
    Dm                                 F
I'm exactly where you'd like me, you know
            Em         Dm             
Praying for love in a lap dance and paying in naivety 
Am            C            F              
Oh, and isn't this exactly where you'd like me 
    Dm                                 F
I'm exactly where you'd like me, you know
            Em         Dm             
Praying for love in a lap dance and paying in naivety
Dm
Praying for love and paying in naivety
Dm 
Praying for love and paying in naivety
     Am
.......oh.

But Its Better If You Do

Em                     D                  C       C             B  A#       
It's these substandard motels on the (lalalalala) corner of 4th and Fremont
B
Street. 
Em        D                               B C B 
Appealing only because they are just that un-appealing
C                      B    A#                B 
Any practiced catholic would cross themselves upon entering.
Em               D                       C  C      B      A#         B
The rooms have a hint of asbestos and maybe just a dash of formaldehyde,
Em      D                    B    C B        C     B        A#  B 
And the habit of decomposing right before your very (lalalala) eyes.

B (Stop)               Em
Along with the people inside
G      D        B  Em   Am  G   B
What a wonderful caricature of intimacy
Em      G      D      B Em        Am G   B      
Inside, what a wonderful caricature of intimacy

C                             Em
Tonight tenants range from: a lawyer and a virgin
C                    Em
Rising with a rosary tucked inside her lingerie 
      Am        B         C         D
She's getting a job at the firm come Monday.
    Am        B            C        D
The Mrs. will stay with the cheating attorney
    Am       B         C                D
moonlighting aside, she really needs his money.
  Am        B            C      D
A wonderful caricature of intimacy.

B
Yeah (Yeah)

Em         D            B C B                                  Em    
And not to mention, the constable, and his proposition, for that "virgin"
D                       C            C                 B
Yes, the one the lawyer met with on "strictly business"
A#                    B Em         D
as he said to the Mrs., only hours before,
         C         C       B         A#       B
after he had left, she was fixing her face in a compact.
B          B C B
There was a terrible crash (There was a terrible crash)
Em      D       
Between her and the badge
                C                  C   B     A#       B
She spilled her purse and her bag, and held a "purse" of a different kind.

B (Stop)               Em
Along with the people inside
G      D        B  Em   Am  G   B
What a wonderful caricature of intimacy
Em      G      D      B Em        Am G   B      
Inside, what a wonderful caricature of intimacy
B         
There are no
C            Em                       C
raindrops on roses and girls in white dresses.
                       Em              
It's sleeping with the roaches and taking best guesses
   Am           B         C              D 
So shed off the sheets and before all the stains
 Am       B           C              D#
And a few more of your least favorite things.

C            Em                       C
raindrops on roses and girls in white dresses.
                       Em              
It's sleeping with the roaches and taking best guesses
   Am           B         C              D 
So shed off the sheets and before all the stains
 Am       B           C              D#
And a few more of your least favorite things.

Em      G      D     B  Em         Am G      B
Inside, what a wonderful caricature of intimacy
Em      G      D     B  Em         Am G      B
Inside, what a wonderful caricature of intimacy


C            Em                       C
raindrops on roses and girls in white dresses.
                       Em              
It's sleeping with the roaches and taking best guesses
   Am           B         C              D 
So shed off the sheets and before all the stains
 Am       B           C              D#
And a few more of your least favorite things.

C            Em                       C
raindrops on roses and girls in white dresses.
                       Em              
It's sleeping with the roaches and taking best guesses
   Am           B         C              D 
So shed off the sheets and before all the stains
 Am       B           C              D#
And a few more of your least favorite things.

Build God, Then We'll Talk

Am                        Em                 F
Now I'm of consenting age to be forgetting you in a cabaret. 
        Am                                      Em         F
Somewhere downtown where a burlesque queen may even ask my name 
       Am                                               
As she sheds her skin on stage
     Em                       F
I'm seated and sweating to a dance song on the club's P.A.
Am                              
The strip joint veteran sits two away 
Em                     F                          Am    C   Bm       F
Smirking between dignified sips of his dignified peach and lime daiquiri 


Am        C            F              
And isn't this exactly where you'd like me 
    Dm                                 F
I'm exactly where you'd like me, you know
            Em         Dm             
Praying for love in a lap dance and paying in naivety 
Am            C            F              
Oh, and isn't this exactly where you'd like me 
    Dm                                 F
I'm exactly where you'd like me, you know
            Em         Am             
Praying for love in a lap dance and paying in naivety 

Oh......


#    (N.C.)
But I'm afraid that I 

Well, I may of faked it
    Am                   Em                F   
And I wouldn't be caught dead, dead, dead, dead in this place
      Am            Em  
Well, I'm afraid that I
            F            
That's right well, that I may have faked it 
Am             Em        F (ring out)
And I wouldn't be caught dead in this place 


Am        C            F              
And isn't this exactly where you'd like me 
    Dm                                 F
I'm exactly where you'd like me, you know
            Em         Dm             
Praying for love in a lap dance and paying in naivety 
Am            C            F              
Oh, and isn't this exactly where you'd like me 
    Dm                                 F
I'm exactly where you'd like me, you know
            Em         Am             
Praying for love in a lap dance and paying in naivety


Am, Am, Dm, Dm, F, F   x2


      Am          Bm
Well, I'm afraid that I
        F
Well, I may of faked it                                     
     Am           Bm     F
And I wouldn't be caught dead, dead, dead, dead, dead in this place   x2 


Am        C            F              
And isn't this exactly where you'd like me 
    Dm                                 F
I'm exactly where you'd like me, you know
            Em         Dm             
Praying for love in a lap dance and paying in naivety 
Am            C            F              
Oh, and isn't this exactly where you'd like me 
    Dm                                 F
I'm exactly where you'd like me, you know
            Em         Dm             
Praying for love in a lap dance and paying in naivety
Dm
Praying for love and paying in naivety
Dm 
Praying for love and paying in naivety
     Am
.......oh.

But It's Better If You Do

Em D C B

Em           D             C      B
Give us this day our daily dose of faux affliction
            Em                        C                    B
Forgive our sins forged at the pulpit with forked-tongue-selling faux sermons
       Em     D                  C               B
'Cause I am a new wave of gospel sharp and you'll be thy witness
            Em                                                     Em D
A gentlemen if you're gonna preach. For God's sake, preach with conviction

               Em
Strike out the band! Whoa, the conductor is beckoning
D
Come, congregation, let's sing it like you mean it.
C
No. Don't you get it? Don't you get it?
              B
Now don't you move.

               Em
Strike out the band! Whoa, the conductor is beckoning
D
Come, congregation, let's sing it like you mean it.
C
No. Don't you get it? Don't you get it?
              B
Now don't you move.

                              Em              D
Just stay where I can see you douse the light!
                            Em   
We sure are in for a show tonight.

Em D Em D C B

   Em                        D                C             B
In this little number, we're graced by two displays of character
               Em              D            C            B
We've got: the gunslinger extraordinaire v. walking contradictions
    Em            D                     C                            B
And I for one can see no blood from the hearts and the wrists you'd allegedly slit
    Em              D                       Em                   Em          C
And I for one won't stand for this. If this scene were a parish, y'all be condemned.


               Em
Strike out the band! Whoa, the conductor is beckoning
D
Come, congregation, let's sing it like you mean it.
C
No. Don't you get it? Don't you get it?
              B
Now don't you move.

               Em
Strike out the band! Whoa, the conductor is beckoning
D
Come, congregation, let's sing it like you mean it.
C
No. Don't you get it? Don't you get it?
               B
Now don't you, don't you move.

C                                 Em     D
Stay where I can see you douse the lights.
Em
We sure are in for a show tonight!
C                                 Em     D
Stay where I can see you douse the lights.
Em                                                  D
We sure are in - Stay where I can see you douse the lights.

Em D C B
La la da da la la da . . .

I Constantly Thank God For Esteban

Am x2                 Am x2
Stop stalling, make a name for yourself.
        Am x2                         Am x2
Boy you better put that pen to paper, charm your way out.
       F x2                             F x2
If you talk you better walk you better back your shit up
     F x2                                  F x2
With more than good hooks while you're all under the gun

Dm

Am x2               Am x2
Start talking "a sensationalist"
         Am x2                    Am x2
Oh he's slightly clever to just a certain extent
       F
If you talk you better walk you better keep your mouth shut

With more than good hooks while you're all under the gun

Em (Strum once then build)
(Panic!: meet the press)
     Dm
It's time for us to take a chance
     Dm
It's time for us to take a chance
Em (strum once then build)
(Panic!: meet the press)
Dm
It's time for us to take a chance
Dm
It's time for us...

                  Am
Well we're just a wet dream for the webzine,
         C
Make us it, make us hip, make us scene
   F
Or shrug us off your shoulders Don't approve a single word that we wrote
                  Am
Well we're just a wet dream for the webzine,
         C
Make us it, make us hip, make us scene
   F
Or shrug us off your shoulders Don't approve a single word that we wrote

Dm G

Am (strum once and let ring)
I'm burning and I'm blacking my lungs

Boy you know it feels good with fire back on your tongue
       F x2                            F x2
If you talk you better walk you better back your shit up
     F x2                                  F x2
With more than good hooks while you're all under the gun

Dm

Am
Start talking "a sensationalist"

Oh he's slightly clever to just a certain extent
F
Well keep quiet let us sing like the doves
                                                      Em (strum once and let ring)
Then decide if it's done with purpose or lack thereof.

A5           G#5
Just for the record,
            G5                     F#5
The weather today is slightly sarcastic with a good chance of:
A5
A. Indifference or
G#5               G5               F#5
B. Disinterest in what the critics say

Dm
It's time for us to take a chance It's time for us...

                  Am
Well we're just a wet dream for the webzine,
        C
Make us it, make us hip, make us scene
   F
Or shrug us off your shoulders Don't approve a single word that we wrote
                  Am
Well we're just a wet dream for the webzine,
        C
Make us it, make us hip, make us scene
   F
Or shrug us off your shoulders Don't approve a single word that we wrote

F Am
F Am
F Am
F Am

Dm                          F          Am
lalalalalalalala, lalalalala, ooo oh oh, ooo oh oh    |
Dm                          F          Am             |--->strum these once
lalalalalalalala, lalalalala, ooo oh oh, ooo oh oh    |

A5           G#5
Just for the record,
            G5                     F#5
The weather today is slightly sarcastic with a good chance of:
A5
A. Indifference or
G#5               G5               F#5
B. Disinterest in what the critics say

                  Am
Well we're just a wet dream for the webzine,
        C
Make us it, make us hip, make us scene
   F
Or shrug us off your shoulders Don't approve a single word that we wrote
                Am
Well we're just a wet dream for the webzine,
        C
Make us it, make us hip, make us scene
   F
Or shrug us off your shoulders Don't approve a single word that we wrote

E5           D#5
Just for the record,
            D5                  C#5
The weather today is slightly sarcastic with a good chance of:
E5
A. Indifference or
D#5               D5               C#5 (strum once and let ring)
B. Disinterest in what the critics say

London Beckoned Songs About Money Written By Machines

Em
Please leave all overcoats, canes, and top hats with the doorman
Em
And from that moment, you'll be out of place and underdressed
    G
I'm wrecking this evening already and loving every minute of it
                             B7
Ruining this banquet for the mildly inspiring and

Em                                     D
Please leave all overcoats, canes, and top hats with the doorman
              G                         C
And from that moment, you'll be out of place and underdressed
   Am                                  B
I'm wrecking this evening already and loving every minute of it
C                             D               Eb
Ruining this banquet for the mildly inspiring and

Em
When you're in black slacks with accentuating off-white pinstripes, whoa-oh
C          B     A   G      Em
Everything goes according to plan

Em                  D
I'm the new cancer, never looked better
G                C
And you can't stand it
                   C                  B
I know because you say so under your breath
                C                   B
You're reading lips, "When did he get at all confident?"
Em          D          G             C
Haven't you heard that I'm the new cancer?
C            B
Never looked better
    Em                     B   C  B  C   B
And you can't stand it
(play along to the piano timing changes)

 Em
Next is a trip to the ladies room in vain
G
I bet you just can't keep up with these fashionistas
B
Tonight, tonight, you are, you are the whispering campaign
B
To them, your name is "Cheap", and you look like sh--
Em                  D
Talk to the mirror, choke back tears
       G                         C               C B Am
And keep telling yourself that, "I'm a diva."

Am                         B                        C
Oh, and the smokes in that cigarette box at your table
              D     Eb       C  B    C      
    B
They just so happen to be laced with nitroglycerin

(chorus)
Em          D           G               C
Haven't you heard that I'm the new cancer?
  C                B              Em
I've never looked better and you can't stand it
Haven't you heard that I'm the new cancer?
I've never looked better and you can't stand it
      Em
And I know, and I know
         D                        G                         C
It just doesn't feel like a night out with no one sizing you up
           C              B
I've never been so surreptitious
                             Em
So of course you'll be distracted when I spike the punch


(and repeat the chords)

And I know, and I know
It just doesn't feel like a night out with no one sizing you up
I've never been so surreptitious
So of course you'll be distracted when I spike the punch
And I know, and I know
It just doesn't feel like a night out with no one sizing you up
I've never been so surreptitious
So of course you'll be distracted when I spike the punch

Theres A Good Reason These Tables Are Numbered Honey You Just Havent Thought Of It Yet

A|-0--0---0--0---0--0---0--0--
E|----------------------------
C|4------4------4------4------
G|--5--4---5--4---5--4---5--4-

A|--5--5---5--5---3--3---3--3
E|---------------------------
C|6------6------5------5-----
G|-5--5---5--5---4--4---4--4-

I Write Sins, Not Tragedies

Am 
Stop stalling, make a name for yourself.
 
Boy you better put that pen to paper, charm your way out.
       F
If you talk you better walk you better back your shit up
                                                        Dm
With more than good hooks while you're all under the gun

Am
Start talking "a sensationalist"
       
Oh he's slightly clever to just a certain extent
       F
If you talk you better walk you better keep your mouth shut
                                                   Em
With more than good hooks while you're all under the gun

     Dm
It's time for us to take a chance
     Dm                      Em
It's time for us to take a chance
Dm
It's time for us to take a chance
Dm
It's time for us...

                  Am
Well we're just a wet dream for the webzine,
         C
Make us it, make us hip, make us scene
   F
Or shrug us off your shoulders Don't approve a single word that we wrote
                  Am
Well we're just a wet dream for the webzine,
         C
Make us it, make us hip, make us scene
   F
Or shrug us off your shoulders Don't approve a single word that we wrote

London Beckoned Songs About Money

A Fever You Can't Sweat Out

Chords: Gm, Em, Cm, G, Em7, Bm


Verse 1:

Gm
Back to the street where we began
                                   Em
Feeling as good as lovers can, you know
            Cm
Yeah we're feeling so good

Verse 2:

Gm
Picking up things we shouldn't read
                                       Em
It looks like the end of history as we know
               C,
It's just the end of the world
Em                 Cm
Back to the street where we began
Em                 Cm
Feeling as good as love, you could you can

Verse 3:

Gm
Into a place, where thoughts can bloom
                                        Em
Into a room where it's nine in the afternoon
       Cm                       Gm
And we know that it could be

And we know that it should
                              Em
And you know that you feel it too

Chorus:

            Cm               G
'Cause it's nine in the afternoon and
                              Em7
Your eyes are the size of the moon
                                Bm
You could 'cause you can so you do

We're feeling so good
         Cm
Just the way that we do
                           G
When it's nine in the afternoon
                              Em7
Your eyes are the size of the moon
                                Bm
You could 'cause you can so you do
                 Cm 
We're feeling so good



Gm
Back to the street, Down to our feet
                                 Em
Losing the feeling of feeling unique
   Cm
Do ya know what I mean?


Verse 5: 

Gm
Back to the place

Where we used to stay
                               Em7
Man it feels good to feel this way
      Cm
Now I know what I mean

Em             Cm   Em             Cm
Back to the street, back to the place
Em          Cm                     Em7
Back to the room where it all began
            C
Back to the room where it all began


Chorus: x3

Nine In The Afternoon

G             Em         C         G
Allow me to exaggerate a memory or two
G                    Em
Where summers lasted longer than
     D
Well longer than we do
     C              Em
When nothing really mattered
           D       Em
Except for me to be with you
       C             D               G
But in time we all forgot and we all grew


        C             Em
Your melody sounds as sweet
         D          Em
As the first time it was sung
       C               G             D
With a little bit more character for show
    C                Em
And by the time your father's heard
   D
Of all the wrong you've done
    C                
I'm putting out the lantern
D                       G   
Find your own way back home



G                 Em
If i've forgotten how to sing
  C                G
Before I sung this song
     G            Em
I'll write it all across this wall
D
Before my job is done
         C             Em
And I'll even have the courtesy
       D         Em
Of admitting I was wrong
       C                D                G
As the final words before I'm dead and gone


             C           Em
You've never been so divine
     D             Em
In accepting your defeat
         C               G            D
And I've never been more scared to be alone
   C            Em              E           D
If love is not enough to put my enemies to sleep

    C         D        
I'm putting out the lantern
G             D         G   
Find your own way back home

Folkin' Around

A       C#m                F#             Bm
You remind me of a former love that I once knew
        Dm                         E
And you carry a little speech with you
A            C#m                          F#
We were holding hands walking through the middle of the street
                Bm          Dm                E
It's fine with me, I'm just taking in the scenery

    D              Dm               Amaj7  F#m
You remind me of a few of my famous friends
           B                   Dm          E         
Well, that all depends what you qualify as friends
   D               Dm              Amaj7   F#
You remind me of a few of my famous friends
           B                    Dm         E
Well, that all depends what you qualify as friends

A                       C#m                       F#
Take a chance, take your shoes off, dance in the rain
                  Bm               Dm                  E
And I was flashing around and the news spread all over town
A       C#m                                     F#           
I'm not complaining that it's raining, I'm just saying that I like it a lot
             Bm             Dm                       E
More than you think, if the sun would come out and sing with me

     D             Dm               Amaj7  F#m
You remind me of a few of my famous friends
            B                     Dm       E
Well, that all depends what you qualify as friends
    D              Dm              Amaj7  F#m
You remind me of a few of my famous friends
           B                     Dm         E          A
Well, that all depends what you qualify as friends

That Green Gentleman

INTRO: F, Bb (Just do'm a couple times)


F                         Bb
If all our life is but a dream
                   F
Fantastic posing greed

                                 Bb
Then we should feed our jewelery to the sea
Bb           Dm             F
For diamonds do appear to be

F           Dm              Bb
Just like broken glass to me

F                            Bb
And then she said she can't believe
              F
Genius only comes along
                      Bb
In storms of fabled foreign tongues
Bb        Dm                  F
Tripping eyes, and flooded lungs
F          Dm                Bb    
Northern downpour sends its love

Am                   C           Dm
Hey moon, please forget to fall down
Am                      F
Hey moon, don't you go down

F                 Bb
Sugarcane in the easy mornin'
       Dm        Bb
Weathervanes my one and lonely


F                              Bb
The ink is running toward the page
                      F
It's chasin' off the days

Look back at boat feet
           Bb
And that winding knee
Bb              Dm                F
I missed your skin when you were east
F                 Dm                  Bb
You clicked your heels and wished for me

F                             Bb
Through playful lips made of yarn
                  F
That fragile Capricorn
                            Bb
Unraveled words like moths upon old scarves
Bb           Dm               F
I know the world's a broken bone
F              Dm                 Bb
But melt your headaches, call it home


Am                   C            Dm
Hey moon, please forget to fall down
Am                       F
Hey moon, don't you go down

F                 Bb
Sugarcane in the easy mornin'
Dm               Bb
Weathervanes my one and lonely
[x3]


I didn't really feel like tabbing the end..it's pretty simple though :P

Northern Downpour

(Intro)
         A                          Bm
When the moon fell in love with the sun
        F#m    E        A
All was golden in the sky
        E      Dsus2    F#m           E
All was golden when the day met the night


(Verse)
         A     
When the sun found the moon
                  A7      Dsus2
She was drinking tea in a garden
          E              E7
Under the green umbrella trees
                  Dsus2
In the middle of summer

         A
When the moon found the sun
                      A7             Dsus2
He looked like he was barely hanging on
        E              E7
But her eyes saved his life
                 A
In the middle of summer (summer)


(Chorus)
                 Dsus2
In the middle of summer
        F#m    E      A   
All was golden in the sky
        E      Dsus2    F#m         E
All was golden when the day met the night
Dsus2
Summer
        F#m    E      A   
All was golden in the sky
        E      Dsus2    F#m         E
All was golden when the day met the night


(Verse)
      A                     
So he said, Would it be all right
                   A7                  Dsus2
If we just sat and talked for a little while
        E               E7      
If in exchange for your time
                A
I give you this smile?
        A            
So she said, That's okay
                          A7
As long as you can make a promise
       Dsus2
Not to break my little heart
   E             E7           A
Or leave me all alone in the summer

(Bridge)
     Dm                     
Well he was just hanging around
                Asus4
Then he fell in love
       Dm
And he didn't know how
                    Asus4
But he couldn't get out
     Dm
Just hanging around
                Asus4
Then he fell in love

(Chorus)
                 Dsus2
In the middle of summer
        F#m    E      A   
All was golden in the sky
        E      Dsus2    F#m         E
All was golden when the day met the night
Dsus2
Summer
        F#m    E      A   
All was golden in the sky
        E      Dsus2    F#m         E
All was golden when the day met the night
                 Dsus2
In the middle of summer
        F#m    E      A   
All was golden in the sky
        E      Dsus2    F#m         E
All was golden when the day met the night
Dsus2
Summer
        F#m    E      A   
All was golden in the sky
        E      Dsus2    F#m         E
All was golden when the day met the night

When The Day Met The Night

(Verse)
D            Dsus2                 D     Dsus2
Our daydream spills from my corked head
                   Bm
Breaks free of my wooden neck
G               Gm
Left a nod over sleeping waves
D            Dsus2          D       Dsus2
Like bobbing bait for bathing cod
                   Bm
Floating flocks of candle swans
G              Gm
Slowly drift across wax ponds

(Chorus)
D            Bm             F#m             Bm
 The men all played along to marching drums
            F#m          Bm          A
And boy did they have fun behind the sea
          D        Bm                F#m             Bm
They sang, ?oeso our matching legs are marching clocks
          F#m          Bm          A
And we?re all too small to talk to god
           D            Bm          A
Yes, we?re all too smart to talk to god"

(Verse)
D         Dsus2              D              Dsus2
Toast the fine folks casting silver crumbs
      Bm
To us from the dock.
G                     Gm
Jinxed things ringing as they leak
D            Dsus2           D        Dsus2
Through tiny cracks in the boardwalk.
                   Bm
Scarecrow now it?s time to hatch
G                  Gm         (stop) D
Sprouting sons and ageless daughters.
D         
Don't you know, don't you know
     D                C                            Am7
That those watermelon smiles just can?t ripen underwater
C                     Dm
Just can?t ripen underwater

(Chorus)
D            Bm             F#m             Bm
 The men all played along to marching drums
            F#m          Bm          A
And boy did they have fun behind the sea
          D        Bm                F#m             Bm
They sang, ?oeso our matching legs are marching clocks
          F#m          Bm          A
And we?re all too small to talk to god
           D            Bm          A
Yes, we?re all too smart to talk to god"

Behind The Sea

Intro (Repeat x2):
|-5-------4------------------0--
|---5-457--5-4-2----2--2-4--4---
|---------------------2----4----
|--------------------2----4-----

    Dsus2    E     A  Dsus2
She held the world upon a string.
    Dsus2      E       A
But she didn?t ever hold me.
    Dsus2    E             A  Dsus2
She spun the stars on her fingernails.
       Dsus2 E         A     
But it never made her happy.
            Dsus2    E         A
Because she couldn?t ever have me.


    Bm                       E
She said she?d won the world at a carnival.
    Dsus2        E    A
But she couldn't ever win me.
            Dsus2    E         A
Because she couldn?t ever catch me.


Dsus2     E
I, I know why.
        Dm                           F#m     E Dsus2
Because when I look in her eyes, I just see the sky.

Dsus2                    E               A
When I look in her eyes, I just see the sky.


A                         C#m
I don?t love you. I?m just passing the time.
A
You could love me.
     C#m
If I knew how to lie?
    A
But who could love me?
     Dsus2
I am out of my mind.
Dsus2                  C#m
Throwing a line out to sea.
   Dsus2                 C#m E
To see if I can catch a dream.

|-7-5-4--------------------0------
|-------7-5-4-2-0-2--2-4--4-------
|-------------------2----4--------
|------------------2----4---------
(Repeat x2)

    Dsus2   E         A  Dsus2
The sun was always in her eyes.
Dsus2      E         A
She didn't even see me.
Dsus2    E            A Dsus2
But that girl had so much love.
      Dsus2   E                 A
She?d want to kiss you all the time.
      Dsus2         E                A
Yeah, she'd want to kiss you all the time.
    Bm                   E
She said she?d won the world at a carnival.


        Dsus2         E      A
But I'm sure I didn?t ruin her,            
     Dsus2         E       A         
just made her more interesting. 
(Repeat x2)


Dsus2     E
I, I know why.
        Dm                             F#m     E Dsus2
Because when I look in her eyes, I just see the sky.

Dsus2                    E    
When I look in her eyes, I just see the sky.

A                         C#m
I don?t love you. I?m just passing the time.
A
You could love me.
     C#m
If I knew how to lie?
    A
But who could love me?
     Dsus2
I am out of my mind.
Dsus2                  C#m
Throwing a line out to sea.
   Dsus2                 C#m E A
To see if I can catch a dream.

Outro:
|-7-5-4--------------------0------
|-------7-5-4-2-0-2--2-4--4-------
|-------------------2----4--------
|------------------2----4---------
(Repeat x2)



|-2-4-5-------4----------0---2-0--
|-------5-457--5-4-2---2---4------
|---------------------------------
|---------------------------------
(Repeat x2)

She Had The World

D#
Clouds are marchin' along
Singin' a song, just like they do
If the clouds were singin' a song
I'd sing along, wouldn't you too?

If you just
G#m
knew what they could do
Oh, if you just knew
What would they do?
D#
And if the birds
Are just hollow words

Flyin'
D#m
along, singin' a song

What would they
G#m
do?
If they just knew
What they could do
Oh, if they just knew


I know it's
F#
sad
That I never gave a damn about the weather
D#m
And it never gave a damn about
B
me

I know it's
F#
sad
That I never gave a damn about the weather
            D#m
And it never gave a damn about
G#m
me
           D#m
No, it never gave a damn about
G#m
me

(Walk down like this): hit each chord twice

   G#m      F#
e|-4----X----2----X---I
B|-4----X----2----X---I
G|-4----X----3----X---I    and then an open E chord for two measures (8 strums)
D|-6----5----4----3---I
A|-6----6----4----4---I
E|-4----3----2----1---I

(Repeat the sequence through this part, I'll put the main chords, and you just fill in 
walk down)

I know it's
G#m
mad

But if I go to
F#
hell

Will you come with me or
E
 just leave?

I know it's
G#m
mad

But if the world were
F#
ending

Would you kiss me or
E
just leave me?
Just leave me?

(end on the open E and then take a pause)

D#
Clouds are singin' a song
Marchin' along, just like they do
If the clouds were playin' a song
I'd play along, wouldn't you too?
                   G#m
If you just knew
What they could do
Oh, if you just knew
What would they do?
            D#
And if words
Are just hollow birds
          D#m
Flyin' along, singin' a song
                               G#m
What would they do?
If they just knew
What we could do
Oh, if they just knew
                    F#
I know it's sad
That I never gave a damn about the weather
            D#m                                      B
And it never gave a damn about me
                    F#
I know it's sad
That I never gave a damn about the weather
            D#m                                      G#m
And it never gave a damn about me
            D#m                                     G#m
No, it never gave a damn about me

(Repeat the walk down twice and then play this the same way as before)

I know it's mad
But if I go to hell
Will you come with me or just leave?
I know it's mad
But if the world were ending
Would you kiss me or just leave me?
Just leave me?

I know it's sad
That I never gave a damn about the weather
And it never gave a damn about me
[x4]
            D#m                                     B
No, it never gave a damn about me

Do You Know What I'm  Seeing

F
Oh how it's been so long

We're so sorry we've been gone
G#           A#                F
We were busy writing songs for you
x2

F                 G#
You don't have to worry 'cause we're 
A#             F
still the same band
F
You don't have to worry

You don't have to worry
G#       A#
You don't
F
You don't have to worry

You don't have to worry
G#       A#    
You don't

F(8 beats)       G#(2 beats)     A#(2 beats)



F
Oh how it's been so long

We're so sorry we've been gone
G#           A#                A#
We were busy writing songs for you

We're So Starving

F#
Innocence.
         Bbm               C#sus2
Sunk the glow and drowned in covers,
         C#sus2       G#  
send for all your absent lovers things.


F#
Sheepish Wolves.
        Bbm         C#sus2
Looking lived in eating buttons,
      C#sus2              G#
Wink, just don't put your teeth on me.



{Intro Riff}


F#
Accidents.
        Bbm         C#sus2
Let the evening in the backdoor,
           C#sus2       G#
filled the room ceiling to the floor.

F#
Beat backbones.
           Bbm             C#sus2
Grazed the poem and made it strange,
         C#sus2     G#
I wasn't born to be a skeleton.


.........................................

Bb 
Go on,
G#                Ebsus2 
grab your hat and fetch a camera.           {Repeat 2x}
Bb     G#               Ebsus2
Go on, film the world before it happens.

.........................................


F#
Jealous orchard.
           Bbm            C#sus2
The sky is falling off the ceiling
          C#sus2       G#
while I'm tucking fibs into a cookie jar.


F#
Reverie.
              Bbm            C#sus2
It's useless searching in the cupboards
           C#sus2       G#
when everything you have is on your back.

She's A Handsome Woman

E                  B
Oh, little did she know
                Esus4/A
Couldn't let me go
          E
Already a part of her

E              B
So, often do I need
            Esus4/A
People in between
                      E
That just can't get a hold of it


                      B
So we'll just sing it for them
B Bb Esus4/A 
Ahhh
                         E
Yeah, we'll just sing it for them

(Just can't get a hold of it)
                      B
So we'll just sing it for them
B Bb Esus4/A 
Ahhh
                         
Yeah, we'll just sing it

.......................................................
         E                     Dsus2        Esus4/A
It's the greatest thing that's yet to have happened
Esus4/A F#m     E
Imagine knowing me
         E                    Dsus2 Esus4/A
It's the greatest thing you'd ever imagine
           B          Esus4/A      E
But you'll never know until you're there
           B                       E
No, you'll never know until you're there

.......................................................

E                          B
Slow, leave walking to the world
                 Esus4/A
Give your feet a chance
                   E
They'll do all the thinking
E                      B
Toast, high until they find
              Esus4/A
Less pathetic wine
                 E
Until they get a better blend


                        B
And we'll just drink it for them
B Bb Esus4/A 
Ahhh
                         E
Yeah we'll just drink it for them

(Until they get a better plan)
                       B
So we'll just drink it for them
B Bb Esus4/A 
Yeah we'll just drink it

.......................................................
         E                     Dsus2        Esus4/A
It's the greatest thing that's yet to have happened
Esus4/A F#m     E
Imagine knowing me
         E                    Dsus2 Esus4/A
It's the greatest thing you'd ever imagine
           B          Esus4/A      E
But you'll never know until you're there
           B                       E
No, you'll never know until you're there

Pas De Cheval

G#                              Bb     
Come save me from walking off a windowsill
        C#sus2        G#
or I'll sleep in the rain.
G#                        Bb
Don't you remember when I was a bird
    C#sus2      G#
and you were a map?

(Ebsus2 / Dsus2 / C#sus2)

G#                         Bb
Now he drags down miles in America
C#sus2       G#
briefcase in hand.
G#                           Bb
The stove is creeping up his spine again,
      C#sus2     G#
can't get enough trash.



Bb / C#sus2


.......................................

   Ebsus2   C#sus2   G#
He took the days for pageant
  Ebsus2  C#sus2 G#
Became as mad as rabbits
     Ebsus2  C#sus2 Fm
With bushels of bad habits
Fm        G#      C#sus2
Who could ask for anymore?
Fm            G#   C#sus2
Yea who could have more.

......................................


G#


G#                              Bb
His arms were the branches of a Christmas tree
             C#sus2       G#
preached the devil in the belfry.
G#
He checked in
                     Bb                      C#sus2       G#
to learn his clothes had been thieved at the train station.
G#
Rope hung his other branch
    Bb               C#sus2     G#
and at the end was a dog called bambi
G#                     Bb
Who was chewing on his parliaments
        C#sus2   G#       Bb
when he tried to save the calendar business,
C#sus2   G#       Bb
tried to save the calendar business.


.......................................

   Ebsus2   C#sus2   G#
He took the days for pageant
  Ebsus2  C#sus2 G#
Became as mad as rabbits
     Ebsus2  C#sus2 Fm
With bushels of bad habits
Fm        G#      C#sus2
Who could ask for anymore?
Fm            G#   C#sus2
Yea who could have more.

......................................



G#



G#                       Bb
The poor son of a humble chimney sweep
C#sus2    G#
fell to a cheap crowd
G#                             Bb
So stay asleep and put on that cursive type
Bb          C#sus2    G#
you know we live in a toy.

(Ebsus2 / Dsus2 / C#sus2)
G#                          Bb               C#sus2    G#
Paul Cates bought himself a trumpet from the salvation army

G#                          Bb
But there ain't no sunshine in his song
        C#sus2   G#
We must reinvent love,
C#sus2   G#
reinvent love
C#sus2   Bb      C#sus2
reinvent love. 


.......................................


   Ebsus2   C#sus2   G#
He took the days for pageant
  Ebsus2  C#sus2 G#
Became as mad as rabbits
     Ebsus2  C#sus2 Fm
With bushels of bad habits
Fm        G#      C#sus2
Who could ask for anymore?
Fm            G#   C#sus2
Yea who could have more.

Mad As Rabbits

E
Clouds are marching along, singing a song, just like they do.
If the clouds were singing a song, I'd sing along, wouldn't you too?
            Am
If you just knew what they could do.
Oh, if you just knew, what would they do?
          E                                   Em
And if the birds are just hollow words flying along, singing a song,
                Am
What would they do?
If they just knew what they could do.
Oh, if they just knew.

Chorus:
            G                                       
I know it's sad that I never gave a damn about the weather,
       Em                     C
And it never gave a damn about me.
            G
I know it's sad that I never gave a damn about the weather,
       Em                      Am
And it never gave a damn about me.
       Em                      Am
No, it never gave a damn about me.

            Am                      
I know it's mad, but if I go to hell
                              F
Will you come with me or just leave?
            Am                            
I know it's mad, but if the world were ending
                          F
Would you kiss me or just leave me?
Just leave me?

E
Clouds are singing a song, marching along, just like they do.
If the clouds were playing a song, I'd play along, wouldn't you too?
            Am
If you just knew what they could do.
Oh, if you just knew, what would they do?
       E                            Em        
And if words are just hollow birds, flying along, singing a song,
                Am
What would they do?
If they just knew what we could do.
Oh, if they just knew.

Chorus:
            G                                       
I know it's sad that I never gave a damn about the weather,
       Em                     C
And it never gave a damn about me.
            G
I know it's sad that I never gave a damn about the weather,
       Em                      Am
And it never gave a damn about me.
       Em                      Am
No, it never gave a damn about me.

            Am 
I know it's mad, but if I go to hell (I know it's mad)
                              F
Will you come with me or just leave?
            Am                                                   
I know it's mad, but if the world were ending (I know it's mad)
                          F
Would you kiss me or just leave me?
Just leave me?

            G             
I know it's sad that I never gave a damn about the weather,
       Em                      C
And it never gave a damn about me.
            G         
I know it's sad that I never gave a damn about the weather,
       Em                      Am
And it never gave a damn about me.
            G 
I know it's sad that I never gave a damn about the weather, (I know it's sad)
       Em                      C
And it never gave a damn about me.
            G 
I know it's sad that I never gave a damn about the weather, (I know it's oh so sad)
       Em                      Am
And it never gave a damn about me.
       Em                      Am
No, it never gave a damn about me.

Do You Know What I'm Seeing

Pretty. Odd.

Intro:  Am   F    Dm    E7

Am
She paints her fingers with a close precision
Am
He starts to notice empty bottles of gin
Am                                                       E7
And takes a moment to assess the sin she's paid for
Am
A lonely speaker in a conversation
F
Her words are swimming through his ears again
Dm                                E7                 Am
There's nothing wrong with just a taste of what you paid for

F             C                 E7
Say what you mean, tell me I'm right
            Am         G      F
And let the sun reign down on me
           C               E7
Give me a sign, I wanna believe

F
Whoa ah ah ah oh, Mona Lisa
Am                   G
You're guaranteed to run this town
F
Whoa ah ah ah oh, Mona Lisa
C                   E7
I'd pay to see you frown

( Am E7 )

Am
He senses something, call it desperation
F
Another dollar, another day
Dm                         E7                      Am
And if she had the proper words to say, she would tell 'im
                Am
But she'd have nothing left to sell 'im

F             C                E7
Say what you mean, tell me I'm right
             Am        G       F
And let the sun reign down on me
             C               E7
Give me a sign, I wanna believe

F
Whoa ah ah ah oh, Mona Lisa
Am                    G
You're guaranteed to run this town
F
Whoa ah ah ah oh, Mona Lisa
C                   E7
I'd pay to see you frown

Am   F  C   E7
Am   F  C   E7
Mona Lisaaa...
Am         F       C   E7
Pleased to please ya

F             C                E7
Say what you mean, tell me I'm right
             Am        G       F
And let the sun reign down on me
             C               E7
Give me a sign, I wanna believe

F
Whoa ah ah ah oh, Mona Lisa
Am                    G
You're guaranteed to run this town
F
Whoa ah ah ah oh, Mona Lisa
C                   E7
I'd pay to see you frown

F                               Am
Say what you mean, tell me I'm right
             G                 F
And let the sun reign down on me
                           C  E7
Give me a sign, I wanna believe

Am        F  
Dm                                E7                Am
There's nothing wrong with just a taste of what you paid for...

The Ballad Of Mona Lisa

G  Am  F  F  x4

                         G                        Am
You've got these little things that you've been running from
            F                      
You either love it or I guess you don't
                      G           Am
You're such a pretty thing to be running from anyone
   F
A vision with nowhere to go


                 G                    Am
So tell me right now you think you're ready for it
         F
I wanna know why you got me going
          G               Am
So let's go we'll take it out of here
             F
I think I'm ready to leave I'm ready to live


             G       Am
I'm ready to go 
        F
(Get me out of my mind, get me out of my mind)
              G     Am
I'm ready to go
 F
(Oh oh oh oh oh oh oh oh oh oh oh oh)

                     G                 Am
You've got yourself things you wanted something for them
            F
You either get it or I guess you won't
                      G          Am
What does it really mean to get nothing from anyone
          F
There's a million ways it could go

                 G                    Am
So tell me right now you think you're ready for it
         F
I wanna know why you got me going
          G               Am
So let's go we'll take it out of here
             F
I think I'm ready to leave I'm ready to live


             G       Am
I'm ready to go 
        F
(Get me out of my mind, get me out of my mind)
              G     Am
I'm ready to go
 F
(Oh oh oh oh oh oh oh oh oh oh oh oh)

G  Am  F  F  x4

G
I think I'm ready I think
Am
I know I'm ready I know
F
I think I'm ready I think
F
I know I'm ready I know
G
I think I'm ready I think
Am
I know I'm ready I know
F
I think I'm ready I think
F
I know I'm ready I know

             G       Am
I'm ready to go 
        F
(Get me out of my mind, get me out of my mind)
              G     Am
I'm ready to go
 F
(Oh oh oh oh oh oh oh oh oh oh oh oh)
             G       Am
I'm ready to go 
        F
(Get me out of my mind, get me out of my mind)
              G     Am
I'm ready to go
 F
(Oh oh oh oh oh oh oh oh oh oh oh oh)
             G       Am
I'm ready to go 
        F
(Get me out of my mind, get me out of my mind)
              G     Am
I'm ready to go
 F
(Oh oh oh oh oh oh oh oh oh oh oh oh)

Ready To Go (get Me Out Of My Mind)

These are just the chords for the song and I just used the tab from http://tabs.ultimate-guitar.com/p/panic_at_the_disco/always_crd.htm to figure out the arrangement. I'm probably infringing something and if so I'll remove it.

Always

(Intro) 
G A D Bm

(Verse)
           G                    A 
Placing a smile at the perfect event,
              D                       Bm
Gracing your skin with the side of my hand,
             G                         A 
If I ever leave, I could learn to miss you,
                D                Bm
But sentimental boy as my nom de plume.


G      A         D         Bm
Let me save you, hold this rope.

(Chorus)
G      A       D          Bm
I may never sleep tonight,
   G       A            D             Bm
As long as you're still burning bright,
   G               A 
If I could trade mistakes for sheep,
D                Bm
Count me away before you sleep,
G                      A 
I'll stay awake 'til I trade my mistakes 
D            Bm
So they fade away.


G A D Bm

(Verse)
             G             A 
I feel marooned in this body,
             D                            Bm
Deserted my organs, could go on without me,
           G                A 
You can't fly these wings,
          D                     Bm
You can't sleep in this box with me,


G       A        D         Bm
Let me save you, hold this rope.


(Chorus)
G      A      D       Bm
I may never sleep tonight,
   G       A            D              Bm
As long as you're still burning bright,
   G               A 
If I could trade mistakes for sheep,
D                 Bm
Count me away before you sleep,
G                      A 
I'll stay awake 'til I trade my mistakes 
D            Bm
So they fade away.

(Bridge)
    G        A        D        Bm
So let me save you, hold this rope,
Bm
And I'll pull you in,
       G        A     D            
'Cause I am an anchor, save her,
Bm
Oh, I feel it sinking in,
G      A         D         Bm
Let me save you, hold this rope,
G          A   D            Bm
I am an anchor sinking her.
(ho, oh, oh, oh)

N/C
I may never sleep tonight,
N/C
As long as you're still burning bright.

   G                A 
If I could trade mistakes for sheep,
D               Bm
Count me away before you sleep,
G                       A 
I'll still wait 'til I trade my mistakes 
D            Bm
So they fade away.

Trade Mistakes

Capo 1st Fret

Verse 1 :

D                         Gm
My wing tips waltz across naive,
                   D
wood floors they creak,
            Gm          D    Gm
innocently down the stairs,


D         Gm
 drag melody,
              D                 Gm
my percussive feet serve cobweb headaches as a,
(no guitar)
matching set of marching clocks,
                                                       D   
the slumbering apparitions that they've come to wake up,

Gm    D    Gm


                          Gm
Here I am composing of burlesque,
                              D
Out of where they rest their necks,
                 D
Sunken in their splintered cradles
Gm                  D
And ramshackle ants,
               Gm            D
They asked for it, as a girl,
You have set your heart on,
Haunting me forever from the start,
It's never silent,

Chorus :

G       D       
   Ever since we met,
C          Cm                  G
   I only shoot up with your perfume,
         D
It's the only thing,
C                Cm                G
   That makes me feel as good as you do,

         D 
   Ever since we met,
C                Cm                 D#
   I've got just one regret to live through,

And that one regret is you,

D    Gm      D

Verse :

Gm
How does a heart love,
   D                      Gm
If no one has noticed its presence,
                   D
And where does it go,
Gm                     D        
Trembling hands play my heart like the drum,
         Gm                        D 
But the beat's gotten lost in the show,


(no guitar)
You have set your heart on,
Haunting me forever from the start,
It's never silent,

Chorus

G       D       
   Ever since we met,
C          Cm                  G
   I only shoot up with your perfume,
         D
It's the only thing,
C                Cm                G
   That makes me feel as good as you do,

         D 
   Ever since we met,
C                Cm                 D#
   I've got just one regret to live through,
  D                            G
and I regret never letting you know,


G       D       
   Ever since we met,
C          Cm                  G
   I only shoot up with your perfume,
         D
It's the only thing,
C                Cm                G
   That makes me feel as good as you do,


         D 
   Ever since we met,
C                Cm                 D#
   I've got just one regret to live through,
         D            G
And that one regret is you,

End :

G   D     C      Cm
Mona Lisa please to please ya
(my one regret is you)
G   D     C      Cm
Mona Lisa please to please ya
(at that one regret is you)
G   D     C      Cm        D#
Mona Lisa please to please ya 

D   G

Nearly Witches

Am
If I retreat
E
Words, wars, and symphonies
C                          E
Make room we're taking over here
Am
So the gallanting

E
Cold and alone, it suits you well
C                            E
You won't find me perching here again

Am
May your feet serve you well
E                     C
They must be sent to Hell
                        E
Where they always have belonged
Cold hearts, colder songs
Am               E
They will play us out
                       C
With a song of pure romance
                               E
Stomp your feet and clap your hands

Am         E
Let's kill tonight!
Dm        Am
Kill tonight!
Dm                    Am              E
Show them all you're not the ordinary type
Am         E
Let's kill tonight!
Dm         Am
Kill tonight!
Dm                      Am            E
Show them all you're not the ordinary type
Am
Let's kill tonight!

intro: Am, E, Dm, Am, Dm, Am, E


(the same chords)
 
May your feet serve you well
They must be sent to Hell
Where they always have belonged
Cold hearts, colder songs
They will play us out
With a song of pure romance
Stomp your feet and clap your hands

Let's kill tonight!
Kill tonight!
Show them all you're not the ordinary type
Let's kill tonight!
Kill tonight!
Show them all you're not the ordinary type

Let's kill tonight!
Kill tonight!
Show them all you're not the ordinary type
Let's kill tonight!
Show them all you're not the ordinary type
Let's kill tonight!

Let's Kill Tonight

Intro: Dm F Gm A 


Dm                                 F
I was fine just a guy living on my own,
                         Gm
Waiting for the sky to fall
                                A
Then you called and changed it all,
Doll,

Dm                                   F
Velvet lips and the eyes to pull me in,
                            Gm
We both know you'd already win,
                  A
Mm your original sin,

Bb                             C       
You fooled me once with your eyes now honey,
Bb                              A
You fooled me twice with your lies and I say,


F                                Dm     
Sarah smiles like Sarah doesn't care,
                             Bb
She lives in her world so unaware,
                        C
Does she know that my destiny lies with her,
 F       Bb     C     Bb
Sarah (Sarah, Sarah, Sarah)
     F      C              Bb
Oh Sarah (Sarah) are you saving me?


Dm                                      F
Waking up to a kiss and you're on your way,
                               Gm
I really hoped that you would stay,
                                A
But you left and went your own way,
Babe,


Dm                                           F
I don't mind take your time I got things to do,
                                 Gm 
Besides sit around and wait for you,
                      A
Oh and I hope you do too,

Bb                             C
You fooled me once with your eyes now honey,
Bb                             A
You fooled me twice with your lies and I say,


F                                Dm
Sarah smiles like Sarah doesn't care,
                            Bb
She lives in her world so unaware,
                          C
Does she know that my destiny lies with her,
F Bb C Bb
Sarah,
     F Bb C
Oh Sarah,
          Bb
are you saving me?


Gm                    Dm
And it's killing me inside,
Gm                F
Consuming all my time,
                 Gm
You've left me blind,
                      Dm
And when I think I'm right,
                    Gm
You strip away my pride,
                  A
You cast it all aside but I say,

F (strum once)
Sarah smiles like Sarah doesn't care,
Dm                          Bb
She lives in her world so unaware,
                        C
Does she know that my destiny lies with her,
F  Bb  C  Bb
Sarah (Sarah)
    F       C             Bb
Oh Sarah (Sarah) are you saving me?

Sarah Smiles


Em
Are you worth your weight in gold?
                    B
'Cause you're behind my eyelids when I'm all alone
Em                                        C
Hey, stranger, I want you to catch me like a cold
Am               
You and I both got the guns
B
When you shoot I think I'm done

Am                 Em        B
I let the revolution in my bedroom
Em       E
And I sat on this in between
Am               Em                 B          
We said no more wars, no more clothes beneath me
Oh, kiss me

Em               B
(Hey, hey) We are a hurricane
            C                 G
Drop our anchors in a storm
Em                  B
(Hey) They will never be the same
            C                       G
Fighting a fire to keep us warm
Em               B
'Cause they know, I know
      C                         G
That they don't look like me
 Em           B
Oh they know, I know
  C                      G
That they don't sound like me

Em
You'll dance to anything (x2)

Oh I confess, I confess to the rumor of us
               B
But he didn't come and speak to me
          Em                              C          
Oh put my heart at ease and I believe that half the time
Am
I am a wolf among the sheep
B
Now I got the wool over my eyes


Am               Em         B
I let the revolution in my bedroom
Em         E
And I sat on this in between
Am            Em                  C
We said no more wars, no more clothes beneath me
Oh, kiss me

Em                B
(Hey, hey) We are a hurricane
            C                   G
Drop our anchors in a storm
Em                   B
(Hey) They will never be the same
            C                    G
Fighting a fire to keep us warm
Em             B
'Cause they know, I know
     C                      G
That they don't look like me
  Em        B
Oh they know, I know
  C                      G
That they don't sound like me

Em           
You'll dance to anything (x4)

Am           Em
Fix me, or conflict me
B              Em   E
I'll take anything
Am              Em
Fix me, or just conflict me
        C           B
'Cause I'll take anything

[CHORUS]

Em          
You'll dance to anything 
Em          
You'll dance to anything 

Hurricane

D 
(But only for you) 
(Only for you) 

A 
  You said if you don't let it out 
             Bm               D 
You're gonna let it eat you away 
A 
  I'd rather be a cannibal, baby 
Bm                    D 
Animals like me don't talk anyway 

F#m 
Feel like an ambulance 
D 
Chase her away 
A 
Pray I could replace her 
E              D 
Forget the way her tears taste 
                G 
Oh, the way her tears taste 

             D      F#m 
Put another 'x' on the calendar 
A                D 
Summer's on it's deathbed 
F#m             D                   A             E 
There is simply nothing worse than knowing how it ends 
D     F#m         A                E 
And I meant everything I said that night 
D      A            E 
I will come back to life 
         F#m 
But only for you 
     D 
Only for you 

A 
  Don't wanna call it a second chance 
                Bm                     D 
But when I came back, it was more of a relapse 
A 
  Anticipation's on the other line 
    Bm                              D 
And obsession called while you were out 
         G 
Yeah, it called while you were out 

             D      F#m 
Put another 'x' on the calendar 
A                D 
Summer's on it's deathbed 
F#m             D                   A             E 
There is simply nothing worse than knowing how it ends 
D     F#m         A                E 
And I meant everything I said that night 
D      A            E 
I will come back to life 
         F#m 
But only for you 
     D 
Only for you 

F#m                   D 
    I'll sleep in the hive 
        A               E 
I guess all the buzzing got to me 
F#m 
    While I'm still alive 
   A                  E 
At night your body is a symphony 
    D       F#m 
And I'm conducting you 

( F#m  D  E ) (4x) 

A 
You said if you don't let it out 

You're gonna let it eat you away 
             D      F#m 
Put another 'x' on the calendar 
A                D 
Summer's on it's deathbed 
F#m             D                   A             E 
There is simply nothing worse than knowing how it ends 
D     F#m         A                E 
And I meant everything I said that night 
D      A            E 
I will come back to life 
         F#m 
But only for you 
     D 
Only for you 
     F#m 
Only for you 
     D 
Only for you 

          F#m 
(But only for you) 
      D 
(Only for you) 
      F#m 
(Only for you) 
      D        F#m 
(Only for you)

The Calendar

[Intro]
G  Am  F  F  x4

[Verse 1]
                         G                        Am
You've got these little things that you've been running from
            F                      
You either love it or I guess you don't
                      G           Am
You're such a pretty thing to be running from anyone
   F
A vision with nowhere to go


[Bridge]
                 G                    Am
So tell me right now you think you're ready for it
         F
I wanna know why you got me going
          G               Am
So let's go we'll take it out of here
             F
I think I'm ready to leave I'm ready to live


[Chorus]
             G       Am
I'm ready to go 
        F
(Get me out of my mind, get me out of my mind)
              G     Am
I'm ready to go
 F
(Oh oh oh oh oh oh oh oh oh oh oh oh)


[Verse 2]
                     G                 Am
You've got yourself things you wanted something for them
            F
You either get it or I guess you won't
                      G          Am
What does it really mean to get nothing from anyone
          F
There's a million ways it could go


[Bridge] [Chorus]

G  Am  F  F  x4

G
I think I'm ready I think
Am
I know I'm ready I know
F
I think I'm ready I think
F
I know I'm ready I know
G
I think I'm ready I think
Am
I know I'm ready I know
F
I think I'm ready I think
F
I know I'm ready I know


[Chorus] x3

Ready To Go

Intro [Am(1),Am(1),Am(1),E(1)] 

Am(1)                                         Am(2)
She paints her fingers with a close precision,  he starts to notice empty bottles of gin

Dm          E(1)                           Am(1)         E 
And takes a moment to assess the sin she's paid for...

Am(1)                              Am(2)
A lonely speaker in a conversation,  Her words are swimming through his ears again

Dm               E(1)                             Am(1)       G
There's nothing wrong with just taste of what you paid for...

F            C               E                 Am       G6      F            C
Say what you mean tell me im right and let the sun rain down on me give me a sign
         
        E
I wanna believe


Chorus:

F               Am                   G6             F              C                   E 
Whoa Mona Lisa, you're guaranteed to run this town,  Whoa Mona Lisa I'd pay to see you frown

Am(1)                                 Am(2)
He sense something call it desperation  another dollar another day 

Dm                 E(1)                       Am(1)   |stop|                        Am(1)x3, Em(1)
and if she has the proper words to say she'd tell but she'd have nothing left to sell him...

F            C               E                 Am       G6      F            C
Say what you mean tell me im right and let the sun rain down on me give me a sign
         
        E
I wanna believe


Chorus:

F               Am                   G6             F              C                   E 
Whoa Mona Lisa, you're guaranteed to run this town,  Whoa Mona Lisa I'd pay to see you frown

Instrumental:

Am(1)..., Am(2)..., C..., E...

Am   F5    C       E    Am         F5         C, E        Am   F5    C       E
Mona Lisa, wear me out, Pleased to please Ya...         , Mona Lisa, wear me out 

F            C               E                 Am       G6      F            C
Say what you mean tell me im right and let the sun rain down on me give me a sign
         
        E
I wanna believe 

F               Am                   G6             F              C                   E 
Whoa Mona Lisa, you're guaranteed to run this town,  Whoa Mona Lisa I'd pay to see you frown

F                            Am                G6            F          
Say what you mean tell me im right and let the sun rain down on me give me a sign
         
        C   E     Am
I wanna believe

Mona Lisa

Vices & Virtues

C        
It?s getting late, and I
                           Em    
Cannot seem to find my way home tonight
                               Am    
Feels like I am falling down a rabbit hole
                     F                       G
Falling for forever, wonderfully wandering alone
              C
What would my head be like

If not for my shoulders
       Em
Or without your smile

May it follow you forever
Am
May it never leave you

To sleep in the stone,
      F                 G
May we stay lost on our way home



C      Em               Am
C?mon, c?mon, with everything falling down around me
              F                G        F 
I?d like to believe in all the possibilities



            C 
If I should die tonight
                              Em
May I first just say I?m sorry
                              Am
For I, never felt like anybody

I am a man who made hats although I
               F         G
Never mastered anything
          C
When I am ten feet tall
                               Em
I?ve never felt much smaller, since the fall
                         Am
Nobody seems to know my name

So don?t leave me to sleep all alone
      F                 G
May we stay lost on our way home?



C      Em               Am
C?mon, c?mon, with everything falling down around me
              F                G        F 
I?d like to believe in all the possibilities


C      Em               Am
C?mon, c?mon, with everything falling down around me
              F                  G
I?d like to believe in all the possibilities



Am                           G
Try not to mistake what you have with what you hate

         F                               C
It could leave, it could leave, come the morning



Am
Celebrate the night

It?s the fall before the climb

          F                            C
Shall we sing, shall we sing, 'til the morning



Am              F   C    G
I fall forward, you fall flat

    Am
And if the sun should lift me up
      F   C    G        C
Would you come back? C'mon!

Em,Am,F,G


C      Em               Am
C?mon, c?mon, with everything falling down around me
              F                G        C 
I?d like to believe in all the possibilities


       Em               Am 
C?mon, c?mon, with everything falling down around me
              F                G        F 
I?d like to believe in all the possibilities


   C      Em               Am 
So c?mon, c?mon, with everything falling down around me
              F                G        C 
I?d like to believe in all the possibilities


             C                                      Em            C
It?s getting late and I, cannot seem to find my way home tonight.

C'mon

C        
It?s getting late, and I
                           Em    
Cannot seem to find my way home tonight
                               Am    
Feels like I am falling down a rabbit hole
                     F                       G
Falling for forever, wonderfully wandering alone
              C
What would my head be like

If not for my shoulders
       Em
Or without your smile

May it follow you forever
Am
May it never leave you

To sleep in the stone,
      F                 G
May we stay lost on our way home


C      Em               Am
C?mon, c?mon, with everything falling down around me
              F                G        F 
I?d like to believe in all the possibilities



            C 
If I should die tonight
                              Em
May I first just say I?m sorry
                              Am
For I, never felt like anybody

I am a man of many hats although I
               F         G,F
Never mastered anything
          C
When I am ten feet tall
                            Em
I?ve never felt much smaller since the fall
                         Am
Nobody seems to know my name

So don?t leave me to sleep all alone
      F                 G
May we stay lost on our way home?


C      Em               Am
C?mon, c?mon, with everything falling down around me
              F                G        F 
I?d like to believe in all the possibilities


C      Em               Am
C?mon, c?mon, with everything falling down around me
              F                G        C
I?d like to believe in all the possibilities


Am
Try not to mistake what you have with what you hate

         F                               C
It could leave, it could leave, come the morning


Am
Celebrate the night

It?s the fall before the climb

          F                            C
Shall we sing, shall we sing, 'til the morning

Am              F   C    G
I fall forward, you fall flat

    Am
And if the sun should lift me up
      F   C    G        C
Would you come back? C'mon!

Em,Am,F,G


C      Em               Am
C'mon, c'mon, with everything falling down around me
              F                G        C 
I'd like to believe in all the possibilities


       Em               Am 
C'mon, c'mon, with everything falling down around me
              F                G        F 
I?d like to believe in all the possibilities


   C      Em               Am 
So c?mon, c?mon, with everything falling down around me
              F                G        C 
I?d like to believe in all the possibilities

YEAH YEAH YEAH!


C                     Em
It?s getting late and I, cannot seem to find my way home 
         G  
tonight.

C'mon (with Fun)

C                                     Em
It's getting late and I cannot seem to find my way home tonight

                               Am
Feels like I am falling down a rabbit hole

                     F                     G
Falling for forever, wonderfully wandering alone.

              C
What would my head be like, if not for my shoulders

   Em
Or without your smile? May it follow you forever,

Am
May it never leave you to sleep in the stone,

       F                G
May we stay lost on our way home?

(Chorus)

C      Em               Am
C'mon, C'mon, with everything falling down around me

Am       Em      F                         G
I'd like to believe in all the possibilities.

            C
If I should die tonight, may I first just say I'm sorry

    Em                         Am
For I never felt like anybody, I am a man of many hats

                             F       G
Although I've never mastered anything.

          C                                        Em
When I am ten feet tall, I've never felt this tall since the fall


Nobody seems to know my name

Am
So don't leave me to sleep all alone,

       F                G
May we stay lost on our way home?

C      Em               Am
C'mon, C'mon, with everything falling down around me

Am       Em      F                         G
I'd like to believe in all the possibilities.

C      Em               Am
C'mon, C'mon, with everything falling down around me

Am       Em      F                         G
I'd like to believe in all the possibilities.

Am
Try not to mistake what you have with what you hate

         C                              F     G
It could leave, it could leave come the morning

Am
Celebrate the night, it's the fall before the fight

         C                           F     G
Shall we sing, shall we sing til the morning?

   Am     F        C        G
If I fall forward, you fall flat

    Am                F                 C        G
And if the sun should lift me up, would you come back?

C      Em               Am
C'mon, C'mon, with everything falling down around me

Am       Em      F                         G
I'd like to believe in all the possibilities.

C      Em               Am
C'mon, C'mon, with everything falling down around me

Am       Em      F                         G
I'd like to believe in all the possibilities.

C      Em               Am
C'mon, C'mon, with everything falling down around me

Am       Em      F                         G
I'd like to believe in all the possibilities.
             C                                     Em
It's getting late and I cannot seem to find my way home tonight.

Cmon

Intro: C D C D (x2)


C D
Si es que no puedes hablar
C D
no te atrevas a volver
C D
si te quieres ocultar
C D
tal vez te podria ver
Em D C G C
y el amor que no sabe a quien y que
G C
hablará si tu verdad
Em F
te abrazara otra vez

Em C
Habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G C
y te hace feliz

C D


C D
Si no puedes escuchar
C D
aunque insistas hablaré
C D
si lo quieres mírame
C D
y tus ojos hablaran tal vez
Em D C G C
sentiras el amor e iras tras el
G C
hablaras si tu verdad
Em F
te abrazará otra vez

Em C
Habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G D
y te hace feliz
Em C
habla si puedes
G C
grita si temes
Em C
dime a quien quieres
G D
y te hace feliz


Em G C G
.(CUERDAS)... abrazaméeeeeeeee..
C Em F
quiero despertarme y entender

Em C
habla si puedes
G C
grita si temes
Em C
dime a quien quieres
G D
y que haces aquì
Em C
habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G C
y te hace feliz
G C
y te hace feliz

C D
(fin)

Habla si puedes

C                     G
Se a vida as vezes dá uns dias de segundos cinzas
           Am           F
E o tempo tic taca devagar
         Dm                   Am
Ponha o teu melhor vestido, brilha teu sorriso
      F              C
Vem pra cá, vem pra cá

                                     G
Se a vida muitas vezes só chuvisca, só garôa
        Am               F
E tudo não parece funcionar
         Dm                  Am
Deixe esse problema a toa, pra ficar na boa
      C
Vem pra cá

Refrão:
            Am              F
Do lado de cá, a vista é bonita
          C           G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C          E7
E o meu corpo dança sem parar
            F                  C                 G
Do lado de cá, tem música, amigos e alguém para amar
            C G Am F
Do lado de cá
            C G Am F
Do lado de cá

refrão:
           Am            F
Do lado de cá, a vista é bonita
          C           G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C          E7
E o meu corpo dança sem parar
            F                 C                 G
Do lado de cá, tem música, amigos e alguém para amar
            Am
Do lado de cá

             Am7M            Am7
A vida é agora, vê se não demora
  Dm            E7
Pra recomeçar
Am           Am7M          Am7
É so ter vontade de felicidade
  Dm     G
Pra pular

Refrão:
            Am              F
Do lado de cá, a vista é bonita
          C        G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C         E7
E o meu corpo dança sem parar
              F                C                  G
Do lado de cá, tem música, amigos e alguém para amar
            C G Am F
Do lado de cá
            C G Am F
Do lado de cá
            ( C G Am F ) (2x)
Do lado de cá

Do Lado De Cá

LA RE
Jo et duré a casa si fa mal temps
MI FA#m
Jo t’empararé si un cas tens por
SIm MI
Jo te cuidaré si estàs malalta
RE LA
De tot cor, de tot cor
RE REm LA
De tot cor

MI RE DO#m-SIm-LA

FA#m DO#m
Estic a punt d’anar-me’n
RE LA RE
Mes abans de partir et diré
REm LA
Que et duc dins es pensament

FA#m DO#m
No deix de recordar-te
RE LA RE
I alen els teus alens tot calents
REm SIm MI
De lluny i de prop me tens


Jo et duré...

FA#m DO#m
I a dalt de s’escenari
RE LA RE
Quan estic concentrat cantant
REm MI
Jo sempre te tenc present

FA#m DO#m
Perquè m’ets necessari
RE LA
Com s’aire que respir
RE REm SIm MI
Necessit estar amb tu en tot moment


Jo et duré... ( bis )

De tot cor

INTRO: un arpegio mas o menos así.

Em E9 Em E9
e|----------7----------------7----------------7----------------7--------|
B|--------8---8------------7---7------------8---8------------7---7------|
G|------9-------9--------9-------9--------9-------9--------9-------9----|
D|----9-----------9----9-----------9----9-----------9----9-----------9--|
A|--7----------------7----------------7----------------7----------------|
E|----------------------------------------------------------------------|


Como intro:
Desnudar el sin razón
que modelo nuestras vidas
Parece ser causa perdida.

Nadie apuesta detener
el motor que contamina
el aire que a diario respiras

Am
Y que respiraste ayer,
Como intro
y que mañana tal vez, no lo sé.
Por eso hoy

Am
Reflexionando en esto,
C5
la madrugada pasó,
B5 / Am / G5 / F5# / Em
y dejó otro día para ser.


BASE: (mas o menos - no la entiendo)
e|---------------------------------------------------------|
B|---------------------------------------------------------|
G|---------------------------------------------------------|
D|--------------------------/5-------------------------/4--|
A|--------------------------/3-------------------------/2--|
E|--2-3-2-0-2-3-2-0-2-3-2-0----2-3-2-0-2-3-2-0-2-3-2-0-----|


Ser guardianes o vigías de toda la miel
que guarda en toda colmena el sucio poder.
Predador, ecologista, pobre o gran señor.
Drogadependiente, doctor o paciente,
entreverado en el montón.



e|---------+----------------------|
B|---------+----------------------|(A partir de la 2da. vez
G|---------+----------------------| no hace la primer parte)
D|--2-/5-4-+-----/5-4-----2-/5-4--|
A|--2------+-4-5--------4-2-------|
E|--0------+-2-3--------2-0-------|

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser

Culpable o inocente, malviviente o juez.
O quien con sólo su firma decreta la ley.
Pronucleares informistas modelan la situación.
Más tecnología, por más energía.
Fuga radiactiva de progreso.

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser.


e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2-5--|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0--------|

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2-5--|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0--------|


Solo guitarra

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|



Derrame de combustible, exterminio forestal.
El motor contaminante no se detendrá.
Para ser hay otro día en el planeta inferior.
Como cualquier día, como todo día
Con o sin mi reflexión.

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser.

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser.

FIN:e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|

Ser o no ser

Chords: C F Am G
Strumming pattern: down, down, up, up, down, up

You're way too (C) beautiful girl,
That's (Am) why it'll never work
You'll have me (F) suicidal, (G) suicidal
When you (C) say it's over
Damn all these (C) beautiful girls,
They (Am) only wanna do your dirt
They'll have you (F) suicidal, (G) suicidal
When they (C) say it's over
See it (C) started at the park
Used to chill after dark
Oh, (Am) when you took my heart
That's when we fell apart
'Cause (F) we both thought
That (G) love last (C) forever (last forever)
They (C) say we're too young
To get ourselves sprung
Oh (Am) we didn't care
We made it very clear
And they (F) also said
That we (G) couldn't last (C) together (last together)
See it's (C) very divine, girl
You're one of a kind
But you (Am) mush up my mind
You ought to get declined
Oh (F) Lord
My (G) baby is driving me (C) crazy

(Chorus)

It was (C) back in '99
Watchin' movies all the time
Oh (Am) when I went away
For doin' my first crime
And (F) I never thought
That (G) we was gonna see each (C) other (see each other)
And then (C) I came out
Mami moved me down South
Oh (Am) I'm with my girl
Who I thought was my world
It (F) came out to be
That (G) she wasn't the girl for (C) me (girl for me)

(Refrain and chorus)

(C) Now we're fussin'
And now we're fightin'
(Am) Please tell me why
I'm feelin' slighted
And (F) I don't know
(G) How to make it (C) better (make it better)
You're (C) datin' other guys
You're tellin' me lies
Oh (Am) I can't believe
What I'm seein' with my eyes
I'm (F) losin' my mind
And (G) I don't think it's (C) clever (think it's clever)

(Refrain and Chorus)

Beautiful Girls

Verse 1:
           B
I'm going back to the time when we owned this town
      E
Down Powder Mill Lane, in the battlegrounds
C#m        B                   G#m  B     F#
We were friends and lovers and clueless clowns


Verse 2:
                      B       
I didn't know I'd be finding out now I was torn from you
         E
When we thought about things we were gonna do
C#m      B                    G#m B  F# 
We were wide eyed dreamers and wiser too


Chorus:
               E              B 
Go down to the rides on East Parade,
        G#m                   F#
by the lights of the Palace Arcade
                    E                     G#m   F#   
Watch night coming down on the Sovereign Light Café


Verse 3:
                          B
I'm begging you for some sign, but you've still got nothing to say
        E
Don't turn your back on me, don't walk away
C#m     B                   G#m  B   F#
I'm a better man now than I was that day


Chorus:
                      E              B 
Let's go down to the rides on East Parade,
        G#m                   F#
by the lights of the Palace Arcade
                    E                     G#m   F#   
Watch night coming down on the Sovereign Light Café

                 E               B
Go down to the bandstand on the pier
           G#m                    F#
Watch the drunks and the lovers appear
                      E                     G#m   F#     
Take time, just the stars at the Sovereign Light Café


Bridge:
   E        B           F#
I wheel my bike off the train,
        F#
Up the North Trade Road,
 E        B             F# 
Look for you on Marley Lane
                          G#m
In every building, every streetlight
                   E               F#  G#m  B  F#
Oh why did we ever go so far from home?


Verse 4:
                        B
You keep on leaving me mile long traces of who you are
         E
You can get a big house and a faster car
C#m      B                    G#m   B  F#
You can run away boy, but you won't go far


Chorus:
                      E              B
Let's go down to the rides on East Parade,
        G#m                   F#
by the lights of the Palace Arcade
                    E                     G#m   F#   
Watch night coming down on the Sovereign Light Café

                    E                B
Stroll down to the bandstand on the pier
           G#m                    F#
Watch the drunks and the lovers appear
                     E                      G#m   F#
Take time, just the stars at the Sovereign Light Café 

      E            B    G#m
La la la la la la la la Yeah, 
     F#                      E       B   F#
I'm going where the people know my name


Outro:
E B G#m F#
E B G#m F# B

Sovereign Light Cafe

Donde hay numeros en vez de acordes es porque no se
como se llaman esos acordes y pongo abajo como se hacen




F9/A Cm
Ya no sé donde fue,
F9/A C
con su luz tu verdad,
F9/A Cm
avanzar y no avanzar,
1 G
que loco remolino,

ya no ves . . .

ya no ves . . .

la maldad que hay allí . . .

solo estás en tu cruz,

oh déjame explorarte,
F4 C
solo extiéndete una vez más . . .
F4 C
extiéndete una vez más . . .

la canción de la sed,

como el agua se nos fue . . .

líbrame . . .

Oh! líbrame . . .

Líbrame de la galaxia

ya no ves . . .

ya no ves

lo que ya sé nos pasó

respirar y oxidar,

y olvidarse y no fumar . . .

solo extiéndete una vez más . . .

exiténdete una vez más . . .

extiendete una vez más

extiendete una vez más

Nota: C B y
Am 2
eres mi esperanza
Am 3
solo una grieta en mi existir . . .
4
no somos solo hombres
5 6 7
y como fondo un cielo.

no es solo un burro,

que es un ángel de fe,

tal vez

me sentirás tal vez

me sentirás

las aguas en tus ojos

vibran su dulce brillo

una piel y una flor

son tus pechos,

que no piensan menos mal,

oh por favor,

gira loca girasol . . .

déjame como estoy,

ya te amé y allí morí,

quédate quédate oh!

déjame explicarte,

solo extiéndete una vez más . . .

extiéndete una vez más . . .

eres mi esperanza,

solo una grieta en mi existir . . .

no somos solo cuerpos,

y como un fondo un cielo . . .

no es solo un burro,

que es un ángel de fe

tal vez me sentirás

tal vez me sentirás

1:*5455*
2:*0*110
3:2**13*
4:3*445*
5:5**56*
6:7*775*
7:5*555*

Espero que puedan sacar esta genial cancion del mejor
compositor del rock de Argentina (a mi parecer).

Extiéndete una vez más

Intro
D|----------------9-8----|
A|--7--------7-10-7-6~---|X4
E|--5--------5-8---------|

e|----------------------------------------------|
B|----------------------------------------------|
G|-----------------------------X-5-X-7-X-5-5-7--|
D|----------------------9-8----X-5-X-7-X-5-5-7--|X2
A|--7----7----7----7-10-7-6---------------------|
E|--5--5-5--5-5----5-8--------------------------|

e|------------------------------------------|--|-----|
B|------------------------------------------|--|-----|
G|-----X-5-X-7-X-5-5-7-----X-5-X-7-X-5-5-7--|--|-----|
D|-----X-5-X-7-X-5-5-7--8--X-5-X-7-X-5-5-7--|X7|-8-8-|
A|--7-------------------6-------------------|--|-6-6-|
E|--5---------------------------------------|--|-----|

D|----------7-6~-----------|
A|--------7--------7-5-----|X4
E|--5-5-8--------------8-7-|

G|--5-h-7-----5-h-7-----5-h-7----------|
D|--5-h-7-----5-h-7-----5-h-7-----9-8--|X4
A|--------0-0-------0-0-------0-0-7-6--|

D|----------7-6~-----------|
A|--------7--------7-5-----|X4
E|--5-5-8--------------8-7-|

G|--5-h-7-----5-h-7-----5-h-7----------|
D|--5-h-7-----5-h-7-----5-h-7-----9-8--|X8
A|--------0-0-------0-0-------0-0-7-6--|

e|----------------------------------------------|
B|----------------------------------------------|
G|-----------------------------X-5-X-7-X-5-5-7--|
D|----------------------9-8----X-5-X-7-X-5-5-7--|X6
A|--7------7--7----7-10-7-6---------------------|
E|--5------5--5----5-8--------------------------|

G|--5-h-7-----5-h-7-----5-h-7----------|
D|--5-h-7-----5-h-7-----5-h-7-----9-8--|X12
A|--------0-0-------0-0-------0-0-7-6--|

e|----------------------------------------------|--|-----|
B|----------------------------------------------|--|-----|
G|-----------------------------X-5-X-7-X-5-5-7--|--|-----|
D|----------------------9-8----X-5-X-7-X-5-5-7--|X4|-8-8-|
A|--7------7--7----7-10-7-6---------------------|--|-6-6-|
E|--5------5--5----5-8--------------------------|--|-----|

Resistirse a complacer

INTRO: DOm - FA - MIb - LA# - DOm - MIb - FA - LA# - DOm

DOm - FA - MIb - LA#

DOm LA# DOm LA#
Saber que es lo que te pasa, sabes a veces lleva tiempo

DOm LA#
Es que el amor es una ciencia exacta,

DOm LA#
Y el dolor suele ser un misterio

SOL# DOm
Salir, parece buena idea,

SOL# DOm
Escapar, esa no es la manera de seguir

SOL# DOm
No esperar que el tiempo arregle todo,

SI LA#
Cuestión de encontrar el modo de reír

DOm FA MIb LA# DOm
Y si no estas bien, no te desarmes

FA MIb LA# DOm
Ponte de pie y andar y andar

FA MIb LA# DOm
No los escuchés pueden marearte

FA MIb LA# DOm
Solo saben hablar, y hablar y hablar

PUENTE: DOm LA# DOm LA#


DOm LA# DOm LA# DOm
A donde vas? No entiendo, no

LA# DOm LA#
Por que estas mintiendo?

DOm FA MIb LA# DOm
Y si no estas bien, no te desarmes

FA MIb LA# DOm
Ponte de pie y andar y andar…

FA MIb LA# DOm
No los escuchés pueden marearte

FA MIb LA# DOm
Solo saben hablar, y hablar y hablar...


SOLO: DOm LA#

FINAL: DOm - FA - MIb - LA# - DOm - MIb - FA - LA#

Andar

C
Working the village shop
E
Putting a poster up
Am
Dreaming of anything
C              Am               Em               Dm
Dreaming of the time when you're free from all the trouble you're in

C
In the mud, on your knees
E
Trying hard not to please
Am
Anyone, all the time
C              Am
Being a rebel's fine
           Em            C
But you go all the way to being brutal

Chorus:
G
You will have a boy tonight
You will have a boy tonight
F
On the first bus out of town
On the first bus out of town

Let's see your kit for games
All the girls look the same
You are challenging style for running miles
You're running miles in some boy's jumper

Boo to the business world!
You know a girl who's tax free on her back and making
Plenty cash
While you are working for the joy of giving

Chorus:
You will have a boy tonight
You will have a boy tonight
And you hope that she will see
And you hope that she will see

You are in two minds
Tossing a coin to decide whether you should tell your mum
About a dose of thrush you got while licking railings

But you read in a book
That you got free from Boots
There are lotions, there are potions
You can take to hide your shame from all those prying eyes

Lazy Jane, all the time
Painting lines
You sleeping at bus stops
Wondering how you got your name
And what you're going to do about it.

Chorus

I Write Sins Not Tragedies	No rating	beginner	Tab	Full	Other versions
Nails For Breakfast Tacks For Snacks	No rating	beginner	Chords	Full	Other versions
Time To Dance	No rating	beginner	Chords	Full	Other versions
Lying Is The Most Fun A Girl Can Have Without Taking Her Clothes Off	No rating	beginner	Chords	Full	Other versions
Build God Then We'll Talk	No rating	beginner	Tab	Solo	Other versions
Nails For Breakfast, Tacks For Snacks	No rating	beginner	Chords	Full
But Its Better If You Do	No rating	beginner	Chords	Full
Build God, Then We'll Talk	No rating	intermediate	Chords	Full
But It's Better If You Do	No rating	beginner	Chords	Full	Other versions
Camisado	No rating	beginner	Chords	Full	Other versions
I Constantly Thank God For Esteban	No rating	intermediate	Chords	Full	Other versions
The Only Difference Between Martyrdom And Suicide Is Press Coverage	No rating	beginner	Chords	Full	Other versions
London Beckoned Songs About Money Written By Machines	No rating	beginner	Chords	Full
Theres A Good Reason These Tables Are Numbered Honey You Just Havent Thought Of It Yet	No rating	beginner	Chords	Full
I Write Sins, Not Tragedies	No rating	beginner	Tab	Intro
London Beckoned Songs About Money	No rating	beginner	Chords	Short

A Fever You Can't Sweat Out

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