Hamilton 

Lin-Manuel Miranda (born January 16, 1980) is an American actor, composer, and lyricist. He is most famous for writing and acting in the Broadway musical In the Heights, which opened on Broadway at the Richard Rodgers Theatre in 2008.Lin-Manuel was born in New York City of Puerto Rican descent. He attended Hunter College High School and Wesleyan University. He founded a hip-hop theatre troupe called "Freestyle Love Supreme". Miranda also wrote, directed, and acted in an independent film called Clayton's Friends (1996). Read more on Last.fm

Am        F                        C      G
Theodosia writes me a letter every day
Am                    F                          C      G    
She's keeping her bed warm while her husband is away
Am                          F
He's on the British side in Georgia
     C                          G
He's tryna keep the colonies in line
Am                      F
Well he can keep all of Georgia
    C                   G 
Theodosia, she's mine.



 
Am                       F                            C                       G
Love doesn't discriminate between the sinners and the saints, it takes and it takes and it takes
    Am                    F                C                       G
And we keep loving anyway, we laugh and we cry and we break and we make our mistakes
    Am                  F                    C                    G
And if there's a reason I'm by her side when so many have tried
                    Am            F
Then I'm willing to wait for it
               C 
I'm willing to wait for it.




Am                   F                  C          G
My grandfather was a fire and brimstone preacher
Am                            F                        C          G
But there are things that the homilies and hymns won't teach ya
Am              F
My mother was a genius
   C                  G
My father commanded respect
Am                  F                    
When they died they left no instructions
C                   G
Just a legacy to protect.




Am                        F                            C                       G
Death doesn't discriminate between the sinners and the saints, it takes and it takes and it takes
Am                    F               C                        G
We keep living anyway, we rise and we fall and we break and we make our mistakes
    Am                  F                    C                         G
And if there's a reason I'm still alive when everyone who loves me has died
                    Am            F
Then I'm willing to wait for it
               C 
I'm willing to wait for it.


[Bridge]

Am           F
Wait for it, wait for it

C                     G              Am      F
I am the one thing in life I can control
C                G              Am    F
I am inimitable, I am an original
C                 G               Am     F
I'm not falling behind or running late
C                G                    Am      F
I'm not standing still, I am lying in wait

C                 G              Am      F
Hamilton faces an endless uphill climb
C                          G                   Am    F
He has something to prove, he has nothing to lose
C                    G                      Am       F
Hamilton's pace is relentless, he wastes no time
C                      G
What is it like in his shoes?

Am                        F                   C
Hamilton doesn't hesitate, he exhibits no restraint
                G
He takes and he takes and he takes
    Am                      F
And he keeps winning anyway,
               C
He changes the game,
                G
He plays and he raises the stakes
    Am                  F                       C
And if there's a reason he seems to thrive when so few survive,
     G                         Am 
Then God dammit I'm willing to wait for it.
F              C 
I'm willing to wait for it...



Am                       F                            C                       G
Life doesn't discriminate between the sinners and the saints, it takes and it takes and it takes
    Am                    F               C                        G
And we keep living anyway, we rise and we fall and we break and we make our mistakes
    Am                  F                    C                  
And if there's a reason I'm still alive when so many have died
G                   
Then I'm willing to 



Am  F  C      G
         Wait for it...
Am       F          C   G
    Wait for it...
Am

Wait For It

F                                            C
There are moments that the words don't reach
                                   Dm
There is suffering too terrible to name
                                     A#
You hold your child as tight as you can
                          F
And push away the unimaginable
                              C
The moments when you're in so deep
                             Dm
It feels easier to just swim down
                  A#
The Hamiltons move uptown
                                   F
And learn to live with the unimaginable


                           C
I spend hours in the garden
                    Dm
I walk alone to the store
                    A#
And it's quiet uptown
                           F
I never liked the quiet before
                                 C
I take the children to church on Sunday
                           Dm
A sign of the cross at the door
           A#
And I pray
                             F
That never used to happen before



If you see him in the street
C
Walking by himself, talking to himself
     Dm
Have pity


                                         A#
Phillip, you would like it uptown, it's quiet uptown


                                  F
He is working through the unimaginable


His hair has gone gray
   C
He passes every day
                                    Dm
They say he walks the length of the city


                          A#
You knock me out, I fall apart

                  F
Can you imagine?


Look at where we are
C
Look at where we started
Dm
I know I don't deserve you, Eliza
A#
But hear me out, that would be enough

F
If I could spare his life
C                             Dm
If I could trade his life for mine
                            A#
He'd be standing here right now

And you would smile
                          C
And that would be enough


                   Dm                         Am
I don't pretend to know the challenges we're facing
                      A#
I know there's no replacing what we've lost
             F
And you need time
                    C
But I'm not afraid

I know who I married
Dm                            A#
Just let me stay here by your side
                     F
That would be enough



If you see him in the street
C
Walking by her side

Talking by her side
     Dm
Have pity


Eliza, do you like it uptown
      A#
It's quiet uptown


                               F
He is trying to do the unimaginable

                              C
See them walking in the park, long after dark
                            Dm
Taking in the sights of the city


                            A#
Look around, look around, Eliza


                                  F
They are trying to do the unimaginable


                                        C
There are moments that the words don't reach
                                 Dm
There is a grace too powerful to name
                                    A#
We push away what we can never understand
                         F
We push away the unimaginable
                                   C
They are standing in the garden
                      Dm
Alexander by Eliza's side
                 A#
She takes his hand


             F
It's quiet uptown

                C
Forgiveness

Can you imagine?
Dm              A#
Forgiveness

Can you imagine?

F
If you see him in the street
C
Walking by her side

Talking by her side
     Dm
Have pity
A#                                 F
They are going through the unimaginable

It's Quiet Uptown

Bm   
How does a bastard, orphan, son of a whore and a 
F#   
Scotsman, dropped in the middle of a 
           G
Forgotten spot in the Caribbean by providence
                   D
Impoverished, in squalor
               F#
Grow up to be a hero and a scholar?


     Bm        
The ten-dollar founding father without a father
       F# 
Got a lot farther by working a lot harder
            G
By being a lot smarter

By being a self-starter
      D                          F#
By fourteen, they placed him in charge of a trading charter


     Bm
And every day while slaves were being slaughtered and carted 
 F#
Away across the waves, he struggled and kept his guard up
  G
Inside he was longing for something to be a part of
     D                         F#
The brother was ready to beg, steal, borrow, or barter


        Bm 
Then a hurricane came, and devastation reigned
     F#
Our man saw his future drip, dripping down the drain
       G
Put a pencil to his temple, connected it to his brain
        D                                F#
And he wrote his first refrain, a testament to his pain


          Bm
Well the word got around, they said, "This kid is insane, man"
F#
Took up a collection just to send him to the mainland
G
"Get your education, don't forget from whence you came
          D                      F#
and the world is gonna know your name. What's your name, man?"


Bm
Alexander Hamilton
            F#
My name is Alexander Hamilton
              G
And there's a million things I haven't done
              D              F#
But just you wait, just you wait...


            Bm
When he was ten his father split, full of it, debt-ridden
     F#                                                   G
Two years later, see Alex and his mother bed-ridden half-dead

Sittin' in their own sick, the scent thick


n/a
And Alex got better but his mother went quick


Bm    
Moved in with a cousin, the cousin committed suicide
F#
Left him with nothin' but ruined pride, something new inside
  G
A voice saying "Alex, you gotta fend for yourself"


               D                         F#
He started retreatin' and readin' every treatise on the shelf


      Bm
There would have been nothing left to do

For someone less astute, he woulda been
F#
Dead or destitute without a sense of restitution
         G
Started workin', clerkin' for his late mother's landlord
D                              F#
Tradin' sugar cane and rum and all the things he can't afford
Bm
Scammin' for every book he can get his hands on
F#
Plannin' for the future see him now as he stands on
    G
The bow of a ship headed for a new land
   D                F#
In New York you can be a new man

   Bm
In New York you can be a new man       
   F#
In New York you can be a new man      
   Bm
In New York you can be a new man


   F#
In New York


Just you wait!


Bm
Alexander Hamilton 
        G7
We are waiting in the wings for you 
           Em
You could never back down
                                F#
You never learned to take your time
     Bm
Oh, Alexander Hamilton 
      G7
When America sings for you
           Em
Will they know what you overcame?
           D                   Em
Will they know you rewrote the game?
     Bm         G    D      F#
The world will never be the same, oh


    Bm              
The ship is in the harbor now 
              
See if you can spot him       
 D        
Another immigrant 
    Em              
Comin' up from the bottom     
     Em           
His enemies destroyed his rep
        
America forgot him

   F#
We fought with him
   F#
Me? I died for him
   F#
Me? I trusted him
   Em       
Me? I loved him


   Bm              F#
And me? I'm the damn fool that shot him

         Em                            D
There's a million things I haven't done
             F#
But just you wait!



What's your name, man?


Bm
Alexander Hamilton!

Bm

Alexander Hamilton

F                     Bb
Ooh, I do I do I do I do, hey
F              Bb
I do I do I do                         
Boy you got me


 F         Bb
Helpless, look into your eyes and the skys the limit
     F         Bb
Im helpless, down for the count and Im drowning in em


F
I have never been the type to try and grab the spotlight
Bb
We were at a revel with some rebels on a hot night
F
Laughing at my sister as shes dazzling the room
      Bb                                         
Then you walked in and my heart went Boom!
F
Trying to catch your eye from the side of the ballroom
Bb
Everybodys dancing and the bands top volume
F
Grind to the rhythm as we wine and dine
         Bb
Grab my sister and whisper Yo, this ones mine.
Dm                                           Bb
 My sister made her way across the room to you
                                             Dm
And I got nervous, thinking Whats she gonna do?
                                                 C
She grabbed you by the arm Im thinking Im through
Then you look back at me and suddenly Im 


 F         Bb
Helpless, look into your eyes and the skys the limit
     F         Bb
Im helpless, down for the count and Im drowning in em
 F         Bb
Helpless, look into your eyes and the skys the limit
     F         Bb
Im helpless, down for the count and Im drowning in em

F
One week later, Im writing a letter nightly
Bb
Now my life gets better, every letter that you write me
F
Laughing at my sister cause she wants to form a harem
n/a
I'm just saying if you really loved me you would share him

Ha!

F
Two weeks later in the living room stressin'
    Bb
My fathers stone faced while youre asking for his blessin'
    F
Im dying inside as you wine and dine
         Bb                                                          Dm
And Im trying not to cry cause theres nothing that your mind cant do
                                           Bb
My father makes his way across the room to you
                                       Dm
I panic for a second thinking were through
                                           C
But then he shakes your hand and says Be true
And you turn back to me, smiling, and Im


F         Bb
Helpless, look into your eyes and the skys the limit
     F         Bb
Im helpless, down for the count and Im drowning in em
 F         Bb
Helpless, look into your eyes and the skys the limit
     F         Bb
Im helpless, down for the count and Im drowning in em


  F
Eliza, I dont have a dollar to my name
    Bb
An acre of land, a troop to command, a dollop of fame
F
All I haves my honor, a tolerance for pain
   Bb
A couple of college credits and my top-notch brain
F
Insane, your family brings out a different side of me
Bb
Peggy confides in me, Angelica tried to take a bite of me
F
No stress, my love for you is never in doubt
               Bb
Well get a little place in Harlem and well figure it out
          Dm
Ive been livim without a family since I was a child
           Bb
My father left, my mother died, I grew up buckwild
       Dm
But Ill never forget my mothers face, that was real
                       C
And long as Im alive, Eliza, swear to God
Youll never feel so


F         Bb
Helpless, look into your eyes and the skys the limit
     F         Bb
Im helpless, down for the count and Im drowning in em
 F         Bb
Helpless, look into your eyes and the skys the limit
     F         Bb
Im helpless, down for the count and Im drowning in em

Helpless

G   G7   C   Am   D7

   G
You say
    G7                       C                            Am       D7
The price of my loves not a price that youre willing to pay
    G
You cry
        G7                        C                      Am 
In your tea which you hurl in the sea when you see me go by
D7     Em
Why so sad?
D                   C                         Am       
Remember we made an arrangement when you went away
D7                   Em
Now youre making me mad
D                    C                      D
Remember despite our estrangement, Im your man


          G                 G7
Youll be back, soon youll see
       C                      Am     D7
Youll remember you belong to me
          G     G7
Youll be back, time will tell
C                                 Am 
Youll remember that I served you well
D7     Em            D
Oceans rise, empires fall
        C                          Am
We have seen each other through it all
         Em            D
And when push comes to shove
       C                  Am
I will send a fully armed battalion
   D7               G
To remind you of my love!


G            G7              C   
Da da da dat da dat da da da da ya da
      Am      D7    G
Da da dat dat da ya da!
             G7              C
Da da da dat da dat da da da da ya da
      Am      D
Da da dat dat da...


    Em
You say
            D                         C          
Our love is draining and you cant go on!
       Em
Youll be 
        D                     C             
The one complaining when I am gone!
    Em                   
And NO, 
                 D
Dont change the subject!
       Em                 D
Cause youre my favorite subject!
   F                 C
My sweet, submissive subject!
   F            C      
My loyal, royal subject!


   G
Forever
    G7
And ever
    D7                                        
And ever, and ever, and ever...


          G            G7
Youll be back, like before
       C                           Am     D7
I will fight the fight and win the war
         G              G7
For your love, for your praise
         C                     Am     
And Ill love ya til my dying days
     D7     Em            D
When youre gone, Ill go mad
         C                        Am    D7
So dont throw away this thing we had
            Em            D
Cause when push comes to shove
       C            
I will kill your friends and family...
     D
To remind you of my love!


G            G7              C   
Da da da dat da dat da da da da ya da
      Am      D7    G
Da da dat dat da ya da!
             G7              C
Da da da dat da dat da da da da ya da
      Am      D7    G
Da da dat dat 


G            G7              C   
Da da da dat da dat da da da da ya da
      Am      D7    G
Da da dat dat da ya da!
             G7              C
Da da da dat da dat da da da da ya da da da da
Am      D7    G
Dat dat da ya da!

You'll Be Back

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G              C 
Atención, atención
G                       C
Roll down your windows
G                   C
Turn up your radios
Em                  D
Un momento, por favor
        G              C
Atención, atención
G                  C
Please drive slow
G                      C
Let everybody know
            Em                      D
Abuela Claudia passed away
G
At noon today

Bm A D A Bm
Bm A D A Bm

        Bm                   A
She was found and pronounced

At the scene
        D       A        Bm
She was already lying in bed
               Bm                       A
The paramedics said that her heart gave out

I mean
D      A                   Bm
That's basically what they said
                 Bm                      A
They said a combination of the stress and the heat
                       D         A              Bm     A  G     
Why she never took her medicine, I’ll never understand
                            A
I’d like to think she went out in peace
        Bm                   A
With pieces of bread crumbs in her hand


Bm             A    
Abuela Claudia had simple pleasures
             D          A          Bm
She sang the praises of things we ignore
           Bm                   A
Glass Coke bottles, bread crumbs, a sky full of stars
             D         A    Bm               Bm      
She cherished these things, she’d say: “Alabanza.”
           A                                D
Alabanza means to raise this thing to God’s face
       A           Bm              A         G
And to sing, quite literally: “Praise to this.”
               A
When she was here, the path was clear
             Bm       A
And she was just here
         Bm
she was just here…

[Chorus x3]
   Bm  A
Alaban-za
   D       A    Bm
Alabanza a doña Claudia, señor
   Bm  A      D   G
Alaban-za, alaban-za 
 
Bm  A
Alaban-za
   D       A    Bm
Alabanza a doña Claudia, señor
   Bm  A      D   G
Alaban-za, alaban-za

Atencion/alabanza [in The Heights]

Intro:  G    D    Dm5+    C    Eb    D7/sus4    G 

             D             Dm5+     C  Eb  Cm7     Dsus4    D 
Sigue andando el camino por toda su vida.           Respira... 

G            D        Dm5+            C      Eb     Am7  Bb    F 
Breathe     Y si pierdes mis heullas que Dioste bendiga.        Respira



                   G 
This is my street. 
                      Am7 
I smile at the faces 
                            G 
I've known all my life. 
                                   F 
They regard me with pride. 


                           G 
And everyone's sweet, 
                                        C 
they say, "You're going places!" 
      Em         G4 
So how can I say 
                                  Dsus4 
that while I was away, 
           D                    Em 
I had so much to hide? 

                        Dsus4         D 
"Hey Guys, it's me! 
          B                B7/5-              Em       Em4 
The biggest disappointment you know." 
       C              G 
The kid couldn't hack it, 
         Gm                 F         Em 
she's back and she's walkin' real slow. 
                D7/sus4 
Welcome home. 
            G          D        Dm5+       C      Eb         Cm5-        Dsus4   D 
Just breathe 
            G          D        Dm5+       C      Eb         Cm5-        Dsus4   D 
Just breathe

Breathe (in The Heigts)

Bm  F#  G  D  Em    x2

  Bm                      F#
I saved every letter you wrote me
G                  D
From the moment I read them
  Em             Bm
I knew you were mine
                   F#
You said you were mine
                   G     D  Em
I thought you were mine

Bm                 F#
Do you know what Angelica said
         G                     D       Em
When we saw your first letter arrive?

She said

Bm               F# 
“Be careful with that one, love
        G                      D      
He will do what it takes to survive.”

Em            Bm               F#          
You and your words flooded my senses
      G                    D
Your sentences left me defenseless
Em             Bm             F#
You built me palaces out of paragraphs
             G        D  Em
You built cathedrals
         Bm                     F#
I'm re-reading the letters you wrote me
      G                          D
I'm searching and scanning for answers
    Em    Bm 
In every line
                  F#
For some kind of sign
                   G
And when you were mine

The world seemed to

D  Bm  F#m  G7
Burn
D  Bm  F#m  G7
Burn

     Bm                        F#
You published the letters she wrote you
    G                             D
You told the whole world how you brought
           Em      Bm
This girl into our bed
                 F#                         G     D  Em 
In clearing your name, you have ruined our lives
Bm                 F#           G
Do you know what Angelica said
                          D     Em
When she read what you'd done?
         Bm
She said
                       F#
“You have married an Icarus
        G                     D
He has flown too close to the sun.”

Em            Bm                        F#
You and your words, obsessed with your legacy...
       G                    D
Your sentences border on senseless
Em           Bm                F#
And you are paranoid in every paragraph
            G
How they perceive you

You, you, you...
     Bm                      F#
I'm erasing myself from the narrative
     G                  D         Em
Let future historians wonder how Eliza
Bm                        F#
Reacted when you broke her heart
G
You have torn it all apart

I am watching it

D  Bm  F#m  G7
Burn
            D   Bm  F#m  G7
Watching it burn
                 A             D
The world has no right to my heart
                  F#m/C#
The world has no place in our bed
      Bm7                      G7
They don't get to know what I said
     A             D
I'm burning the memories
             F#m/C#                  Bm7
Burning the letters that might have redeemed you
      G7          A           D
You forfeit all rights to my heart
                 F#m/C#
You forfeit the place in our bed
     Bm7                   G7
You sleep in your office instead
      A         D
With only the memories
             F#m/C#   Bm  G
Of when you were mine
                 Bm  F#  G  D Em  Bm9 
I hope that you burn

Burn

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Cm7  Bb

(HAMILTON)
Bb     Cm7
Angelica

(ANGELICA)
Cm7          Bb
Alexander...
Ab
Congratulations.

Cm
You have invented a new kind of stupid
   Eb
A damage you can never undo kind of stupid
       G
An "open all the cages in the zoo" kind of stupid
Ab
Truly, you didn't think this through? kind of stupid

Cm7
  Let's review
                   Eb
You took a rumor a few, maybe two people knew 
                   Gm
and refuted it by sharing an affair of which no one has accused you
Ab
  I begged you to take a break, you refused to

Cm7
    So scared of what your enemies will do to you
Eb
You're the only enemy you ever seem to lose to
   G
You know why Jefferson can do what he wants
            Bb
He doesn't dignify schoolyard taunts with a response
        Cm7
So yeah, congratulations!

(HAMILTON)
Eb
Angelica...

(ANGELICA)
                            G
You've redefined your legacy, congratulations

(HAMILTON)
                            Ab
It was an act of political sacrifice!

(ANGELICA)
Bb      Ab
Sacrifice?
  Cm7
I languished in a loveless marriage in London
  Bb
I lived only to read your letters
  Abmaj7
I look at you and think God what have we done with our 
Eb
lives and what did it get us
      Fm9     
That doesn't wipe the tears or the years away
        Eb
but I'm back in the city and I'm here to stay
        Abmaj7
and you know what I'm here to do

(HAMILTON)
Abmaj7
Angelica...

(ANGELICA)
G
   I'm not here for you
Cm7                    Eb
I know my sister like I know my own mind
        Eb                   Ab11
You will never find anyone as trusting or as kind
      Cm7                                Ebsus2
And a million years ago she said to me "this one's mine"
   Ab
So I stood by 
G
Do you know why?
Cm7                                    Bb       
I love my sister more than anything in this life
        Eb/G                     Abmaj7     G7
I will choose her happiness over mine every time
Cm7
Eliza--

(HAMILTON)
Cm7
Eliza...

(ANGELICA)
         Bb
--is the best thing in our lives
   Abmaj7                                          Ab
So never lose sight of the fact that you have been blessed
Bb              G7
with the best wife

Cm7
Congratulations
Bb
For the rest of your life
      Amaj7                         Bb
Every sacrifice you make is for my sister
             G7
Give her the best life
Cm
Congratulations

Congratulations

C  Em Am F G 

(BURR)
C                   Em
Dear Theodosia, what to say to you?
Am
You have my eyes
F
You have your mother's name
G         C                      Em
When you came into the world you cried
                Am
And it broke my heart

F  G

C                  Em
I'm dedicating every day to you
Am                F
Domestic life was never quite my style
G        C
When you smile
Em                  Am7
You knock me out, I fall apart
                      F   
And I thought I was so smart

G          C                        Em
You will come of age with our young nation
                Am
We'll bleed and fight for you
               F        
We'll make it right for you
G      C                  Em
If we lay a strong enough foundation
              Am
We'll pass it on to you
                F
We'll give the world to you
                   G    C
And you'll blow us all away
   Em  Am   F
Someday, someday
                      G   C
Yeah, you'll blow us all away
   Em  Am   F G
Someday, someday

(HAMILTON)
C   Em                    Am
Oh, Phillip when you smile I am undone
F   
My son
     G     C
Look at my son
Em                          Am
Pride is not the word I'm looking for
                 F         E
There is so much more inside me now
C   Em                       Am
Oh, Phillip you outshine the morning sun
  F  G
My son
         c      Em
When you smile
       Am
I fall apart
                      F  G
And I thought I was so smart

(HAMILTON & BURR)
F                G                     F   G
My father wasn't around (My father wasn't around)
F                      G           F  G
I swear that I'll be around for you
F                   G                           F  G
I'll do whatever it takes (I'll make a million mistakes)
F                          G        
I'll make the world safe and sound for you

         C                        Em
You'll come of age with our young nation
                Am
We'll bleed and fight for you
               F        
We'll make it right for you
G      C                  Em
If we lay a strong enough foundation
              Am
We'll pass it on to you
                F
We'll give the world to you
            G           C
And you'll blow us all away
   Em  Am   F
Someday, someday
                      G   C
Yeah, you'll blow us all away
   Em  Am   F 
Someday, someday
C

Dear Theodosia

C  Em Am F G
[Burr]
C                   Em
Dear Theodosia what to say to you
Am
You have my eyes
F                        G
You have your mother's name
         C                       Em
When you came into the world you cried
                Am    
And it broke my heart

F  G
C                   Em 
I'm dedicating everyday to you
Am                F              G
Domestic life was never quite my style
         C
When you smile, 
Em                 Am
You knock me out I fall apart 
                    F         G
And I thought I was so smart

         C                          Em
You will come of age with our young nation
                Am  
We'll bleed and fight for you 
              F
We'll make it right for you
      C                   Em
If we lay a strong enough foundation
              Am
We'll pass it on to you
               F
We'll give the world to you 
           G           C
And you'll blow us all away
Em           Am    F
Someday, Someday
            G           C
Yeah you'll blow us all away
Em           Am    F
Someday, Someday


[Hamilton]
C   Em                     Am 
Oh, Phillip when you smile I am undone, 
F        G
My son
           C 
Look at my son
Em
Pride is not the word I'm looking for
                 F           G
There is so much more inside me now
C   Em                       Am
Oh, Phillip you outshine the morning sun 
F    G
My son
         C     G
When you smile
       Am 
I fall apart 
                     F     G
And I thought I was so smart

F                 G  
My father wasn't around

[Burr]

My father wasn't around

[Hamilton]

F       
I swear that

[Both]
         G            F
I'll be around for you

[Hamilton]

F                   G
I'll do whatever it takes

[Burr]

                      F
I'll make a million mistakes

[Both]

F                            G
I'll make the world safe and sound for you

         C                        Em
You'll come of age with our young nation
                Am
We'll bleed and fight for you
              F
We'll make it right for you
      C                   Em
If we lay a strong enough foundation
              Am
We'll pass it on to you
               F
We'll give the world to you
           G            C
And you'll blow us all away
    Em       Am   F
Someday, someday
             G            C
Yeah, you'll blow us all away
    Em       Am   F
Someday, someday

A|----4-----4-----4-----4------4-----4-----4-----4-----4-----4-----4-----4---|
E|----0-----0-----0-----0------0-----0-----0-----0--2------2----2-----2-------|
C|--------------------------------------------------------------------------------|
G|-2------2----2-----2------1------1----1-----1----------2-----2-----2-----2----|
                                                                               
A|----4-----4-----4-----2----------------------------------------------------|
E|-------------------0-------------------------------------------------------|
C|-2------2----2-------------------------------------------------------------|
G|----2-----2-----2-----1---2------------------------------------------------|

A                    C#m/G#
Dear Theodosia, how to say to you
F#m                       Dmaj7
Sometime last night, your mother breathed your name
           A                        C#m/G#
And like a flame that flickers out too soon, she died
F#m         Dm
She’s gone


[Verse 2]
A                 C#m/G#
She dedicated every day to you
F#m                      Dmaj7
She changed my life, she made my life worthwhile
              A          
And when you smile
C#m/G#                    F#m
I know a part of her lives on
                D
I know I can go on


[Chorus]
A                                 C#m/G#
You have come of age with our young nation
             F#m
We bleed and fight for you
            Dmaj7
Sometimes it seems that's all we do
A                                   C#m/G#
And you and I will build a strong foundation
            F#m
And I'll be here for you
           Dmaj7                        A
The way is clear for you to blow us all away

A  C#m/G#     F#m (D)                      A
Someday, someday, yeah you'll blow us all away
  C#m/G#     F#m
Someday, someday...

Dear Theodosia Reprise

C        G          Dm           Am
Hear ye, hear ye! My name is Samuel Seabury 
F                              C                 G
and I present "Free thoughts on the proceedings of the Continental Congress!"




C            G          Dm        Am
Heed not the rabble who scream revolution
F                               G
They have not your interest at heart
G
(Oh my god. Tear this dude apart)
C          G             Dm      Am
Chaos and bloodshed are not a solution
F                         G
Don't let them lead you astray
Am                               G
This congress does not speak for me
Am                            G
They're playing a dangerous game
Am                             Dm/F
I pray the king shows you his mercy
D                G
For shame, for shame!




C                     G                          Dm
Yo! He'd have you all unravel at the sound of screams (Heed not the rabble who scream)
Am
But the revolution is comin' (Revolution!)
F                         
The have-nots are gonna win this (They have not your interests at heart)
G
It's hard to listen to you with a straight face
C             G              Dm 
Chaos and bloodshed already haunt us (Chaos and Bloodshed are not solution)
Am                            F    
Honestly, you shouldn't even talk and what about Boston (Don't let them lead you astray)
G
Look at the cost of all that we've lost
Am                           
And you talk about Congress? (This Congress does not speak for me)
G
My dog speaks more eloquently than thee
Am
(You're playing a dangerous game)
G
But strangely, your mange is the same!
Am                     Dm/F                 
(I pray the king shows you his mercy)
Is he in Jersey?
D
(For shame—) For the Revolution!
G
(For shame!) For the Revolution!




Db              
(Heed—) If you repeat yourself again I'm gonna
Ebm                            Bbm
(Scream—) Honestly, look at me, please don't read!
Gb                 Ab
(Not your interest—) Don't modulate the key then not debate with me
Db              Ab                  Ebm
Why should a tiny island across the sea
Bbm
Regulate the price of tea? Alexander, please!
Gb
Burr, I'd rather be divisive than indecisive
Ab
Drop the niceties
Bb                            Dm
Silence! A message from the King!
Gm
A message from the King!
F
A message from the King!

Farmer Refuted

[BURR]
           Bm                                 F#
How does a ragtag volunteer army in need of a shower
Somehow defeat a global superpower?
G
How do we emerge victorious from the quagmire?
D                            Bbdim
Leave the battlefield waving Betsy Ross’ flag higher?
Bm
Yo. Turns out we have a secret weapon!
   F#
An immigrant you know and love who’s unafraid to step in!
    G
He’s constantly confusin’, confoundin’ the British henchmen
D                                  Bbdim
Ev’ryone give it up for America’s favorite fighting Frenchman!

[COMPANY]
Bm
Lafayette!

[LAFAYETTE]
I’m takin this horse by the reins makin’
Redcoats redder with bloodstains

[COMPANY]
F#
Lafayette!

[LAFAYETTE]
And I’m never gonna stop until I make ‘em
Drop and burn ‘em up and scatter their remains, I’m

[COMPANY]
G
Lafayette!

[LAFAYETTE]
Watch me engagin’ em! Escapin’ em!
Enragin’ em! I’m—

[COMPANY]
D
Lafayette!

[LAFAYETTE]
I go to France for more funds

[COMPANY]
Bbdim
Lafayette!

[LAFAYETTE]
I come back with more

[LAFAYETTE AND ENSEMBLE]
Bm
Guns
And ships
And so the balance shifts

[WASHINGTON]
   F#
We rendezvous with Rochambeau, consolidate their gifts

[LAFAYETTE]
       G
We can end this war at Yorktown, cut them off at sea, but
D                      Bbdim
For this to succeed, there is someone else we need:

[WASHINGTON]
I know

[WASHINGTON AND COMPANY]
Bm
Hamilton!

[LAFAYETTE]
Sir, he knows what to do in a trench
Ingenuitive and fluent in French, I mean—

[WASHINGTON AND COMPANY]
F#
Hamilton!

[LAFAYETTE]
Sir, you’re gonna have to use him eventually
What’s he gonna do on the bench? I mean—

[WASHINGTON AND COMPANY]
G
Hamilton!

[LAFAYETTE]
No one has more resilience
Or matches my practical tactical brilliance—

[WASHINGTON AND COMPANY]
D
Hamilton!

[LAFAYETTE]
You wanna fight for your land back?

[COMPANY]
Bbdim
Hamilton!

[WASHINGTON]
I need my right hand man back!

[WOMEN]
Hamilton!

[LAFAYETTE]  
Bm                                                        
Ah! Uh, get ya right hand man back 
    F#
You know you gotta get ya right hand man back 
G
I mean you gotta put   some thought into the letter   
D
but the sooner the better   
       Bbdim
To get your right hand man back!

[Ensemble]
Hamilton, Hamilton!
Ha— ha—!

[WASHINGTON]
Bm
Alexander Hamilton
           G7 
Troops are waiting in the field for you
       Em                  D                       F#
If you join us right now, together we can turn the tide
    Bm
Oh, Alexander Hamilton
       G7
I have soldiers that will yield for you
      Em
If we manage to get this right
        D                  Em
They’ll surrender by early light
    Bm         G     D      F#7        G7
The world will never be the same, Alexander…

Guns And Ships

(WASHINGTON)
Cm                         Eb
I was younger than you are now
                            Fm
When I was given my first command
                               Ab
I led my men straight into a massacre
   G                          Cm
I witnessed their deaths firsthand
                     Eb
I made every mistake
                   Fm
I felt the shame rise in me
                    Ab
And even now I lie awake
          G             
Knowing history has its    / (LAURENS/MULLIGAN)
Cm
eyes                       / Whoa whoa whoa
   Eb
on me                      
                              Fm   Ab   G7
                           / whoa whoa yeah



(HAMILTON/WASHINGTON)      / (COMPANY)
                
History has its 
Cm
eyes                       / Whoa whoa whoa
   Eb
on me      
                              Fm   Ab   G7
                           / whoa whoa yeah

 
(WASHINGTON)
Cm                                Eb
Let me tell you what I wish I’d known
                                 Fm
When I was young and dreamed of glory:

You have no control:

(WASHINGTON AND COMPANY)
N/A                                  Cm
Who lives, who dies, who tells your story

(WASHINGTON)
                   Eb
I know that we can win
                        Fm
I know that greatness lies in you
                           Ab
But remember from here on in

(WASHINGTON/HAMILTON AND MEN)   / (COMPANY)
G
History has its
Cm
eyes                            / Whoa whoa whoa
   Eb
on you.  
                                    Fm   Ab
                                / whoa whoa
 
(FULL COMPANY)
G                Cm  Eb  F
History has its eyes on you

History Has Its Eyes On You

E                                    B
I've been staring at the edge of the water
              Dbm                           A
Long as I can remember, never really knowing why
E                            B
I wish I could be the perfect daughter
                       Dbm                        A
But I come back to the water, no matter how hard I try

      Dbm
Every turn I take, every trail I track
      B
Every path I make, every road leads back
       E
To the place I know where I cannot go
        A       Am
Where I long to be

        E                                     B
See the line where the sky meets the sea? It calls me
           Dbm              A
And no one knows how far it goes
       E                                  B
If the wind in my sail on the sea stays behind me
             Dbm
One day I'll know
     A                  Am                   E
If I go there's just no telling how far I'll go

                         B                             Dbm
I know everybody on this island seems so happy on this island
                   A
Everything is by design
E                        B                         Dbm
I know everybody on this island has a role on this island
                         A
So maybe I can roll with mine

      Dbm
I can lead with pride, I can make us strong
        B
I'll be satisfied if I play along
        E
But the voice inside sings a different song
        Cm
What is wrong with me?


        E                                   B
See the light as it shines on the sea? It's blinding
           Dbm               A
But no one knows how deep it goes
       E                                         B
And it seems like it's calling out to me so come find me
           Dbm
And let me know
          A                     Am
What's beyond that line, will I cross that line?

        F                                      C
See the line where the sky meets the sea? It calls me
           Dm               Bm
And no one knows how far it goes
       F                                  C
If the wind in my sail on the sea stays behind me
             Dm
One day I'll know
             Bm      F
How far I'll go

How Far I'll Go

Dm  C  G   x2

(HAMILTON)
Dm
In the eye of a hurricane
      C   G
There is quiet
            Dm
For just a moment
C G
A yellow sky

Dm
When I was seventeen a hurricane
C G
Destroyed my town
          Dm
I didn’t drown
        C  G
I couldn’t seem to die

                F
I wrote my way out
                 Fsus4                Dm
Wrote everything down far as I could see
            F
I wrote my way out
                    Fsus4          F     Csus4  C
I looked up and the town had its eyes on me

                     Dm
They passed a plate around
        C/E
Total strangers
          Dm/F            Fsus2  G
Moved to kindness by my story
        Dm                      F
Raised enough for me to book passage on a
               C             
Ship that was New York bound…

D5                 F5
I wrote my way out of hell
           G5
I wrote my way to revolution
A5                      C5          D5
I was louder than the crack in the bell
               F5                     G5
I wrote Eliza love letters until she fell
         A5                           C5        D5
I wrote about the Constitution and defended it well
                     F5           G5
And in the face of ignorance and resistance
                A5          C5       D5
I wrote financial systems into existence
    F
And when my prayers to God were met with indifference
   G
I picked up a pen, I wrote my own deliverance

Dm 
In the eye of a hurricane
      C   G
There is quiet
           Dm 
For just a moment
C G
A yellow sky

Dm 
I was twelve when my mother died
     C  G
She was holding me
                          Dm
We were sick and she was holding me
        C  G
I couldn’t seem to die

Dm

                          (BURR)
                        / ( Dm )
(HAMILTON)              / Wait for it, wait for
I'll write my way       / it, wait for it...
Dm/C
out

                        / (BURR AND EMSEMBLE)
                        / Wait for it, wait for
Write everything        / it, wait for it...
Bb7
down, far as I can
Dm/A                                                / (WASHINGTON/
see...                                              / ELIZA/ANGELICA/
                                                    / MARIA)
                        / Wait for it, wait for     / History has its eyes
                        / it, wait for it, wait...  / on you
                       
Dm
I'll write my way
out...
Dm/C
Overwhelm them 
with honesty

 
(HAMILTON)
Dm/A                                          Dm/G
This is the eye of the hurricane, this is the only

Way I can protect my legacy…

(COMPANY)
Dm/A
Wait for it, wait for it, wait for it, wait…

(HAMILTON)
The Reynolds Pamphlet

Hurricane

[USNAVI]
N.C.
Lights up on Washington Heights, up at the break of day
I wake up and I got this little punk I gotta chase away
Pop the grate at the crack of dawn, sing
While I wipe down the awning
Hey y’all, good morning

[PIRAGUA GUY, spoken]
Ice cold piragua! Parcha. China. Cherry. Strawberry. And just for today, I got mamey!

[USNAVI, spoken]
Oye, piragüero, como estas?

[PIRAGUA GUY, spoken]
Como siempre, Señor Usnavi.​

[USNAVI]
Bb D7 
I am Usnavi and you prob’ly never heard my name
Gm Eb
Reports of my fame are greatly exaggerated
Bb D7
Exacerbated by the fact that my syntax
Gm Eb
Is highly complicated 'cuz I emigrated
Bb D7
From the single greatest little place in the Caribbean:
Gm 
Dominican Republic!
I love it!
Eb
Jesus, I’m jealous of it
Bb D7
And beyond that
Ever since my folks passed on
Gm
I haven’t gone back
N.C.
Goddamn, I gotta get on that...

Bb D7
Fo! The milk has gone bad, hold up just a second
Gm Eb
Why is everything in this fridge warm and tepid?
Bb D7
I better step it up and fight the heat
Gm Eb
'Cuz I’m not makin' any profit if the coffee isn’t light and sweet!

[ABUELA CLAUDIA, spoken]
Ooo-oo!

[USNAVI, spoken]
Abuela, my fridge broke. I got café but no "con leche."

[ABUELA CLAUDIA, spoken]
Try my mother’s old recipe: one can of condensed milk.

[USNAVI, spoken]
Nice.​

[Usnavi give Abuela Claudia her lottery tickets, which she kisses and holds up to the sky.]

[ABUELA CLAUDIA, spoken]
Ay! Paciencia y fe…

[USNAVI]
Bb D7
That was Abuela, she’s not really my “abuela,”
Gm Eb
But she practically raised me, this corner is her escuela
Bb
Now, you’re prob’ly thinkin:
D7
"I’m up shit’s creek!
Gm Eb
I've never been north of Ninety-Sixth Street!”
N.C.
Well, you must take the A Train
Bb D7
Even farther than Harlem to northern Manhattan and maintain
Gm Eb
Get off at 181st, and take the escalator
N.C.
I hope you’re writing this down, I’m gonna test ya later

Bb D7
I’m getting tested; times are tough on this bodega
Gm Eb
Two months ago somebody bought Ortega’s
Bb D7
Our neighbors started packin’ up and pickin’ up
And ever since the rents went up
Gm Eb
It’s gotten mad expensive
But we live with just enough

[COMMUNITY]
Gm 
In the heights
F Eb D7
I flip the lights and start my da-ay
Gm
There are fights

[WOMEN]
F
And endless debts

[MEN]
Eb D7
And bills to pay

[COMMUNITY]
Gm F
In the Heights
I can’t survive without café

[USNAVI]
Eb D7
I serve café

[COMMUNITY]
Gm F Eb D7
'Cuz tonight seems like a million years away!
En Washington—

[USNAVI]
Bb D7
Next up to bat, the Rosarios
Gm Eb
They run the cab company,​
They struggle in the barrio
Bb D7
See, their daughter Nina’s off at college, tuition is mad steep
Gm 
So they can’t sleep
Eb
Everything they get is mad cheap!

[KEVIN]
Good morning, Usnavi!

[USNAVI]
Pan caliente, café con leche!

[KEVIN]
Put twenty dollars on today’s lottery

[CAMILA]
One ticket, that’s it!

[KEVIN]
Hey! A man’s gotta dream...

[CAMILA]
Don’t mind him, he’s all excited
‘Cuz Nina flew in at 3 A.M. last night!

[KEVIN]
Don’t look at me, this one’s been cooking all week!

[CAMILA]
Usnavi, come over for dinner

[KEVIN/CAMILA]
There’s plenty to eat!

[DANIELA]
So then Yesenia walks in the room—

[CARLA, spoken]
Aha…

[DANIELA]
She smells sex and cheap perfume!

[CARLA, spoken]
Uh oh…

[DANIELA]
It smells like one of those trees
That you hang from the rear view!

[CARLA, spoken]
Ah, no!

[DANIELA]
It’s true! She screams, “Who’s in there with you, Julio?”
Grabs a bat and kicks in the door
He’s in bed with José from the liquor store!

[CARLA/USNAVI]
No me diga!

[USNAVI, spoken]
Daniela and Carla, from the salon.​

[DANIELA/CARLA]
Thanks, Usnavi!

[USNAVI, spoken]
Sonny, you’re late.​

[SONNY, spoken]
Chillax, you know you love me.​

[USNAVI]
Bb D7
Me and my cousin runnin’ just another dime-a-dozen
Gm Eb
Mom-and-pop stop-and-shop
And, oh my god, it’s gotten
Bb D7
Too darn hot, like my man Cole Porter said
Gm Eb
People come through for a few cold waters and
Bb D7
A lottery ticket, just a part of the routine
Gm Eb
Everybody’s got a job, everybody’s got a dream
Bb D7
They gossip, as I sip my coffee and smirk
Gm Eb
The first stop as people hop to work
Bust it— I’m like:

C C7
"One dollar, two dollars, one fifty, one sixty-nine.​
F F7
I got it. You want a box of condoms? What kind?
C C7
That’s two quarters.​
Two quarter waters. The New York Times.​
F F7
You need a bag for that? The tax is added.​"
Once you get some practice at it
C C7
You do rapid mathematics automatically
F F7
Sellin’ maxipads, fuzzy dice for taxicabs and practically
C C7
Everybody’s stressed, yes!
F D7
But they press through the mess,​
Bounce checks and wonder what’s next

[COMMUNITY 1]
Gm F Eb D7
In the heights
I buy my coffee and I go

Gm F Eb D7
Set my sights
On only what I need to know

Gm F Eb D7
In the heights
Money is tight
But even so	


[COMMUNITY]
Gm F Eb D7
When the lights go down I blast my radio!

In The Heights

A|-8-8-8-8-3-3-3-3--------------------------------|
E|---------------------------3-1-1-1----------|
C|----------------------------------------|
G|------------------2-2-2-2-------------------|

x2

Hope you guys and gals enjoy this, it took FOREVER to even get the amount
that's done so far. The biggest component to learn is the RHYTHM; because
once you have the rhythm, you have the song (it may be easier to change the
key while playing the ukulele).


Gm                           
   I am NOT throwing away my... SHOT
F/A  Bb                            G7/B
I am not throwin' away my... SHOT. Hey yo, I'm
Cm
Just like my country, I'm young scrappy and hungry and I'm
Cm/Eb                 D7/F#
not throwin' away my, SHOT!  
NC         Gm
Imma get a scholarship to King's College.
                 F/A           Bb
I prob'ly should-n't brag, but dag, I amaze and astonish.
               Bdim    Cm
The problem is I got a lot of brains but no polish
            Dm          Ebm
I gotta hol-ler just to be heard With every word, I drop knowledge
      Gm                                      F/A
I’m a diamond in the rough, a shiny piece of coal
          Bb                                            Bdim
Tryin’ to reach my goal my power of speech, un-im-peach-a-ble
Cm                              Cm/D
Only nineteen but my mind is ol-der
      Cm/Eb                        D7/A
These New York City streets get cold-er, I shoulder
      Gm
Every burden, every disadvantage
                      F/A          Bb
I have learned to man-age, I don’t have a gun to brandish

I walk these streets famished
    Cm                                    Cm/D
The plan is to fan this spark into a flame
Cm/Eb                                  D7/A
But damn, it’s getting dark, so let me spell out the name
         Gm           F/A  Bb
I am the A-L-E-X-A-N-D-    E-R we are meant to be
     Cm
A colony that runs independently
Cm/D       Cm/Eb                        D7/A
Meanwhile, Britain keeps shittin’ on us endlessly
       Gm
Essent-ially, they tax us relentlessly
F/A       Bb                                     Bdim
Then King George turns around, runs a spending spree
         Cm
He ain’t ever gonna set his descendants free
Cm/D          Cm/Eb                   D7/A
So there will be a revolution in this century
NC           Gm                F/A
Enter me, he says in parentheses
         Bb                                      Bdim
Don’t be shocked when your hist’ry book mentions me
       Cm
I will lay down my life if it sets us free
Cm/D Cm/Eb                   D7/A
Even-tually, you’ll see my ascendancy

And         Gm                           
   I am NOT throwing away my... SHOT
F/A  Bb                            G7/B
I am not throwin' away my... SHOT. Hey yo, I'm
Cm
Just like my country, I'm young scrappy and hungry and I'm
Cm/Eb                 D7/F#              Gm
not throwin' away my, SHOT!  t's time to take a SHOT

(Continue Chords)

I dream of life without a monarchy
The unrest in France will lead to onarchy?
Onarchy how you say, how you say, anarchy?
When I fight, I make the other side panicky
With my, shot

Yo, I’m a tailor’s apprentice
And I got y’all knuckleheads in loco parentis
I’m joining the rebellion 'cause I know it’s my chance
To socially advance, instead of sewin’ some pants
I’m gonna take a shot

But we’ll never be truly free
Until those in bondage have the same rights as you and me
You and I. Do or die. Wait till I sally in
On a stallion with the first black battalion
Have another shot

Geniuses, lower your voices
You keep out of trouble and you double your choices
I’m with you, but the situation is fraught
You’ve got to be carefully taught
If you talk, you’re gonna get shot

Burr, check what we got
Mister Lafayette, hard rock like Lancelot
I think your pants look hot
Laurens, I like you a lot
Let’s hatch a plot blacker than the kettle callin’ the pot
What are the odds the gods would put us all in one spot
Poppin’ a squat on conventional wisdom, like it or not
A bunch of revolutionary manumission abolitionists?
Give me a position, show me where the ammunition is

Oh, am I talkin’ too loud?
Sometimes I get over excited, shoot off at the mouth
I never had a group of friends before
I promise that I’ll make y’all proud

Let’s get this guy in front of a crowd

I am not throwing away my shot
I am not throwing away my shot
Hey yo, I’m just like my country
I’m young, scrappy and hungry
And I’m not throwing away my shot

I am not throwing away my shot
I am not throwing away my shot
Hey yo, I’m just like my country
I’m young, scrappy and hungry
And I’m not throwing away my shot

Everybody sing
Whoa, whoa, whoa
Hey, whoa, whoa, whoa
Ay, let ‘em hear ya

Let’s go

Whoa, whoa, whoa I said shout it to the rooftops
Whoa, whoa, whoa said, to the rooftops
Whoa, whoa, whoa come on

Come on, let’s go 
Rise up
When you’re living on your knees, you rise up
Tell your brother that he’s gotta rise up
Tell your sister that she's gotta rise up

When are these colonies gonna rise up?
When are these colonies gonna rise up?
When are these colonies gonna rise up?
When are these colonies gonna rise up?

Rise up 
I imagine death so much it feels more like a memory
When’s it gonna get me?
In my sleep, seven feet ahead of me?
If I see it comin’, do I run or do I let it be?
Is it like a beat without a melody?
See, I never thought I’d live past twenty
Where I come from some get half as many
Ask anybody why we livin’ fast and we laugh, reach for a flask
We have to make this moment last, that’s plenty

Scratch that this is not a moment, it’s the movement
Where all the hungriest brothers with something to prove went?
Foes oppose us, we take an honest stand
We roll like Moses, claimin’ our promised land
And? If we win our independence?
‘Zat a guarantee of freedom for our descendants?
Or will the blood we shed begin an endless cycle of vengeance and death with no defendants?
I know the action in the street is excitin'
But Jesus, between all the bleedin’ ‘n fightin’
I’ve been readin’ ‘n writin’
We need to handle our financial situation
Are we a nation of states what’s the state of our nation?
I’m past patiently waitin' I’m passionatelymashin’ every expectation
Every action’s an act of creation
I’m laughin' in the face of casualties and sorrow
For the first time, I’m thinkin’ past tomorrow

And I am not throwing away my shot
I am not throwing away my shot
Hey yo, I’m just like my country
I’m young, scrappy and hungry
And I’m not throwing away my shot

We’re gonna rise up (time to take a shot)
We’re gonna rise up (time to take a shot)
We’re gonna, rise up, rise up

It's time to take a shot
Rise up, rise up, it's time to take a shot
Rise up, it's time to take a shot
Rise up, take a shot, shot, shot
It's time to take a shot, time to take a shot
And I am not throwing away my shot
Not throwing away my shot

My Shot

Capo on 1


Verse 1:
[HAMILTON]
F#m                         E
Mr. President, you asked to see me?

[WASHINGTON]
                  F#m
I know you’re busy 
                      E
What do you need, sir? Sir? 
                           F#m
I wanna give you a word of warning

Sir, I don’t know what you heard
      E
But whatever it is, Jefferson started it

D                                     C#5
Thomas Jefferson resigned this morning

You’re kidding

F#m            E
I need a favor

Whatever you say, sir, Jefferson will pay for his behavior

    F#m
Shh. Talk less

I’ll use the press
    E                                                         F#m
I’ll write under a pseudonym, you’ll see what I can do to him—

I need you to draft an address

    E
Yes! He resigned. You can finally speak your mind—

   D                                    C#5
No, he’s stepping down so he can run for President

                                D
Ha. Good luck defeating you, sir
                                       C#5
I’m stepping down. I’m not running for President

I’m sorry, what?


Chorus:
A        G
One last time
  D           E
Relax, have a drink with me
A        G
One last time
             D       E
Let’s take a break tonight
               A                 E
And then we’ll teach them how to say goodbye
   D
To say goodbye
E       A   E   D
You and I

No, sir, why?

Verse 2:
        F#m
I wanna talk about neutrality

                     E
Sir, with Britain and France on the verge of war, is this the best time—

          F#m
I want to warn against partisan fighting

But—

E
Pick up a pen, start writing
        F#m
I wanna talk about what I have learned
             E
The hard-won wisdom I have earned

              D7/A
As far as the people are concerned
                       C#7sus4                  C#7
You have to serve, you could continue to serve—

Chorus: 
    A        G
No! One last time
    D           E
The people will hear from me
A        G
One last time
          D        E
And if we get this right
            A                E
We’re gonna teach ‘em how to say
       D
Goodbye
E       A   E   G
You and I—


Interlude: 
    D
Mr. President, they will say you’re weak
   C                                     D
No, they will see we’re strong

Your position is so unique

        C                    
So I’ll use it to move them along

D
Why do you have to say goodbye?

     C                                      D
If I say goodbye, the nation learns to move on
                        G     Bb
It outlives me when I’m gone
         C
Like the scripture says:
C#m                            E            Dsus2  A/D   A
Everyone shall sit under their own vine and fig    tree
    E                       F#m
And no one shall make them afraid.”
           E                  D          A  E  F#m
They’ll be safe in the nation we’ve made
                     E            D        A
I wanna sit under my own vine and fig tree
         E            F#m
A moment alone in the shade
   E             D
At home in this nation we’ve made
         A
One last time

              G    A
One last time


Break Section 1:
               D            A                             
(Spoken)Though, in reviewing the 
                                 G
incidents of my administration,
       Gm                                   D
I am unconscious of intentional error, I am nevertheless 
            A                              G
Too sensible of my defects not to think it probable that
           Gm
I may have committed many errors. 
D                  A                        G
I shall also carry with me the hope that my country will
               Gm
View them with indulgence; And that
D                A                G     
After forty-five years of my life 
                Gm
dedicated to its service with an upright zeal
    D
The faults of incompetent abilities will be
             A
Consigned to oblivion, 

as I myself must soon be to the mansions of rest


Break Section 2:
D                                     C
I anticipate with pleasing expectation that retreat in which I promise myself 
          D                                 C                                  
To realize the sweet enjoyment of partaking, in the midst of my fellow-citizens, 
    D                                     C
The benign influence of good laws Under a free government, the ever-favorite object 
      G             D             C
Of my heart, and the happy reward, as I trust
       G            Bb                   C
Of our mutual cares, labors, and dangers.
         D
One last time


Outro:
                          C
George Washington’s going home!

                 D
Teach ‘em how to say goodbye
                          C
George Washington’s going home!

[WASHINGTON & COMPANY]
         D                          
You and I 
               C           G
(George Washington’s going home)
      D                               
Going home 
               C           G
(George Washington’s going home)
                D                                      
History has its eyes on you 
               C           G
(George Washington’s going home)
            Bm
We’re gonna teach ‘em how to say goodbye! 
A
Teach ‘em how to say goodbye!
   G
To say goodbye!
                           
Say goodbye!
Bb             D  Dsus4  C  G  D
One last time!

One Last Time

(LAURENS)
Em                              C
Alright, alright. That's what I'm talkin' about!
           F
Now everyone give it up for the maid of honor
G               
Angelica Schuyler!

(ANGELICA/COMPANY)
              Em
A toast to the groom (to the groom, to the groom, to the groom)
       C
To the bride (To the bride, to the bride, to the bride)
          F
From your sister (Angelica, Angelica, Angelica)
        G                         
Who is always by your side (By your side)
        Em
To your union (To the union! To the revolution!)
        C
And the hope that you provide (provide, provide)
        F
May you always (always)
    G       
Be satisfied (rewind)


(REWIND INTERLUDE)


(ANGELICA)
Em
I remember that night I just might 

regret that night for the rest of my days
C
I remember those soldier boys tripping over themselves 

to win our praise
F
I remember that dreamlike candlelight

like a dream that you can't quite place
G                                                  Em
But Alexander I'll never forget the first time I saw your face

I have never been the same
C
Intelligent eyes in a hunger-pang frame
    F
And when you said "hi" I forgot my dang name 
       G                    
Set my heart aflame, every part aflame

This is not a game

(HAMILTON)
Em
You strike me as a woman who has never been satisfied

(ANGELICA)
C
I'm sure I don't know what you mean, you forget yourself

(HAMILTON)
F
You're like me. I'm never satisfied

(ANGELICA)
G
Is that right?

(HAMILTON)
I have never been satisfied

(ANGELICA)
Em
My name is Angelica Schuyler

(HAMILTON)
C
Alexander Hamilton

(ANGELICA)
Where's your family from?

(HAMILTON)
F
Unimportant, there's a million things I haven't done
G            
Just you wait, just you wait

(ANGELICA)
Em
So so so, so this is what it feels like to match wits 

with someone at your level. What the hell is the catch?
         C
It's the feeling of freedom, of seeing the light

It's Ben Franklin with a key and a kite

You see it right?
F
The conversation lasted two minutes, maybe three minutes

Everything we said in total agreement
G
It's a dream and it's a bit of a dance

A bit of a posture, it's a bit of a stance 
       Em
He's a bit of a flirt but I'mma give it a chance

I asked about his family, did you see his answer?
    C
His hands started fidgeting, he looked askance?

He's penniless; he's flying by the seat of his pants
F
Handsome, boy does he know it

Peach fuzz, and he can't even grow it
G
I wanna take him far away from this place
      
Then I turn and see my sister's face and she is...

(ELIZA)
Em
Helpless

(ANGELICA)
And I know she is

(ELIZA)
C
Helpless

(ANGELICA)
And her eyes are just

(ELIZA)
F
Helpless

(ANGELICA)
                    G                                  
And I realize three fundamental truths at the exact same time

(HAMILTON)
Em
Where are you taking me?

(ANGELICA)
I'm about to change your life.

(HAMIlTON)
Then by all means, lead the way. 

(COMPANY)
       Em
Number one!

(ANGELICA)
Em
I'm a girl in a world in which my only job is to marry rich
C
My father has no sons so I'm the one 

who has to social climb for one
           F
So I'm the oldest and the wittiest and the gossip in

New York City is insidious 
G
And Alexander is penniless

That doesn't mean I want him any less

(ELIZA)
Em
Elizabeth Schuyler. It's a pleasure to meet you. 

(HAMILTON)
Schuyler?

(ANGELICA)
My sister. 

(COMPANY)
       Em
Number two!

(ANGELICA)
Em
He's after me cuz I'm a Schuyler sister

That elevates his status
    C
I'd have to be naive to set that aside

Maybe that is why
F
I introduce him to Eliza

Now that's his bride
G
Nice going, Angelica, he was right

You will never be satisfied 

(ELIZA)
Em
Thank you for all your service.

(HAMILTON)
If it takes fighting a war for us to meet, it will have been worth it.

(ANGELICA)
I'll leave you to it.

(COMPANY)
       Em
Number three!

(ANGELICA)
Em
I know my sister like I know my own mind
          C
You will never find anyone as trusting or as kind
     F
If I tell her that I love him she'd be silently resigned
        G
He'd be mine
                   
She would say "I'm fine"

She'd be lying
Em
But when I fantasize at night it's Alexander's eyes
C
as I romanticize what might have been if I hadn't 
F
sized him up so quickly
                             G
At least my dear Eliza's his wife
                                    
At least I keep his eyes in my life

(ANGELICA/COMPANY)

        Em
To the groom! (to the groom, to the groom, to the groom)
       C
To the bride! (To the bride, to the bride, to the bride)
          F
From your sister (Angelica, Angelica, Angelica)
        G                         
Who is always by your side (By your side)
        Em
To your union (To the union! To the revolution!)
        C
And the hope that you provide (provide, provide)
        F
May you always (always)
    G                      
Be satisfied (satisfied, satisfied, satisfied)
      Em
And I know
           C
she'll be happy as his bride
      F
And I know
G
He will never be satisfied
Em
I will never be satisfied

Satisfied

F#m

[BURR]

D7                                       F#m D7
There’s nothing like summer in the city
                                                   F#m D7
Someone under stress meets someone looking pretty
                                             Faug
There’s trouble in the air, you can smell it

And Alexander’s by himself. I’ll let him tell it


[HAMILTON]

           A
I hadn’t slept in a week

I was weak, I was awake
          Aaug
You never seen a bastard orphan

More in need of a break
F#m/A
Longing for Angelica

Missing my wife
             A7
That’s when Miss Maria Reynolds walked into my life, she said:


[MARIA]

A
I know you are a man of honor
Aaug
I’m so sorry to bother you at home
      F#m/A                        A7
But I don’t know where to go, and I came here all alone…


[HAMILTON]

She said:


[MARIA]

A
My husband’s doin’ me wrong
   Aaug 
Beatin’ me, cheatin’ me, mistreatin’ me...
F#m/A
Suddenly he’s up and gone
A7
I don’t have the means to go on


[HAMILTON]

      F#m                                                D7
So I offered her a loan, I offered to walk her home, she said


[MARIA]

You’re too kind, sir


[HAMILTON]

            F#m
I gave her thirty bucks that I had socked away
                    D7
She lived a block away, she said:

[MARIA]

This one’s mine, sir


[HAMILTON]

        F#m
Then I said, “well, I should head back home,”
                     D7
She turned red, she led me to her bed

Let her legs spread and said:


[MARIA]

Faug
Stay?


[HAMILTON]

Hey…


[MARIA]

Hey…


[HAMILTON]

That’s when I began to pray:
    A
Lord, show me how to

Say no to this
Aaug
I don’t know how to

Say no to this
   F#m/A
But my God, she looks so helpless
    A7
And her body’s saying, “hell, yes”


[MARIA]

A
Whoa...


[HAMILTON]

Nooo, show me how to


[HAMILTON/ENSEMBLE]

Say no to this


[HAMILTON]

Aaug
I don’t know how to


[HAMILTON/ENSEMBLE]

Say no to this


[HAMILTON]

F#m/A
In my mind, I’m tryin’ to go


(ENSEMBLE)

Go! Go! Go!


[HAMILTON]

      A7                          D
Then her mouth is on mine, and I don’t say…


[ENSEMBLE]

A
No! No!

Say no to this!
Aaug
No! No!

Say no to this!
F#m/A
No! No!

Say no to this!
A7
No! No!

Say no to this!


[HAMILTON]

A
I wish I could say that was the last time
Aaug
I said that last time. It became a pastime
F#m/A
A month into this endeavor I received a letter
A7
From a Mr. James Reynolds, even better, it said:


[JAMES]

A5
Dear Sir, I hope this letter finds you in good health

And in a prosperous enough position to put wealth

In the pockets of people like me: down on their luck

You see, that was my wife who you decided to


[HAMILTON]

Fuuuu—


[JAMES]

Uh-oh! You made the wrong sucker a cuckold

So time to pay the piper for the pants you unbuckled

And hey, you can keep seein’ my whore wife

If the price is right: if not I’m telling your wife


[HAMILTON]

  F#m
I hid the letter and I raced to her place
                                   D7
Screamed “How could you?!” in her face

She said:


[MARIA]

No, sir!


[HAMILTON]

      F#m
Half dressed, apologetic. A mess, she looked
              D7
Pathetic, she cried:


[MARIA]

Please don’t go, sir!


[HAMILTON]

       F#m
So was your whole story a setup?


[MARIA]

I don’t know about any letter!


[HAMILTON]

      E/F#
Stop crying Goddamnit, get up!


[MARIA]

   E
I didn’t know any better


[HAMILTON]

       D
I am ruined...


[MARIA] / [HAMILTON]
                                
Please don’t leave me with him / I am 
  E  D
helpless / helpless, how could I do
                                         
Just give him what he wants  / this?
              E   D
and you can have me
                           / I don't want you
Whatever you want,   / I don't want you


[MARIA]  
                          
        Bbm
If you pay   
         Bb   B
You can stay
                                    
[HAMILTON]

B
Lord, show me how to   

Say no to this  
Baug
I don't know how to

Say no to this
Abm/B
But the situation's helpless 
B7
And her body's screaming

Hell yes                 
B                                   
No, show me how to

Say no to this     
Baug
How can I

Say no to this?     
Abm/B 
There is nowhere I 

can go   
B7
When her body's on
           E
mine I do not say...
     

[ENSEMBLE]
B
No!
Say no to this!
Baug
No!
Say no to this!
Abm/B
No!
Say no to this!
B7
No!                  
Say no to this!
B

[HAMILTON]

Say no to this  
Baug
I don't say no to this 
Abm/B
There is nowhere I can go 

[ENSEMBLE]                                       
Go go go 
B7

[JAMES]

So?

[HAMILTON]

Nobody needs to know

B  Baug  Abm/B  B7

Say No To This

[Intro]
                          
A         A/C#            
I may not live to see our glory

A                         F#m
But I will gladly join the fight
                        C#m                   F#m 
And when our children tell our story 
D                      Dm       A
They'll tell the story of tonight
A                        A/D
Let's have another round tonight 
A                        A/D
Let's have another round tonight
A                D                     A
Let's have another round tonight


[Verse]

A                 E
Raise a glass to freedom
F#m                Dm
Something they can never take away
A                 E        F#m  Dm
no matter what they tell you

A                 E
raise a glass to the four of us
F#m                Dm
tomorrow there'll be more of us
A                 E
Telling the story of tonight
F#m                Dm
They'll tell the story of tonight

A                 E
Raise a glass to freedom
F#m               Dm
Something they can never take away
A                 E
No matter what they tell you
F#m                Dm
Let's have another round tonight

A                 E
Raise a glass to the four of us
F#m                Dm
Tomorrow there'll be more of us
A                 E
Telling the story of tonight
F#m                Dm
Let's have another round tonight

A                 E               A                 E
They'll tell the story of tonight/Raise a glass to freedom
F#m               Dm              A                 E
They'll tell the story of tonight/Raise a glass to freedom
F#m               Dm              A
They'll tell the story of tonight/They'll tell the story of 
A  E
Tonight

Story Of Tonight

[Intro]

Em Fm

[Verse 1]
           Am                       F7
[Burr] Ah, Mr Secretary! [Ham] Mr Burr, sir!
               Dm7                      E7
[Burr] Did you hear the news about good old general Mercer?
      Am                 F7
[Ham] No [Burr] You know Clermont Street? 
                  Dm7                    E7
They renamed it after him, the Mercer legacy is secure 
[Ham] Sure 
N.C.
[Burr] And all he had to do was die. 

[Ham] That's a lot less work 

[Burr] We outta give it a try!

Now how're you gonna get your debt plan through?

[Ham] I guess I'm gonna finally have to listen to you
    Am    F7   Dm7    E7 
[Ham] Talk less, smile more
  Am            F7              Dm7                   E7
       Do whatever it takes to get my plan on the congress floor
       Am               F7
[Burr] Now, Madison and Jefferson are merciless
            Dm7            E7
[Ham] Well, hate the sin, love the sinner
       Am                           F7
[Madison] Hamilton! [Ham] I'm sorry, Burr, I've gotta go!
       Dm7                       E7
[Burr] But- [Ham] Decisions are happening over dinner.


Em Fm

       Am                    F7                   Dm7                E7                                
[Burr] Two Virginians and an immigrant walk into a room diametrically opposed, foes
Am                F7                        Dm7                        E7
They emerge with a compromise, having opened doors that were previously closed, bros
Am                        F7                      Dm7                   E7
The immigrant emerges with unprecedented financial power a system he can shape however he wants
Am            F7                       Dm7                    E7
The Virginians emerge with the nation’s capital and here’s the pièce de résistance:

[Chorus]
Am                    F7
No one else was in the room where it happened
Dm7                             E7
The room where it happened, the room where it happened
Am                     F7
No one else was in the room where it happened
Dm7                              E7
The room where it happened, the room where it happened
Am                          F7
No one really knows how the game is played
Dm7                            E7
The art of the trade, how the sausage gets made
F7
We just assume that it happens
E7
But no one else is in the room where it happens.         
 

Em Fm

[Verse 2]
       Am                         F7                           
[Burr] Thomas claims—
                               Dm7                  E7
Alexander was on Washington’s doorstep one day in distress and disarray
      Am                    F7                         
[Burr]Thomas claims— [Jeff] 
            Dm7
Alexander said— [Ham] I’ve nowhere else to turn!
                     E7
[Jeff] And basically begged me to join the fray
       Am                      F7     
[Burr] Thomas claims—

 [Jeff] I approached Madison and said— 
 Dm7                        E7
“I know you hate him, but let’s hear what he has to say.”
       Am                         F7                        
[Burr] Thomas claims— 
                          Dm7                    E7 
[Jeff] Well, I arranged the meeting. I arranged the menu, the venue, the seating

[Chorus]
            Am                     F7
[Burr] But! No one else was in the room where it happened
    Dm7                          E7
The room where it happened, the room where it happened
Am                     F7
No one else was in the room where it happened, 
Dm7                              E7
the room where it happened, the room where it happened
Am                          F7
No one really knows how the parties get to yes, 
Dm7                               E7
the pieces that are sacrificed in every game of chess
F7                                 E7
We just assume that it happens, but no one else is in the room where it happens.         


Em Fm

[Verse 3]
      Am                     F7
[Burr] Meanwhile, Madison is grappling with the fact 
     Dm7                     E7
that not every issue can be settled by committee
Am                     F7                              Dm7   (mute)
Meanwhile, congress is fighting over where to put the capital-
    E7
        it isn't pretty
      Am                         F7
Then Jefferson approaches with a dinner and invite 
    Dm7                    E7
and Madison responds with Virginian insight:
          Am                    F7
[Madison] Maybe we can solve one problem with another 
    Dm7                    E7
and win a victory for the Southerners, in other words—
(No Chord)
[Jeff] Oh-ho! [Mad] A quid pro quo [Jeff]I suppose 

[Mad] Wouldn’t you like to work a little closer to home?

[Jeff] Actually, I would [Mad] Well, I propose the Potomac

[Jeff] And you’ll provide him his votes? [Mad] Well, we’ll see how it goes

[Jeff] Let’s go!

[Chorus]
 Am                  F7
 No! —one else was in the room where it happened
Dm7                          E7
The room where it happened, the room where it happened
Am                     F7
No one else was in the room where it happened
Dm7                          E7
The room where it happened, the room where it happened
 Am        F7            Dm7                               E7
 My God! In God we trust, but we’ll never really know what got discussed
F7                          E7
Click-boom then it happened, and no one else was in the room where it happened

[Bridge]
Am
 Alexander Hamilton!
Am7
  What did they say to you to get you to sell New York City down the river?
C
  Alexander Hamilton!
C7
 Did Washington know about the dinner? 

Was there presidential pressure to deliver?
Dm
      Alexander Hamilton!
N.C.
Or did you know, even then, it doesn’t matter where you put the U.S. Capital?
     
Cuz we’ll have the banks, we’re in the same spot 

You got more than you gave!

And I wanted what I got

Em                             Fm
When you got skin in the game, you stay in the game
Em                             Fm 
But you don’t get a win unless you play in the game
Em
Oh, you get love for it. You get hate for it

You get nothing if you wait for it, wait for it, wait!
Em    Fm
  God help and forgive me
Em                             Fm
I wanna build something that’s gonna outlive me
E
What do you want, Burr? What do you want, Burr? 
E7
If you stand for nothing Burr, then what do you fall for?

[Chorus]
 Am F7              Dm7                         E7
I wanna be in the room where it happens, the room where it happens
Am F7            Dm7                     E7
I wanna be in the room where it happens, the room where it happens 
 Am            F7
The art of the compromise— 
Dm7                 E7
Hold your nose and close your eyes
Am                     F7
We want our leaders to save the day—
 Dm7                                  E7
But we don’t get a say in what they trade away
  Am            F7
We dream of a brand new start—
Dm7                  E7
But we dream in the dark for the most part
Dm7
Dark as a tomb where it happens
E7
I've got to be in the room where it happens
                                         
[Company]    
Am          Ddim
  I've got to be...
Am     Ddim
 I've got to be...  The room where it happens
Am     Ddim
 I've got to be...  The room where it happens
Am                  Ddim
 I've got to be... I've gotta be... In the room

            Am
Click-boom!

The Room Where It Happens

C                               Bb
Justin could hardly believe his luck when a very pretty girl showed up.

C    Bb  
Naomi!

Bb
In not one, but two of his classes.

C    Bb
Naomi!

Bb
She sat in front of him; he switched seats.

C    Gm7
Naomi!

Bb
The last name she used was...

C        Bb
Rodriguez...

                                       E
Justin, what drew you to Naomi initially?

F
Man, she used to fall asleep in class!


N.C
She was a..

Am G C                        Dm
Light-Skinneded Puerto-Rican Dominican, 

           F             G           Am G C 
Long hair, mature in the body like...Woah!

               F           G
That's not the only reason I liked her though!

Am G C                                             Dm
She said she moved with her mother to Florida from New York!

Dm               G     
Where dreams are made!

Am G C        
Well so did I.

Dm          G 
So I said "hi".

E                               F
She seemed mature, and I talked more. (More, More!)

N.C
And I was like,

C                              Bb
What the heck I gotta do to be with you?

(What the heck I gotta do?)

C                              Bb   
What the heck I gotta do to be with you?

(What the heck I gotta do)

C         Gm7                          C 
Who do I have to be for you to be with me?

Same chord pattern continues through the entire song.

What The Heck I Gotta Do

[INTRO]
D A

[WASHINGTON]
Bm                              D    
Let me tell you what I wish I’d known
                                Em
When I was young and dreamed of glory

You have no control:
[WASHINGTON AND COMPANY]

    G
Who lives
Who dies
    Em/B
Who tells your story?

[BURR]
Bm
President Jefferson:

[JEFFERSON]
                          D
I’ll give him this: his financial system is a
                Em
Work of genius. I couldn’t undo it if I tried
And I tried

[WASHINGTON AND COMPANY]
    G
Who lives
Who dies
    Em/B
Who tells your story?

[BURR]
Bm
President Madison:

[MADISON]
                                       D              
He took our country from bankruptcy to prosperity
                                              Em
I hate to admit it, but he doesn’t get enough credit
For all the credit he gave us

[WASHINGTON AND COMPANY]
    G
Who lives
Who dies
    Em/B
Who tells your story?

[ANGELICA]
Bm
Every other founding father story gets told
D
Every other founding father gets to grow old

[BURR]
Em
But when you’re gone, who remembers your name?
G
Who keeps your flame?


[BURR AND MEN]
    F#
Who tells your story? [ANGELICA AND WOMEN]
                               
                         Who tells your story?
Who tells your story?              Bm
                          Your story?
[WOMEN]
D
Eliza

[ELIZA]
                         F#
I put myself back in the narrative

[WOMEN]
D
Eliza

[ELIZA]
  Bm
I stop wasting time on tears
  G                  Gm
I live another fifty years
It’s not enough

[COMPANY]
D
Eliza

[ELIZA]
D                             F#
I interview every soldier who fought by your side


[MULLIGAN/LAFAYETTE/LAURENS]
She tells our story

[ELIZA]
Bm                                                G
I try to make sense of your thousands of pages of writings
              Gm
You really do write like you’re running out of—

[ELIZA AND COMPANY]
D
Time


[ELIZA]
I rely on—


[ELIZA AND ANGELICA]
D
Angelica

[ELIZA]
F#
While she’s alive—

[ELIZA AND ANGELICA]
We tell your story

[ELIZA]
Bm
She is buried in Trinity Church

[ELIZA AND ANGELICA]
     G
Near you

[ELIZA]
                  Gm
When I needed her most, she was right on—

[ELIZA AND COMPANY]
D
Time

[ELIZA]
D
And I’m still not through
  F#
I ask myself, “What would you do if you had more—”

[ELIZA AND COMPANY]
Bm
Time

[ELIZA]
D
The Lord, in his kindness
   G                        Bb
He gives me what you always wanted
He gives me more—

[ELIZA AND COMPANY]
Eb
Time

[ELIZA]
                              Gm
I raise funds in D.C. for the Washington Monument

[WASHINGTON]
    G            Cm
She tells my story

[ELIZA]
Eb
I speak out against slavery
Ab                          G7
You could have done so much more if you only had—

[ELIZA AND COMPANY]
Eb
Time

[ELIZA]
                               G
And when my time is up, have I done enough?

[ELIZA]
                       Cm
Will they tell our story?

[ELIZA]
                            Ab
Oh. Can I show you what I’m proudest of?

[COMPANY]
    Eb
The orphanage

[ELIZA]
                        Gm      G
I established the first private orphanage in New York City

[COMPANY]
    Cm
The orphanage

[ELIZA]
                            Ab
I help to raise hundreds of children
  G7
I get to see them growing up

[COMPANY]
    Eb
The orphanage

[ELIZA]
                         Bb
In their eyes I see you, Alexander
I see you every—

[ELIZA AND COMPANY]
Eb
Time

[ELIZA]
Eb
And when my time is up
       G
Have I done enough?
                  G7  Cm      [COMPANY]
Will they tell my story?      Will they tell your story?         
 
[ELIZA]
                             Ab
Oh, I can’t wait to see you again
     G7
It’s only a matter of—

[ELIZA AND COMPANY]
Eb  G
Time

[COMPANY]
G                                 Cm
Will they tell your story?
Ab                               
Who lives, who dies,  
                               Eb
who tells your story?   
                G           Cm                        
Will they tell your story?      
         Ab                      
Who lives, who dies—     
 
[FULL COMPANY]
    Bb             Eb
Who tells your story?

Who Lives Who Dies Who Tells Your Story

Am
Okay, okay
C                      C/F
I see what's happening yeah
       C                                    C/F
You're face-to-face with greatness and it's strange
               C                       C/F
You don't even know how you feel, It's adorable!
          C                             C/F
Well it's nice to see that humans never change

          C             C/F
Open your eyes, let's begin
                C                         C/F
Yes it's really me, It's Maui! Breathe it in
              C                  C/F
I know it's a lot, the hair, the bod!
            C
When you're staring at a demigod

Am         F                  C
What can I say except "You're welcome"?
        E7                   Am
For the tides, the sun, the sky
           F                      C
Hey, it's okay, it's okay, you're welcome
    E7                    Am
I'm just an ordinary demi-guy!

                    F                       C
Hey, what has two thumbs and pulled up the sky
                        G
When you were waddling ye high?
This guy!

  Am                   F                C
When the nights got cold, who stole you fire from down below?
        G
You're looking at him, yo!

Am         F            C
Oh, also I lasso'd the sun
You're welcome
    G                               Am
To stretch your days and bring you fun

        F              C
Also, I harnessed the breeze
You're welcome
    G
To fill your sails and shake your trees


Am         F                  C
What can I say except "You're welcome"?
         E7                        Am
For the islands I pulled from the sea
                   F                        C
There's no need to pray, it's okay, you're welcome
   E7                               Am
I guess it's just my way of being me
        F               C
You're welcome, you're welcome
 E7
Well, come to think of it

C
Kid, honestly I can go on and on

I can explain every natural phenomenon

The tide, the grass, the ground

Oh, that was Maui just messing around

I killed an eel, I buried its guts

Sprouted a tree, now you've got coconuts

What's the lesson? What is the takeaway?

Don't mess with Maui when he's on the breakaway
Am
And the tapestry here in my skin
F
Is a map of the victories I win
C
Look where I've been I make everything happen
E7                            
Look at that mean mini Maui just tippity tappin'
            
Ha, ha, ha, ha, ha, ha, Hey!

Am        F                    C
Well anyway, let me say you're welcome!
        E7                   Am
For the wonderful world you know
            F                    C
Hey, it's okay, it's okay you're welcome!
       E7                           Am
Well, come to think of it, I gotta go
                F                 C
Hey, it's your day to say you're welcome!
        E7                   Am
'Cause I'm gonna need that boat
             F                 C
I'm sailing away, away, you're welcome!
       E7                          Am
'Cause Maui can do anything but float
         F             C
You're welcome, you're welcome

And thank you!

C

You're Welcome

How does Hamilton
Dm
An arrogant
Dm
Immigrant, orphan
E
Bastard, whoreson
E 
Somehow endorse
              F
Thomas Jefferson, his enemy
                              Bb
A man he’s despised since the beginning
      A
Just to keep me from winning?
Dm
I wanna be in the room where it happens—

[Burr and Company]
         E
The room where it happens
         E 
The room where it happens

[Burr]
Dm
You’ve kept me from—

[Burr and Company]
F
The room where it happens

[Burr]
Bb            A
For the last time


Dm Edim F

         Bb     A
Dear Alexander:
      Dm
I am slow to anger
      Edim
But I toe the line
          F
As I reckon with the effects
         Bb          A
Of your life on mine
        Dm          
I look back on where I failed
         Edim
And in every place I checked
         F                                                          Bb    A
The only common thread has been your disrespect
         Dm
Now you call me “amoral,”
   Edim
A “dangerous disgrace,”
          Dm
If you’ve got something to say
        Bb
Name a time and place
A
Face to face
F                   Bb               C          
I have the honor to be Your Obedient Servant
           F
A dot Burr

[Hamilton]
N.C.
Mr. Vice President:

Ebm 
I am not the reason no one trusts you
Fdim
No one knows what you believe
                F#
I will not equivocate on my opinion
        B                    Bb
I have always worn it on my sleeve
          Ebm     
Even if I said what you think I said
                  Fdim
You would need to cite a more specific grievance
                  F#                               B
Here’s an itemized list of thirty years of disagreements

[Burr]
N.C.
Sweet Jesus

[Hamilton]
     Ebm
Hey, I have not been shy
                Fdim
I am just a guy in the public eye
                          F#
Tryin’ to do my best for our republic
Ebm
I don’t wanna fight
      B                     Bb
But I won’t apologize for doing what’s right
F#                  B       C#
I have the honor to be Your Obedient Servant
          F#
A dot Ham

[Burr]
Em
Careful how you proceed, good man
F#
Intemperate indeed, good man
Em                             G                              C
Answer for the accusations I lay at your feet or
                    B
Prepare to bleed, good man

[Hamilton]
Em
Burr, your grievance is legitimate
            F#
I stand by what I said, every bit of it
       Em
You stand only for yourself
              C
It’s what you do
             B
I can’t apologize because it’s true

[Burr]
N.C.
Then stand, Alexander
N.C.
Weehawken. Dawn.
N.C.
Guns. Drawn.

[Hamilton]
N.C.
You’re on

[Burr and Hamilton]
G                   C                D
I have the honor to be Your Obedient Servant

[Hamilton]
G
A dot Ham

[Burr]
G
A dot Burr

Your Obedient Servant

Intro: C D C D (x2)


C D
Si es que no puedes hablar
C D
no te atrevas a volver
C D
si te quieres ocultar
C D
tal vez te podria ver
Em D C G C
y el amor que no sabe a quien y que
G C
hablará si tu verdad
Em F
te abrazara otra vez

Em C
Habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G C
y te hace feliz

C D


C D
Si no puedes escuchar
C D
aunque insistas hablaré
C D
si lo quieres mírame
C D
y tus ojos hablaran tal vez
Em D C G C
sentiras el amor e iras tras el
G C
hablaras si tu verdad
Em F
te abrazará otra vez

Em C
Habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G D
y te hace feliz
Em C
habla si puedes
G C
grita si temes
Em C
dime a quien quieres
G D
y te hace feliz


Em G C G
.(CUERDAS)... abrazaméeeeeeeee..
C Em F
quiero despertarme y entender

Em C
habla si puedes
G C
grita si temes
Em C
dime a quien quieres
G D
y que haces aquì
Em C
habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G C
y te hace feliz
G C
y te hace feliz

C D
(fin)

Habla si puedes

C                     G
Se a vida as vezes dá uns dias de segundos cinzas
           Am           F
E o tempo tic taca devagar
         Dm                   Am
Ponha o teu melhor vestido, brilha teu sorriso
      F              C
Vem pra cá, vem pra cá

                                     G
Se a vida muitas vezes só chuvisca, só garôa
        Am               F
E tudo não parece funcionar
         Dm                  Am
Deixe esse problema a toa, pra ficar na boa
      C
Vem pra cá

Refrão:
            Am              F
Do lado de cá, a vista é bonita
          C           G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C          E7
E o meu corpo dança sem parar
            F                  C                 G
Do lado de cá, tem música, amigos e alguém para amar
            C G Am F
Do lado de cá
            C G Am F
Do lado de cá

refrão:
           Am            F
Do lado de cá, a vista é bonita
          C           G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C          E7
E o meu corpo dança sem parar
            F                 C                 G
Do lado de cá, tem música, amigos e alguém para amar
            Am
Do lado de cá

             Am7M            Am7
A vida é agora, vê se não demora
  Dm            E7
Pra recomeçar
Am           Am7M          Am7
É so ter vontade de felicidade
  Dm     G
Pra pular

Refrão:
            Am              F
Do lado de cá, a vista é bonita
          C        G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C         E7
E o meu corpo dança sem parar
              F                C                  G
Do lado de cá, tem música, amigos e alguém para amar
            C G Am F
Do lado de cá
            C G Am F
Do lado de cá
            ( C G Am F ) (2x)
Do lado de cá

Do Lado De Cá

LA RE
Jo et duré a casa si fa mal temps
MI FA#m
Jo t’empararé si un cas tens por
SIm MI
Jo te cuidaré si estàs malalta
RE LA
De tot cor, de tot cor
RE REm LA
De tot cor

MI RE DO#m-SIm-LA

FA#m DO#m
Estic a punt d’anar-me’n
RE LA RE
Mes abans de partir et diré
REm LA
Que et duc dins es pensament

FA#m DO#m
No deix de recordar-te
RE LA RE
I alen els teus alens tot calents
REm SIm MI
De lluny i de prop me tens


Jo et duré...

FA#m DO#m
I a dalt de s’escenari
RE LA RE
Quan estic concentrat cantant
REm MI
Jo sempre te tenc present

FA#m DO#m
Perquè m’ets necessari
RE LA
Com s’aire que respir
RE REm SIm MI
Necessit estar amb tu en tot moment


Jo et duré... ( bis )

De tot cor

INTRO: un arpegio mas o menos así.

Em E9 Em E9
e|----------7----------------7----------------7----------------7--------|
B|--------8---8------------7---7------------8---8------------7---7------|
G|------9-------9--------9-------9--------9-------9--------9-------9----|
D|----9-----------9----9-----------9----9-----------9----9-----------9--|
A|--7----------------7----------------7----------------7----------------|
E|----------------------------------------------------------------------|


Como intro:
Desnudar el sin razón
que modelo nuestras vidas
Parece ser causa perdida.

Nadie apuesta detener
el motor que contamina
el aire que a diario respiras

Am
Y que respiraste ayer,
Como intro
y que mañana tal vez, no lo sé.
Por eso hoy

Am
Reflexionando en esto,
C5
la madrugada pasó,
B5 / Am / G5 / F5# / Em
y dejó otro día para ser.


BASE: (mas o menos - no la entiendo)
e|---------------------------------------------------------|
B|---------------------------------------------------------|
G|---------------------------------------------------------|
D|--------------------------/5-------------------------/4--|
A|--------------------------/3-------------------------/2--|
E|--2-3-2-0-2-3-2-0-2-3-2-0----2-3-2-0-2-3-2-0-2-3-2-0-----|


Ser guardianes o vigías de toda la miel
que guarda en toda colmena el sucio poder.
Predador, ecologista, pobre o gran señor.
Drogadependiente, doctor o paciente,
entreverado en el montón.



e|---------+----------------------|
B|---------+----------------------|(A partir de la 2da. vez
G|---------+----------------------| no hace la primer parte)
D|--2-/5-4-+-----/5-4-----2-/5-4--|
A|--2------+-4-5--------4-2-------|
E|--0------+-2-3--------2-0-------|

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser

Culpable o inocente, malviviente o juez.
O quien con sólo su firma decreta la ley.
Pronucleares informistas modelan la situación.
Más tecnología, por más energía.
Fuga radiactiva de progreso.

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser.


e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2-5--|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0--------|

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2-5--|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0--------|


Solo guitarra

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|



Derrame de combustible, exterminio forestal.
El motor contaminante no se detendrá.
Para ser hay otro día en el planeta inferior.
Como cualquier día, como todo día
Con o sin mi reflexión.

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser.

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser.

FIN:e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|

Ser o no ser

Chords: C F Am G
Strumming pattern: down, down, up, up, down, up

You're way too (C) beautiful girl,
That's (Am) why it'll never work
You'll have me (F) suicidal, (G) suicidal
When you (C) say it's over
Damn all these (C) beautiful girls,
They (Am) only wanna do your dirt
They'll have you (F) suicidal, (G) suicidal
When they (C) say it's over
See it (C) started at the park
Used to chill after dark
Oh, (Am) when you took my heart
That's when we fell apart
'Cause (F) we both thought
That (G) love last (C) forever (last forever)
They (C) say we're too young
To get ourselves sprung
Oh (Am) we didn't care
We made it very clear
And they (F) also said
That we (G) couldn't last (C) together (last together)
See it's (C) very divine, girl
You're one of a kind
But you (Am) mush up my mind
You ought to get declined
Oh (F) Lord
My (G) baby is driving me (C) crazy

(Chorus)

It was (C) back in '99
Watchin' movies all the time
Oh (Am) when I went away
For doin' my first crime
And (F) I never thought
That (G) we was gonna see each (C) other (see each other)
And then (C) I came out
Mami moved me down South
Oh (Am) I'm with my girl
Who I thought was my world
It (F) came out to be
That (G) she wasn't the girl for (C) me (girl for me)

(Refrain and chorus)

(C) Now we're fussin'
And now we're fightin'
(Am) Please tell me why
I'm feelin' slighted
And (F) I don't know
(G) How to make it (C) better (make it better)
You're (C) datin' other guys
You're tellin' me lies
Oh (Am) I can't believe
What I'm seein' with my eyes
I'm (F) losin' my mind
And (G) I don't think it's (C) clever (think it's clever)

(Refrain and Chorus)

Beautiful Girls

Verse 1:
           B
I'm going back to the time when we owned this town
      E
Down Powder Mill Lane, in the battlegrounds
C#m        B                   G#m  B     F#
We were friends and lovers and clueless clowns


Verse 2:
                      B       
I didn't know I'd be finding out now I was torn from you
         E
When we thought about things we were gonna do
C#m      B                    G#m B  F# 
We were wide eyed dreamers and wiser too


Chorus:
               E              B 
Go down to the rides on East Parade,
        G#m                   F#
by the lights of the Palace Arcade
                    E                     G#m   F#   
Watch night coming down on the Sovereign Light Café


Verse 3:
                          B
I'm begging you for some sign, but you've still got nothing to say
        E
Don't turn your back on me, don't walk away
C#m     B                   G#m  B   F#
I'm a better man now than I was that day


Chorus:
                      E              B 
Let's go down to the rides on East Parade,
        G#m                   F#
by the lights of the Palace Arcade
                    E                     G#m   F#   
Watch night coming down on the Sovereign Light Café

                 E               B
Go down to the bandstand on the pier
           G#m                    F#
Watch the drunks and the lovers appear
                      E                     G#m   F#     
Take time, just the stars at the Sovereign Light Café


Bridge:
   E        B           F#
I wheel my bike off the train,
        F#
Up the North Trade Road,
 E        B             F# 
Look for you on Marley Lane
                          G#m
In every building, every streetlight
                   E               F#  G#m  B  F#
Oh why did we ever go so far from home?


Verse 4:
                        B
You keep on leaving me mile long traces of who you are
         E
You can get a big house and a faster car
C#m      B                    G#m   B  F#
You can run away boy, but you won't go far


Chorus:
                      E              B
Let's go down to the rides on East Parade,
        G#m                   F#
by the lights of the Palace Arcade
                    E                     G#m   F#   
Watch night coming down on the Sovereign Light Café

                    E                B
Stroll down to the bandstand on the pier
           G#m                    F#
Watch the drunks and the lovers appear
                     E                      G#m   F#
Take time, just the stars at the Sovereign Light Café 

      E            B    G#m
La la la la la la la la Yeah, 
     F#                      E       B   F#
I'm going where the people know my name


Outro:
E B G#m F#
E B G#m F# B

Sovereign Light Cafe

Donde hay numeros en vez de acordes es porque no se
como se llaman esos acordes y pongo abajo como se hacen




F9/A Cm
Ya no sé donde fue,
F9/A C
con su luz tu verdad,
F9/A Cm
avanzar y no avanzar,
1 G
que loco remolino,

ya no ves . . .

ya no ves . . .

la maldad que hay allí . . .

solo estás en tu cruz,

oh déjame explorarte,
F4 C
solo extiéndete una vez más . . .
F4 C
extiéndete una vez más . . .

la canción de la sed,

como el agua se nos fue . . .

líbrame . . .

Oh! líbrame . . .

Líbrame de la galaxia

ya no ves . . .

ya no ves

lo que ya sé nos pasó

respirar y oxidar,

y olvidarse y no fumar . . .

solo extiéndete una vez más . . .

exiténdete una vez más . . .

extiendete una vez más

extiendete una vez más

Nota: C B y
Am 2
eres mi esperanza
Am 3
solo una grieta en mi existir . . .
4
no somos solo hombres
5 6 7
y como fondo un cielo.

no es solo un burro,

que es un ángel de fe,

tal vez

me sentirás tal vez

me sentirás

las aguas en tus ojos

vibran su dulce brillo

una piel y una flor

son tus pechos,

que no piensan menos mal,

oh por favor,

gira loca girasol . . .

déjame como estoy,

ya te amé y allí morí,

quédate quédate oh!

déjame explicarte,

solo extiéndete una vez más . . .

extiéndete una vez más . . .

eres mi esperanza,

solo una grieta en mi existir . . .

no somos solo cuerpos,

y como un fondo un cielo . . .

no es solo un burro,

que es un ángel de fe

tal vez me sentirás

tal vez me sentirás

1:*5455*
2:*0*110
3:2**13*
4:3*445*
5:5**56*
6:7*775*
7:5*555*

Espero que puedan sacar esta genial cancion del mejor
compositor del rock de Argentina (a mi parecer).

Extiéndete una vez más

Intro
D|----------------9-8----|
A|--7--------7-10-7-6~---|X4
E|--5--------5-8---------|

e|----------------------------------------------|
B|----------------------------------------------|
G|-----------------------------X-5-X-7-X-5-5-7--|
D|----------------------9-8----X-5-X-7-X-5-5-7--|X2
A|--7----7----7----7-10-7-6---------------------|
E|--5--5-5--5-5----5-8--------------------------|

e|------------------------------------------|--|-----|
B|------------------------------------------|--|-----|
G|-----X-5-X-7-X-5-5-7-----X-5-X-7-X-5-5-7--|--|-----|
D|-----X-5-X-7-X-5-5-7--8--X-5-X-7-X-5-5-7--|X7|-8-8-|
A|--7-------------------6-------------------|--|-6-6-|
E|--5---------------------------------------|--|-----|

D|----------7-6~-----------|
A|--------7--------7-5-----|X4
E|--5-5-8--------------8-7-|

G|--5-h-7-----5-h-7-----5-h-7----------|
D|--5-h-7-----5-h-7-----5-h-7-----9-8--|X4
A|--------0-0-------0-0-------0-0-7-6--|

D|----------7-6~-----------|
A|--------7--------7-5-----|X4
E|--5-5-8--------------8-7-|

G|--5-h-7-----5-h-7-----5-h-7----------|
D|--5-h-7-----5-h-7-----5-h-7-----9-8--|X8
A|--------0-0-------0-0-------0-0-7-6--|

e|----------------------------------------------|
B|----------------------------------------------|
G|-----------------------------X-5-X-7-X-5-5-7--|
D|----------------------9-8----X-5-X-7-X-5-5-7--|X6
A|--7------7--7----7-10-7-6---------------------|
E|--5------5--5----5-8--------------------------|

G|--5-h-7-----5-h-7-----5-h-7----------|
D|--5-h-7-----5-h-7-----5-h-7-----9-8--|X12
A|--------0-0-------0-0-------0-0-7-6--|

e|----------------------------------------------|--|-----|
B|----------------------------------------------|--|-----|
G|-----------------------------X-5-X-7-X-5-5-7--|--|-----|
D|----------------------9-8----X-5-X-7-X-5-5-7--|X4|-8-8-|
A|--7------7--7----7-10-7-6---------------------|--|-6-6-|
E|--5------5--5----5-8--------------------------|--|-----|

Resistirse a complacer

INTRO: DOm - FA - MIb - LA# - DOm - MIb - FA - LA# - DOm

DOm - FA - MIb - LA#

DOm LA# DOm LA#
Saber que es lo que te pasa, sabes a veces lleva tiempo

DOm LA#
Es que el amor es una ciencia exacta,

DOm LA#
Y el dolor suele ser un misterio

SOL# DOm
Salir, parece buena idea,

SOL# DOm
Escapar, esa no es la manera de seguir

SOL# DOm
No esperar que el tiempo arregle todo,

SI LA#
Cuestión de encontrar el modo de reír

DOm FA MIb LA# DOm
Y si no estas bien, no te desarmes

FA MIb LA# DOm
Ponte de pie y andar y andar

FA MIb LA# DOm
No los escuchés pueden marearte

FA MIb LA# DOm
Solo saben hablar, y hablar y hablar

PUENTE: DOm LA# DOm LA#


DOm LA# DOm LA# DOm
A donde vas? No entiendo, no

LA# DOm LA#
Por que estas mintiendo?

DOm FA MIb LA# DOm
Y si no estas bien, no te desarmes

FA MIb LA# DOm
Ponte de pie y andar y andar…

FA MIb LA# DOm
No los escuchés pueden marearte

FA MIb LA# DOm
Solo saben hablar, y hablar y hablar...


SOLO: DOm LA#

FINAL: DOm - FA - MIb - LA# - DOm - MIb - FA - LA#

Andar

C
Working the village shop
E
Putting a poster up
Am
Dreaming of anything
C              Am               Em               Dm
Dreaming of the time when you're free from all the trouble you're in

C
In the mud, on your knees
E
Trying hard not to please
Am
Anyone, all the time
C              Am
Being a rebel's fine
           Em            C
But you go all the way to being brutal

Chorus:
G
You will have a boy tonight
You will have a boy tonight
F
On the first bus out of town
On the first bus out of town

Let's see your kit for games
All the girls look the same
You are challenging style for running miles
You're running miles in some boy's jumper

Boo to the business world!
You know a girl who's tax free on her back and making
Plenty cash
While you are working for the joy of giving

Chorus:
You will have a boy tonight
You will have a boy tonight
And you hope that she will see
And you hope that she will see

You are in two minds
Tossing a coin to decide whether you should tell your mum
About a dose of thrush you got while licking railings

But you read in a book
That you got free from Boots
There are lotions, there are potions
You can take to hide your shame from all those prying eyes

Lazy Jane, all the time
Painting lines
You sleeping at bus stops
Wondering how you got your name
And what you're going to do about it.

Chorus

Alexander Hamilton	No rating	intermediate	Chords	Full
Alexander Hamilton	No rating	beginner	Tab	Intro
Atencion/alabanza [in The Heights]	No rating	beginner	Chords	Full
Breathe (in The Heigts)	No rating	beginner	Chords	Full
Burn	No rating	beginner	Chords	Full	Other versions
Burn	No rating	beginner	Tab	Intro	Other versions
Congratulations	No rating	beginner	Chords	Full
Dear Theodosia	No rating	beginner	Chords	Full
Dear Theodosia	No rating	beginner	Tab	Full
Dear Theodosia	No rating	beginner	Tab	Intro
Dear Theodosia Reprise	No rating	beginner	Chords	Full
Farmer Refuted	No rating	intermediate	Chords	Full
Guns And Ships	No rating	intermediate	Chords	Full
Helpless	No rating	beginner	Chords	Full
History Has Its Eyes On You	No rating	intermediate	Chords	Full
How Far I'll Go	No rating	beginner	Chords	Full
Hurricane	No rating	beginner	Chords	Full
In The Heights	No rating	intermediate	Chords	Short
It's Quiet Uptown	No rating	beginner	Chords	Full
It's Quiet Uptown	No rating	beginner	Tab	Intro
My Shot	No rating	beginner	Chords	Full
One Last Time	No rating	beginner	Chords	Full
Satisfied	No rating	beginner	Chords	Full
Say No To This	No rating	beginner	Chords	Full
Story Of Tonight	No rating	beginner	Chords	Full
The Room Where It Happens	No rating	intermediate	Chords	Full
Wait For It	No rating	beginner	Chords	Full
What The Heck I Gotta Do	No rating	intermediate	Chords	Short
Who Lives Who Dies Who Tells Your Story	No rating	intermediate	Chords	Full
You'll Be Back	No rating	beginner	Chords	Full
You're Welcome	No rating	beginner	Chords	Full	Other versions
Your Obedient Servant	No rating	intermediate	Chords	Full

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