Lin-Manuel Miranda (born January 16, 1980) is an American actor, composer, and lyricist. He is most famous for writing and acting in the Broadway musical In the Heights, which opened on Broadway at the Richard Rodgers Theatre in 2008.Lin-Manuel was born in New York City of Puerto Rican descent. He attended Hunter College High School and Wesleyan University. He founded a hip-hop theatre troupe called "Freestyle Love Supreme". Miranda also wrote, directed, and acted in an independent film called Clayton's Friends (1996). Read more on Last.fm

F                                            C
There are moments that the words don't reach
                                   Dm
There is suffering too terrible to name
                                     A#
You hold your child as tight as you can
                          F
And push away the unimaginable
                              C
The moments when you're in so deep
                             Dm
It feels easier to just swim down
                  A#
The Hamiltons move uptown
                                   F
And learn to live with the unimaginable


                           C
I spend hours in the garden
                    Dm
I walk alone to the store
                    A#
And it's quiet uptown
                           F
I never liked the quiet before
                                 C
I take the children to church on Sunday
                           Dm
A sign of the cross at the door
           A#
And I pray
                             F
That never used to happen before



If you see him in the street
C
Walking by himself, talking to himself
     Dm
Have pity


                                         A#
Phillip, you would like it uptown, it's quiet uptown


                                  F
He is working through the unimaginable


His hair has gone gray
   C
He passes every day
                                    Dm
They say he walks the length of the city


                          A#
You knock me out, I fall apart

                  F
Can you imagine?


Look at where we are
C
Look at where we started
Dm
I know I don't deserve you, Eliza
A#
But hear me out, that would be enough

F
If I could spare his life
C                             Dm
If I could trade his life for mine
                            A#
He'd be standing here right now

And you would smile
                          C
And that would be enough


                   Dm                         Am
I don't pretend to know the challenges we're facing
                      A#
I know there's no replacing what we've lost
             F
And you need time
                    C
But I'm not afraid

I know who I married
Dm                            A#
Just let me stay here by your side
                     F
That would be enough



If you see him in the street
C
Walking by her side

Talking by her side
     Dm
Have pity


Eliza, do you like it uptown
      A#
It's quiet uptown


                               F
He is trying to do the unimaginable

                              C
See them walking in the park, long after dark
                            Dm
Taking in the sights of the city


                            A#
Look around, look around, Eliza


                                  F
They are trying to do the unimaginable


                                        C
There are moments that the words don't reach
                                 Dm
There is a grace too powerful to name
                                    A#
We push away what we can never understand
                         F
We push away the unimaginable
                                   C
They are standing in the garden
                      Dm
Alexander by Eliza's side
                 A#
She takes his hand


             F
It's quiet uptown

                C
Forgiveness

Can you imagine?
Dm              A#
Forgiveness

Can you imagine?

F
If you see him in the street
C
Walking by her side

Talking by her side
     Dm
Have pity
A#                                 F
They are going through the unimaginable

It's Quiet Uptown

Bm   
How does a bastard, orphan, son of a whore and a 
F#   
Scotsman, dropped in the middle of a 
           G
Forgotten spot in the Caribbean by providence
                   D
Impoverished, in squalor
               F#
Grow up to be a hero and a scholar?


     Bm        
The ten-dollar founding father without a father
       F# 
Got a lot farther by working a lot harder
            G
By being a lot smarter

By being a self-starter
      D                          F#
By fourteen, they placed him in charge of a trading charter


     Bm
And every day while slaves were being slaughtered and carted 
 F#
Away across the waves, he struggled and kept his guard up
  G
Inside he was longing for something to be a part of
     D                         F#
The brother was ready to beg, steal, borrow, or barter


        Bm 
Then a hurricane came, and devastation reigned
     F#
Our man saw his future drip, dripping down the drain
       G
Put a pencil to his temple, connected it to his brain
        D                                F#
And he wrote his first refrain, a testament to his pain


          Bm
Well the word got around, they said, "This kid is insane, man"
F#
Took up a collection just to send him to the mainland
G
"Get your education, don't forget from whence you came
          D                      F#
and the world is gonna know your name. What's your name, man?"


Bm
Alexander Hamilton
            F#
My name is Alexander Hamilton
              G
And there's a million things I haven't done
              D              F#
But just you wait, just you wait...


            Bm
When he was ten his father split, full of it, debt-ridden
     F#                                                   G
Two years later, see Alex and his mother bed-ridden half-dead

Sittin' in their own sick, the scent thick


n/a
And Alex got better but his mother went quick


Bm    
Moved in with a cousin, the cousin committed suicide
F#
Left him with nothin' but ruined pride, something new inside
  G
A voice saying "Alex, you gotta fend for yourself"


               D                         F#
He started retreatin' and readin' every treatise on the shelf


      Bm
There would have been nothing left to do

For someone less astute, he woulda been
F#
Dead or destitute without a sense of restitution
         G
Started workin', clerkin' for his late mother's landlord
D                              F#
Tradin' sugar cane and rum and all the things he can't afford
Bm
Scammin' for every book he can get his hands on
F#
Plannin' for the future see him now as he stands on
    G
The bow of a ship headed for a new land
   D                F#
In New York you can be a new man

   Bm
In New York you can be a new man       
   F#
In New York you can be a new man      
   Bm
In New York you can be a new man


   F#
In New York


Just you wait!


Bm
Alexander Hamilton 
        G7
We are waiting in the wings for you 
           Em
You could never back down
                                F#
You never learned to take your time
     Bm
Oh, Alexander Hamilton 
      G7
When America sings for you
           Em
Will they know what you overcame?
           D                   Em
Will they know you rewrote the game?
     Bm         G    D      F#
The world will never be the same, oh


    Bm              
The ship is in the harbor now 
              
See if you can spot him       
 D        
Another immigrant 
    Em              
Comin' up from the bottom     
     Em           
His enemies destroyed his rep
        
America forgot him

   F#
We fought with him
   F#
Me? I died for him
   F#
Me? I trusted him
   Em       
Me? I loved him


   Bm              F#
And me? I'm the damn fool that shot him

         Em                            D
There's a million things I haven't done
             F#
But just you wait!



What's your name, man?


Bm
Alexander Hamilton!

Bm

Alexander Hamilton

C  Em Am F G 

(BURR)
C                   Em
Dear Theodosia, what to say to you?
Am
You have my eyes
F
You have your mother's name
G         C                      Em
When you came into the world you cried
                Am
And it broke my heart

F  G

C                  Em
I'm dedicating every day to you
Am                F
Domestic life was never quite my style
G        C
When you smile
Em                  Am7
You knock me out, I fall apart
                      F   
And I thought I was so smart

G          C                        Em
You will come of age with our young nation
                Am
We'll bleed and fight for you
               F        
We'll make it right for you
G      C                  Em
If we lay a strong enough foundation
              Am
We'll pass it on to you
                F
We'll give the world to you
                   G    C
And you'll blow us all away
   Em  Am   F
Someday, someday
                      G   C
Yeah, you'll blow us all away
   Em  Am   F G
Someday, someday

(HAMILTON)
C   Em                    Am
Oh, Phillip when you smile I am undone
F   
My son
     G     C
Look at my son
Em                          Am
Pride is not the word I'm looking for
                 F         E
There is so much more inside me now
C   Em                       Am
Oh, Phillip you outshine the morning sun
  F  G
My son
         c      Em
When you smile
       Am
I fall apart
                      F  G
And I thought I was so smart

(HAMILTON & BURR)
F                G                     F   G
My father wasn't around (My father wasn't around)
F                      G           F  G
I swear that I'll be around for you
F                   G                           F  G
I'll do whatever it takes (I'll make a million mistakes)
F                          G        
I'll make the world safe and sound for you

         C                        Em
You'll come of age with our young nation
                Am
We'll bleed and fight for you
               F        
We'll make it right for you
G      C                  Em
If we lay a strong enough foundation
              Am
We'll pass it on to you
                F
We'll give the world to you
            G           C
And you'll blow us all away
   Em  Am   F
Someday, someday
                      G   C
Yeah, you'll blow us all away
   Em  Am   F 
Someday, someday
C

Dear Theodosia

C        G          Dm           Am
Hear ye, hear ye! My name is Samuel Seabury 
F                              C                 G
and I present "Free thoughts on the proceedings of the Continental Congress!"




C            G          Dm        Am
Heed not the rabble who scream revolution
F                               G
They have not your interest at heart
G
(Oh my god. Tear this dude apart)
C          G             Dm      Am
Chaos and bloodshed are not a solution
F                         G
Don't let them lead you astray
Am                               G
This congress does not speak for me
Am                            G
They're playing a dangerous game
Am                             Dm/F
I pray the king shows you his mercy
D                G
For shame, for shame!




C                     G                          Dm
Yo! He'd have you all unravel at the sound of screams (Heed not the rabble who scream)
Am
But the revolution is comin' (Revolution!)
F                         
The have-nots are gonna win this (They have not your interests at heart)
G
It's hard to listen to you with a straight face
C             G              Dm 
Chaos and bloodshed already haunt us (Chaos and Bloodshed are not solution)
Am                            F    
Honestly, you shouldn't even talk and what about Boston (Don't let them lead you astray)
G
Look at the cost of all that we've lost
Am                           
And you talk about Congress? (This Congress does not speak for me)
G
My dog speaks more eloquently than thee
Am
(You're playing a dangerous game)
G
But strangely, your mange is the same!
Am                     Dm/F                 
(I pray the king shows you his mercy)
Is he in Jersey?
D
(For shame—) For the Revolution!
G
(For shame!) For the Revolution!




Db              
(Heed—) If you repeat yourself again I'm gonna
Ebm                            Bbm
(Scream—) Honestly, look at me, please don't read!
Gb                 Ab
(Not your interest—) Don't modulate the key then not debate with me
Db              Ab                  Ebm
Why should a tiny island across the sea
Bbm
Regulate the price of tea? Alexander, please!
Gb
Burr, I'd rather be divisive than indecisive
Ab
Drop the niceties
Bb                            Dm
Silence! A message from the King!
Gm
A message from the King!
F
A message from the King!

Farmer Refuted

[Intro]

Em Fm

[Verse 1]
           Am                       F7
[Burr] Ah, Mr Secretary! [Ham] Mr Burr, sir!
               Dm7                      E7
[Burr] Did you hear the news about good old general Mercer?
      Am                 F7
[Ham] No [Burr] You know Clermont Street? 
                  Dm7                    E7
They renamed it after him, the Mercer legacy is secure 
[Ham] Sure 
N.C.
[Burr] And all he had to do was die. 

[Ham] That's a lot less work 

[Burr] We outta give it a try!

Now how're you gonna get your debt plan through?

[Ham] I guess I'm gonna finally have to listen to you
    Am    F7   Dm7    E7 
[Ham] Talk less, smile more
  Am            F7              Dm7                   E7
       Do whatever it takes to get my plan on the congress floor
       Am               F7
[Burr] Now, Madison and Jefferson are merciless
            Dm7            E7
[Ham] Well, hate the sin, love the sinner
       Am                           F7
[Madison] Hamilton! [Ham] I'm sorry, Burr, I've gotta go!
       Dm7                       E7
[Burr] But- [Ham] Decisions are happening over dinner.


Em Fm

       Am                    F7                   Dm7                E7                                
[Burr] Two Virginians and an immigrant walk into a room diametrically opposed, foes
Am                F7                        Dm7                        E7
They emerge with a compromise, having opened doors that were previously closed, bros
Am                        F7                      Dm7                   E7
The immigrant emerges with unprecedented financial power a system he can shape however he wants
Am            F7                       Dm7                    E7
The Virginians emerge with the nation’s capital and here’s the pièce de résistance:

[Chorus]
Am                    F7
No one else was in the room where it happened
Dm7                             E7
The room where it happened, the room where it happened
Am                     F7
No one else was in the room where it happened
Dm7                              E7
The room where it happened, the room where it happened
Am                          F7
No one really knows how the game is played
Dm7                            E7
The art of the trade, how the sausage gets made
F7
We just assume that it happens
E7
But no one else is in the room where it happens.         
 

Em Fm

[Verse 2]
       Am                         F7                           
[Burr] Thomas claims—
                               Dm7                  E7
Alexander was on Washington’s doorstep one day in distress and disarray
      Am                    F7                         
[Burr]Thomas claims— [Jeff] 
            Dm7
Alexander said— [Ham] I’ve nowhere else to turn!
                     E7
[Jeff] And basically begged me to join the fray
       Am                      F7     
[Burr] Thomas claims—

 [Jeff] I approached Madison and said— 
 Dm7                        E7
“I know you hate him, but let’s hear what he has to say.”
       Am                         F7                        
[Burr] Thomas claims— 
                          Dm7                    E7 
[Jeff] Well, I arranged the meeting. I arranged the menu, the venue, the seating

[Chorus]
            Am                     F7
[Burr] But! No one else was in the room where it happened
    Dm7                          E7
The room where it happened, the room where it happened
Am                     F7
No one else was in the room where it happened, 
Dm7                              E7
the room where it happened, the room where it happened
Am                          F7
No one really knows how the parties get to yes, 
Dm7                               E7
the pieces that are sacrificed in every game of chess
F7                                 E7
We just assume that it happens, but no one else is in the room where it happens.         


Em Fm

[Verse 3]
      Am                     F7
[Burr] Meanwhile, Madison is grappling with the fact 
     Dm7                     E7
that not every issue can be settled by committee
Am                     F7                              Dm7   (mute)
Meanwhile, congress is fighting over where to put the capital-
    E7
        it isn't pretty
      Am                         F7
Then Jefferson approaches with a dinner and invite 
    Dm7                    E7
and Madison responds with Virginian insight:
          Am                    F7
[Madison] Maybe we can solve one problem with another 
    Dm7                    E7
and win a victory for the Southerners, in other words—
(No Chord)
[Jeff] Oh-ho! [Mad] A quid pro quo [Jeff]I suppose 

[Mad] Wouldn’t you like to work a little closer to home?

[Jeff] Actually, I would [Mad] Well, I propose the Potomac

[Jeff] And you’ll provide him his votes? [Mad] Well, we’ll see how it goes

[Jeff] Let’s go!

[Chorus]
 Am                  F7
 No! —one else was in the room where it happened
Dm7                          E7
The room where it happened, the room where it happened
Am                     F7
No one else was in the room where it happened
Dm7                          E7
The room where it happened, the room where it happened
 Am        F7            Dm7                               E7
 My God! In God we trust, but we’ll never really know what got discussed
F7                          E7
Click-boom then it happened, and no one else was in the room where it happened

[Bridge]
Am
 Alexander Hamilton!
Am7
  What did they say to you to get you to sell New York City down the river?
C
  Alexander Hamilton!
C7
 Did Washington know about the dinner? 

Was there presidential pressure to deliver?
Dm
      Alexander Hamilton!
N.C.
Or did you know, even then, it doesn’t matter where you put the U.S. Capital?
     
Cuz we’ll have the banks, we’re in the same spot 

You got more than you gave!

And I wanted what I got

Em                             Fm
When you got skin in the game, you stay in the game
Em                             Fm 
But you don’t get a win unless you play in the game
Em
Oh, you get love for it. You get hate for it

You get nothing if you wait for it, wait for it, wait!
Em    Fm
  God help and forgive me
Em                             Fm
I wanna build something that’s gonna outlive me
E
What do you want, Burr? What do you want, Burr? 
E7
If you stand for nothing Burr, then what do you fall for?

[Chorus]
 Am F7              Dm7                         E7
I wanna be in the room where it happens, the room where it happens
Am F7            Dm7                     E7
I wanna be in the room where it happens, the room where it happens 
 Am            F7
The art of the compromise— 
Dm7                 E7
Hold your nose and close your eyes
Am                     F7
We want our leaders to save the day—
 Dm7                                  E7
But we don’t get a say in what they trade away
  Am            F7
We dream of a brand new start—
Dm7                  E7
But we dream in the dark for the most part
Dm7
Dark as a tomb where it happens
E7
I've got to be in the room where it happens
                                         
[Company]    
Am          Ddim
  I've got to be...
Am     Ddim
 I've got to be...  The room where it happens
Am     Ddim
 I've got to be...  The room where it happens
Am                  Ddim
 I've got to be... I've gotta be... In the room

            Am
Click-boom!

The Room Where It Happens

(WASHINGTON)
Cm                         Eb
I was younger than you are now
                            Fm
When I was given my first command
                               Ab
I led my men straight into a massacre
   G                          Cm
I witnessed their deaths firsthand
                     Eb
I made every mistake
                   Fm
I felt the shame rise in me
                    Ab
And even now I lie awake
          G             
Knowing history has its    / (LAURENS/MULLIGAN)
Cm
eyes                       / Whoa whoa whoa
   Eb
on me                      
                              Fm   Ab   G7
                           / whoa whoa yeah



(HAMILTON/WASHINGTON)      / (COMPANY)
                
History has its 
Cm
eyes                       / Whoa whoa whoa
   Eb
on me      
                              Fm   Ab   G7
                           / whoa whoa yeah

 
(WASHINGTON)
Cm                                Eb
Let me tell you what I wish I’d known
                                 Fm
When I was young and dreamed of glory:

You have no control:

(WASHINGTON AND COMPANY)
N/A                                  Cm
Who lives, who dies, who tells your story

(WASHINGTON)
                   Eb
I know that we can win
                        Fm
I know that greatness lies in you
                           Ab
But remember from here on in

(WASHINGTON/HAMILTON AND MEN)   / (COMPANY)
G
History has its
Cm
eyes                            / Whoa whoa whoa
   Eb
on you.  
                                    Fm   Ab
                                / whoa whoa
 
(FULL COMPANY)
G                Cm  Eb  F
History has its eyes on you

History Has Its Eyes On You

Dm  C  G   x2

(HAMILTON)
Dm
In the eye of a hurricane
      C   G
There is quiet
            Dm
For just a moment
C G
A yellow sky

Dm
When I was seventeen a hurricane
C G
Destroyed my town
          Dm
I didn’t drown
        C  G
I couldn’t seem to die

                F
I wrote my way out
                 Fsus4                Dm
Wrote everything down far as I could see
            F
I wrote my way out
                    Fsus4          F     Csus4  C
I looked up and the town had its eyes on me

                     Dm
They passed a plate around
        C/E
Total strangers
          Dm/F            Fsus2  G
Moved to kindness by my story
        Dm                      F
Raised enough for me to book passage on a
               C             
Ship that was New York bound…

D5                 F5
I wrote my way out of hell
           G5
I wrote my way to revolution
A5                      C5          D5
I was louder than the crack in the bell
               F5                     G5
I wrote Eliza love letters until she fell
         A5                           C5        D5
I wrote about the Constitution and defended it well
                     F5           G5
And in the face of ignorance and resistance
                A5          C5       D5
I wrote financial systems into existence
    F
And when my prayers to God were met with indifference
   G
I picked up a pen, I wrote my own deliverance

Dm 
In the eye of a hurricane
      C   G
There is quiet
           Dm 
For just a moment
C G
A yellow sky

Dm 
I was twelve when my mother died
     C  G
She was holding me
                          Dm
We were sick and she was holding me
        C  G
I couldn’t seem to die

Dm

                          (BURR)
                        / ( Dm )
(HAMILTON)              / Wait for it, wait for
I'll write my way       / it, wait for it...
Dm/C
out

                        / (BURR AND EMSEMBLE)
                        / Wait for it, wait for
Write everything        / it, wait for it...
Bb7
down, far as I can
Dm/A                                                / (WASHINGTON/
see...                                              / ELIZA/ANGELICA/
                                                    / MARIA)
                        / Wait for it, wait for     / History has its eyes
                        / it, wait for it, wait...  / on you
                       
Dm
I'll write my way
out...
Dm/C
Overwhelm them 
with honesty

 
(HAMILTON)
Dm/A                                          Dm/G
This is the eye of the hurricane, this is the only

Way I can protect my legacy…

(COMPANY)
Dm/A
Wait for it, wait for it, wait for it, wait…

(HAMILTON)
The Reynolds Pamphlet

Hurricane

How does Hamilton
Dm
An arrogant
Dm
Immigrant, orphan
E
Bastard, whoreson
E 
Somehow endorse
              F
Thomas Jefferson, his enemy
                              Bb
A man he’s despised since the beginning
      A
Just to keep me from winning?
Dm
I wanna be in the room where it happens—

[Burr and Company]
         E
The room where it happens
         E 
The room where it happens

[Burr]
Dm
You’ve kept me from—

[Burr and Company]
F
The room where it happens

[Burr]
Bb            A
For the last time


Dm Edim F

         Bb     A
Dear Alexander:
      Dm
I am slow to anger
      Edim
But I toe the line
          F
As I reckon with the effects
         Bb          A
Of your life on mine
        Dm          
I look back on where I failed
         Edim
And in every place I checked
         F                                                          Bb    A
The only common thread has been your disrespect
         Dm
Now you call me “amoral,”
   Edim
A “dangerous disgrace,”
          Dm
If you’ve got something to say
        Bb
Name a time and place
A
Face to face
F                   Bb               C          
I have the honor to be Your Obedient Servant
           F
A dot Burr

[Hamilton]
N.C.
Mr. Vice President:

Ebm 
I am not the reason no one trusts you
Fdim
No one knows what you believe
                F#
I will not equivocate on my opinion
        B                    Bb
I have always worn it on my sleeve
          Ebm     
Even if I said what you think I said
                  Fdim
You would need to cite a more specific grievance
                  F#                               B
Here’s an itemized list of thirty years of disagreements

[Burr]
N.C.
Sweet Jesus

[Hamilton]
     Ebm
Hey, I have not been shy
                Fdim
I am just a guy in the public eye
                          F#
Tryin’ to do my best for our republic
Ebm
I don’t wanna fight
      B                     Bb
But I won’t apologize for doing what’s right
F#                  B       C#
I have the honor to be Your Obedient Servant
          F#
A dot Ham

[Burr]
Em
Careful how you proceed, good man
F#
Intemperate indeed, good man
Em                             G                              C
Answer for the accusations I lay at your feet or
                    B
Prepare to bleed, good man

[Hamilton]
Em
Burr, your grievance is legitimate
            F#
I stand by what I said, every bit of it
       Em
You stand only for yourself
              C
It’s what you do
             B
I can’t apologize because it’s true

[Burr]
N.C.
Then stand, Alexander
N.C.
Weehawken. Dawn.
N.C.
Guns. Drawn.

[Hamilton]
N.C.
You’re on

[Burr and Hamilton]
G                   C                D
I have the honor to be Your Obedient Servant

[Hamilton]
G
A dot Ham

[Burr]
G
A dot Burr

Your Obedient Servant

Hope you guys and gals enjoy this, it took FOREVER to even get the amount
that's done so far. The biggest component to learn is the RHYTHM; because
once you have the rhythm, you have the song (it may be easier to change the
key while playing the ukulele).


Gm                           
   I am NOT throwing away my... SHOT
F/A  Bb                            G7/B
I am not throwin' away my... SHOT. Hey yo, I'm
Cm
Just like my country, I'm young scrappy and hungry and I'm
Cm/Eb                 D7/F#
not throwin' away my, SHOT!  
NC         Gm
Imma get a scholarship to King's College.
                 F/A           Bb
I prob'ly should-n't brag, but dag, I amaze and astonish.
               Bdim    Cm
The problem is I got a lot of brains but no polish
            Dm          Ebm
I gotta hol-ler just to be heard With every word, I drop knowledge
      Gm                                      F/A
I’m a diamond in the rough, a shiny piece of coal
          Bb                                            Bdim
Tryin’ to reach my goal my power of speech, un-im-peach-a-ble
Cm                              Cm/D
Only nineteen but my mind is ol-der
      Cm/Eb                        D7/A
These New York City streets get cold-er, I shoulder
      Gm
Every burden, every disadvantage
                      F/A          Bb
I have learned to man-age, I don’t have a gun to brandish

I walk these streets famished
    Cm                                    Cm/D
The plan is to fan this spark into a flame
Cm/Eb                                  D7/A
But damn, it’s getting dark, so let me spell out the name
         Gm           F/A  Bb
I am the A-L-E-X-A-N-D-    E-R we are meant to be
     Cm
A colony that runs independently
Cm/D       Cm/Eb                        D7/A
Meanwhile, Britain keeps shittin’ on us endlessly
       Gm
Essent-ially, they tax us relentlessly
F/A       Bb                                     Bdim
Then King George turns around, runs a spending spree
         Cm
He ain’t ever gonna set his descendants free
Cm/D          Cm/Eb                   D7/A
So there will be a revolution in this century
NC           Gm                F/A
Enter me, he says in parentheses
         Bb                                      Bdim
Don’t be shocked when your hist’ry book mentions me
       Cm
I will lay down my life if it sets us free
Cm/D Cm/Eb                   D7/A
Even-tually, you’ll see my ascendancy

And         Gm                           
   I am NOT throwing away my... SHOT
F/A  Bb                            G7/B
I am not throwin' away my... SHOT. Hey yo, I'm
Cm
Just like my country, I'm young scrappy and hungry and I'm
Cm/Eb                 D7/F#              Gm
not throwin' away my, SHOT!  t's time to take a SHOT

(Continue Chords)

I dream of life without a monarchy
The unrest in France will lead to onarchy?
Onarchy how you say, how you say, anarchy?
When I fight, I make the other side panicky
With my, shot

Yo, I’m a tailor’s apprentice
And I got y’all knuckleheads in loco parentis
I’m joining the rebellion 'cause I know it’s my chance
To socially advance, instead of sewin’ some pants
I’m gonna take a shot

But we’ll never be truly free
Until those in bondage have the same rights as you and me
You and I. Do or die. Wait till I sally in
On a stallion with the first black battalion
Have another shot

Geniuses, lower your voices
You keep out of trouble and you double your choices
I’m with you, but the situation is fraught
You’ve got to be carefully taught
If you talk, you’re gonna get shot

Burr, check what we got
Mister Lafayette, hard rock like Lancelot
I think your pants look hot
Laurens, I like you a lot
Let’s hatch a plot blacker than the kettle callin’ the pot
What are the odds the gods would put us all in one spot
Poppin’ a squat on conventional wisdom, like it or not
A bunch of revolutionary manumission abolitionists?
Give me a position, show me where the ammunition is

Oh, am I talkin’ too loud?
Sometimes I get over excited, shoot off at the mouth
I never had a group of friends before
I promise that I’ll make y’all proud

Let’s get this guy in front of a crowd

I am not throwing away my shot
I am not throwing away my shot
Hey yo, I’m just like my country
I’m young, scrappy and hungry
And I’m not throwing away my shot

I am not throwing away my shot
I am not throwing away my shot
Hey yo, I’m just like my country
I’m young, scrappy and hungry
And I’m not throwing away my shot

Everybody sing
Whoa, whoa, whoa
Hey, whoa, whoa, whoa
Ay, let ‘em hear ya

Let’s go

Whoa, whoa, whoa I said shout it to the rooftops
Whoa, whoa, whoa said, to the rooftops
Whoa, whoa, whoa come on

Come on, let’s go 
Rise up
When you’re living on your knees, you rise up
Tell your brother that he’s gotta rise up
Tell your sister that she's gotta rise up

When are these colonies gonna rise up?
When are these colonies gonna rise up?
When are these colonies gonna rise up?
When are these colonies gonna rise up?

Rise up 
I imagine death so much it feels more like a memory
When’s it gonna get me?
In my sleep, seven feet ahead of me?
If I see it comin’, do I run or do I let it be?
Is it like a beat without a melody?
See, I never thought I’d live past twenty
Where I come from some get half as many
Ask anybody why we livin’ fast and we laugh, reach for a flask
We have to make this moment last, that’s plenty

Scratch that this is not a moment, it’s the movement
Where all the hungriest brothers with something to prove went?
Foes oppose us, we take an honest stand
We roll like Moses, claimin’ our promised land
And? If we win our independence?
‘Zat a guarantee of freedom for our descendants?
Or will the blood we shed begin an endless cycle of vengeance and death with no defendants?
I know the action in the street is excitin'
But Jesus, between all the bleedin’ ‘n fightin’
I’ve been readin’ ‘n writin’
We need to handle our financial situation
Are we a nation of states what’s the state of our nation?
I’m past patiently waitin' I’m passionatelymashin’ every expectation
Every action’s an act of creation
I’m laughin' in the face of casualties and sorrow
For the first time, I’m thinkin’ past tomorrow

And I am not throwing away my shot
I am not throwing away my shot
Hey yo, I’m just like my country
I’m young, scrappy and hungry
And I’m not throwing away my shot

We’re gonna rise up (time to take a shot)
We’re gonna rise up (time to take a shot)
We’re gonna, rise up, rise up

It's time to take a shot
Rise up, rise up, it's time to take a shot
Rise up, it's time to take a shot
Rise up, take a shot, shot, shot
It's time to take a shot, time to take a shot
And I am not throwing away my shot
Not throwing away my shot

My Shot

F#m

[BURR]

D7                                       F#m D7
There’s nothing like summer in the city
                                                   F#m D7
Someone under stress meets someone looking pretty
                                             Faug
There’s trouble in the air, you can smell it

And Alexander’s by himself. I’ll let him tell it


[HAMILTON]

           A
I hadn’t slept in a week

I was weak, I was awake
          Aaug
You never seen a bastard orphan

More in need of a break
F#m/A
Longing for Angelica

Missing my wife
             A7
That’s when Miss Maria Reynolds walked into my life, she said:


[MARIA]

A
I know you are a man of honor
Aaug
I’m so sorry to bother you at home
      F#m/A                        A7
But I don’t know where to go, and I came here all alone…


[HAMILTON]

She said:


[MARIA]

A
My husband’s doin’ me wrong
   Aaug 
Beatin’ me, cheatin’ me, mistreatin’ me...
F#m/A
Suddenly he’s up and gone
A7
I don’t have the means to go on


[HAMILTON]

      F#m                                                D7
So I offered her a loan, I offered to walk her home, she said


[MARIA]

You’re too kind, sir


[HAMILTON]

            F#m
I gave her thirty bucks that I had socked away
                    D7
She lived a block away, she said:

[MARIA]

This one’s mine, sir


[HAMILTON]

        F#m
Then I said, “well, I should head back home,”
                     D7
She turned red, she led me to her bed

Let her legs spread and said:


[MARIA]

Faug
Stay?


[HAMILTON]

Hey…


[MARIA]

Hey…


[HAMILTON]

That’s when I began to pray:
    A
Lord, show me how to

Say no to this
Aaug
I don’t know how to

Say no to this
   F#m/A
But my God, she looks so helpless
    A7
And her body’s saying, “hell, yes”


[MARIA]

A
Whoa...


[HAMILTON]

Nooo, show me how to


[HAMILTON/ENSEMBLE]

Say no to this


[HAMILTON]

Aaug
I don’t know how to


[HAMILTON/ENSEMBLE]

Say no to this


[HAMILTON]

F#m/A
In my mind, I’m tryin’ to go


(ENSEMBLE)

Go! Go! Go!


[HAMILTON]

      A7                          D
Then her mouth is on mine, and I don’t say…


[ENSEMBLE]

A
No! No!

Say no to this!
Aaug
No! No!

Say no to this!
F#m/A
No! No!

Say no to this!
A7
No! No!

Say no to this!


[HAMILTON]

A
I wish I could say that was the last time
Aaug
I said that last time. It became a pastime
F#m/A
A month into this endeavor I received a letter
A7
From a Mr. James Reynolds, even better, it said:


[JAMES]

A5
Dear Sir, I hope this letter finds you in good health

And in a prosperous enough position to put wealth

In the pockets of people like me: down on their luck

You see, that was my wife who you decided to


[HAMILTON]

Fuuuu—


[JAMES]

Uh-oh! You made the wrong sucker a cuckold

So time to pay the piper for the pants you unbuckled

And hey, you can keep seein’ my whore wife

If the price is right: if not I’m telling your wife


[HAMILTON]

  F#m
I hid the letter and I raced to her place
                                   D7
Screamed “How could you?!” in her face

She said:


[MARIA]

No, sir!


[HAMILTON]

      F#m
Half dressed, apologetic. A mess, she looked
              D7
Pathetic, she cried:


[MARIA]

Please don’t go, sir!


[HAMILTON]

       F#m
So was your whole story a setup?


[MARIA]

I don’t know about any letter!


[HAMILTON]

      E/F#
Stop crying Goddamnit, get up!


[MARIA]

   E
I didn’t know any better


[HAMILTON]

       D
I am ruined...


[MARIA] / [HAMILTON]
                                
Please don’t leave me with him / I am 
  E  D
helpless / helpless, how could I do
                                         
Just give him what he wants  / this?
              E   D
and you can have me
                           / I don't want you
Whatever you want,   / I don't want you


[MARIA]  
                          
        Bbm
If you pay   
         Bb   B
You can stay
                                    
[HAMILTON]

B
Lord, show me how to   

Say no to this  
Baug
I don't know how to

Say no to this
Abm/B
But the situation's helpless 
B7
And her body's screaming

Hell yes                 
B                                   
No, show me how to

Say no to this     
Baug
How can I

Say no to this?     
Abm/B 
There is nowhere I 

can go   
B7
When her body's on
           E
mine I do not say...
     

[ENSEMBLE]
B
No!
Say no to this!
Baug
No!
Say no to this!
Abm/B
No!
Say no to this!
B7
No!                  
Say no to this!
B

[HAMILTON]

Say no to this  
Baug
I don't say no to this 
Abm/B
There is nowhere I can go 

[ENSEMBLE]                                       
Go go go 
B7

[JAMES]

So?

[HAMILTON]

Nobody needs to know

B  Baug  Abm/B  B7

Say No To This

Capo on 1


Verse 1:
[HAMILTON]
F#m                         E
Mr. President, you asked to see me?

[WASHINGTON]
                  F#m
I know you’re busy 
                      E
What do you need, sir? Sir? 
                           F#m
I wanna give you a word of warning

Sir, I don’t know what you heard
      E
But whatever it is, Jefferson started it

D                                     C#5
Thomas Jefferson resigned this morning

You’re kidding

F#m            E
I need a favor

Whatever you say, sir, Jefferson will pay for his behavior

    F#m
Shh. Talk less

I’ll use the press
    E                                                         F#m
I’ll write under a pseudonym, you’ll see what I can do to him—

I need you to draft an address

    E
Yes! He resigned. You can finally speak your mind—

   D                                    C#5
No, he’s stepping down so he can run for President

                                D
Ha. Good luck defeating you, sir
                                       C#5
I’m stepping down. I’m not running for President

I’m sorry, what?


Chorus:
A        G
One last time
  D           E
Relax, have a drink with me
A        G
One last time
             D       E
Let’s take a break tonight
               A                 E
And then we’ll teach them how to say goodbye
   D
To say goodbye
E       A   E   D
You and I

No, sir, why?

Verse 2:
        F#m
I wanna talk about neutrality

                     E
Sir, with Britain and France on the verge of war, is this the best time—

          F#m
I want to warn against partisan fighting

But—

E
Pick up a pen, start writing
        F#m
I wanna talk about what I have learned
             E
The hard-won wisdom I have earned

              D7/A
As far as the people are concerned
                       C#7sus4                  C#7
You have to serve, you could continue to serve—

Chorus: 
    A        G
No! One last time
    D           E
The people will hear from me
A        G
One last time
          D        E
And if we get this right
            A                E
We’re gonna teach ‘em how to say
       D
Goodbye
E       A   E   G
You and I—


Interlude: 
    D
Mr. President, they will say you’re weak
   C                                     D
No, they will see we’re strong

Your position is so unique

        C                    
So I’ll use it to move them along

D
Why do you have to say goodbye?

     C                                      D
If I say goodbye, the nation learns to move on
                        G     Bb
It outlives me when I’m gone
         C
Like the scripture says:
C#m                            E            Dsus2  A/D   A
Everyone shall sit under their own vine and fig    tree
    E                       F#m
And no one shall make them afraid.”
           E                  D          A  E  F#m
They’ll be safe in the nation we’ve made
                     E            D        A
I wanna sit under my own vine and fig tree
         E            F#m
A moment alone in the shade
   E             D
At home in this nation we’ve made
         A
One last time

              G    A
One last time


Break Section 1:
               D            A                             
(Spoken)Though, in reviewing the 
                                 G
incidents of my administration,
       Gm                                   D
I am unconscious of intentional error, I am nevertheless 
            A                              G
Too sensible of my defects not to think it probable that
           Gm
I may have committed many errors. 
D                  A                        G
I shall also carry with me the hope that my country will
               Gm
View them with indulgence; And that
D                A                G     
After forty-five years of my life 
                Gm
dedicated to its service with an upright zeal
    D
The faults of incompetent abilities will be
             A
Consigned to oblivion, 

as I myself must soon be to the mansions of rest


Break Section 2:
D                                     C
I anticipate with pleasing expectation that retreat in which I promise myself 
          D                                 C                                  
To realize the sweet enjoyment of partaking, in the midst of my fellow-citizens, 
    D                                     C
The benign influence of good laws Under a free government, the ever-favorite object 
      G             D             C
Of my heart, and the happy reward, as I trust
       G            Bb                   C
Of our mutual cares, labors, and dangers.
         D
One last time


Outro:
                          C
George Washington’s going home!

                 D
Teach ‘em how to say goodbye
                          C
George Washington’s going home!

[WASHINGTON & COMPANY]
         D                          
You and I 
               C           G
(George Washington’s going home)
      D                               
Going home 
               C           G
(George Washington’s going home)
                D                                      
History has its eyes on you 
               C           G
(George Washington’s going home)
            Bm
We’re gonna teach ‘em how to say goodbye! 
A
Teach ‘em how to say goodbye!
   G
To say goodbye!
                           
Say goodbye!
Bb             D  Dsus4  C  G  D
One last time!

One Last Time

[Intro]
                          
A         A/C#            
I may not live to see our glory

A                         F#m
But I will gladly join the fight
                        C#m                   F#m 
And when our children tell our story 
D                      Dm       A
They'll tell the story of tonight
A                        A/D
Let's have another round tonight 
A                        A/D
Let's have another round tonight
A                D                     A
Let's have another round tonight


[Verse]

A                 E
Raise a glass to freedom
F#m                Dm
Something they can never take away
A                 E        F#m  Dm
no matter what they tell you

A                 E
raise a glass to the four of us
F#m                Dm
tomorrow there'll be more of us
A                 E
Telling the story of tonight
F#m                Dm
They'll tell the story of tonight

A                 E
Raise a glass to freedom
F#m               Dm
Something they can never take away
A                 E
No matter what they tell you
F#m                Dm
Let's have another round tonight

A                 E
Raise a glass to the four of us
F#m                Dm
Tomorrow there'll be more of us
A                 E
Telling the story of tonight
F#m                Dm
Let's have another round tonight

A                 E               A                 E
They'll tell the story of tonight/Raise a glass to freedom
F#m               Dm              A                 E
They'll tell the story of tonight/Raise a glass to freedom
F#m               Dm              A
They'll tell the story of tonight/They'll tell the story of 
A  E
Tonight

Story Of Tonight

Hamilton 

Intro: C D C D (x2)


C D
Si es que no puedes hablar
C D
no te atrevas a volver
C D
si te quieres ocultar
C D
tal vez te podria ver
Em D C G C
y el amor que no sabe a quien y que
G C
hablará si tu verdad
Em F
te abrazara otra vez

Em C
Habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G C
y te hace feliz

C D


C D
Si no puedes escuchar
C D
aunque insistas hablaré
C D
si lo quieres mírame
C D
y tus ojos hablaran tal vez
Em D C G C
sentiras el amor e iras tras el
G C
hablaras si tu verdad
Em F
te abrazará otra vez

Em C
Habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G D
y te hace feliz
Em C
habla si puedes
G C
grita si temes
Em C
dime a quien quieres
G D
y te hace feliz


Em G C G
.(CUERDAS)... abrazaméeeeeeeee..
C Em F
quiero despertarme y entender

Em C
habla si puedes
G C
grita si temes
Em C
dime a quien quieres
G D
y que haces aquì
Em C
habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G C
y te hace feliz
G C
y te hace feliz

C D
(fin)

Habla si puedes

C                     G
Se a vida as vezes dá uns dias de segundos cinzas
           Am           F
E o tempo tic taca devagar
         Dm                   Am
Ponha o teu melhor vestido, brilha teu sorriso
      F              C
Vem pra cá, vem pra cá

                                     G
Se a vida muitas vezes só chuvisca, só garôa
        Am               F
E tudo não parece funcionar
         Dm                  Am
Deixe esse problema a toa, pra ficar na boa
      C
Vem pra cá

Refrão:
            Am              F
Do lado de cá, a vista é bonita
          C           G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C          E7
E o meu corpo dança sem parar
            F                  C                 G
Do lado de cá, tem música, amigos e alguém para amar
            C G Am F
Do lado de cá
            C G Am F
Do lado de cá

refrão:
           Am            F
Do lado de cá, a vista é bonita
          C           G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C          E7
E o meu corpo dança sem parar
            F                 C                 G
Do lado de cá, tem música, amigos e alguém para amar
            Am
Do lado de cá

             Am7M            Am7
A vida é agora, vê se não demora
  Dm            E7
Pra recomeçar
Am           Am7M          Am7
É so ter vontade de felicidade
  Dm     G
Pra pular

Refrão:
            Am              F
Do lado de cá, a vista é bonita
          C        G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C         E7
E o meu corpo dança sem parar
              F                C                  G
Do lado de cá, tem música, amigos e alguém para amar
            C G Am F
Do lado de cá
            C G Am F
Do lado de cá
            ( C G Am F ) (2x)
Do lado de cá

Do Lado De Cá

LA RE
Jo et duré a casa si fa mal temps
MI FA#m
Jo t’empararé si un cas tens por
SIm MI
Jo te cuidaré si estàs malalta
RE LA
De tot cor, de tot cor
RE REm LA
De tot cor

MI RE DO#m-SIm-LA

FA#m DO#m
Estic a punt d’anar-me’n
RE LA RE
Mes abans de partir et diré
REm LA
Que et duc dins es pensament

FA#m DO#m
No deix de recordar-te
RE LA RE
I alen els teus alens tot calents
REm SIm MI
De lluny i de prop me tens


Jo et duré...

FA#m DO#m
I a dalt de s’escenari
RE LA RE
Quan estic concentrat cantant
REm MI
Jo sempre te tenc present

FA#m DO#m
Perquè m’ets necessari
RE LA
Com s’aire que respir
RE REm SIm MI
Necessit estar amb tu en tot moment


Jo et duré... ( bis )

De tot cor

INTRO: un arpegio mas o menos así.

Em E9 Em E9
e|----------7----------------7----------------7----------------7--------|
B|--------8---8------------7---7------------8---8------------7---7------|
G|------9-------9--------9-------9--------9-------9--------9-------9----|
D|----9-----------9----9-----------9----9-----------9----9-----------9--|
A|--7----------------7----------------7----------------7----------------|
E|----------------------------------------------------------------------|


Como intro:
Desnudar el sin razón
que modelo nuestras vidas
Parece ser causa perdida.

Nadie apuesta detener
el motor que contamina
el aire que a diario respiras

Am
Y que respiraste ayer,
Como intro
y que mañana tal vez, no lo sé.
Por eso hoy

Am
Reflexionando en esto,
C5
la madrugada pasó,
B5 / Am / G5 / F5# / Em
y dejó otro día para ser.


BASE: (mas o menos - no la entiendo)
e|---------------------------------------------------------|
B|---------------------------------------------------------|
G|---------------------------------------------------------|
D|--------------------------/5-------------------------/4--|
A|--------------------------/3-------------------------/2--|
E|--2-3-2-0-2-3-2-0-2-3-2-0----2-3-2-0-2-3-2-0-2-3-2-0-----|


Ser guardianes o vigías de toda la miel
que guarda en toda colmena el sucio poder.
Predador, ecologista, pobre o gran señor.
Drogadependiente, doctor o paciente,
entreverado en el montón.



e|---------+----------------------|
B|---------+----------------------|(A partir de la 2da. vez
G|---------+----------------------| no hace la primer parte)
D|--2-/5-4-+-----/5-4-----2-/5-4--|
A|--2------+-4-5--------4-2-------|
E|--0------+-2-3--------2-0-------|

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser

Culpable o inocente, malviviente o juez.
O quien con sólo su firma decreta la ley.
Pronucleares informistas modelan la situación.
Más tecnología, por más energía.
Fuga radiactiva de progreso.

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser.


e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2-5--|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0--------|

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2-5--|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0--------|


Solo guitarra

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|



Derrame de combustible, exterminio forestal.
El motor contaminante no se detendrá.
Para ser hay otro día en el planeta inferior.
Como cualquier día, como todo día
Con o sin mi reflexión.

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser.

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser.

FIN:e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|

Ser o no ser

Chords: C F Am G
Strumming pattern: down, down, up, up, down, up

You're way too (C) beautiful girl,
That's (Am) why it'll never work
You'll have me (F) suicidal, (G) suicidal
When you (C) say it's over
Damn all these (C) beautiful girls,
They (Am) only wanna do your dirt
They'll have you (F) suicidal, (G) suicidal
When they (C) say it's over
See it (C) started at the park
Used to chill after dark
Oh, (Am) when you took my heart
That's when we fell apart
'Cause (F) we both thought
That (G) love last (C) forever (last forever)
They (C) say we're too young
To get ourselves sprung
Oh (Am) we didn't care
We made it very clear
And they (F) also said
That we (G) couldn't last (C) together (last together)
See it's (C) very divine, girl
You're one of a kind
But you (Am) mush up my mind
You ought to get declined
Oh (F) Lord
My (G) baby is driving me (C) crazy

(Chorus)

It was (C) back in '99
Watchin' movies all the time
Oh (Am) when I went away
For doin' my first crime
And (F) I never thought
That (G) we was gonna see each (C) other (see each other)
And then (C) I came out
Mami moved me down South
Oh (Am) I'm with my girl
Who I thought was my world
It (F) came out to be
That (G) she wasn't the girl for (C) me (girl for me)

(Refrain and chorus)

(C) Now we're fussin'
And now we're fightin'
(Am) Please tell me why
I'm feelin' slighted
And (F) I don't know
(G) How to make it (C) better (make it better)
You're (C) datin' other guys
You're tellin' me lies
Oh (Am) I can't believe
What I'm seein' with my eyes
I'm (F) losin' my mind
And (G) I don't think it's (C) clever (think it's clever)

(Refrain and Chorus)

Beautiful Girls

Verse 1:
           B
I'm going back to the time when we owned this town
      E
Down Powder Mill Lane, in the battlegrounds
C#m        B                   G#m  B     F#
We were friends and lovers and clueless clowns


Verse 2:
                      B       
I didn't know I'd be finding out now I was torn from you
         E
When we thought about things we were gonna do
C#m      B                    G#m B  F# 
We were wide eyed dreamers and wiser too


Chorus:
               E              B 
Go down to the rides on East Parade,
        G#m                   F#
by the lights of the Palace Arcade
                    E                     G#m   F#   
Watch night coming down on the Sovereign Light Café


Verse 3:
                          B
I'm begging you for some sign, but you've still got nothing to say
        E
Don't turn your back on me, don't walk away
C#m     B                   G#m  B   F#
I'm a better man now than I was that day


Chorus:
                      E              B 
Let's go down to the rides on East Parade,
        G#m                   F#
by the lights of the Palace Arcade
                    E                     G#m   F#   
Watch night coming down on the Sovereign Light Café

                 E               B
Go down to the bandstand on the pier
           G#m                    F#
Watch the drunks and the lovers appear
                      E                     G#m   F#     
Take time, just the stars at the Sovereign Light Café


Bridge:
   E        B           F#
I wheel my bike off the train,
        F#
Up the North Trade Road,
 E        B             F# 
Look for you on Marley Lane
                          G#m
In every building, every streetlight
                   E               F#  G#m  B  F#
Oh why did we ever go so far from home?


Verse 4:
                        B
You keep on leaving me mile long traces of who you are
         E
You can get a big house and a faster car
C#m      B                    G#m   B  F#
You can run away boy, but you won't go far


Chorus:
                      E              B
Let's go down to the rides on East Parade,
        G#m                   F#
by the lights of the Palace Arcade
                    E                     G#m   F#   
Watch night coming down on the Sovereign Light Café

                    E                B
Stroll down to the bandstand on the pier
           G#m                    F#
Watch the drunks and the lovers appear
                     E                      G#m   F#
Take time, just the stars at the Sovereign Light Café 

      E            B    G#m
La la la la la la la la Yeah, 
     F#                      E       B   F#
I'm going where the people know my name


Outro:
E B G#m F#
E B G#m F# B

Sovereign Light Cafe

Donde hay numeros en vez de acordes es porque no se
como se llaman esos acordes y pongo abajo como se hacen




F9/A Cm
Ya no sé donde fue,
F9/A C
con su luz tu verdad,
F9/A Cm
avanzar y no avanzar,
1 G
que loco remolino,

ya no ves . . .

ya no ves . . .

la maldad que hay allí . . .

solo estás en tu cruz,

oh déjame explorarte,
F4 C
solo extiéndete una vez más . . .
F4 C
extiéndete una vez más . . .

la canción de la sed,

como el agua se nos fue . . .

líbrame . . .

Oh! líbrame . . .

Líbrame de la galaxia

ya no ves . . .

ya no ves

lo que ya sé nos pasó

respirar y oxidar,

y olvidarse y no fumar . . .

solo extiéndete una vez más . . .

exiténdete una vez más . . .

extiendete una vez más

extiendete una vez más

Nota: C B y
Am 2
eres mi esperanza
Am 3
solo una grieta en mi existir . . .
4
no somos solo hombres
5 6 7
y como fondo un cielo.

no es solo un burro,

que es un ángel de fe,

tal vez

me sentirás tal vez

me sentirás

las aguas en tus ojos

vibran su dulce brillo

una piel y una flor

son tus pechos,

que no piensan menos mal,

oh por favor,

gira loca girasol . . .

déjame como estoy,

ya te amé y allí morí,

quédate quédate oh!

déjame explicarte,

solo extiéndete una vez más . . .

extiéndete una vez más . . .

eres mi esperanza,

solo una grieta en mi existir . . .

no somos solo cuerpos,

y como un fondo un cielo . . .

no es solo un burro,

que es un ángel de fe

tal vez me sentirás

tal vez me sentirás

1:*5455*
2:*0*110
3:2**13*
4:3*445*
5:5**56*
6:7*775*
7:5*555*

Espero que puedan sacar esta genial cancion del mejor
compositor del rock de Argentina (a mi parecer).

Extiéndete una vez más

Intro
D|----------------9-8----|
A|--7--------7-10-7-6~---|X4
E|--5--------5-8---------|

e|----------------------------------------------|
B|----------------------------------------------|
G|-----------------------------X-5-X-7-X-5-5-7--|
D|----------------------9-8----X-5-X-7-X-5-5-7--|X2
A|--7----7----7----7-10-7-6---------------------|
E|--5--5-5--5-5----5-8--------------------------|

e|------------------------------------------|--|-----|
B|------------------------------------------|--|-----|
G|-----X-5-X-7-X-5-5-7-----X-5-X-7-X-5-5-7--|--|-----|
D|-----X-5-X-7-X-5-5-7--8--X-5-X-7-X-5-5-7--|X7|-8-8-|
A|--7-------------------6-------------------|--|-6-6-|
E|--5---------------------------------------|--|-----|

D|----------7-6~-----------|
A|--------7--------7-5-----|X4
E|--5-5-8--------------8-7-|

G|--5-h-7-----5-h-7-----5-h-7----------|
D|--5-h-7-----5-h-7-----5-h-7-----9-8--|X4
A|--------0-0-------0-0-------0-0-7-6--|

D|----------7-6~-----------|
A|--------7--------7-5-----|X4
E|--5-5-8--------------8-7-|

G|--5-h-7-----5-h-7-----5-h-7----------|
D|--5-h-7-----5-h-7-----5-h-7-----9-8--|X8
A|--------0-0-------0-0-------0-0-7-6--|

e|----------------------------------------------|
B|----------------------------------------------|
G|-----------------------------X-5-X-7-X-5-5-7--|
D|----------------------9-8----X-5-X-7-X-5-5-7--|X6
A|--7------7--7----7-10-7-6---------------------|
E|--5------5--5----5-8--------------------------|

G|--5-h-7-----5-h-7-----5-h-7----------|
D|--5-h-7-----5-h-7-----5-h-7-----9-8--|X12
A|--------0-0-------0-0-------0-0-7-6--|

e|----------------------------------------------|--|-----|
B|----------------------------------------------|--|-----|
G|-----------------------------X-5-X-7-X-5-5-7--|--|-----|
D|----------------------9-8----X-5-X-7-X-5-5-7--|X4|-8-8-|
A|--7------7--7----7-10-7-6---------------------|--|-6-6-|
E|--5------5--5----5-8--------------------------|--|-----|

Resistirse a complacer

INTRO: DOm - FA - MIb - LA# - DOm - MIb - FA - LA# - DOm

DOm - FA - MIb - LA#

DOm LA# DOm LA#
Saber que es lo que te pasa, sabes a veces lleva tiempo

DOm LA#
Es que el amor es una ciencia exacta,

DOm LA#
Y el dolor suele ser un misterio

SOL# DOm
Salir, parece buena idea,

SOL# DOm
Escapar, esa no es la manera de seguir

SOL# DOm
No esperar que el tiempo arregle todo,

SI LA#
Cuestión de encontrar el modo de reír

DOm FA MIb LA# DOm
Y si no estas bien, no te desarmes

FA MIb LA# DOm
Ponte de pie y andar y andar

FA MIb LA# DOm
No los escuchés pueden marearte

FA MIb LA# DOm
Solo saben hablar, y hablar y hablar

PUENTE: DOm LA# DOm LA#


DOm LA# DOm LA# DOm
A donde vas? No entiendo, no

LA# DOm LA#
Por que estas mintiendo?

DOm FA MIb LA# DOm
Y si no estas bien, no te desarmes

FA MIb LA# DOm
Ponte de pie y andar y andar…

FA MIb LA# DOm
No los escuchés pueden marearte

FA MIb LA# DOm
Solo saben hablar, y hablar y hablar...


SOLO: DOm LA#

FINAL: DOm - FA - MIb - LA# - DOm - MIb - FA - LA#

Andar

C
Working the village shop
E
Putting a poster up
Am
Dreaming of anything
C              Am               Em               Dm
Dreaming of the time when you're free from all the trouble you're in

C
In the mud, on your knees
E
Trying hard not to please
Am
Anyone, all the time
C              Am
Being a rebel's fine
           Em            C
But you go all the way to being brutal

Chorus:
G
You will have a boy tonight
You will have a boy tonight
F
On the first bus out of town
On the first bus out of town

Let's see your kit for games
All the girls look the same
You are challenging style for running miles
You're running miles in some boy's jumper

Boo to the business world!
You know a girl who's tax free on her back and making
Plenty cash
While you are working for the joy of giving

Chorus:
You will have a boy tonight
You will have a boy tonight
And you hope that she will see
And you hope that she will see

You are in two minds
Tossing a coin to decide whether you should tell your mum
About a dose of thrush you got while licking railings

But you read in a book
That you got free from Boots
There are lotions, there are potions
You can take to hide your shame from all those prying eyes

Lazy Jane, all the time
Painting lines
You sleeping at bus stops
Wondering how you got your name
And what you're going to do about it.

Chorus

It's Quiet Uptown	No rating	beginner	Chords	Full	Other versions
Alexander Hamilton	No rating	intermediate	Chords	Full	Other versions
Dear Theodosia	No rating	beginner	Chords	Full	Other versions
History Has Its Eyes On You	No rating	intermediate	Chords	Full
Hurricane	No rating	beginner	Chords	Full
Your Obedient Servant	No rating	intermediate	Chords	Full
Farmer Refuted	No rating	intermediate	Chords	Full
My Shot	No rating	beginner	Chords	Full
Say No To This	No rating	beginner	Chords	Full
The Room Where It Happens	No rating	intermediate	Chords	Full
One Last Time	No rating	beginner	Chords	Full
Story Of Tonight	No rating	beginner	Chords	Full

Hamilton

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