The Smiths were a rock band which formed in 1982 in Manchester, England, United Kingdom. The band consisted of Steven Morrissey (vocals, lyrics), Johnny Marr (guitar, music), Mike Joyce (drums) and Andy Rourke (bass). Hugely influential, The Smiths lasted all of five years from 1982 to 1987, releasing during this period four studio albums (The Smiths, Meat Is Murder, The Queen Is Dead and Strangeways, Here We Come) and three compilation albums (Hatful of Hollow, The World Won't Listen and Louder Than Bombs).

The Smiths est un groupe de rock anglais créé en 1982 et séparé en 1987. C'était un quatuor musical de Manchester fondé autour de Johnny Marr (né le 31 octobre 1963) et de Steven Patrick Morrissey (né le 22 mai 1959), chanteur et parolier.  Morrissey et Marr (de son vrai nom Johnny Maher, mais il changea de nom pour ne pas être confondu avec le batteur des Buzzcocks) se sont rencontrés le 20 mai 1982 au domicile de Morrissey, à Stretford (384, Kings Road).

The Smiths waren eine britische Indie-Rock Band der 80er Jahre. Sie wurde 1982 in Manchester, UK vom Gitarristen/Songwriter Johnny Marr und Sänger/Songwriter Morrissey gegründet. Nach dem Weggang von Marr löste sich die Gruppe im September 1987 auf.  Die Smiths gelten als die Entwickler des modernen Indie-Rock und hatten vor allem auf die Britpop-Bewegung der 1990er-Jahre enormen Einfluss. In der Musik der Smiths vereinigten sich traditionelle Rockelemente mit eingängigem Pop, elegante Melodien mit kraftvollen Gitarrenriffs...

The Smiths fue una banda de rock formada en Manchester, Inglaterra en 1982 por el cantante Morrissey y el guitarrista Johnny Marr.  La banda disfrutó de un éxito considerable hasta su separación en 1987. Su música ha sido de gran influencia en la música indie.  Dos de las cosas más notables del grupo fue su polémico cantante, un avezado lector fanático de Oscar Wilde y James Dean,  con sus no menos polémicas letras repletas de poesía y la música compuesta por Marr...

Am                F               G
I degree today that life is simply taking and not giving
        Am      F                G
England is mine and it owes me a living
           Am            F            G
But ask me why and i'll spit in your eye
   Am           F                    G
Oh ask me why and i'll spit in your eye
    Em         Am          F           G
But we cannot cling to the old dreams anymore
   Em         Am              F          G
No we cannot cling to those dreams.
          Am        F
Does the body rule mind?
             G
or does the mind rule the body?
          Am    F   G
i dunno...
          Am    F          G
Under the iron bridge we kissed
             Am          F          G
and although i ended up with sore lips
         Em   Am            F   G
It just wasnt like the old days anymore
   Em       Am          F
No it wasnt like those days
 G          Am  F  G
Am i still ill?

Am F G

         Am             F
Does the body rule the mind
              G
or does the mind rule the body?

         Am  F G
I dunno...
       Am            F    G
Ask me why and I'll die
   Am          F        G
oh ask me why and I'll die
           Em          Am    F       G
and if you must go to work tomorrow
        Em         Am          F    G
well if I were you I wouldn't bother
                Am               F   G
for there are brighter sides to life

and I should know because I've seen them
                    Am  F G
but not very often


Am    F          G
Under the iron bridge we kissed
             Am          F          G
and although i ended up with sore lips
         Em   Am            F   G
It just wasnt like the old days anymore
   Em       Am          F
No it wasnt like those days
 G          Am  F  G
Am i still ill?

Am F G

Still Ill

Written by Morrissey &amp; Johnny Marr Produced by John Porter  Recorded October-November 1983, Pluto Studios (Manchester) &amp; Eden Studios (London) Released January 1984 on What Difference Does It Make?. Subsequently appeared on debut album The Smiths the following month. Peel Session version appeared on the album Hatful of Hollow, November 1984.

Smiths - What Difference Does it make?

A               C                 D                  A           
all men have secrets and here is mine so let it be known

                      C                         D             A
we have been through hell and high tide i can surely rely on you

              C                      D                   A
and yet you start to recoil heavy words are so lightly thrown

                     C            D
but still id leap infront of a flying bullet for you 

A           D               E
so what difference does it make 

A        D                 E
so what difference does it make

F#m       D         F#m         D
it makes none but now you have gone

    F#m                  D          A
and you must be looking very old tonight

A          C                  D            A
the devil will find work for idle hands to do

              C              D                  A
I stole and I lied and why because you asked me to

                     C                           D            A
but now you make me feel so ashamed because Ive only got two hands

                        C    D
well I'm still fond of you oh oo oo oo  oo

A         D                E      A        D                E
so what difference does it make, so what difference does it make

F#m        D   F#m               D
it makes none but now you have gone

      F#m                 D          A
and your prejudice won't keep you warm tonight

A            C                   D            A
oh the devil will find work for idle hands to do

                    C          D                  A
I stole and then I lied just because you asked me to

                       C                      D         A
but now you know the truth about me you won't see me anymore

                        C       D
well I'm still fond of you wo ho oo oo oo

A     D            E   A     D        E
but no more apologies, no more apologies 

F#m          D    F#m          D   
oh I'm too tired I'm so very tried 

         F#m           D            A
and I'm feeling very sick and ill today

                       C          D
but I'm still fond of you who ho oo oo

What Difference Does It Make?

Written by Morrissey &amp; Johnny Marr Produced by The Smiths  Recorded February 1983, Strawberry Studios, Stockport Released May 1983 on Hand In Glove. Subsequently appeared on the debut album The Smiths released February 1984.

Intro:-  Dsus2 C G   Dsus2 C G

Verse 1
 Em7       A7sus2  C
  Hand in glove
    Em7                     A7sus2   Cmaj7
the sun shines out of our behinds
       Em7                 A7sus2
no its not like any other love
C           Em7                    A7sus2 Cmaj7
this one is different because its us!

Hand In Glove

A               C                 D                  A           
all men have secrets and here is mine so let it be known

                      C                         D             A
we have been through hell and high tide i can surely rely on you

              C                      D                   A
and yet you start to recoil heavy words are so lightly thrown

                     C            D
but still id leap infront of a flying bullet for you 

A           D               E
so what difference does it make 

A        D                 E
so what difference does it make

F#m       D         F#m         D
it makes none but now you have gone

    F#m                  D          A
and you must be looking very old tonight

A          C                  D            A
the devil will find work for idle hands to do

              C              D                  A
I stole and I lied and why because you asked me to

                     C                           D            A
but now you make me feel so ashamed because Ive only got two hands

                        C    D
well I'm still fond of you oh oo oo oo  oo

A         D                E      A        D                E
so what difference does it make, so what difference does it make

F#m        D   F#m               D
it makes none but now you have gone

      F#m                 D          A
and your prejudice won't keep you warm tonight

A            C                   D            A
oh the devil will find work for idle hands to do

                    C          D                  A
I stole and then I lied just because you asked me to

                       C                      D         A
but now you know the truth about me you won't see me anymore

                        C       D
well I'm still fond of you wo ho oo oo oo

A     D            E   A     D        E
but no more apologies, no more apologies 

F#m          D    F#m          D   
oh I'm too tired I'm so very tried 

         F#m           D            A
and I'm feeling very sick and ill today

                       C          D
but I'm still fond of you who ho oo oo

What Difference Does It Make

A|--0-3---2----3-2-2------|
E|----0---0----0----------|
C|------4----0-----2------|
G|----2---0----0---0------|
                                      P        
A|--2-------2-0--------2----2----2---5-2-----|
E|-----2--0-------0--0----3----0---3---------|
C|-------------------------------------------|
G|-------------------------------------------|                               
A|----2-2-2-2-2-2-2-2-2-----|
E|----0-0-0-0-0-0-0-00------|
C|----4-4-4-4-4-4-4-4-------|
G|--------------------------|
             H      H         H       H        H       H        
A|--------------7---------------------------------7-----------|
E|-------------------------------3----------------------------|
C|------------------------------------------------------------| G|--2----5--4-5--5-4-5----5--4-5--5--4-5---5--4-5--5--4-5-----|       H           ~   ~   P      P         H    ~      P      
A|---2-5---5---------5---5-2----5-2----5--2-5--5----5-5-2---|
E|---------0-------------2-0----2-0------0----------2-2-0---|
C|----------------------------------------------------------|
G|--1----1----1--1------------------------1-----------------|
                              P               
A|-----2-2--2-----5---2---2-2---2----5---2--|
E|------0--0-0--0---0------2-3-2-2-0---0----|
C|---4---------0---------4--------0---------|
G|--------0------0-0-0-0------------0-0-0-0-|

Pretty Girls Make Graves


INTRO  Bm7 D A A

VERSE 1 
 N.C      Bm7
Punctured bicycle
      D                 A
on a hill side desolate,
                             Bm7         D
will nature make a man of me yet
            A
when this charming car 
           Bm7    D 
this charming man
     A
why pamper lifes complexity

when the leather runs smooth
                  Bm7   D
on the passengers seat______


PRE CHORUS
           A
I would go out tonight
                             Bm7   D
but i havent got a stitch to wear
     A
this man said its gruesome
                                Bm7   D
that someone so handsome should care______

CHORUS
   Dmaj9  E6              F#m7
Ah!    a jumped up pantry boy
    B9             Dmaj9
who never knew his place
   B9     F#m7
he said return the ring
   Dmaj9           E6          F#m7   B9
he knows so much a-bout these things
   Dmaj9           E6          F#m7  
he knows so much a-bout these things

PRE CHORUS 2
 N.C        A
I would go out tonight
                             Bm7   D
but i havent got a stitch to wear
     A  
this man said its gruesome
                                  Bm7   D
that someone so handsome should care___
       A                       Bm7      D
La la la la la la la this charming man___
     A                         Bm7      D
La la la la la la la this charming man___

CHORUS 2
  Dmaj9  E6              F#m7
Ah!    a jumped up pantry boy
    B9             Dmaj9
who never knew his place
   B9     F#m7
he said return the ring
   Dmaj9           E6          F#m7   B9
he knows so much a-bout these things
   Dmaj9           E6          F#m7  
he knows so much a-bout these things
   Dmaj9     E6    F#m7  B9            Dmaj9  B9   F#m7
he knows so much a-bout these    things_________

OUTRO   Dmaj9 E6 F#m7 B9 Dmaj9 B9 F#m7 F#m7

This Charming Man

The Smiths

Intro - D

1ST VERSE
G                            B#m         A 
Frankly, Mr. Shankly, this position I've held 
   B#m     A               D
It pays my way, and it corrodes my soul
          G                   B#m      A
I want to leave, you will not miss me 
          B#m        A          G        D
I want to go down in musical history 


VERSE 2
G                           B#m       A
Frankly, Mr. Shankly, I'm a sickening wreck 
             B#m   A       D
I've got the 21st century breathing down my neck 
             G             B#m      A
I must move fast, you understand me 
             B#m     A         G
I want to go down in celluloid history, Mr. Shankly 

MIDDLE


VERSE 3
G                 B#m    A
Fame, Fame, fatal Fame 
            B#m     A             D
It can play hideous tricks on the brain
               G 
But still I'd rather be famous 
     B#m          A
Than righteous or holy 
B#m          A        G        D
Any day, any day, any day 


VERSE 4    
    G                          B#m      A
But sometimes I'd feel more fulfilled 
       B#m            A                  D
Making Christmas cards with the mentally ill 
          G                  B#m     A
I want to live and I want to Love 
          B#m                  A           G          D
I want to catch something that I might be ashamed of 


VERSE 5
G                            B#m         A
Frankly, Mr. Shankly, this position I've held 
   B#m     A             D
It pays my way and it corrodes my soul 
              G                     B#m    A
Oh, I didn't realise that you wrote poetry 
         B#m               A                 G                     D
I didn't realise you wrote such bloody awful poetry, Mr. Shankly 


VERSE 6
G                            B#m    A
Frankly, Mr. Shankly, since you ask 
          B#m       A           D
You are a flatulent pain in the arse 
         G             B#m   A
I didn't mean to be so rude 
         B#m        A            G
Still, I must speak frankly, Mr. Shankly 
                 D
Oh, give us your money !

Frankly Mr Shankly

The Smiths - I Know Its Over


    C                                                Am   
Oh mother, I can feel the soil falling over my head
F   G        C
   and as I climb into an empty bed 
          Am
oh well, enough said
F G          F              G
  I know it's over still I cling
F                          G         F      G F
I don't know where else I can go, mother

    C                                               Am
Oh mother, I can feel the soil falling over my head
F G         C
  see, the sea wants to take me

the knife wants to slit me
  Am
do you think you can help me?
F    G     C
Sad veiled bride, please be happy
                              Am
handsome groom, give her room
F     G       C
loud, loutish lover, treat her kindly
                          Am
although she needs you more than she loves you
F G             F              G           
And I know it's over still I cling
F                          G  
I don't know where else I can go
F                    G               F     
it's over, it's over, it's over


            C
I know it's over
              F            
and it never really began
G               F       G       Am
but in my heart it was so real
F        G                          F G
and you even spoke to me and said:

 
C                                               Am         F G
If you're so funny then why are you on your own tonight?
C                                                 Am       F G
and if you're so clever then why are you on your own tonight?
C                                              Am          F G
if you're so very entertaining then why are you on your own tonight?
C                                                  Am    F G   
if you're so very good looking why do you sleep alone tonight?


             C                                  
I know   cause tonight is just like any other night
                           Am         F  G
that's why you're on your own tonight
             C                    
with your triumphs and your charms
         Am
while they are in each other's arms"


F         G        F
It's so easy to laugh
                  G
it's so easy to hate
             F                      G      
it takes strength to be gentle and kind
Fmaj9                G
it's over, over, over


F        G         F
It's so easy to laugh
                  G
it's so easy to hate
         F                      G
it takes guts to be gentle and kind
Fmaj9                G
it's over, over, over

         C           F   G
Love is natural and real
    F       G        Am
but not for you, my love
    F           G
not tonight my love
F G      C           F
love is natural and real
G    F              G            Em      F G
but not for such as you and I, my love
 
    C            F        G            F    G   Am  F G   FG  Oh Mother, I can feel the soil falling over my head
    C            F        G            F    G   Am  F G   F G 
Oh Mother, I can feel the soil falling over my head
    C            F        G            F    G   Am  F G   F G 
Oh Mother, I can feel the soil falling over my head
    C            F        G            F    G   Am  F G   F G 
Oh Mother, I can feel the soil falling over my head
    C            F        G            F    G   Am  F G   F G 
Oh Mother, I can feel the soil falling over my head

repeat to fade....

I Know It's Over

The boy with the thorn in his side - The Smiths

intro:  Am7 - D* - Am7 - D* - Am7 - D* - C - D

G  Gsus4  G                    Am7
 The boy with the thorn in his side
              C   Cadd9     D*
Behind the hatered there lies
G  Gsus4  G         Am7
A murderous desire
  C  Cadd9   D*
For love

              
How can they look into my eyes                    
And still they don't believe me          
How can they hear me say those words                 
Still they don't believe me

And if they don't believe me now
Will they ever believe me?
And if they don't believe me now
Will they ever believe me?

Ohhh, ohhh, ohhh, ohhh

The boy with the thorn in his side
Behind the hatered there lies
A plundering desire
For love

How can they see the love in our eyes
And still they don't believe us
And after all this time
They don't want to believe us


Chords:
D:     2225
D*:    2220
G:     0232
Gsus4: 0233
C:     0003
Cadd9: 0005
Am7:   0000

The Boy With The Thorn In His Side

E (let ring)

    A                         C#m        B
Frankly, Mr. Shankly, this position I've held 
   C#m     B            E
It pays my way, and it corrodes my soul
    A                         C#m      B
I want to leave, you will not miss me 
          C#m         B      A           E    
I want to go down in musical history 


    A                        C#m         B
Frankly, Mr. Shankly, I'm a sickening wreck
    C#m           B         E 
I've got the 21st century breathing down my neck 
    A                       C#m       B
I must move fast, you understand me 
          C#m         B        A       E
I want to go down in celluloid history, Mr. Shankly 


  A              C#m     B
Fame, Fame, fatal Fame 
          C#m       B            E
It can play hideous tricks on the brain 
             A           
But still I'd rather be Famous 
      C#m           B  C#m
Than righteous or holy, any day 
B           A      E
Any day, any day 


       A                        C#m     B
But sometimes I'd feel more fulfilled 
       C#m            B                    E
Making Christmas cards with the mentally ill 
         A                      C#m     B
I want to live and I want to Love 
          C#m           B                    A           E
I want to catch something that I might be ashamed of 


    A                          C#m           B
Frankly, Mr. Shankly, this position I've held 
   C#m       B              E
It pays my way and it corrodes my soul 
             A                       C#m     B
Oh, I didn't realise that you wrote poetry 
          C#m            B                  A                 E
I didn't realise you wrote such bloody awful poetry, Mr. Shankly 


    A                         C#m    B
Frankly, Mr. Shankly, since you ask 
          C#m       B           E
You are a flatulent pain in the arse 
          A                C#m    B
I do not mean to be so rude 
         C#m            B          A 
Still, I must speak frankly, Mr. Shankly 
                 E
Oh, give us your money ! 


# :)

Frankly, Mr. Shankly

# Intro:

#   Fm C# D#


# Fm D#       Fm D#   C#    G# D#
   Take me out tonight

#               Fm                D#
where there's music and there's people

#         Fm        D# C#  G# D#
who are young and alive


# Fm      D#       Fm  D#
Driving in your car

#   C#                      G#
I never never want to go home

# D#                 Fm      D# Fm D#
because I haven't got one

#    C#    G# D#
anymore


# Fm D#       Fm D#   C#    G# D#
   Take me out tonight

#           Fm          D#
because I want to see people and I

# Fm          D#      C# G# D#
want to see lights


# Fm      D#       Fm  D#
Driving in your car

#    C#                    G#
oh please don't drop me home

# D#                Fm            D#
because it's not my home, it's their

#               Fm         D#     C# G# D#
home, and I'm welcome no more


# Chorus:

#   Cm C#

#   D#        G#             Fm
  And if a double-decker bus

#   C#               D#
  crashes into us

#             G#
  to die by your side

#          C#               D#
  such a heavenly way to die


#            G#         Fm
  And if a ten ton truck

#   C#                    D#
  kills the both of us

#             G#
  to die by your side

#       C#                         D#
  the pleasure the privilege is mine


# Fm D#       Fm D#   C#    G# D#
   Take me out tonight

#            Fm                D#    Fm D# C# G# D#
oh take me anywhere, I don't care


#            Fm       D#    Fm
And in the darkened underpass

#   D#          C#                               G# D#
I thought Oh God, my chance has come at last

#             Fm           D#
(but then a strange fear gripped me and I

# Fm            D#    C# G# D#
just couldn't ask)


# Fm D#       Fm D#   C#    G# D#
   Take me out tonight

#         Fm                D#    Fm D# C# G# D#
take me anywhere, I don't care


#      Fm      D#       Fm  D#
Just driving in your car

#   C#                      G#
I never never want to go home

# D#                 Fm      D# Fm D#
because I haven't got one

#           C#       G# D#
I haven't got one


# Chorus


# Fm         D#            Fm         D#
There is a light and it never goes out

# C#                       G#          D#
There is a light and it never goes out

There Is A Light That Never Goes Out

Am  Am7     C         Dadd9        Am  Am7  
Sweetness, sweetness, I was only joking when
  
   F     G         Am    Am7         C      Dadd9  Am Am7 F G 
I said I'd like to smash every tooth in your head

Am   Am7   C         Dadd9      Am Am7
Sweetness, sweetness I was only joking when
  F         G         Am  Am7       C           Dadd9  Am Am7
I said by rights you should be bludgeoned in your bed.


     F    G                Am Am7     C    Dadd9
And now I know how Joan of Arc felt, now I know how

        Am Am7  F  G     Am  Am7
Joan of Arc felt, as the flames rose
             C            Dadd9   Am Am7  F G
to her Roman nose and her Walkman started to melt                         

 Am  Am7        C  Dadd9  
 Bigmouth   la da da da da
 Am Am7  F     G         
 Bigmouth  la da da da
         Am Am7                        C                Dadd9
Bigmouth strikes again and I've got no right to take my place with the
Am Am7    F G
human race

Bigmouth Strikes Again

C                                                Am7   
Oh mother, I can feel the soil falling over my head
F   G        C
   and as I climb into an empty bed 
          Am7
oh well, enough said
F G          F              G
  I know it's over still I cling
F                          G         F      G F
I don't know where else I can go, mother

    C                                               Am7
Oh mother, I can feel the soil falling over my head
F G         C
  see, the sea wants to take me

the knife wants to slit me
  Am
do you think you can help me?
F    G     C
Sad veiled bride, please be happy
                              Am7
handsome groom, give her room
F     G       C
loud, loutish lover, treat her kindly
                          Am7
although she needs you more than she loves you
F G             F              G           
And I know it's over still I cling
F                          G  
I don't know where else I can go
F                    G               F     
it's over, it's over, it's over

            C
I know it's over
              F            
and it never really began
G               F       G       Am
but in my heart it was so real
F        G                          F G
and you even spoke to me and said:

 
C                                               Am7         F G
"If you're so funny then why are you on your own tonight?


C                                                 Am7         F G
and if you're so clever then why are you on your own tonight?
C                                                        Am7         F G
if you're so very entertaining then why are you on your own tonight?
C                                                  Am7    
if you're so very good looking why do you sleep alone tonight?


     F G        C                                  
I know   cause tonight is just like any other night
                           Am7         F  G
that's why you're on your own tonight
             C                    
with your triumphs and your charms
         Am7
while they are in each other's arms"


F         G        F
It's so easy to laugh
                  G
it's so easy to hate
             F                      G      
it takes strength to be gentle and kind
Fmaj9                G
it's over, over, over


F        G         F
It's so easy to laugh
                  G
it's so easy to hate
         F                      G
it takes guts to be gentle and kind
Fmaj9                G
it's over, over, over

         C           F   G
Love is natural and real
    F       G        Am
but not for you, my love
    F           G
not tonight my love
F G      C           F
love is natural and real
G    F              G            Em      F G
but not for such as you and I, my love
 
    C            F        G            F    G   Am  F G   F G      
Oh Mother, I can feel the soil falling over my head
    C            F        G            F    G   Am  F G   F G 
Oh Mother, I can feel the soil falling over my head
    C            F        G            F    G   Am  F G   F G 
Oh Mother, I can feel the soil falling over my head
    C            F        G            F    G   Am  F G   F G 
Oh Mother, I can feel the soil falling over my head
    C            F        G            F    G   Am  F G   F G 
Oh Mother, I can feel the soil falling over my head

I Know Its Over

C          Am           G
From the ice-age to the dole-age 
F                Dm
There is but one concern 
Em
I have just discovered 

Am                        F      G
Some girls are bigger than others 
Am                        F      G
Some girls are bigger than others 
F           Dm                            
Some girl's mothers are bigger than 
Em          
Other girl's mothers 

Am                        F      G
Some girls are bigger than others 
Am                        F      G
Some girls are bigger than others 
F           Dm 
Some girl's mothers are bigger than 
Em          
Other girl's mothers 

Fill Am,F,G,C*

(C) Am                 G
As Anthony said to Cleopatra 
      F                 Dm
As he opened a crate of ale 
Em
Oh, I say

Am                        F      G
Some girls are bigger than others 
Am                        F      G
Some girls are bigger than others 
F           Dm 
Some girl's mothers are bigger than 
Em          
Other girl's mothers 

Am                        F      G
Some girls are bigger than others 
Am                        F      G
Some girls are bigger than others 
F           Dm 
Some girl's mothers are bigger than 
Em          
Other girl's mothers  

Am  F           G
     Send me the pillow ... 
Am  F                G       
     The one that you dream on ... 
Am  F           G
     Send me the pillow ... 
Am  F                G             Am
     The one that you dream on ... 
  F           G        C
     And I'll send you mine

Outro:  Am,F,G

Some Girls Are Bigger Than Others

VERSE 1
G                            Bm         A 
Frankly, Mr. Shankly, this position I've held 

   Bm     A               D
It pays my way, and it corrodes my soul

          G                   Bm      A
I want to leave, you will not miss me 

          Bm        A          G        D
I want to go down in musical history 


VERSE 2
G                           Bm       A
Frankly, Mr. Shankly, I'm a sickening wreck 

             Bm   A       D
I've got the 21st century breathing down my neck 

             G             Bm      A
I must move fast, you understand me 

             Bm     A         G
I want to go down in celluloid history, Mr. Shankly 



VERSE 3
G                 Bm    A
Fame, Fame, fatal Fame 

            Bm     A             D
It can play hideous tricks on the brain

               G 
But still I'd rather be famous 

     Bm          A
Than righteous or holy 

Bm          A        G        D
Any day, any day, any day 


VERSE 4    
    G                          Bm      A
But sometimes I'd feel more fulfilled 

       Bm            A                  D
Making Christmas cards with the mentally ill 

          G                  Bm     A
I want to live and I want to Love 

          Bm                  A           G          D
I want to catch something that I might be ashamed of 


VERSE 5
G                            Bm         A
Frankly, Mr. Shankly, this position I've held 

   Bm     A             D
It pays my way and it corrodes my soul 

              G                     Bm    A
Oh, I didn't realize that you wrote poetry 

         Bm               A                 G                     D
I didn't realize you wrote such bloody awful poetry, Mr. Shankly 


VERSE 6

G                            Bm    A
Frankly, Mr. Shankly, since you ask 

          Bm       A           D
You are a flatulent pain in the arse 

         G             Bm   A
I didn't mean to be so rude 

         Bm        A            G
Still, I must speak frankly, Mr. Shankly 

                 D
Oh, give us your money !

Frankly Mr. Shankly

The Queen Is Dead

G               G               G               G  
              

G               D       C       D          G       D       C       D
Girlfriend in a coma, I know, I know, it's serious
G               D       C       D          G       D       C       D
Girlfriend in a coma, I know, I know, it's really serious


G                      D          C   D       G       D       C       D
There were times when I could have murdered her
           D           G      D       C           D       G        D
but you know I would hate anything to happen to her
      C             D
Now I don't want to see her


       Em           D      C             D
Do you really think she'll pull through?
       Em                  D      C      D
Do you really think she'll pull through?
       Em           D      C             D


G               D       C       D          G       D       C       D
Girlfriend in a coma, I know, I know, it's serious
G       D       C       D          G       D       C       D
My, my, my, my, my, my, my baby goodbye
           G            D           C    D    G       D       C       D
There were times when I could have strangled her
           D           G      D       C           D       G        D
but you know I would hate anything to happen to her
          C             D
Would you please let me see her?


       Em           D      C             D
Do you really think she'll pull through?
       Em                  D    C        D
Do you really think she'll pull through?
       Em           D      C             D

       G          D            C
Let me whisper my last goodbyes
  D         G
I know it's serious.
  D         G

Girlfriend In A Coma

Am        C    D   Em            Am      C    D   Em

G  Am				    C
  The lanes were silent, there was nothing no-one
 D		    Em      G
Nothing around for miles
  Am				   C           D
I danced a friendly venture with a hard-faced, 3-word gesture


Chorus
Bm
I started something, and forced you to a zone
	       C      D             Em
And you were clearly never meant to go
Bm
Hair brushed & parted, typical me, typical me, typical me
          C		  D		 Em
I started something, and now I'm not too sure


I grabbed you by the gilded beams... grrrrr...
That's what tradition means
And I danced another venture with a gesture
That was absolutely violent

Chorus

I grabbed you by the gilded beams... grrrrr...
That's what tradition means
And now 18 months hard labour
seems..... fair enough......

Chorus

I Started Something

Verse 1
       C      F       G
At the record company meeting,
C         F             G
On their hands: a dead star.
     Am       F               G
And ooh, the plans that they weave,
F   Am        F         G     E
And ooh, the sickening greed.

Verse 2
       A      D       E
At the record company party
A         D             E
On their hands: a dead star.
    F#m         D         E
The sycophantic slags all say:
   D         A           D         E
"I knew him first, and I knew him well."
  A         D          E
Re-issue! Re-package! Re-package!
  A     D         E
Re-evaluate the songs,
F#m     D           E
Double pack with a photograph,
D      A            D     E      G
Extra track (and a tacky badge.)

Verse 3
C           F
A-list, playlist,
                     G
"Please them, please them, please them!"
 C      F                G
(Sadly, this was your life)
        Am              F           G
But you could have said no, if you'd wanted to,
F      Am             F           G
  You could have said no, if you'd wanted to.

Verse 4
  C       F
BPI, MTV, BBC,
        G
"Please them. please them!"
 C       F                G
(Sadly, this was your life)
        Am              F           G
But you could have said no, if you'd wanted to,
F   Am         F           G              E
You could have walked away, couldn't you?

Verse 5
A    D                      E
  I touched you at the soundcheck,
     A     D           E
You had no real way of knowing.
      F#m     D                E        D
In my heart I begged, "Take me with you.
  F#m        D             E
I don't care where you're going."

Verse 6
       A           D
But to you I was faceless,
        E
I was fawning, I was boring.
   A               D        E
A child from those ugly new houses,
          F#m     D      E
Who could never begin to know,
D         F#m   D      E      G
Who could never really know.


Verse 7
A             D       E
Best of! Most of! Satiate the need,
A              D           E
Slip them into different sleeves!
 F#m       D          E     D
Buy both, and feel deceived,
F#m          D        E
Climber, new entry re-entry.

Verse 8
A            D
World tour!("Media whore!")
        E             A
"Please the press in Belgium!"
 D             E
(This was your life...)
            F#m       D            E     D
And when it fails to recoup? Well, maybe:
    F#m           D              E    G
You just haven't earned it yet, baby.

Verse 9
            C       F             G
I walked a pace behind you at the souundcheck.
       C        F         G
You're just the same as I am.
Am              F      G
What makes most people feel happy
F        Am        F   G
Leads us headlong into harm.
          C                F
So, in my bedroom in those ugly new houses,
  G         C   F           G
I dance my legs down to the knees.
    Am   F     G        F    Am    
   G       E
But me and my true love will never meet again...

Verse 10
       A      D       E
At the record company meeting,
         A         D                E
On their hands, at last, a dead star!
             F#m   D            E
But they can never taint you in my eyes,
D        F#m   D         E
They can never touch you now.
         A      D           E
No, they cannot hurt you my darling,
     A      D         E
They cannot touch you now,
   F#m  D      E        D     F#m   
   E
But me  and my true love will never meet again.

Outro
|G7     |G7     |G7     |G7

Paint A Vulgar Picture

Verses/Chorus 
A               Em    
Stop me oh oh oh stop me...

C                               D 
Stop me if you think that you've heard this one before

A        Em                   C                    D
Nothings changed, I still love you oh I still love you

        A             Em                  C                        D
Only slightly, Only slightly less than I used to, My love 

Nothing's changed 
I still love you, oh, I still love you 
...Only slightly, only slightly less than I used to, my love 


I was delayed, I was way-laid 
An emergency stop 
I smelt the last ten seconds of life 
I crashed down on the crossbar 
And the pain was enough to make 
A shy, bald, buddhist reflect 
And plan a mass murder 
Who said lied I'd to her ? 


Oh, who said I'd lied because I never ? I never ! 
Who said I'd lied because I never ? 
I was detained, I was restrained 
And broke my spleen 
And broke my knee 
(and then he really laced into me) 
Friday night in Out-patients 
Who said I'd lied to her ? 


Oh, who said I'd lied ? - because I never, I never 
Who said I'd lied ? - because I never 


Oh, so I drank one 
It became four 
And when I fell on the floor ... 
...I drank more 


Stop me, oh, stop me 
Stop me if you think that you've 
Heard this one before 
Stop me, oh, stop me 
Stop me if you think that you've heard this one before 


Nothing's changed 
I still love you, oh, I still love you 
...Only slightly, only slightly less than I used to, my love

Stop Me If You Think You've Heard This One Before

Dm                  Bb       Dm              Bb                Dm
  i am the ghost of troubled joe hung by his pretty white neck
                       Bb
some eighteen months ago
                 Dm            Bb                      Dm
i travelled to a mystical time zone but i missed my bed
                Bb
so i soon came home, they said:
         Dm                       Bb
there's too much caffeine in your blood stream
      Dm                          Bb
and a lack of real spice in your life

i said:
           Dm                 Bb
leave me alone, because i~m alright, dad
         Dm                Bb
just surprised to be on my own...

Eb                     Dm
ooh, but don~t mention love
             Eb                  Dm
i~d hate the strain of the pain again

   Dm                      Bb                      Dm
a rush and a push and the land that we stand on is ours
               Bb                  Dm
it has been before so i shall be again
                    Bb                 Dm
and people who are uglier than you and i
                    Bb         
they take what they need and just leave

Eb                     Dm
ooh, but don~t mention love
             Eb                           Dm
i~d hate the pain of the strain all over again

   Dm                      Bb                      Dm
a rush and a push and the land that we stand on is ours
              Bb                      Dm
it has been before so why can~t it be now?
                     Bb                Dm
and people who are weaker than you and i
                    Bb
they take what they want from life

Eb                     Dm
ooh, but don~t mention love
Eb                    Dm
no, no- don~t mention love

   Dm                     Bb                        Dm                   
a rush and a push and the land that we stand on is ours
                  Bb                           Dm
your youth may be gone but you~re still a young man
Bb
so phone me, phone me, phone me
Dm
phone me, phone me, phone me

Eb                  Dm
ooh, i think i~m in love...

A Rush And A Push And The Land Is Ours

Strangeways, Here We Come

   INTRO: Gmaj7  E7


	   Gmaj7	   E7
   Call me morbid, call me pale
              Gmaj7	        E7
   I've spent six years on your trail
   Bm  A6   G
   Six long years
           E7     A
   On your trail

	   Gmaj7           E7
   Call me morbid, call me pale
	      Gmaj7             E7
   I've spent six years on your trail
   Bm       A6          G		 E7  A
   Six full years of my life on your trail


	      F#			G  D  A
   And if you have five seconds to spare
	     F#			      G    C  G6
   Then I'll tell you the story of my life :
   D		       A
   Sixteen, clumsy and shy
F#			 Bm G
   I went to London and I
     D                       A     F#m  F#
   I booked myself in at the Y ... W.C.A.
               Gmaj7                E7
   I said : "I like it here - can I stay ?
     Gmaj7                E7
   I like it here - can I stay ?
   Bm            A6      G
   Do you have a vacancy
                   E7    A
   For a Back-scrubber?"

   She was left behind, and sour
   And she wrote to me, equally dour
   She said : "In the days when you were
   Hopelessly poor
   I just liked you more..."

   And if you have five seconds to spare
   Then I'll tell you the story of my life :
   Sixteen, clumsy and shy
   I went to London and I
   I booked myself in at the Y ... W.C.A.
   I said : "I like it here - can I stay ?
   I like it here - can I stay ?
   And do you have a vacancy
   For a Back-scrubber ?"


   Call me morbid, call me pale
   I've spent too long on your trail
   Far too long
   Chasing your tail
   Oh ...

     
              F#                       G  D  A
   And if you have five seconds to spare
             F#                       G    C  G6
   Then I'll tell you the story of my life :
   D                   A
   Sixteen, clumsy and shy
F#                     Bm     G  
   That's the story of my life
   D                   A
   Sixteen, clumsy and shy
       F#m         F#    
   The story of my life
              Gmaj7          E7
   That's the story of my life
Gmaj7                      E7
   That's the story of my life
Gmaj7                     E7
   That's the story of my life
Gmaj7                 E7..... 
   The story of my life

(repeat Gmaj7/E7 until end)
   That's the story of my life
   That's the story of my life
   That's the story of my life
   That's the story of my life
   That's the story of my life
   That's the story ... 

Half A Person

G                         Em
Panic on the streets of London
G                          Em
Panic on the streets of Birmingham
    C         D     Bb    F
I wonder to myself
  G                 Em
Could life ever be sane again
         G                          Em
On the Leeds side streets that you slip down
    C         D     Bb    F
I wonder to myself.

  G                      Em
Hope's may rise under Grasmeres
G                         Em
But honeypie, you're not safe here
             C
So you run down
                       D    Bb    F
To the safety of the town.
              G                        Em
But there's panic on the streets of Carlisle,
  G                 Em
Dublin, Dundee, Humberside
    C         D
I wonder to myself.

Bb    F    Em    Bm    D
Bb    F    Em    Bm    D

 G             Em
Burn down the disco,
 G               Em
Hang the blessed D.J.,
              C                         D
Because the music that they constantly play,
           G                Em
It says nothing to me about my life,
 G               Em
Hang the blessed D.J.,
              C                         D     Bb    F
Because the music that they constantly play,
         G                          Em
On the Leeds side streets that you slip down,
           G                Em
On the provincial towns you jog round,
         C                              D
Hang the D.J., hang the D.J., hang the D.J.
         C                              D
Hang the D.J., hang the D.J., hang the D.J.
         C                              D
Hang the D.J., hang the D.J., hang the D.J.
 Bb   F   G             Em
Hang the D.J., hang the D.J.,
          G             Em
Hang the D.J., hang the D.J.,
         C                              D
Hang the D.J., hang the D.J., hang the D.J.
 Bb   F   G             Em
Hang the D.J., hang the D.J.,

Panic

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#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
 <6703.9402211448@helios.dmu.ac.uk>
To: jamesb@nevada.edu
Subject: /s/Smiths/Asleep.crd

ASLEEP  by The Smiths from 'Louder Than Bombs'
        Arranged for guitar by Mike Higgott, mah@dmu.ac.uk


C          FM7
Sing me to sleep

Am         FM7
Sing me to sleep

    G          G7  G6
I'm tired and I

  FM7
I want to go to bed

C          FM7
Sing me to sleep

Am         FM7    G
Sing me to sleep

G7  G6   FM7
And then leave me alone

G
Don't try to wake me in the morning

         G7   G6 FM7    G
'Cause I will be gone


Don't feel bad for me

       G7  G6 FM7
I want you to know

G
Deep in the cell of my heart

              FM7
I will feel so glad to go

C          FM7
Sing me to sleep

Am         FM7
Sing me to sleep

        G
I don't want to wake up

G7 G6 FM7
On my own anymore

C         FM7
Sing to me

Am        FM7
Sing to me

        G
I don't want to wake up

G7 G6 FM7          G
On my own anymore


Don't feel bad for me

       G7  G6 FM7
I want you to know

G
Deep in the cell of my heart

         FM7
I really want to go

          G             FM7
There is another world

           G            C
There is a better world

            FM7     Am
Well, there must be

      FM7           G
Well, there must be

C    FM7   Am   FM7   G   [repeated to fade]

Asleep

G   Am     C   D
Shyness is nice and
G   Am      C   D
Shyness can stop you
     G     Am      C         D
From doing all the things in life
            G   Am   C   D
You'd like to

G Am C D 
Shyness is nice and
Shyness can stop you
From doing all the things in life
You'd like to

G Am C D 
So, if there's something you'd like to try
If there's something you'd like to try
Ask me I wont say no, how could I?

G Am C D 
Coyness is nice, and
Coyness can stop you
From saying all the things in
Life you'd like to

G Am C D 
So, if there's something you'd like to try
If there's something you'd like to try
Ask me I wont say no, how could I?

G Am C D 
Spending warm Summer days indoors
Writing frightening verse
To a buck-toothed girl in Luxembourg

G       G       G            C
Ask me, ask me, ask me
G       G       G
Ask me, ask me, ask me

        G     Am    C    D
Because if it's not Love
              G      Am       C
Then it's the bomb, the bomb, the bomb,
   D        G        Am       C
the bomb, the bomb, the bomb, the bomb
          D              Em   D   C       Em   D   C
That will bring us together

G      Am    C     D   G   Am  C  D
Nature is a language - can't you read ?
Nature is a language - can't you read ?

    G       G       G           C
So, ask me, ask me, ask me,
G       G       G
Ask me, ask me, ask me

G Am C D 
Because if it's not Love
Then it's the bomb, the bomb, the bomb,
the bomb, the bomb, the bomb, the bomb
That will bring us together

(G Am C D 
If it's not Love
Then it's the bomb
Then it's the bomb
That will bring us together
    
    G       G       G          C
So, ask me, ask me, ask me,
G       G       G
Ask me, ask me, ask me

G Am C D 
Oh, la...

G Am C D

Louder Than Bombs

|:   Am    F  G/D   F       Am   F       Am   F  :|

Am    F            G/D  F           Am      F   Am    F
     Heifer whines ...    could be human cries 
Am    F   G/D  F      Am             F      Am   F
Closer,  comes   the screaming knife
F                                          D7
This beautiful creature must die ... this beautiful creature must die 
    F                        G                      Am
A death for no reason, and death for no reason is murder
         F                                    D7
And the flesh you so fancifully fry, is not succulent, tasty, or kind
      F          F/E          F/D                 F      Am         D/A
It's death for no reason, and death for no reason is murder
        F             F/E            F/D     F      Am        D/A
And the calf that you carve with a smile ... is murder
          F           F/E      F/D     F      Am     C
And the turkey you festively slice ... is murder
         B                      Am   F   G/D   F
  Do you know how animals die?
  
Am     F     Am   F               F                   D7          
Kitchen aroma's ...  aren't very homely... It's not comforting, cheery, or kind
     F         F/E           F/D      F         Am         D/A
It's sizzling blood, and the unholy stench of MURDER
         F                                 D7
It's not natural, normal, or kind ... the flesh you so fancifully fry
    F             F/E        F/D          F          Am         D/A
The meat in your mouth as you savor the flavor of murder
F   F/E  F/D  F          Am  D/A    F   F/E  F/D  F           Am    C
No,  no,  no ... it's murder...     no,  no,  no ...  it's murder
       B                         
Who hears when animals cry?

|:   Am   F   G/D   F        Am   F     Am   F   :| repeat to fade

Meat Is Murder

# Dmaj7.   A.                 D.         A
#       Good Times For A Change
#                             F#m.                      G.                        A.   Asus4.  A
# See The Look I've Had Could Make A Good Man Turn Bad
#      G.                    A.                 D.         A.          Gmaj7          
# So Please, Please, Please... Let Me, Let Me, Let Me...
#                               A                         Bm.    Gmaj7.    A
# Let Me Get What I Want This Time
# 
# Dmaj7.                        A.                         D.    A
#            Havn't Had A Dream In A Long Time        
#                           F#m.                       G.                A.   Asus4.  A
# See The Life I've Had Could Make A Good Man Bad
#     G.                         A.         D.     A.            Gmaj7
# So For Once In My Life Let Me... Get What I Want
#                     A.                                Bm
# Lord Knows It Would Be The First Time
#                     A.                                  D.    D7
# Lord Knows It Would Be The First Time
# 
# Instrumental Outro
# G.  A.  D.  A.  Dmaj7
# G.  A.  D.  D7.  F#m.  Bm
# G.  Dmaj7.  A
# ---

Please, Please, Please Let Me Get What I Want

Intro:
Cmaj7 Cm    Gm7 F
F G F G

      Cmaj7                  Am
I was happy in the haze of a drunken hour
    Dm              F         G
But heaven knows I'm miserable now
      Cmaj7                          Am
I was looking for a job, and then I found a job
    Dm             F          G
And heaven knows I'm miserable now

Cmaj7      F G
In my life
Cmaj7                       F/A   G
Why do I give valuable time
   C                    Am C       F/A G/B
To people who don't care if   I   live or die ?

F/A G
C C   Am C
F G


   Cmaj7            Am
Two lovers entwined pass me by
    Dm   Dm          F         G
And heaven knows I'm miserable now
      Cmaj7                          Am
I was looking for a job, and then I found a job
    Dm             F          G
And heaven knows I'm miserable now

Cmaj7   Am
In my life
Dm                      F  G
Why do I give valuable time
   Cmaj7                     Am       Dm       F  G
To people who don't care if   I   live  or die ?

Cmaj7 Cm    Gm7 F
F G F G

         Cmaj7              Am
What she asked of me at the end of the day
 Dm     Dm         F       G
Caligula would have blushed
           Cmaj7                  Am
"Oh, you've been in the house too long" she said
    Dm                  F   G
And  I     na - turally fled

Cmaj7      F G
In my life
Cmaj7    F/A   G
Why do I smile
   C                     Am C       F/A G/B   
At people who I'd much rather kick in the  eye ?

F/A G
C C Am C
F G

      Cmaj7                  Am
I was happy in the haze of a drunken hour
    Dm             F         G
But heaven knows I'm miserable now
           Cmaj7                  Am
"Oh, you've been in the house too long" she said
    Dm                  F   G
And  I     na - turally fled

Cmaj7   Am
In my life
Dm                      F  G
Why do I give valuable time
   Cmaj7                     Am       Dm       F  G
To people who don't care if   I   live  or die ?

Cmaj7 Am Dm F G
Cmaj7 Cm    Gm7 F

Heaven Knows Im Miserable Now

Intro: A7 C D  x2

A7
I am the son and the heir
     C               D          A7
Of a shyness that is criminally vulgar 

I am the son and heir
                           C    D   Fmaj7
Of nothing in particular 

              C
You shut your mouth 
            G
How can you say 
                      A7
I go about things the wrong way 
     Fmaj7                  C
I am Human and I need to be loved 
G                                   A7
Just like everybody else does 

A7 C D  x2

A7
I am the son and the heir
     C               D          A7
Of a shyness that is criminally vulgar 

I am the son and heir
                           C    D   Fmaj7
Of nothing in particular 

              C
You shut your mouth 
            G
How can you say 
                      A7
I go about things the wrong way 
     Fmaj7                  C
I am Human and I need to be loved 
G                                   A7
Just like everybody else does 

A7 C D  x4

Fmaj7
                                 C
There's a club, if you'd like to go 
                       G           A7
You could meet somebody who really loves you 
       Fmaj7                     C
So you go, and you stand on your own 
                      G
And you leave on your own 

And you go home 

And you cry 
                A7
And you want to die 

A7 C D  x4

Fmaj7
                               C     G
When you say it's gonna happen now, 
                             A7
Well, when exactly do you mean?  
         Fmaj7              C       G
See I've already waited too long 
                   A7
And all my hope is gone

A7 C D  x4

Fmaj C G A7  x2

A7

A7 C D  x4

Fmaj7

              C
You shut your mouth 
            G
How can you say 
                      A7
I go about things the wrong way 
     Fmaj7                  C
I am Human and I need to be loved 
G                                   A7
Just like everybody else does

How Soon Is Now

Hatful Of Hollow

[intro]
F Am Dm Am A# Dm Gm C

[Verse 1]
             F 
Baby really hurt me
                Am 
crying in the taxi
                Dm
He dont wanna know me
                         Am                     A#     Dm
says you make the big mistake of dancing in my store 
Gm                  C
   Says it was poison
                 F
So I guess I go home 
          Am                     Dm
into the arms of the girl that I love
                Am 
the only love I havent screwed up
A#                  Dm
   She's so hard to please
             Gm      C  
but shes a forest fire
        F               
I do my best to meet her demands
Am
play it romance
         Dm
we slow dance in the living room
    Am                      A#
but all that a stranger would see
        Dm           Gm               C     
is one girl swaying alone stroking her cheek

[Chorus]

      F         Am            Dm 
They say, "you're a little much for me
         Am     A# 
You're a liability
          Dm         Gm    C
You're a little much for me"
               F              Am 
So they pull back make other plans
       Dm 
I understand
     Am     A# 
I'm a liability
        Dm         Gm    
Get you wild, make you leave
       C            Dm            F    A#       
I'm a little much for eh oh-na-na-na everyone

[Verse 2]
            F 
The truth is, I am toy
                Dm
that people enjoy
                Am               A#
till all of the tricks dont work anymore
Dm              Gm       C
And then they are bored of me
             
                    F
I know that its exciting
                     Am
running through the night but
              Dm                Am
every perfect summer's eating me alive
            A#    Dm
unitl youre gone
Gm          C
Better on my own

[Chorus]

      F         Am            Dm 
They say, "you're a little much for me
         Am     A# 
You're a liability
          Dm         Gm    C
You're a little much for me"
               F              Am 
So they pull back make other plans
       Dm 
I understand
     Am     A# 
I'm a liability
        Dm         Gm    
Get you wild, make you leave
       C            Dm            F    A#       
I'm a little much for eh oh-na-na-na everyone

[Outro]
             Dm           F           A#
They're gonna watch me disappear into the sun
                 Dm        F           A#
You're all gonna watch me disappear into the sun

Liability

INTRO:

A |---------------------|
E |--7--7--7----------- -|
C |---------------------|
G |---------------------|

VERSE 1:   

C#m          E       B      A                     C#m   E    B   A 
I’m going away to be alone I’m coming back with answers
C#m           E            B    A            C#m   E   B   A
Don’t try to call my telephone it’s disconnected
C#m           E          B       A               C#m   E   B   A
And I don’t know where I’m going but can you guide me
C#m              E        B        A              C#m   E   B   A
But if I find love where I’m going will it survive me


PRE-CHORUS 1:

C#m            B   A                         C#m         A   B
‘Cause in your own space you’re disconnected and in your own mind you’re not affected
C#m         B   A                           C#m         A   B
And in your own time you’re still attracted but in your own life


CHORUS:

A                                 C#m            B
This heart attack I’ve gotta get away not coming back
A                                 C#m                     B
I want some downtime so call me when you can and I’ll be fine


VERSE 2: [same chords as VERSE1]
I’ve found the time to be alone I don’t know what you’re asking
I’m waiting by the telephone and you’re still barking
My heart stops it isn’t… going could you revive me
I think I’m lost without knowing so come and find me


PRE-CHORUS 2:  [same chords as PRE-CHORUS1]
‘Cause in the same space we’re disconnected and in your own mind you’re not attracted
But in your own life over reacted and in your own time


{CHORUS x2}


Sometimes if we don’t go sometimes you don’t know
You don’t go I don’t go I don’t go you don’t go

C#5  B5  A5                      C#5  A5  B5
            I’ve got your back              but you don’t got mine
C#5  E5  A5                    C#5  A5  B5
            This heart attack              then I’m feeling fine


CHORUS x2

C#m          E       B    A 
I’m going away to be alone
C#m          E       B    A 
I'm going away to be alone ...............

This Heart Attack

Intro:

Bb - F - A

F                 C
I've been feeling lonesome
F                            C
I'm down, don't know what to do
D
I let you lie to me
F
plant seeds inside
            E
to see them grow
                      F
only to leave them to die

  C
I learned my lesson
       E
I won't be forgetting
       F
I won't give my heart out
    A
with-out suspecting

Bb  F
why cry
Dm G
why cry
Bb  F
why cry
    A
for you

F                  C
I've been lost and finding
F                           C
out that I've been such a fool
D           
you thought you'd stick around
F
until the day you found
    E                    F
someone to make me obsolete

  C
I learned my lesson
       E
I won't be forgetting
       F
I won't give my heart out
    A
with-out suspecting

Bb  F
why cry
Dm G
why cry
Bb  F
why cry
Dm F
why cry
    Bb
for you... 


Guitar Solo:

Bb - F - A (2x)

  C     
I learned my lesson
       E
I won't be forgetting
       F
I won't give my heart out
    A
with-out suspecting

Bb  F
why cry
Dm G
why cry
Bb  F
why cry
Dm G
why cry
Bb  F
why cry
Dm G
why cry
Bb  F
why cry
Dm G
why cry
    A
for you

Why Cry

LA RE
Jo et duré a casa si fa mal temps
MI FA#m
Jo t’empararé si un cas tens por
SIm MI
Jo te cuidaré si estàs malalta
RE LA
De tot cor, de tot cor
RE REm LA
De tot cor

MI RE DO#m-SIm-LA

FA#m DO#m
Estic a punt d’anar-me’n
RE LA RE
Mes abans de partir et diré
REm LA
Que et duc dins es pensament

FA#m DO#m
No deix de recordar-te
RE LA RE
I alen els teus alens tot calents
REm SIm MI
De lluny i de prop me tens


Jo et duré...

FA#m DO#m
I a dalt de s’escenari
RE LA RE
Quan estic concentrat cantant
REm MI
Jo sempre te tenc present

FA#m DO#m
Perquè m’ets necessari
RE LA
Com s’aire que respir
RE REm SIm MI
Necessit estar amb tu en tot moment


Jo et duré... ( bis )

De tot cor

A                                     E 
Roll into your town and I'm walking around
                                                Fm                        
Got some extra time think I'll throw some money down
                                                     D
And you follow me around, and you're asking for the time

Your asking what I found 
                         A
think I'm gonna rob you blind

maybe it's the tattoo on my arm
        E
that I drew while I was bored waiting tables in new york
Fm                                            D
 a  heart and two flowers intertwined with a vine

Up Here

[Verse 1]
 G                              D
You like New York City in the daytime
 Bm                   A
I like New York City in the nighttime
 G                          D
You say you like sleeping with the air off
Bm                  A
I don't, I need it on
G                  D
You like the light coming through the windows
 Bm                      A
I sleep late, so I just keep 'em all closed
G                  D
You ignore the music on the radio
Bm                 A
I don't, I sing-a-long


[Pre-Chorus]
G               D        Bm             A
I don't ask for you to change, baby no no no
    G              D          Bm    A
And you don't ask for me to change


[Chorus]
N.C.                     D
Tell me how we're not alike
       Bm               A
But we work so well and we don't even know why
G              D
Funny how the stars crossed right
       Bm                   A
'Cause we work so well and we don't even know why
 G              D
You can call it fire and ice
    Bm                  A
But we work so well and we don't even know why
G              D
We don't even know why, no no
Bm                          A
We don't even know why, no no no


[Post-Chorus]
N.C.
No no no no
D
We like it in the daytime
Bm                 A
We like it in the end of time
N.C.
No no no no
D
We like it in the daytime
Bm                 A
We like it in the end of time


[Verse 2]
G                        D
Cold outside and you're just in a T-shirt
Bm                   A
I have cold blood even in a sweater
G                         D
You start your night sippin' by the Kilo
Bm                   A
I don't, I know you know


[Pre-Chorus]
G               D        Bm             A
I don't ask for you to change, baby no no no
    G              D          Bm    A
And you don't ask for me to change



[Chorus]
N.C.                     D
Tell me how we're not alike
       Bm               A
But we work so well and we don't even know why
G              D
Funny how the stars crossed right
       Bm                   A
'Cause we work so well and we don't even know why
 G              D
You can call it fire and ice
    Bm                  A
But we work so well and we don't even know why
G              D
We don't even know why, no no
Bm                          A
We don't even know why, no no no


[Post-Chorus]
N.C.
No no no no
D
We like it in the daytime (we don't even know)
Bm                 A
We like it in the end of time (we don't even know)
N.C.
No no no no
D
We like it in the daytime
Bm                   A
(We don't even know, know, know, know, know)




[Bridge]
G                          D
Somehow we end up on the same side
Bm                          A
And you wouldn't think that we'd be alright
G                      D            Bm             A
Even our eyes are different colors, but we see fine
G                         D
Somehow we end up on the same side (up on the same side)
Bm                            A
And you wouldn't think that we'd be alright

(Think that we'd be alright)

G                      D            Bm             A
Even our eyes are different colors, but we see fine


[Chorus]

 N.C.                     D
(Oh)Tell me how we're not alike
       Bm               A
But we work so well and we don't even know why

('Cause we work so well and we don't even know why, why)
G              D
Funny how the stars crossed right
       Bm                  A
'Cause we work so well and we don't even know why

(But we don't even know why)
G                D
You can call it fire and ice
    Bm                  A
But we work so well and we don't even know why

('Cause we work so well and we don't even know why, why)

G              D
We don't even know why, no no
Bm                          A
We don't even know why, no no no


[Post-Chorus]

N.C.
No no no no
D
We like it in the daytime (we don't even know)
Bm                 A
We like it in the end of time (we don't even know)
N.C.
No no no no
D
We like it in the daytime
Bm             A
We like it in the nighttime

Intro  D     Bm7   G     A     x2


Verse 1
    D                              Bm7
We never spoke a word, but every thought she had 
                         G     A Asus A
I heard from across the room 
             D                               Bm7
If we were standin' face to face I couldn't find the words 
               G               A Asus A
To say give me one more move 
        G              A             G                   A
I don't even know her name, I guess foolish pride's to blame


Chorus 
          D                        D7
Now, I'm fallin' in love as she's walkin' away
        Bm7                 F#              G                    A
And my heart won't tell my mind to tell my mouth what it should say
 D                                  D7
May have lost this battle, live to fight another day
        Bm7 A   G                              Gm
Now I'm fallin' in love as she's walkin' away


Interlude   D     Bm7   G     A     x2


Verse 2
          D                           Bm7
Wise man next to me did say 'bout the one that got away
        G                    A
Son, I missed my chance 
           D                            Bm7
Don't you let regret take place of the dreams you have to chase
     G               A
Ask her to dance, go on, son
           G                 A              G                  A
You might fall down on your face, roll the dice and have some faith


Chorus
          D                        D7
Don't be fallin' in love as she's walkin' away
           Bm7                   F#                G                    A
When your heart won't tell your mind to tell your mouth what it should say
 D                                  D7
May have lost this battle, live to fight another day
         Bm7 A   G                               Gm
Don't be fallin' in love as she's walkin' away 


Solo   D    Bm7  Bm  F#  G   A  D    D7    Bm  F# |A   D 


           G                 A              G                  A
You might fall down on your face, roll the dice and have some faith
 
          D                        D7
Don't be fallin' in love as she's walkin' away
           Bm7                   F#                G                    A
When your heart won't tell your mind to tell your mouth what it should say
 D                                  D7
May have lost this battle, live to fight another day
         Bm7 A    Bm7 A       Bm7 A       G                      G   
Don't be fallin', fallin' in, fallin' in love as she's walkin' away


Outro  (G)   Gm  Bm7  E G  Gm  D

As She's Walking Away

Riff:
|3-----------6-------------------|3-----------6---------------|
|3-------6/8-6-----------8-------|3-------6/8-6-----------8---|
|3-------5/7-7-----------7-------|3-------5/7-7-----------7---|
|0-------------------------------|0---------------------------|
Repeat 2x


| Cm - - - | Cm - - - | Cm - - - | Cm - - - |
Here come old flattop he come grooving up slowly
He got joo joo eyeball he one holy roller

| G7 - - - | G7 - - Gb7 | F7 - - - | - - - - |
He got hair down to his knee
Got to be a joker he just do what he please

| Cm - - - | Cm - - - | Cm - - - | Cm - - - |
He wear no shoe shine he got toe jam football
He got monkey finger he shoot Coca-Cola

| G7 - - - | G7 - - Gb7 | F7 - - - | - - - - |
He say,"I know you and you know me"
One thing I can tell you is you got to be free

| Am - - G7 | F7 - G7 - |
Come together right now over me



Repeat Riff



| Cm - - - | Cm - - - | Cm - - - | Cm - - - |
He bag production he got walrus gumboot
He got Ono sideboard he one spinal cracker

| G7 - - - | G7 - - Gb7 | F7 - - - | - - - - |
He got feet down below his knee
Hold you in his armchair you can feel his disease

| Am - - G7 | F7 - G7 - |
Come together right now over me


Repeat Riff

Come Together

D G D A D x 2

D
I been loved and I been alone
G
all my life I been a rolling stone
D
done everything a man can do
G	                       C	D
everything but get a hold on you
C			D
done everything a man can do
G	D 	A 	D
everything but get a hold on you

D
I've been blessed and I've been cursed
G
all my lies have been unrehearsed
D	
a wall of fire that I walked through
G			C	D
only trying to get a hold on you
C				D
a wall of fire that I walked through
G	D	A	D
only trying to get a hold on you

G	D	A	D

A
I saw you waiting at the gate
D
but I arrived a moment late 
A
I saw you shed a single tear
G	D	A	D
but still I can't get there from here

D
I been high and I been low
G
I been people that I don't know 
D
I been to China and to Peru

G			C    D
only trying to get a hold on you
C			D
I been to China and to Peru
G	D	A	D
only trying to get a hold on you

G	D	A	D
only trying to get a hold on you

Hold On You

Am                              E
There are children standing here,
                              G
Arms outstretched into the sky,
                          D
Tears drying on their face.
              Am
He has been here.
                          E
Brothers lie in shallow graves.
                           G
Fathers lost without a trace.
                           D
A nation blind to their disgrace,
                        Am
Since he's been here.
                    E
And I see no bravery,
 G                  D
No bravery in your eyes anymore.

Only sadness.

(Continue the same chord progression)

Houses burnt beyond repair.
The smell of death is in the air.
A woman weeping in despair says,
He has been here.
Tracer lighting up the sky.
It's another families' turn to die.
A child afraid to even cry out says,
He has been here.

And I see no bravery,
No bravery in your eyes anymore.
Only sadness.

There are children standing here,
Arms outstretched into the sky,
But no one asks the question why,
He has been here.
Old men kneel to accept their fate.
Wives and daughters cut and raped.
A generation drenched in hate.
Says, he has been here.

And I see no bravery,
No bravery in your eyes anymore.
Only sadness.

This Charming Man	No rating	beginner	Chords	Full	Other versions
Still Ill	No rating	beginner	Chords	Full
What Difference Does It Make?	No rating	intermediate	Chords	Full
Hand In Glove	No rating	beginner	Chords	Short
What Difference Does It Make	No rating	intermediate	Chords	Full
Pretty Girls Make Graves	No rating	beginner	Tab	Full

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