The Smiths were a rock band which formed in 1982 in Manchester, England, United Kingdom. The band consisted of Steven Morrissey (vocals, lyrics), Johnny Marr (guitar, music), Mike Joyce (drums) and Andy Rourke (bass). Hugely influential, The Smiths lasted all of five years from 1982 to 1987, releasing during this period four studio albums (The Smiths, Meat Is Murder, The Queen Is Dead and Strangeways, Here We Come) and three compilation albums (Hatful of Hollow, The World Won't Listen and Louder Than Bombs).

The Smiths est un groupe de rock anglais créé en 1982 et séparé en 1987. C'était un quatuor musical de Manchester fondé autour de Johnny Marr (né le 31 octobre 1963) et de Steven Patrick Morrissey (né le 22 mai 1959), chanteur et parolier.  Morrissey et Marr (de son vrai nom Johnny Maher, mais il changea de nom pour ne pas être confondu avec le batteur des Buzzcocks) se sont rencontrés le 20 mai 1982 au domicile de Morrissey, à Stretford (384, Kings Road).

The Smiths waren eine britische Indie-Rock Band der 80er Jahre. Sie wurde 1982 in Manchester, UK vom Gitarristen/Songwriter Johnny Marr und Sänger/Songwriter Morrissey gegründet. Nach dem Weggang von Marr löste sich die Gruppe im September 1987 auf.  Die Smiths gelten als die Entwickler des modernen Indie-Rock und hatten vor allem auf die Britpop-Bewegung der 1990er-Jahre enormen Einfluss. In der Musik der Smiths vereinigten sich traditionelle Rockelemente mit eingängigem Pop, elegante Melodien mit kraftvollen Gitarrenriffs...

The Smiths fue una banda de rock formada en Manchester, Inglaterra en 1982 por el cantante Morrissey y el guitarrista Johnny Marr.  La banda disfrutó de un éxito considerable hasta su separación en 1987. Su música ha sido de gran influencia en la música indie.  Dos de las cosas más notables del grupo fue su polémico cantante, un avezado lector fanático de Oscar Wilde y James Dean,  con sus no menos polémicas letras repletas de poesía y la música compuesta por Marr...

Intro - D

1ST VERSE
G                            B#m         A 
Frankly, Mr. Shankly, this position I've held 
   B#m     A               D
It pays my way, and it corrodes my soul
          G                   B#m      A
I want to leave, you will not miss me 
          B#m        A          G        D
I want to go down in musical history 


VERSE 2
G                           B#m       A
Frankly, Mr. Shankly, I'm a sickening wreck 
             B#m   A       D
I've got the 21st century breathing down my neck 
             G             B#m      A
I must move fast, you understand me 
             B#m     A         G
I want to go down in celluloid history, Mr. Shankly 

MIDDLE


VERSE 3
G                 B#m    A
Fame, Fame, fatal Fame 
            B#m     A             D
It can play hideous tricks on the brain
               G 
But still I'd rather be famous 
     B#m          A
Than righteous or holy 
B#m          A        G        D
Any day, any day, any day 


VERSE 4    
    G                          B#m      A
But sometimes I'd feel more fulfilled 
       B#m            A                  D
Making Christmas cards with the mentally ill 
          G                  B#m     A
I want to live and I want to Love 
          B#m                  A           G          D
I want to catch something that I might be ashamed of 


VERSE 5
G                            B#m         A
Frankly, Mr. Shankly, this position I've held 
   B#m     A             D
It pays my way and it corrodes my soul 
              G                     B#m    A
Oh, I didn't realise that you wrote poetry 
         B#m               A                 G                     D
I didn't realise you wrote such bloody awful poetry, Mr. Shankly 


VERSE 6
G                            B#m    A
Frankly, Mr. Shankly, since you ask 
          B#m       A           D
You are a flatulent pain in the arse 
         G             B#m   A
I didn't mean to be so rude 
         B#m        A            G
Still, I must speak frankly, Mr. Shankly 
                 D
Oh, give us your money !

Frankly Mr Shankly

The Smiths - I Know Its Over


    C                                                Am   
Oh mother, I can feel the soil falling over my head
F   G        C
   and as I climb into an empty bed 
          Am
oh well, enough said
F G          F              G
  I know it's over still I cling
F                          G         F      G F
I don't know where else I can go, mother

    C                                               Am
Oh mother, I can feel the soil falling over my head
F G         C
  see, the sea wants to take me

the knife wants to slit me
  Am
do you think you can help me?
F    G     C
Sad veiled bride, please be happy
                              Am
handsome groom, give her room
F     G       C
loud, loutish lover, treat her kindly
                          Am
although she needs you more than she loves you
F G             F              G           
And I know it's over still I cling
F                          G  
I don't know where else I can go
F                    G               F     
it's over, it's over, it's over


            C
I know it's over
              F            
and it never really began
G               F       G       Am
but in my heart it was so real
F        G                          F G
and you even spoke to me and said:

 
C                                               Am         F G
If you're so funny then why are you on your own tonight?
C                                                 Am       F G
and if you're so clever then why are you on your own tonight?
C                                              Am          F G
if you're so very entertaining then why are you on your own tonight?
C                                                  Am    F G   
if you're so very good looking why do you sleep alone tonight?


             C                                  
I know   cause tonight is just like any other night
                           Am         F  G
that's why you're on your own tonight
             C                    
with your triumphs and your charms
         Am
while they are in each other's arms"


F         G        F
It's so easy to laugh
                  G
it's so easy to hate
             F                      G      
it takes strength to be gentle and kind
Fmaj9                G
it's over, over, over


F        G         F
It's so easy to laugh
                  G
it's so easy to hate
         F                      G
it takes guts to be gentle and kind
Fmaj9                G
it's over, over, over

         C           F   G
Love is natural and real
    F       G        Am
but not for you, my love
    F           G
not tonight my love
F G      C           F
love is natural and real
G    F              G            Em      F G
but not for such as you and I, my love
 
    C            F        G            F    G   Am  F G   FG  Oh Mother, I can feel the soil falling over my head
    C            F        G            F    G   Am  F G   F G 
Oh Mother, I can feel the soil falling over my head
    C            F        G            F    G   Am  F G   F G 
Oh Mother, I can feel the soil falling over my head
    C            F        G            F    G   Am  F G   F G 
Oh Mother, I can feel the soil falling over my head
    C            F        G            F    G   Am  F G   F G 
Oh Mother, I can feel the soil falling over my head

repeat to fade....

I Know It's Over

The boy with the thorn in his side - The Smiths

intro:  Am7 - D* - Am7 - D* - Am7 - D* - C - D

G  Gsus4  G                    Am7
 The boy with the thorn in his side
              C   Cadd9     D*
Behind the hatered there lies
G  Gsus4  G         Am7
A murderous desire
  C  Cadd9   D*
For love

              
How can they look into my eyes                    
And still they don't believe me          
How can they hear me say those words                 
Still they don't believe me

And if they don't believe me now
Will they ever believe me?
And if they don't believe me now
Will they ever believe me?

Ohhh, ohhh, ohhh, ohhh

The boy with the thorn in his side
Behind the hatered there lies
A plundering desire
For love

How can they see the love in our eyes
And still they don't believe us
And after all this time
They don't want to believe us


Chords:
D:     2225
D*:    2220
G:     0232
Gsus4: 0233
C:     0003
Cadd9: 0005
Am7:   0000

The Boy With The Thorn In His Side

E (let ring)

    A                         C#m        B
Frankly, Mr. Shankly, this position I've held 
   C#m     B            E
It pays my way, and it corrodes my soul
    A                         C#m      B
I want to leave, you will not miss me 
          C#m         B      A           E    
I want to go down in musical history 


    A                        C#m         B
Frankly, Mr. Shankly, I'm a sickening wreck
    C#m           B         E 
I've got the 21st century breathing down my neck 
    A                       C#m       B
I must move fast, you understand me 
          C#m         B        A       E
I want to go down in celluloid history, Mr. Shankly 


  A              C#m     B
Fame, Fame, fatal Fame 
          C#m       B            E
It can play hideous tricks on the brain 
             A           
But still I'd rather be Famous 
      C#m           B  C#m
Than righteous or holy, any day 
B           A      E
Any day, any day 


       A                        C#m     B
But sometimes I'd feel more fulfilled 
       C#m            B                    E
Making Christmas cards with the mentally ill 
         A                      C#m     B
I want to live and I want to Love 
          C#m           B                    A           E
I want to catch something that I might be ashamed of 


    A                          C#m           B
Frankly, Mr. Shankly, this position I've held 
   C#m       B              E
It pays my way and it corrodes my soul 
             A                       C#m     B
Oh, I didn't realise that you wrote poetry 
          C#m            B                  A                 E
I didn't realise you wrote such bloody awful poetry, Mr. Shankly 


    A                         C#m    B
Frankly, Mr. Shankly, since you ask 
          C#m       B           E
You are a flatulent pain in the arse 
          A                C#m    B
I do not mean to be so rude 
         C#m            B          A 
Still, I must speak frankly, Mr. Shankly 
                 E
Oh, give us your money ! 


# :)

Frankly, Mr. Shankly

# Intro:

#   Fm C# D#


# Fm D#       Fm D#   C#    G# D#
   Take me out tonight

#               Fm                D#
where there's music and there's people

#         Fm        D# C#  G# D#
who are young and alive


# Fm      D#       Fm  D#
Driving in your car

#   C#                      G#
I never never want to go home

# D#                 Fm      D# Fm D#
because I haven't got one

#    C#    G# D#
anymore


# Fm D#       Fm D#   C#    G# D#
   Take me out tonight

#           Fm          D#
because I want to see people and I

# Fm          D#      C# G# D#
want to see lights


# Fm      D#       Fm  D#
Driving in your car

#    C#                    G#
oh please don't drop me home

# D#                Fm            D#
because it's not my home, it's their

#               Fm         D#     C# G# D#
home, and I'm welcome no more


# Chorus:

#   Cm C#

#   D#        G#             Fm
  And if a double-decker bus

#   C#               D#
  crashes into us

#             G#
  to die by your side

#          C#               D#
  such a heavenly way to die


#            G#         Fm
  And if a ten ton truck

#   C#                    D#
  kills the both of us

#             G#
  to die by your side

#       C#                         D#
  the pleasure the privilege is mine


# Fm D#       Fm D#   C#    G# D#
   Take me out tonight

#            Fm                D#    Fm D# C# G# D#
oh take me anywhere, I don't care


#            Fm       D#    Fm
And in the darkened underpass

#   D#          C#                               G# D#
I thought Oh God, my chance has come at last

#             Fm           D#
(but then a strange fear gripped me and I

# Fm            D#    C# G# D#
just couldn't ask)


# Fm D#       Fm D#   C#    G# D#
   Take me out tonight

#         Fm                D#    Fm D# C# G# D#
take me anywhere, I don't care


#      Fm      D#       Fm  D#
Just driving in your car

#   C#                      G#
I never never want to go home

# D#                 Fm      D# Fm D#
because I haven't got one

#           C#       G# D#
I haven't got one


# Chorus


# Fm         D#            Fm         D#
There is a light and it never goes out

# C#                       G#          D#
There is a light and it never goes out

There Is A Light That Never Goes Out

Here is some background information on &quot;Big Mouth Strikes Again&quot; from Songfacts.com:  The high-pitched voice in the background is Morrissey's altered to a higher pitch. The sleeve notes credit it to Ann Coates, but that is just a jokey reference to the Ancoats area of Manchester, The Smiths' home town.

Am  Am7     C         Dadd9        Am  Am7  
Sweetness, sweetness, I was only joking when
  
   F     G         Am    Am7         C      Dadd9  Am Am7 F G 
I said I'd like to smash every tooth in your head

Am   Am7   C         Dadd9      Am Am7
Sweetness, sweetness I was only joking when
  F         G         Am  Am7       C           Dadd9  Am Am7
I said by rights you should be bludgeoned in your bed.


     F    G                Am Am7     C    Dadd9
And now I know how Joan of Arc felt, now I know how

        Am Am7  F  G     Am  Am7
Joan of Arc felt, as the flames rose
             C            Dadd9   Am Am7  F G
to her Roman nose and her Walkman started to melt                         

 Am  Am7        C  Dadd9  
 Bigmouth   la da da da da
 Am Am7  F     G         
 Bigmouth  la da da da
         Am Am7                        C                Dadd9
Bigmouth strikes again and I've got no right to take my place with the
Am Am7    F G
human race

Bigmouth Strikes Again

C                                                Am7   
Oh mother, I can feel the soil falling over my head
F   G        C
   and as I climb into an empty bed 
          Am7
oh well, enough said
F G          F              G
  I know it's over still I cling
F                          G         F      G F
I don't know where else I can go, mother

    C                                               Am7
Oh mother, I can feel the soil falling over my head
F G         C
  see, the sea wants to take me

the knife wants to slit me
  Am
do you think you can help me?
F    G     C
Sad veiled bride, please be happy
                              Am7
handsome groom, give her room
F     G       C
loud, loutish lover, treat her kindly
                          Am7
although she needs you more than she loves you
F G             F              G           
And I know it's over still I cling
F                          G  
I don't know where else I can go
F                    G               F     
it's over, it's over, it's over

            C
I know it's over
              F            
and it never really began
G               F       G       Am
but in my heart it was so real
F        G                          F G
and you even spoke to me and said:

 
C                                               Am7         F G
"If you're so funny then why are you on your own tonight?


C                                                 Am7         F G
and if you're so clever then why are you on your own tonight?
C                                                        Am7         F G
if you're so very entertaining then why are you on your own tonight?
C                                                  Am7    
if you're so very good looking why do you sleep alone tonight?


     F G        C                                  
I know   cause tonight is just like any other night
                           Am7         F  G
that's why you're on your own tonight
             C                    
with your triumphs and your charms
         Am7
while they are in each other's arms"


F         G        F
It's so easy to laugh
                  G
it's so easy to hate
             F                      G      
it takes strength to be gentle and kind
Fmaj9                G
it's over, over, over


F        G         F
It's so easy to laugh
                  G
it's so easy to hate
         F                      G
it takes guts to be gentle and kind
Fmaj9                G
it's over, over, over

         C           F   G
Love is natural and real
    F       G        Am
but not for you, my love
    F           G
not tonight my love
F G      C           F
love is natural and real
G    F              G            Em      F G
but not for such as you and I, my love
 
    C            F        G            F    G   Am  F G   F G      
Oh Mother, I can feel the soil falling over my head
    C            F        G            F    G   Am  F G   F G 
Oh Mother, I can feel the soil falling over my head
    C            F        G            F    G   Am  F G   F G 
Oh Mother, I can feel the soil falling over my head
    C            F        G            F    G   Am  F G   F G 
Oh Mother, I can feel the soil falling over my head
    C            F        G            F    G   Am  F G   F G 
Oh Mother, I can feel the soil falling over my head

I Know Its Over

The Some Girls are Bigger Than Others Songfacts says: As with every original Smiths recording, this song's music was composed by guitarist Johnny Marr and the lyrics were written by vocalist Morrissey. Having written the instrumentation, Marr was taken aback when the singer presented him with his proposed name for the song. &quot;I was surprised when the title came about,&quot; he recalled to NME June 18, 2011, &quot;It wasn't what I expected for the music, but who would expect that.&quot;

C          Am           G
From the ice-age to the dole-age 
F                Dm
There is but one concern 
Em
I have just discovered 

Am                        F      G
Some girls are bigger than others 
Am                        F      G
Some girls are bigger than others 
F           Dm                            
Some girl's mothers are bigger than 
Em          
Other girl's mothers 

Am                        F      G
Some girls are bigger than others 
Am                        F      G
Some girls are bigger than others 
F           Dm 
Some girl's mothers are bigger than 
Em          
Other girl's mothers 

Fill Am,F,G,C*

(C) Am                 G
As Anthony said to Cleopatra 
      F                 Dm
As he opened a crate of ale 
Em
Oh, I say

Am                        F      G
Some girls are bigger than others 
Am                        F      G
Some girls are bigger than others 
F           Dm 
Some girl's mothers are bigger than 
Em          
Other girl's mothers 

Am                        F      G
Some girls are bigger than others 
Am                        F      G
Some girls are bigger than others 
F           Dm 
Some girl's mothers are bigger than 
Em          
Other girl's mothers  

Am  F           G
     Send me the pillow ... 
Am  F                G       
     The one that you dream on ... 
Am  F           G
     Send me the pillow ... 
Am  F                G             Am
     The one that you dream on ... 
  F           G        C
     And I'll send you mine

Outro:  Am,F,G

Some Girls Are Bigger Than Others

According to the Frankly, Mr Shankly Songfacts, it is reputed that the song addresses Geoff Travis, the head of the Smiths' record label Rough Trade. Travis acknowledged in an interview with Mojo April 2011 that a line in the song about &quot;bloody awful poetry&quot; was a reference to a poem he had written for Morrissey.

VERSE 1
G                            Bm         A 
Frankly, Mr. Shankly, this position I've held 

   Bm     A               D
It pays my way, and it corrodes my soul

          G                   Bm      A
I want to leave, you will not miss me 

          Bm        A          G        D
I want to go down in musical history 


VERSE 2
G                           Bm       A
Frankly, Mr. Shankly, I'm a sickening wreck 

             Bm   A       D
I've got the 21st century breathing down my neck 

             G             Bm      A
I must move fast, you understand me 

             Bm     A         G
I want to go down in celluloid history, Mr. Shankly 



VERSE 3
G                 Bm    A
Fame, Fame, fatal Fame 

            Bm     A             D
It can play hideous tricks on the brain

               G 
But still I'd rather be famous 

     Bm          A
Than righteous or holy 

Bm          A        G        D
Any day, any day, any day 


VERSE 4    
    G                          Bm      A
But sometimes I'd feel more fulfilled 

       Bm            A                  D
Making Christmas cards with the mentally ill 

          G                  Bm     A
I want to live and I want to Love 

          Bm                  A           G          D
I want to catch something that I might be ashamed of 


VERSE 5
G                            Bm         A
Frankly, Mr. Shankly, this position I've held 

   Bm     A             D
It pays my way and it corrodes my soul 

              G                     Bm    A
Oh, I didn't realize that you wrote poetry 

         Bm               A                 G                     D
I didn't realize you wrote such bloody awful poetry, Mr. Shankly 


VERSE 6

G                            Bm    A
Frankly, Mr. Shankly, since you ask 

          Bm       A           D
You are a flatulent pain in the arse 

         G             Bm   A
I didn't mean to be so rude 

         Bm        A            G
Still, I must speak frankly, Mr. Shankly 

                 D
Oh, give us your money !

Frankly Mr. Shankly

The Queen Is Dead

G               G               G               G  
              

G               D       C       D          G       D       C       D
Girlfriend in a coma, I know, I know, it's serious
G               D       C       D          G       D       C       D
Girlfriend in a coma, I know, I know, it's really serious


G                      D          C   D       G       D       C       D
There were times when I could have murdered her
           D           G      D       C           D       G        D
but you know I would hate anything to happen to her
      C             D
Now I don't want to see her


       Em           D      C             D
Do you really think she'll pull through?
       Em                  D      C      D
Do you really think she'll pull through?
       Em           D      C             D


G               D       C       D          G       D       C       D
Girlfriend in a coma, I know, I know, it's serious
G       D       C       D          G       D       C       D
My, my, my, my, my, my, my baby goodbye
           G            D           C    D    G       D       C       D
There were times when I could have strangled her
           D           G      D       C           D       G        D
but you know I would hate anything to happen to her
          C             D
Would you please let me see her?


       Em           D      C             D
Do you really think she'll pull through?
       Em                  D    C        D
Do you really think she'll pull through?
       Em           D      C             D

       G          D            C
Let me whisper my last goodbyes
  D         G
I know it's serious.
  D         G

Girlfriend In A Coma

Am        C    D   Em            Am      C    D   Em

G  Am				    C
  The lanes were silent, there was nothing no-one
 D		    Em      G
Nothing around for miles
  Am				   C           D
I danced a friendly venture with a hard-faced, 3-word gesture


Chorus
Bm
I started something, and forced you to a zone
	       C      D             Em
And you were clearly never meant to go
Bm
Hair brushed & parted, typical me, typical me, typical me
          C		  D		 Em
I started something, and now I'm not too sure


I grabbed you by the gilded beams... grrrrr...
That's what tradition means
And I danced another venture with a gesture
That was absolutely violent

Chorus

I grabbed you by the gilded beams... grrrrr...
That's what tradition means
And now 18 months hard labour
seems..... fair enough......

Chorus

I Started Something

Verse 1
       C      F       G
At the record company meeting,
C         F             G
On their hands: a dead star.
     Am       F               G
And ooh, the plans that they weave,
F   Am        F         G     E
And ooh, the sickening greed.

Verse 2
       A      D       E
At the record company party
A         D             E
On their hands: a dead star.
    F#m         D         E
The sycophantic slags all say:
   D         A           D         E
"I knew him first, and I knew him well."
  A         D          E
Re-issue! Re-package! Re-package!
  A     D         E
Re-evaluate the songs,
F#m     D           E
Double pack with a photograph,
D      A            D     E      G
Extra track (and a tacky badge.)

Verse 3
C           F
A-list, playlist,
                     G
"Please them, please them, please them!"
 C      F                G
(Sadly, this was your life)
        Am              F           G
But you could have said no, if you'd wanted to,
F      Am             F           G
  You could have said no, if you'd wanted to.

Verse 4
  C       F
BPI, MTV, BBC,
        G
"Please them. please them!"
 C       F                G
(Sadly, this was your life)
        Am              F           G
But you could have said no, if you'd wanted to,
F   Am         F           G              E
You could have walked away, couldn't you?

Verse 5
A    D                      E
  I touched you at the soundcheck,
     A     D           E
You had no real way of knowing.
      F#m     D                E        D
In my heart I begged, "Take me with you.
  F#m        D             E
I don't care where you're going."

Verse 6
       A           D
But to you I was faceless,
        E
I was fawning, I was boring.
   A               D        E
A child from those ugly new houses,
          F#m     D      E
Who could never begin to know,
D         F#m   D      E      G
Who could never really know.


Verse 7
A             D       E
Best of! Most of! Satiate the need,
A              D           E
Slip them into different sleeves!
 F#m       D          E     D
Buy both, and feel deceived,
F#m          D        E
Climber, new entry re-entry.

Verse 8
A            D
World tour!("Media whore!")
        E             A
"Please the press in Belgium!"
 D             E
(This was your life...)
            F#m       D            E     D
And when it fails to recoup? Well, maybe:
    F#m           D              E    G
You just haven't earned it yet, baby.

Verse 9
            C       F             G
I walked a pace behind you at the souundcheck.
       C        F         G
You're just the same as I am.
Am              F      G
What makes most people feel happy
F        Am        F   G
Leads us headlong into harm.
          C                F
So, in my bedroom in those ugly new houses,
  G         C   F           G
I dance my legs down to the knees.
    Am   F     G        F    Am    
   G       E
But me and my true love will never meet again...

Verse 10
       A      D       E
At the record company meeting,
         A         D                E
On their hands, at last, a dead star!
             F#m   D            E
But they can never taint you in my eyes,
D        F#m   D         E
They can never touch you now.
         A      D           E
No, they cannot hurt you my darling,
     A      D         E
They cannot touch you now,
   F#m  D      E        D     F#m   
   E
But me  and my true love will never meet again.

Outro
|G7     |G7     |G7     |G7

Paint A Vulgar Picture

Verses/Chorus 
A               Em    
Stop me oh oh oh stop me...

C                               D 
Stop me if you think that you've heard this one before

A        Em                   C                    D
Nothings changed, I still love you oh I still love you

        A             Em                  C                        D
Only slightly, Only slightly less than I used to, My love 

Nothing's changed 
I still love you, oh, I still love you 
...Only slightly, only slightly less than I used to, my love 


I was delayed, I was way-laid 
An emergency stop 
I smelt the last ten seconds of life 
I crashed down on the crossbar 
And the pain was enough to make 
A shy, bald, buddhist reflect 
And plan a mass murder 
Who said lied I'd to her ? 


Oh, who said I'd lied because I never ? I never ! 
Who said I'd lied because I never ? 
I was detained, I was restrained 
And broke my spleen 
And broke my knee 
(and then he really laced into me) 
Friday night in Out-patients 
Who said I'd lied to her ? 


Oh, who said I'd lied ? - because I never, I never 
Who said I'd lied ? - because I never 


Oh, so I drank one 
It became four 
And when I fell on the floor ... 
...I drank more 


Stop me, oh, stop me 
Stop me if you think that you've 
Heard this one before 
Stop me, oh, stop me 
Stop me if you think that you've heard this one before 


Nothing's changed 
I still love you, oh, I still love you 
...Only slightly, only slightly less than I used to, my love

Stop Me If You Think You've Heard This One Before

Dm                  Bb       Dm              Bb                Dm
  i am the ghost of troubled joe hung by his pretty white neck
                       Bb
some eighteen months ago
                 Dm            Bb                      Dm
i travelled to a mystical time zone but i missed my bed
                Bb
so i soon came home, they said:
         Dm                       Bb
there's too much caffeine in your blood stream
      Dm                          Bb
and a lack of real spice in your life

i said:
           Dm                 Bb
leave me alone, because i~m alright, dad
         Dm                Bb
just surprised to be on my own...

Eb                     Dm
ooh, but don~t mention love
             Eb                  Dm
i~d hate the strain of the pain again

   Dm                      Bb                      Dm
a rush and a push and the land that we stand on is ours
               Bb                  Dm
it has been before so i shall be again
                    Bb                 Dm
and people who are uglier than you and i
                    Bb         
they take what they need and just leave

Eb                     Dm
ooh, but don~t mention love
             Eb                           Dm
i~d hate the pain of the strain all over again

   Dm                      Bb                      Dm
a rush and a push and the land that we stand on is ours
              Bb                      Dm
it has been before so why can~t it be now?
                     Bb                Dm
and people who are weaker than you and i
                    Bb
they take what they want from life

Eb                     Dm
ooh, but don~t mention love
Eb                    Dm
no, no- don~t mention love

   Dm                     Bb                        Dm                   
a rush and a push and the land that we stand on is ours
                  Bb                           Dm
your youth may be gone but you~re still a young man
Bb
so phone me, phone me, phone me
Dm
phone me, phone me, phone me

Eb                  Dm
ooh, i think i~m in love...

A Rush And A Push And The Land Is Ours

Strangeways, Here We Come

   INTRO: Gmaj7  E7


	   Gmaj7	   E7
   Call me morbid, call me pale
              Gmaj7	        E7
   I've spent six years on your trail
   Bm  A6   G
   Six long years
           E7     A
   On your trail

	   Gmaj7           E7
   Call me morbid, call me pale
	      Gmaj7             E7
   I've spent six years on your trail
   Bm       A6          G		 E7  A
   Six full years of my life on your trail


	      F#			G  D  A
   And if you have five seconds to spare
	     F#			      G    C  G6
   Then I'll tell you the story of my life :
   D		       A
   Sixteen, clumsy and shy
F#			 Bm G
   I went to London and I
     D                       A     F#m  F#
   I booked myself in at the Y ... W.C.A.
               Gmaj7                E7
   I said : "I like it here - can I stay ?
     Gmaj7                E7
   I like it here - can I stay ?
   Bm            A6      G
   Do you have a vacancy
                   E7    A
   For a Back-scrubber?"

   She was left behind, and sour
   And she wrote to me, equally dour
   She said : "In the days when you were
   Hopelessly poor
   I just liked you more..."

   And if you have five seconds to spare
   Then I'll tell you the story of my life :
   Sixteen, clumsy and shy
   I went to London and I
   I booked myself in at the Y ... W.C.A.
   I said : "I like it here - can I stay ?
   I like it here - can I stay ?
   And do you have a vacancy
   For a Back-scrubber ?"


   Call me morbid, call me pale
   I've spent too long on your trail
   Far too long
   Chasing your tail
   Oh ...

     
              F#                       G  D  A
   And if you have five seconds to spare
             F#                       G    C  G6
   Then I'll tell you the story of my life :
   D                   A
   Sixteen, clumsy and shy
F#                     Bm     G  
   That's the story of my life
   D                   A
   Sixteen, clumsy and shy
       F#m         F#    
   The story of my life
              Gmaj7          E7
   That's the story of my life
Gmaj7                      E7
   That's the story of my life
Gmaj7                     E7
   That's the story of my life
Gmaj7                 E7..... 
   The story of my life

(repeat Gmaj7/E7 until end)
   That's the story of my life
   That's the story of my life
   That's the story of my life
   That's the story of my life
   That's the story of my life
   That's the story ... 

Half A Person

G                         Em
Panic on the streets of London
G                          Em
Panic on the streets of Birmingham
    C         D     Bb    F
I wonder to myself
  G                 Em
Could life ever be sane again
         G                          Em
On the Leeds side streets that you slip down
    C         D     Bb    F
I wonder to myself.

  G                      Em
Hope's may rise under Grasmeres
G                         Em
But honeypie, you're not safe here
             C
So you run down
                       D    Bb    F
To the safety of the town.
              G                        Em
But there's panic on the streets of Carlisle,
  G                 Em
Dublin, Dundee, Humberside
    C         D
I wonder to myself.

Bb    F    Em    Bm    D
Bb    F    Em    Bm    D

 G             Em
Burn down the disco,
 G               Em
Hang the blessed D.J.,
              C                         D
Because the music that they constantly play,
           G                Em
It says nothing to me about my life,
 G               Em
Hang the blessed D.J.,
              C                         D     Bb    F
Because the music that they constantly play,
         G                          Em
On the Leeds side streets that you slip down,
           G                Em
On the provincial towns you jog round,
         C                              D
Hang the D.J., hang the D.J., hang the D.J.
         C                              D
Hang the D.J., hang the D.J., hang the D.J.
         C                              D
Hang the D.J., hang the D.J., hang the D.J.
 Bb   F   G             Em
Hang the D.J., hang the D.J.,
          G             Em
Hang the D.J., hang the D.J.,
         C                              D
Hang the D.J., hang the D.J., hang the D.J.
 Bb   F   G             Em
Hang the D.J., hang the D.J.,

Panic

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#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
 <6703.9402211448@helios.dmu.ac.uk>
To: jamesb@nevada.edu
Subject: /s/Smiths/Asleep.crd

ASLEEP  by The Smiths from 'Louder Than Bombs'
        Arranged for guitar by Mike Higgott, mah@dmu.ac.uk


C          FM7
Sing me to sleep

Am         FM7
Sing me to sleep

    G          G7  G6
I'm tired and I

  FM7
I want to go to bed

C          FM7
Sing me to sleep

Am         FM7    G
Sing me to sleep

G7  G6   FM7
And then leave me alone

G
Don't try to wake me in the morning

         G7   G6 FM7    G
'Cause I will be gone


Don't feel bad for me

       G7  G6 FM7
I want you to know

G
Deep in the cell of my heart

              FM7
I will feel so glad to go

C          FM7
Sing me to sleep

Am         FM7
Sing me to sleep

        G
I don't want to wake up

G7 G6 FM7
On my own anymore

C         FM7
Sing to me

Am        FM7
Sing to me

        G
I don't want to wake up

G7 G6 FM7          G
On my own anymore


Don't feel bad for me

       G7  G6 FM7
I want you to know

G
Deep in the cell of my heart

         FM7
I really want to go

          G             FM7
There is another world

           G            C
There is a better world

            FM7     Am
Well, there must be

      FM7           G
Well, there must be

C    FM7   Am   FM7   G   [repeated to fade]

Asleep

G   Am     C   D
Shyness is nice and
G   Am      C   D
Shyness can stop you
     G     Am      C         D
From doing all the things in life
            G   Am   C   D
You'd like to

G Am C D 
Shyness is nice and
Shyness can stop you
From doing all the things in life
You'd like to

G Am C D 
So, if there's something you'd like to try
If there's something you'd like to try
Ask me I wont say no, how could I?

G Am C D 
Coyness is nice, and
Coyness can stop you
From saying all the things in
Life you'd like to

G Am C D 
So, if there's something you'd like to try
If there's something you'd like to try
Ask me I wont say no, how could I?

G Am C D 
Spending warm Summer days indoors
Writing frightening verse
To a buck-toothed girl in Luxembourg

G       G       G            C
Ask me, ask me, ask me
G       G       G
Ask me, ask me, ask me

        G     Am    C    D
Because if it's not Love
              G      Am       C
Then it's the bomb, the bomb, the bomb,
   D        G        Am       C
the bomb, the bomb, the bomb, the bomb
          D              Em   D   C       Em   D   C
That will bring us together

G      Am    C     D   G   Am  C  D
Nature is a language - can't you read ?
Nature is a language - can't you read ?

    G       G       G           C
So, ask me, ask me, ask me,
G       G       G
Ask me, ask me, ask me

G Am C D 
Because if it's not Love
Then it's the bomb, the bomb, the bomb,
the bomb, the bomb, the bomb, the bomb
That will bring us together

(G Am C D 
If it's not Love
Then it's the bomb
Then it's the bomb
That will bring us together
    
    G       G       G          C
So, ask me, ask me, ask me,
G       G       G
Ask me, ask me, ask me

G Am C D 
Oh, la...

G Am C D

Louder Than Bombs

|:   Am    F  G/D   F       Am   F       Am   F  :|

Am    F            G/D  F           Am      F   Am    F
     Heifer whines ...    could be human cries 
Am    F   G/D  F      Am             F      Am   F
Closer,  comes   the screaming knife
F                                          D7
This beautiful creature must die ... this beautiful creature must die 
    F                        G                      Am
A death for no reason, and death for no reason is murder
         F                                    D7
And the flesh you so fancifully fry, is not succulent, tasty, or kind
      F          F/E          F/D                 F      Am         D/A
It's death for no reason, and death for no reason is murder
        F             F/E            F/D     F      Am        D/A
And the calf that you carve with a smile ... is murder
          F           F/E      F/D     F      Am     C
And the turkey you festively slice ... is murder
         B                      Am   F   G/D   F
  Do you know how animals die?
  
Am     F     Am   F               F                   D7          
Kitchen aroma's ...  aren't very homely... It's not comforting, cheery, or kind
     F         F/E           F/D      F         Am         D/A
It's sizzling blood, and the unholy stench of MURDER
         F                                 D7
It's not natural, normal, or kind ... the flesh you so fancifully fry
    F             F/E        F/D          F          Am         D/A
The meat in your mouth as you savor the flavor of murder
F   F/E  F/D  F          Am  D/A    F   F/E  F/D  F           Am    C
No,  no,  no ... it's murder...     no,  no,  no ...  it's murder
       B                         
Who hears when animals cry?

|:   Am   F   G/D   F        Am   F     Am   F   :| repeat to fade

Meat Is Murder


INTRO  Bm7 D A A

VERSE 1 
 N.C      Bm7
Punctured bicycle
      D                 A
on a hill side desolate,
                             Bm7         D
will nature make a man of me yet
            A
when this charming car 
           Bm7    D 
this charming man
     A
why pamper lifes complexity

when the leather runs smooth
                  Bm7   D
on the passengers seat______


PRE CHORUS
           A
I would go out tonight
                             Bm7   D
but i havent got a stitch to wear
     A
this man said its gruesome
                                Bm7   D
that someone so handsome should care______

CHORUS
   Dmaj9  E6              F#m7
Ah!    a jumped up pantry boy
    B9             Dmaj9
who never knew his place
   B9     F#m7
he said return the ring
   Dmaj9           E6          F#m7   B9
he knows so much a-bout these things
   Dmaj9           E6          F#m7  
he knows so much a-bout these things

PRE CHORUS 2
 N.C        A
I would go out tonight
                             Bm7   D
but i havent got a stitch to wear
     A  
this man said its gruesome
                                  Bm7   D
that someone so handsome should care___
       A                       Bm7      D
La la la la la la la this charming man___
     A                         Bm7      D
La la la la la la la this charming man___

CHORUS 2
  Dmaj9  E6              F#m7
Ah!    a jumped up pantry boy
    B9             Dmaj9
who never knew his place
   B9     F#m7
he said return the ring
   Dmaj9           E6          F#m7   B9
he knows so much a-bout these things
   Dmaj9           E6          F#m7  
he knows so much a-bout these things
   Dmaj9     E6    F#m7  B9            Dmaj9  B9   F#m7
he knows so much a-bout these    things_________

OUTRO   Dmaj9 E6 F#m7 B9 Dmaj9 B9 F#m7 F#m7

This Charming Man

Am                F               G
I degree today that life is simply taking and not giving
        Am      F                G
England is mine and it owes me a living
           Am            F            G
But ask me why and i'll spit in your eye
   Am           F                    G
Oh ask me why and i'll spit in your eye
    Em         Am          F           G
But we cannot cling to the old dreams anymore
   Em         Am              F          G
No we cannot cling to those dreams.
          Am        F
Does the body rule mind?
             G
or does the mind rule the body?
          Am    F   G
i dunno...
          Am    F          G
Under the iron bridge we kissed
             Am          F          G
and although i ended up with sore lips
         Em   Am            F   G
It just wasnt like the old days anymore
   Em       Am          F
No it wasnt like those days
 G          Am  F  G
Am i still ill?

Am F G

         Am             F
Does the body rule the mind
              G
or does the mind rule the body?

         Am  F G
I dunno...
       Am            F    G
Ask me why and I'll die
   Am          F        G
oh ask me why and I'll die
           Em          Am    F       G
and if you must go to work tomorrow
        Em         Am          F    G
well if I were you I wouldn't bother
                Am               F   G
for there are brighter sides to life

and I should know because I've seen them
                    Am  F G
but not very often


Am    F          G
Under the iron bridge we kissed
             Am          F          G
and although i ended up with sore lips
         Em   Am            F   G
It just wasnt like the old days anymore
   Em       Am          F
No it wasnt like those days
 G          Am  F  G
Am i still ill?

Am F G

Still Ill

Smiths - What Difference Does it make?

A               C                 D                  A           
all men have secrets and here is mine so let it be known

                      C                         D             A
we have been through hell and high tide i can surely rely on you

              C                      D                   A
and yet you start to recoil heavy words are so lightly thrown

                     C            D
but still id leap infront of a flying bullet for you 

A           D               E
so what difference does it make 

A        D                 E
so what difference does it make

F#m       D         F#m         D
it makes none but now you have gone

    F#m                  D          A
and you must be looking very old tonight

A          C                  D            A
the devil will find work for idle hands to do

              C              D                  A
I stole and I lied and why because you asked me to

                     C                           D            A
but now you make me feel so ashamed because Ive only got two hands

                        C    D
well I'm still fond of you oh oo oo oo  oo

A         D                E      A        D                E
so what difference does it make, so what difference does it make

F#m        D   F#m               D
it makes none but now you have gone

      F#m                 D          A
and your prejudice won't keep you warm tonight

A            C                   D            A
oh the devil will find work for idle hands to do

                    C          D                  A
I stole and then I lied just because you asked me to

                       C                      D         A
but now you know the truth about me you won't see me anymore

                        C       D
well I'm still fond of you wo ho oo oo oo

A     D            E   A     D        E
but no more apologies, no more apologies 

F#m          D    F#m          D   
oh I'm too tired I'm so very tried 

         F#m           D            A
and I'm feeling very sick and ill today

                       C          D
but I'm still fond of you who ho oo oo

What Difference Does It Make?

Intro:-  Dsus2 C G   Dsus2 C G

Verse 1
 Em7       A7sus2  C
  Hand in glove
    Em7                     A7sus2   Cmaj7
the sun shines out of our behinds
       Em7                 A7sus2
no its not like any other love
C           Em7                    A7sus2 Cmaj7
this one is different because its us!

Hand In Glove

A               C                 D                  A           
all men have secrets and here is mine so let it be known

                      C                         D             A
we have been through hell and high tide i can surely rely on you

              C                      D                   A
and yet you start to recoil heavy words are so lightly thrown

                     C            D
but still id leap infront of a flying bullet for you 

A           D               E
so what difference does it make 

A        D                 E
so what difference does it make

F#m       D         F#m         D
it makes none but now you have gone

    F#m                  D          A
and you must be looking very old tonight

A          C                  D            A
the devil will find work for idle hands to do

              C              D                  A
I stole and I lied and why because you asked me to

                     C                           D            A
but now you make me feel so ashamed because Ive only got two hands

                        C    D
well I'm still fond of you oh oo oo oo  oo

A         D                E      A        D                E
so what difference does it make, so what difference does it make

F#m        D   F#m               D
it makes none but now you have gone

      F#m                 D          A
and your prejudice won't keep you warm tonight

A            C                   D            A
oh the devil will find work for idle hands to do

                    C          D                  A
I stole and then I lied just because you asked me to

                       C                      D         A
but now you know the truth about me you won't see me anymore

                        C       D
well I'm still fond of you wo ho oo oo oo

A     D            E   A     D        E
but no more apologies, no more apologies 

F#m          D    F#m          D   
oh I'm too tired I'm so very tried 

         F#m           D            A
and I'm feeling very sick and ill today

                       C          D
but I'm still fond of you who ho oo oo

What Difference Does It Make

A|--0-3---2----3-2-2------|
E|----0---0----0----------|
C|------4----0-----2------|
G|----2---0----0---0------|
                                      P        
A|--2-------2-0--------2----2----2---5-2-----|
E|-----2--0-------0--0----3----0---3---------|
C|-------------------------------------------|
G|-------------------------------------------|                               
A|----2-2-2-2-2-2-2-2-2-----|
E|----0-0-0-0-0-0-0-00------|
C|----4-4-4-4-4-4-4-4-------|
G|--------------------------|
             H      H         H       H        H       H        
A|--------------7---------------------------------7-----------|
E|-------------------------------3----------------------------|
C|------------------------------------------------------------| G|--2----5--4-5--5-4-5----5--4-5--5--4-5---5--4-5--5--4-5-----|       H           ~   ~   P      P         H    ~      P      
A|---2-5---5---------5---5-2----5-2----5--2-5--5----5-5-2---|
E|---------0-------------2-0----2-0------0----------2-2-0---|
C|----------------------------------------------------------|
G|--1----1----1--1------------------------1-----------------|
                              P               
A|-----2-2--2-----5---2---2-2---2----5---2--|
E|------0--0-0--0---0------2-3-2-2-0---0----|
C|---4---------0---------4--------0---------|
G|--------0------0-0-0-0------------0-0-0-0-|

Pretty Girls Make Graves

The Smiths

# Dmaj7.   A.                 D.         A
#       Good Times For A Change
#                             F#m.                      G.                        A.   Asus4.  A
# See The Look I've Had Could Make A Good Man Turn Bad
#      G.                    A.                 D.         A.          Gmaj7          
# So Please, Please, Please... Let Me, Let Me, Let Me...
#                               A                         Bm.    Gmaj7.    A
# Let Me Get What I Want This Time
# 
# Dmaj7.                        A.                         D.    A
#            Havn't Had A Dream In A Long Time        
#                           F#m.                       G.                A.   Asus4.  A
# See The Life I've Had Could Make A Good Man Bad
#     G.                         A.         D.     A.            Gmaj7
# So For Once In My Life Let Me... Get What I Want
#                     A.                                Bm
# Lord Knows It Would Be The First Time
#                     A.                                  D.    D7
# Lord Knows It Would Be The First Time
# 
# Instrumental Outro
# G.  A.  D.  A.  Dmaj7
# G.  A.  D.  D7.  F#m.  Bm
# G.  Dmaj7.  A
# ---

Please, Please, Please Let Me Get What I Want

Intro:
Cmaj7 Cm    Gm7 F
F G F G

      Cmaj7                  Am
I was happy in the haze of a drunken hour
    Dm              F         G
But heaven knows I'm miserable now
      Cmaj7                          Am
I was looking for a job, and then I found a job
    Dm             F          G
And heaven knows I'm miserable now

Cmaj7      F G
In my life
Cmaj7                       F/A   G
Why do I give valuable time
   C                    Am C       F/A G/B
To people who don't care if   I   live or die ?

F/A G
C C   Am C
F G


   Cmaj7            Am
Two lovers entwined pass me by
    Dm   Dm          F         G
And heaven knows I'm miserable now
      Cmaj7                          Am
I was looking for a job, and then I found a job
    Dm             F          G
And heaven knows I'm miserable now

Cmaj7   Am
In my life
Dm                      F  G
Why do I give valuable time
   Cmaj7                     Am       Dm       F  G
To people who don't care if   I   live  or die ?

Cmaj7 Cm    Gm7 F
F G F G

         Cmaj7              Am
What she asked of me at the end of the day
 Dm     Dm         F       G
Caligula would have blushed
           Cmaj7                  Am
"Oh, you've been in the house too long" she said
    Dm                  F   G
And  I     na - turally fled

Cmaj7      F G
In my life
Cmaj7    F/A   G
Why do I smile
   C                     Am C       F/A G/B   
At people who I'd much rather kick in the  eye ?

F/A G
C C Am C
F G

      Cmaj7                  Am
I was happy in the haze of a drunken hour
    Dm             F         G
But heaven knows I'm miserable now
           Cmaj7                  Am
"Oh, you've been in the house too long" she said
    Dm                  F   G
And  I     na - turally fled

Cmaj7   Am
In my life
Dm                      F  G
Why do I give valuable time
   Cmaj7                     Am       Dm       F  G
To people who don't care if   I   live  or die ?

Cmaj7 Am Dm F G
Cmaj7 Cm    Gm7 F

Heaven Knows Im Miserable Now

Intro: A7 C D  x2

A7
I am the son and the heir
     C               D          A7
Of a shyness that is criminally vulgar 

I am the son and heir
                           C    D   Fmaj7
Of nothing in particular 

              C
You shut your mouth 
            G
How can you say 
                      A7
I go about things the wrong way 
     Fmaj7                  C
I am Human and I need to be loved 
G                                   A7
Just like everybody else does 

A7 C D  x2

A7
I am the son and the heir
     C               D          A7
Of a shyness that is criminally vulgar 

I am the son and heir
                           C    D   Fmaj7
Of nothing in particular 

              C
You shut your mouth 
            G
How can you say 
                      A7
I go about things the wrong way 
     Fmaj7                  C
I am Human and I need to be loved 
G                                   A7
Just like everybody else does 

A7 C D  x4

Fmaj7
                                 C
There's a club, if you'd like to go 
                       G           A7
You could meet somebody who really loves you 
       Fmaj7                     C
So you go, and you stand on your own 
                      G
And you leave on your own 

And you go home 

And you cry 
                A7
And you want to die 

A7 C D  x4

Fmaj7
                               C     G
When you say it's gonna happen now, 
                             A7
Well, when exactly do you mean?  
         Fmaj7              C       G
See I've already waited too long 
                   A7
And all my hope is gone

A7 C D  x4

Fmaj C G A7  x2

A7

A7 C D  x4

Fmaj7

              C
You shut your mouth 
            G
How can you say 
                      A7
I go about things the wrong way 
     Fmaj7                  C
I am Human and I need to be loved 
G                                   A7
Just like everybody else does

How Soon Is Now

Hatful Of Hollow

Intro: C D C D (x2)


C D
Si es que no puedes hablar
C D
no te atrevas a volver
C D
si te quieres ocultar
C D
tal vez te podria ver
Em D C G C
y el amor que no sabe a quien y que
G C
hablará si tu verdad
Em F
te abrazara otra vez

Em C
Habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G C
y te hace feliz

C D


C D
Si no puedes escuchar
C D
aunque insistas hablaré
C D
si lo quieres mírame
C D
y tus ojos hablaran tal vez
Em D C G C
sentiras el amor e iras tras el
G C
hablaras si tu verdad
Em F
te abrazará otra vez

Em C
Habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G D
y te hace feliz
Em C
habla si puedes
G C
grita si temes
Em C
dime a quien quieres
G D
y te hace feliz


Em G C G
.(CUERDAS)... abrazaméeeeeeeee..
C Em F
quiero despertarme y entender

Em C
habla si puedes
G C
grita si temes
Em C
dime a quien quieres
G D
y que haces aquì
Em C
habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G C
y te hace feliz
G C
y te hace feliz

C D
(fin)

Habla si puedes

C                     G
Se a vida as vezes dá uns dias de segundos cinzas
           Am           F
E o tempo tic taca devagar
         Dm                   Am
Ponha o teu melhor vestido, brilha teu sorriso
      F              C
Vem pra cá, vem pra cá

                                     G
Se a vida muitas vezes só chuvisca, só garôa
        Am               F
E tudo não parece funcionar
         Dm                  Am
Deixe esse problema a toa, pra ficar na boa
      C
Vem pra cá

Refrão:
            Am              F
Do lado de cá, a vista é bonita
          C           G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C          E7
E o meu corpo dança sem parar
            F                  C                 G
Do lado de cá, tem música, amigos e alguém para amar
            C G Am F
Do lado de cá
            C G Am F
Do lado de cá

refrão:
           Am            F
Do lado de cá, a vista é bonita
          C           G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C          E7
E o meu corpo dança sem parar
            F                 C                 G
Do lado de cá, tem música, amigos e alguém para amar
            Am
Do lado de cá

             Am7M            Am7
A vida é agora, vê se não demora
  Dm            E7
Pra recomeçar
Am           Am7M          Am7
É so ter vontade de felicidade
  Dm     G
Pra pular

Refrão:
            Am              F
Do lado de cá, a vista é bonita
          C        G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C         E7
E o meu corpo dança sem parar
              F                C                  G
Do lado de cá, tem música, amigos e alguém para amar
            C G Am F
Do lado de cá
            C G Am F
Do lado de cá
            ( C G Am F ) (2x)
Do lado de cá

Do Lado De Cá

INTRO: un arpegio mas o menos así.

Em E9 Em E9
e|----------7----------------7----------------7----------------7--------|
B|--------8---8------------7---7------------8---8------------7---7------|
G|------9-------9--------9-------9--------9-------9--------9-------9----|
D|----9-----------9----9-----------9----9-----------9----9-----------9--|
A|--7----------------7----------------7----------------7----------------|
E|----------------------------------------------------------------------|


Como intro:
Desnudar el sin razón
que modelo nuestras vidas
Parece ser causa perdida.

Nadie apuesta detener
el motor que contamina
el aire que a diario respiras

Am
Y que respiraste ayer,
Como intro
y que mañana tal vez, no lo sé.
Por eso hoy

Am
Reflexionando en esto,
C5
la madrugada pasó,
B5 / Am / G5 / F5# / Em
y dejó otro día para ser.


BASE: (mas o menos - no la entiendo)
e|---------------------------------------------------------|
B|---------------------------------------------------------|
G|---------------------------------------------------------|
D|--------------------------/5-------------------------/4--|
A|--------------------------/3-------------------------/2--|
E|--2-3-2-0-2-3-2-0-2-3-2-0----2-3-2-0-2-3-2-0-2-3-2-0-----|


Ser guardianes o vigías de toda la miel
que guarda en toda colmena el sucio poder.
Predador, ecologista, pobre o gran señor.
Drogadependiente, doctor o paciente,
entreverado en el montón.



e|---------+----------------------|
B|---------+----------------------|(A partir de la 2da. vez
G|---------+----------------------| no hace la primer parte)
D|--2-/5-4-+-----/5-4-----2-/5-4--|
A|--2------+-4-5--------4-2-------|
E|--0------+-2-3--------2-0-------|

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser

Culpable o inocente, malviviente o juez.
O quien con sólo su firma decreta la ley.
Pronucleares informistas modelan la situación.
Más tecnología, por más energía.
Fuga radiactiva de progreso.

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser.


e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2-5--|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0--------|

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2-5--|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0--------|


Solo guitarra

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|



Derrame de combustible, exterminio forestal.
El motor contaminante no se detendrá.
Para ser hay otro día en el planeta inferior.
Como cualquier día, como todo día
Con o sin mi reflexión.

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser.

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser.

FIN:e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|

Ser o no ser

Chords: C F Am G
Strumming pattern: down, down, up, up, down, up

You're way too (C) beautiful girl,
That's (Am) why it'll never work
You'll have me (F) suicidal, (G) suicidal
When you (C) say it's over
Damn all these (C) beautiful girls,
They (Am) only wanna do your dirt
They'll have you (F) suicidal, (G) suicidal
When they (C) say it's over
See it (C) started at the park
Used to chill after dark
Oh, (Am) when you took my heart
That's when we fell apart
'Cause (F) we both thought
That (G) love last (C) forever (last forever)
They (C) say we're too young
To get ourselves sprung
Oh (Am) we didn't care
We made it very clear
And they (F) also said
That we (G) couldn't last (C) together (last together)
See it's (C) very divine, girl
You're one of a kind
But you (Am) mush up my mind
You ought to get declined
Oh (F) Lord
My (G) baby is driving me (C) crazy

(Chorus)

It was (C) back in '99
Watchin' movies all the time
Oh (Am) when I went away
For doin' my first crime
And (F) I never thought
That (G) we was gonna see each (C) other (see each other)
And then (C) I came out
Mami moved me down South
Oh (Am) I'm with my girl
Who I thought was my world
It (F) came out to be
That (G) she wasn't the girl for (C) me (girl for me)

(Refrain and chorus)

(C) Now we're fussin'
And now we're fightin'
(Am) Please tell me why
I'm feelin' slighted
And (F) I don't know
(G) How to make it (C) better (make it better)
You're (C) datin' other guys
You're tellin' me lies
Oh (Am) I can't believe
What I'm seein' with my eyes
I'm (F) losin' my mind
And (G) I don't think it's (C) clever (think it's clever)

(Refrain and Chorus)

Beautiful Girls

Donde hay numeros en vez de acordes es porque no se
como se llaman esos acordes y pongo abajo como se hacen




F9/A Cm
Ya no sé donde fue,
F9/A C
con su luz tu verdad,
F9/A Cm
avanzar y no avanzar,
1 G
que loco remolino,

ya no ves . . .

ya no ves . . .

la maldad que hay allí . . .

solo estás en tu cruz,

oh déjame explorarte,
F4 C
solo extiéndete una vez más . . .
F4 C
extiéndete una vez más . . .

la canción de la sed,

como el agua se nos fue . . .

líbrame . . .

Oh! líbrame . . .

Líbrame de la galaxia

ya no ves . . .

ya no ves

lo que ya sé nos pasó

respirar y oxidar,

y olvidarse y no fumar . . .

solo extiéndete una vez más . . .

exiténdete una vez más . . .

extiendete una vez más

extiendete una vez más

Nota: C B y
Am 2
eres mi esperanza
Am 3
solo una grieta en mi existir . . .
4
no somos solo hombres
5 6 7
y como fondo un cielo.

no es solo un burro,

que es un ángel de fe,

tal vez

me sentirás tal vez

me sentirás

las aguas en tus ojos

vibran su dulce brillo

una piel y una flor

son tus pechos,

que no piensan menos mal,

oh por favor,

gira loca girasol . . .

déjame como estoy,

ya te amé y allí morí,

quédate quédate oh!

déjame explicarte,

solo extiéndete una vez más . . .

extiéndete una vez más . . .

eres mi esperanza,

solo una grieta en mi existir . . .

no somos solo cuerpos,

y como un fondo un cielo . . .

no es solo un burro,

que es un ángel de fe

tal vez me sentirás

tal vez me sentirás

1:*5455*
2:*0*110
3:2**13*
4:3*445*
5:5**56*
6:7*775*
7:5*555*

Espero que puedan sacar esta genial cancion del mejor
compositor del rock de Argentina (a mi parecer).

Extiéndete una vez más

Intro
D|----------------9-8----|
A|--7--------7-10-7-6~---|X4
E|--5--------5-8---------|

e|----------------------------------------------|
B|----------------------------------------------|
G|-----------------------------X-5-X-7-X-5-5-7--|
D|----------------------9-8----X-5-X-7-X-5-5-7--|X2
A|--7----7----7----7-10-7-6---------------------|
E|--5--5-5--5-5----5-8--------------------------|

e|------------------------------------------|--|-----|
B|------------------------------------------|--|-----|
G|-----X-5-X-7-X-5-5-7-----X-5-X-7-X-5-5-7--|--|-----|
D|-----X-5-X-7-X-5-5-7--8--X-5-X-7-X-5-5-7--|X7|-8-8-|
A|--7-------------------6-------------------|--|-6-6-|
E|--5---------------------------------------|--|-----|

D|----------7-6~-----------|
A|--------7--------7-5-----|X4
E|--5-5-8--------------8-7-|

G|--5-h-7-----5-h-7-----5-h-7----------|
D|--5-h-7-----5-h-7-----5-h-7-----9-8--|X4
A|--------0-0-------0-0-------0-0-7-6--|

D|----------7-6~-----------|
A|--------7--------7-5-----|X4
E|--5-5-8--------------8-7-|

G|--5-h-7-----5-h-7-----5-h-7----------|
D|--5-h-7-----5-h-7-----5-h-7-----9-8--|X8
A|--------0-0-------0-0-------0-0-7-6--|

e|----------------------------------------------|
B|----------------------------------------------|
G|-----------------------------X-5-X-7-X-5-5-7--|
D|----------------------9-8----X-5-X-7-X-5-5-7--|X6
A|--7------7--7----7-10-7-6---------------------|
E|--5------5--5----5-8--------------------------|

G|--5-h-7-----5-h-7-----5-h-7----------|
D|--5-h-7-----5-h-7-----5-h-7-----9-8--|X12
A|--------0-0-------0-0-------0-0-7-6--|

e|----------------------------------------------|--|-----|
B|----------------------------------------------|--|-----|
G|-----------------------------X-5-X-7-X-5-5-7--|--|-----|
D|----------------------9-8----X-5-X-7-X-5-5-7--|X4|-8-8-|
A|--7------7--7----7-10-7-6---------------------|--|-6-6-|
E|--5------5--5----5-8--------------------------|--|-----|

Resistirse a complacer

INTRO: DOm - FA - MIb - LA# - DOm - MIb - FA - LA# - DOm

DOm - FA - MIb - LA#

DOm LA# DOm LA#
Saber que es lo que te pasa, sabes a veces lleva tiempo

DOm LA#
Es que el amor es una ciencia exacta,

DOm LA#
Y el dolor suele ser un misterio

SOL# DOm
Salir, parece buena idea,

SOL# DOm
Escapar, esa no es la manera de seguir

SOL# DOm
No esperar que el tiempo arregle todo,

SI LA#
Cuestión de encontrar el modo de reír

DOm FA MIb LA# DOm
Y si no estas bien, no te desarmes

FA MIb LA# DOm
Ponte de pie y andar y andar

FA MIb LA# DOm
No los escuchés pueden marearte

FA MIb LA# DOm
Solo saben hablar, y hablar y hablar

PUENTE: DOm LA# DOm LA#


DOm LA# DOm LA# DOm
A donde vas? No entiendo, no

LA# DOm LA#
Por que estas mintiendo?

DOm FA MIb LA# DOm
Y si no estas bien, no te desarmes

FA MIb LA# DOm
Ponte de pie y andar y andar…

FA MIb LA# DOm
No los escuchés pueden marearte

FA MIb LA# DOm
Solo saben hablar, y hablar y hablar...


SOLO: DOm LA#

FINAL: DOm - FA - MIb - LA# - DOm - MIb - FA - LA#

Andar

este es el solo de Tangolpeando espero q les sirva mas q nada
para q se animen
a pasar mas transcripciones a esta pagina de almaferte ovio
Solo:e-|---5---5---5---5---5-------------------------------|-
B-|---5---5---5---5---5-------------------------------|-
G-|---------------------------------------------------|-
D-|-7---6---5---4-------------------------------------|-
A-|-----------------7-----5--5-7-5-3------------------|-
E-|---------------------------------------------------|-

e-|---------------------------------------------------|-
B-|---------------------------------------------------|-
G-|-----------7-9-10---9-10-9-7-------9--7-9-7--------|-
D-|----7-9-10---------------------10-----------9--7--6|-
A-|-11------------------------------------------------|-
E-|---------------------------------------------------|-

e-|---5---5---5---5---5-------------------------------|-
B-|---5---5---5---5---5-------------------------------|-
G-|---------------------------------------------------|-
D-|-7---6---5---4-------------------------------------|-
A-|-----------------7-----5--5-7-5-3------------------|-
E-|---------------------------------------------------|-

e-|--------------------------------------------------|-
B-|---5------------------5---------------------------|-
G-|-7------7-5-4---5--7----7-5-4--5--5---------------|-
D-|--------------------------------------------------|-
A-|--------------------------------------------------|-
E-|--------------------------------------------------|-

e-|--------------------------------------------------|-
B-|--------12-12-10--10-9---9-10-12------------------|-
G-|---4--9-------------------------------------------|-
D-|--4-----------------------------------------------|-
A-|-4------------------------------------------------|-
E-|--------------------------------------------------|-

e-|-----12-10-12---10--------8-10---8-----------------|-
B-|---------------------------------------------------|-
G-|---7------------------5----------------------------|-
D-|---7------------------5----------------------------|-
A-|-5-5----------------3-3----------------------------|-
E-|---------------------------------------------------|-
F E
e-|----------------------------------------------------|-
B-|-6-5---6-5-----5------------------------------------|-
G-|-----7-----7-5---7-5-4-7-5-4-2-4--2-----------------|-
D-|----------------------------------------------------|-
A-|---------------------------------------0-2-3--------|-
E-|-------------------------------------4--------------|-

buenoesta es mi primere transcripsion pero no la ultima
esta bastane bien sacado (acepto criticas)
y !!!Aguante EL TANO LocO Lo maS GRande
desde Comodoro Km3 soy el monito saludos a todos los q me conocen

Tangolpeado

E|-----------------------------------|-0-1-0-3-0-----5-3-----3-----|
B|-----------1-0-----3-1/0/1---------|-----------2-------6-5---(6)-|
G|-----0---------2-1---------(2)---2-|-------------2---------------|
D|-0/2---3-2-------------------------|-------------------------(0)-|
A|---------------------------------0-|-----------------------------|
E|-------------------------------0---|-----------------------------|

|-3---------------------0--------------|
|---6/5/3/5/6---1---0-3---0-3-1--------|
|--------------------------------2-----|
|--------------------------------------|
|-------------0-2-2-------------0------|
|----------------------------------3-2-|

|-----------------------------------------------|
|--1-0-1--------0-1-0-1-0-0-0/1/2/3-3-1-3/5-<3>-|
|-2-----2------2------5-------------------------|
|--------3-2-1--------2-------------0-----------|
|-----------------------------------------------|
|-----------------------------------------------|

|--0---5--5--8/5-7--0-5-8-7-5-0-7/9-5---|
|---1-------------------------------5-5-|
|----2------------------------------5-2-|
|--------(3)----------------------------|
|-0-----------------------------------0-|
|---------------------------------------|

|-----5-7/5---9/5----10/12-10-9/10/9---7-|
|----5-----5-----5---------------------7-|
|-4/6-------6-----6----------------------|
|----------------------------------------|
|-0-----0--------------------------------|
|------------------------------------7---|

|-7-9-10-9-10/12------10-9----------------------------|
|--------------------------12-10-9--------------------|
|----------------9/11--------------11-11-9--------9-7-|
|-----------------------------------------------9-----|
|-------------------------------------9----9/11-------|
|-----------------------------------------------------|
X2
|--------------------|-------------------|
|--------7-----------|-------7-----------|
|---9-6----9-7-6-9-6-|--9-7----9-7-6-9-7-|
|------7-------------|-----6-------------|
|-0------------------|-------------------|
|--------------------|-0-----------------|
FA#
|--------------------2-0-----0-------------------------|
|---------10---------2---3-2---3/2/3---3---2---0-------|
|---9-6--------------3---------------4---2---------2-1-|
|-------7------------4---------------------------------|
|------------0-------4---------------2---0-------------|
|-0------------4-3-2-2-----------------------4---2-----|

|--------------------------------1-|---------5---7-8-7-5-|
|-10-9-7-------------------------3-|-5-4-3----5----------|
|--------9-7-6-------------------1-|-----------5---------|
|--------------9-7-6-------------3-|---------------------|
|--------------------9-7-5---------|-7-6-5-3-------------|
|--------------------------9-7-5---|---------------------|

|---7----------|------8-|------------|
|-----8---8----|----10--|-12-10-8-10-|
|----------9-9-|---9----|------------|
|-------9---9--|--------|-9----------|
|--------------|-8------|------------|
|-0------------|--------|------------|
SOLm FA
|--------0-----|-3-5-3---0-1-3-1-|-1-------3-1-----0-|
|--------------|-3-----6-------1-|-1-1-3-1-----1-3---|
|-9------------|-3-------------2-|-2-------0---------|
|---10---------|-5-------------3-|-3-----------------|
|--------------|-5-------3-----3-|-3-----------------|
|------8---1-2-|-3-------------1-|-1-----------------|
DO LA RE
|---------------0-|----2-|-----------0-2-4-|
|------1-------2--|---3--|---0-2-4---------|
|-----0-------2---|--2---|-----------------|
|------------2----|-0----|-1---------------|
|-2-3----2-0------|------|-----------------|
|-----------------|------|---------0-------|

|-----5-7/5---9/5----10/12-10-9/10/9---7-|
|----5-----5-----5---------------------7-|
|-4/6-------6-----6----------------------|
|----------------------------------------|
|-0-----0--------------------------------|
|------------------------------------7---|

|-7-9-10-9-10/12------10-9----------------------------|
|--------------------------12-10-9--------------------|
|----------------9/11--------------11-11-9--------9-7-|
|-----------------------------------------------9-----|
|-------------------------------------9----9/11-------|
|-----------------------------------------------------|
X2
|------------------------|---------------------|
|---------7---------10---|---------7-------9---|
|---9-6-----9-7-6------9-|---9-7-----9-7-6---9-|
|-------7---------7------|-------6-------------|
|-0----------------------|---------------------|
|------------------------|-0-------------------|

|--------------------2-0-----0------------------|
|---------10---------2---3-2---3/2/3--3-5-7-10--|
|---9-6--------------3---------------4-6-7-9----|
|-------7------------4--------------------------|
|------------0-------4---------------2-4-5-7----|
|-0------------4-3-2-2--------------------------|

MI LA
|-------------------7-9-10-12-14--12-14-15-17-|-----|
|-9-10-9-7---7-9-10---------------------------|---1-|
|----------9----------------------------------|-1-2-|
|---------------------------------------------|-2-2-|
|---------------------------------------------|-2-0-|
|---------------------------------------------|-0---|

BUENO ACA LES DEJO PARA RATO CON ESTA MILONGA/TANGO DEL TANO
HAY QUE PONERLE PILA EN LAS PARTES RAPIDAS
EN CUALQUIER MOMENTO SALE PARA TODOS MIS COMPAÑEROS
SALUDOS AGUANTE EL TANO (EL MEJOR GUITARRISTA ARGENTO)
R.A.F
(raf_prey07@hotmail.com)

Sopla el pampero

SIbm MI5 SIb5
En las mugrientas esquinas de Liniers pierdo los dias
MI5 SIbm
pues no me toca escapar.
MI5 SIb5
El gran apego a lo ilusorio se refleja en la vidrieras
MI5 SIbm
de un trucho centro comercial.

DO#5 SIb5
La idolatria populosa se dibuja en largas filas
DO#5 SIbm
para adorar y no pensar.
DO#5 SIb5
La piedra muerta del desvio falsamente milagrosa
DO#5 SOL# SIbm
sigue ocultando la verdad.

MI5 SIb5
Insatisfechos, renegados que se niegan a si mismos,
MI5 SIbm
faltos de calma y de piedad.
MI5 SIb5
Buscan el triangulo en las niñas para alimentar su morbo,
MI5 SIbm
y masturbarse en soledad.

DO#5 SIb5
Ellas tambien gozan mostrandose inocentes,son arpìas,
DO#5 SIbm
esclavas del televisor,
DO#5 SIb5
Viven pensando en lo externo, son adictas a la vida
DO#5 SOL# SIbm
buscan billetes y pasion.


SIbm---FA#

FA# SOL# SIbm SIbm---FA#
Solo transmito lo que observo,
FA# SOL# SIbm SIbm---FA#
no es una invencion de mi mente, no.
FA# SOL# DO#5 DO5 SIb5
Esto acontece cuando contemplo el presente
FA# SOL# SIbm
en las calles de Liniers.


MI5 SIb5
Mas cuando el sol, mi fiel testigo, da de lleno en el asfalto
MI5 SIbm
y derrite el alquitran
MI5 SIb5
Los fermentos nauseabundos de la basura estancada
MI5 SIbm
entorpecen mi pensar.

DO#5 SIb5
En la esquina un policia esta peleando con su hembra;
DO#5 SIbm
pues esta nunca le fue fiel
DO#5 SIb5
bajo el paso de las vias los mendigos se revuelcan
DO#5 SOL# SIbm
muy pocos los quieren mirar.

MI5 SIb5
Y la inverbe horda humana que desciende de los trenes,
MI5 SIbm
desesperada y alocada
DO#5 SIb5
Contamina mi cabeza y busco amarlos como sea
DO#5 SOL# SIbm
para no volver jamas, hey...


SIbm---FA#

FA# SOL# SIbm SIbm---FA#
Solo transmito lo que observo,
FA# SOL# SIbm SIbm---FA#
no es una invencion de mi mente, no.
FA# SOL# DO#5 DO5 SIb5
Esto acontece cuando contemplo el presente
FA# SOL# SIbm
en las calles de Liniers.

MI5 SIb5 MI5 SIb5 MI5 SIb5 SIbm FIN
En las calles, en las calles, en las calles de Liniers.

Frankly Mr Shankly	No rating	beginner	Chords	Full
I Know It's Over	No rating	beginner	Chords	Full
The Boy With The Thorn In His Side	No rating	beginner	Chords	Full
Frankly, Mr. Shankly	No rating	intermediate	Chords	Full
There Is A Light That Never Goes Out	No rating	intermediate	Chords	Full	Other versions
Bigmouth Strikes Again	No rating	beginner	Chords	Full	Other versions
I Know Its Over	No rating	beginner	Chords	Full
Some Girls Are Bigger Than Others	No rating	beginner	Chords	Full
Frankly Mr. Shankly	No rating	intermediate	Chords	Full

The Queen Is Dead

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