Arlo Guthrie (born July 10, 1947, Brooklyn, New York ) is an American folk singer who is the son of folk singer and composer Woody Guthrie and his wife Marjorie Mazia Guthrie, a one-time professional dancer with the Martha Graham Company and founder of The Committee to Combat Huntington's Disease. He graduated from the Stockbridge School of Massachusetts in 1965, and briefly attended Rocky Mountain College.  

Arlo Guthrie est un musicien américain, fils de Woody Guthrie et de Marjorie Mazia Guthrie, né le 10 juillet 1947 à Brooklyn, New York.   Il écrivit la chanson Alice's Restaurant (sa chanson la plus connue) en 1967. La chanson est une critique satirique du service militaire obligatoire aux 

Arlo Guthrie (* 10. Juli 1947 in Coney Island, Brooklyn, New York) ist ein amerikanischer Folk-Musiker.  Er ist der älteste Sohn des legendären Folk-Musikers Woody Guthrie und setzt die musikalische Tradition der Familie fort. Arlo wurde sozusagen mit der Gitarre in der Hand geboren und hatte seinen ersten Auftritt mit 13 Jahren. Einer seiner Lehrmeister war, neben seinem Vater, Pete Seeger. Au

C             G           C
1. Riding on the city of New Orleans
2. Dealin' card games with the old men in the club car
3. Nighttime on the city of New Orleans

    Am                F              C
1. Illinois Central, Monday morning rail
2. Penny a point ain't no one keepin' score
3. Changing cars in Memphis, Tennessee

    C                G                C
1. Fifteen cars and fifteen restless riders
2. Pass the paper bag that holds the bottle
3. Half way home, we'll be there by morning

          Am             G7                   C
1. Three conductors and twenty-five sacks of mail
2. Feel the wheels rumblin' 'neath the floor
3. Through the Mississippi darkness rolling down to the sea

    Am                       
1. All along the southbound odyssey
2. And the sons of Pullman Porters
3. But all the towns and people seem

        Em
1. The train pulled out at Kankakee
2. And the sons of engineers
3. To fade into a bad dream

    G                                      D
1. And rolls along past houses, farms and fields
2. Ride their father's magic carpet made of steel
3. And the steel rails still ain't heard the news

    Am
1. Passin' trains that have no names
2. Mothers with their babes asleep
3. The conductor sings his songs again

        Em
1. And freight yards full of old black men
2. Are rockin' to the gentle beat
3. The passengers will please refrain

    G                         G7           C     C7
1. And the graveyards of the rusted automobiles
2. And the rhythm of the rail is all they feel
3. This train has got the disappearing railroad blues


 F                    G            C
Good morning [night] America, how are you

     Am                 F               C
Say don't you know me, I'm your native son

 G7      C                   G           Am   Am7   D7
I'm the train they call the city of New Orleans

             Bb        F       G                     C
And I'll be gone five hundred miles when the day is done

City Of New Orleans

RCidin' on the CGity of New OCrleans,

IlAmlinois Central, MonFday morning raiCl.G 

There's 1C5 cars and 1G5 restless rCiders, 

and Am3 conductors, 2G5 sacks of mCail. 




They're Amout on a south-bound odeyssey, 

the tEmrain pulls out of Kankakee, 

roGllin' past the houses, farms, and fiDelds. 

And the pAmassin' towns that have no name, 

fEmreight yards full of old black men, 

and the gravGeyards of G7rusted automoCbiles. 




CHORUS: 

FGood morning AGmerica. How Care you? 

Say, Amdon't you know me? IF'm your native sCon.G 

I'm the tCrain they call the CGity of New OAmrleansD7. 

I'll be gone 5F00 mGiles when the day is dCone. 




Verse:2 

Dealin' cCard games with the oGld men in the cClub car, 

PAmenny a point ain't Fno one keepin' scCore,G 

Won't you pCass the paper bGag that holds the bCottle, 

Yeah, and fAmeel the wheels a-grGumblin' 'neath the flCoor, 

And the sAmons of pullmen porters, and the Emsons of engineers, 

ride their faGthers' magic carpet made of stDeel. 




MoAmthers with their babes asleep, 

are rEmockin' to the gentle beat, 

and the rhGythm of the raG7ils is all they fCeel. 




CHORUS: 

FGood morning AGmerica. How Care you? 

Say, Amdon't you know me? IF'm your native sCon.G 

I'm the tCrain they call the CGity of New OAmrleansD7. 

I'll be gone 5F00 mGiles when the day is dCone. 




Verse:3 

NCight time on the CGity of New OCrleans, 

cAmhangin' cars in MeFmphis TennCessee,G 

HaClfway home, weG'll be there by moCrnin', 

through the MiAmssissippi darkness, 

rolGlin' down to the sCea. 




But Amall the towns and people seem, 

to fEmade into a bad dream, 

and the sGteel rail, still ain't heard the nDews. 

The conAmductor sings his songs again, 

the paEmssengers will please refrain, 

this trGain's got tt disappeG7ar in' them railroad bClues. 




CHORUS: 

FGood morning AGmerica. How Care you? 

Say, Amdon't you know me? IF'm your native sCon.G 

I'm the tCrain they call the CGity of New OAmrleansD7. 

I'll be gone 5F00 mGiles when the day is dCone. 




I'll be gone 5F00 mGiles when the day is dCone.

City Of  New Orleans

Hobo's Lullaby 

D
VICTOR JARA OF CHILE
G                     D
LIVED LIKE A SHOOTING STAR
   G                        D
HE FOUGHT FOR THE PEOPLE OF CHILE
         Em               G
WITH HIS SONGS AND HIS GUITAR
    Bm         A           G          D
HIS HANDS WERE GENTLE, HIS HANDS WERE STRONG

VICTOR JARA WAS A PEASANT
HE WORKED FROM A FEW YEARS OLD
HE SAT UPON HIS FATHER'S PLOW
AND WATCHED THE EARTH UNFOLD
HIS HANDS WERE GENTLE, HIS HANDS WERE STRONG

NOW WHEN THE NEIGHBORS HAD A WEDDING
OR ONE OF THEIR CHILDREN DIED
HIS MOTHER SANG ALL NIGHT FOR THEM
WITH VICTOR BY HER SIDE
HIS HANDS WERE GENTLE, HIS HANDS WERE STRONG

HE GREW UP TO BE A FIGHTER
AGAINST THE PEOPLE'S WRONGS
HE LISTENED TO THEIR GRIEF AND JOY
AND TURNED THEM INTO SONGS
HIS HANDS WERE GENTLE, HIS HANDS WERE STRONG

HE SANG ABOUT THE COPPER MINERS
AND THOSE WHO WORKED THE LAND
HE SANG ABOUT THE FACTORY WORKERS
AND THEY KNEW HE WAS THEIR MAN
HIS HANDS WERE GENTLE, HIS HANDS WERE STRONG

HE CAMPAIGNED FOR ALLENDE
WORKING NIGHT AND DAY
HE SANG "TAKE HOLD OF YOUR BROTHERS HAND
YOU KNOW THE FUTURE BEGINS TODAY"
HIS HANDS WERE GENTLE, HIS HANDS WERE STRONG

THEN THE GENERALS SEIZED CHILE
THEY ARRESTED VICTOR THEN
THEY CAGED HIM IN A STADIUM
WITH FIVE-THOUSAND FRIGHTENED MEN
HIS HANDS WERE GENTLE, HIS HANDS WERE STRONG

VICTOR STOOD IN THE STADIUM
HIS VOICE WAS BRAVE AND STRONG
AND HE SANG FOR HIS FELLOW PRISONERS
TILL THE GUARDS CUT SHORT HIS SONG
HIS HANDS WERE GENTLE, HIS HANDS WERE STRONG

THEY BROKE THE BONES IN BOTH HIS HANDS
THEY BEAT HIM ON THE HEAD
THEY TORE HIM WITH ELECTRIC SHOCKS
AND THEN THEY SHOT HIM DEAD
HIS HANDS WERE GENTLE, HIS HANDS WERE STRONG

Victor Jara

Amigo

# Intro #

Am    C6    D    F    C    Esus4    E

# Verses #

Am    C6    D    F    C    E

# Chorus #

Am    C6    D

Am    C6    D

Am    C6    D

F     C     Esus4    E

Coming Into Los Angeles

Running Down the Road 

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Alice's Restaurant

Intro: C   G   F
       C   G   C     F   


C     G     F       C
 Poor Adam alone in Eden
        G       F
 Taking off his shoes
C         G        F         C
 Tired of running around all morning
Dm                   G
 From his animal interviews
F    C           Dm         C
 He awoke with a hand on his brow
        G       F     
 Asking who are you
Am             Em           F       C
 They spent the rest of their lives together
Dm             G
 Making their debuts
F           Em        Dm     C 
 Dressed in leaves and wearing blues

Some say one thing, some say two
Ain't much about it anyone can do
Keep on walking till my soles wear through
Wearing away my shoes
Evening comes and the sky turns red
Clouds of colors cover up our heads
Ain't it something just to lie here in bed
Just me and you

Oh Mary, wrapped up in glory
What are you going to tell your groom
How's he going to feel on the day of your wedding
What will your friends assume
Oh, but Joseph and Mary were married
The angels carried the news
What the Lord has joined together
The world must not undo

There's a wedding down at the church this morning
Let's uo wish them well
It's a beautiful day for getting married
I hope the weather lasts as well
It's been years since we've been married
I know we paid some dues
Now ain't it something just to lie here together
Just me and you
Outlasting the blues

Wedding Song

Outlasting the Blues 

A                     F#m
It's the tenth of January
      D                  F#m
And I still ain't had no sleep
D          D
She comes waItzing in the nighttime
        E
Made of wings
A                        F#m
She is dressed up like a bandit
       D                F#m
With a hundred sparkling rings
D        D                 E
Looking for my company to keep
D
Coming closer to me
     E             A
She doesn't say a word
       D                         E
In the shadow of the carved rock tower
A                       F#m
Where the sounds of the night
D                       F#m
Were the only things we heard
D     E       A
In my darkest hour


She don't want to hear no secrets
She would guarantee me that
She knows there ain't no words
That can describe her
With her white silk scarves
And her black Spanish hat
She knows there ain't no way I can deny her
Yes her blue velvet perfume
Filling up the night
The guards are all asleep
That watch the tower
The moon light held her breast
As she easily undressed
In my darkest hour

Her father's in his chambers with his
Friends all gathered 'round
They are plotting their enemy's demise
With their last detail done
They await the coming sun
While I am staring in my lover's eyes
Her brothers and her sisters
Are all through for tonight
Pretending that they've just
Come into power
But she far most of all, knows that they
Can only fall
In my darkest hour

Hungry wings; their melodies
While my love awakens me
In the midst of the sunburst first light
Her hands are holding up the skies
As I hid my opened eyes
Every move just for herself
And that's so right
Soon I went along my way
With no words that could explain
As she began descending to the tower
Her safety now concerns me
Her circumstance to blame
In my darkest hour

Darkest Hour

Live in Sydney

C              A7                 D7      G7     C     
You can get anything you want at Alice's restaurant.
C              A7                   D7
You can get anything you want at Alice's restaurant.
C               F
Walk right in.  It's around the back.
D7
Just a half a mile from the railroad tracks.
C              A7                 D7      G7     C     
You can get anything you want at Alice's restaurant.

Arlo Guthrie

Sharin' in the Groove

Verse 1:
           B
I'm going back to the time when we owned this town
      E
Down Powder Mill Lane, in the battlegrounds
C#m        B                   G#m  B     F#
We were friends and lovers and clueless clowns


Verse 2:
                      B       
I didn't know I'd be finding out now I was torn from you
         E
When we thought about things we were gonna do
C#m      B                    G#m B  F# 
We were wide eyed dreamers and wiser too


Chorus:
               E              B 
Go down to the rides on East Parade,
        G#m                   F#
by the lights of the Palace Arcade
                    E                     G#m   F#   
Watch night coming down on the Sovereign Light Café


Verse 3:
                          B
I'm begging you for some sign, but you've still got nothing to say
        E
Don't turn your back on me, don't walk away
C#m     B                   G#m  B   F#
I'm a better man now than I was that day


Chorus:
                      E              B 
Let's go down to the rides on East Parade,
        G#m                   F#
by the lights of the Palace Arcade
                    E                     G#m   F#   
Watch night coming down on the Sovereign Light Café

                 E               B
Go down to the bandstand on the pier
           G#m                    F#
Watch the drunks and the lovers appear
                      E                     G#m   F#     
Take time, just the stars at the Sovereign Light Café


Bridge:
   E        B           F#
I wheel my bike off the train,
        F#
Up the North Trade Road,
 E        B             F# 
Look for you on Marley Lane
                          G#m
In every building, every streetlight
                   E               F#  G#m  B  F#
Oh why did we ever go so far from home?


Verse 4:
                        B
You keep on leaving me mile long traces of who you are
         E
You can get a big house and a faster car
C#m      B                    G#m   B  F#
You can run away boy, but you won't go far


Chorus:
                      E              B
Let's go down to the rides on East Parade,
        G#m                   F#
by the lights of the Palace Arcade
                    E                     G#m   F#   
Watch night coming down on the Sovereign Light Café

                    E                B
Stroll down to the bandstand on the pier
           G#m                    F#
Watch the drunks and the lovers appear
                     E                      G#m   F#
Take time, just the stars at the Sovereign Light Café 

      E            B    G#m
La la la la la la la la Yeah, 
     F#                      E       B   F#
I'm going where the people know my name


Outro:
E B G#m F#
E B G#m F# B

Sovereign Light Cafe

strumming pattern
D-DUD-D

F,G,C,Em7

mmmmm mmmm mmmm 

F                    G
Work, work, work, work, work, work. He said me haffi
C                   Em7
Work, work, work, work, work, work! He see me do mi
F                     G
Dirt, dirt, dirt, dirt, dirt, dirt! So me put in
C                   Em7
Work, work, work, work, work, work. When you ah guh
F                        G
Learn, learn, learn, learn, learn Meh nuh cyar if him
C                   Em7
Hurt, hurt, hurt, hurt, hurting


[Verse 1: Rihanna]

F              G
Dry! ...Me a desert
C                 Em7
Nuh time to have ya lerkin'
F                        G
Him ago act like him nuh like it
C                           Em7
You know I dealt with you the nicest
F                        G
Nuh body touch me in the righteous
C                     Em7
Nuh botha, text me in a crisis 
           F                    G
I believed all of your dreams, adoration
            C                    Em7
You took my heart and my keys and my patience
            F                        G
You took my heart on my sleeve for decoration
                C                          Em7
You mistaken my love I brought for you for foundation
           F             G
All that I wanted from you was to give me
C            Em7
Something that I never had
F                   G
Something that you've never seen
C                     Em7
Something that you've never been!
F     G
Mmmmm!
      C                          
But I wake up and act like nothing's wrong
D
Just get ready fi...


[Hook: Rihanna]
F                    G
Work, work, work, work, work, work. He said me haffi
C                   Em7
Work, work, work, work, work, work! He see me do mi
F                     G
Dirt, dirt, dirt, dirt, dirt, dirt! So me put in
C                   Em7
Work, work, work, work, work, work. When you ah guh
F                        G
Learn, learn, learn, learn, learn Meh nuh cyar if him
C                   Em7
Hurt, hurt, hurt, hurt, hurting
F             G
Ner ner ner ner ner ner!
               C           Em7
When you a guh ner ner ner ner ner ner!
                  F                 G
Before the tables turn turn turn turn turn turn!
C             Em7
Beg you something please


[Verse 2: Rihanna]

F            G
Baby don't you leave
               C                 Em7
Do''t leave me stuck here in the streets, 
   F                  G
uh huh If I get another chance to
       C                Em7
I will never, no never neglect you
      F                         G
I mean who am I to hold your past against you?
       C                    Em7
I just hope that it gets to you
  F           G
I hope that you see this through
  C                      Em7
I hope that you see this true
F          G
What can I say?
       C          
Please recognize I'm tryin', baby!!!
 Em7
I have to


[Hook: Rihanna]

F                    G
Work, work, work, work, work, work. He said me haffi
C                   Em7
Work, work, work, work, work, work! He see me do mi
F                     G
Dirt, dirt, dirt, dirt, dirt, dirt! So me put in
C                   Em7
Work, work, work, work, work, work. When you ah guh
F                        G
Learn, learn, learn, learn, learn Meh nuh cyar if him
C                   Em7
Hurt, hurt, hurt, hurt, hurting


[Verse 3: Drake]

N.C.
Yeah, okay
F        G        C                   Em7
You need to get done, done, done, done at work, come over
F               G
We just need to slow the motion
C                   Em7
Don't give that away to no one
F            G
Long distance, I need you
C                          Em7
When I see potential I just gotta see it through
F                        G
If you had a twin, I would still choose you
C                           Em7
I don't wanna rush into it, if it's too soon
      F      G               C              
But I know you need to get done, done, done, done
   Em7
If you come over
F            G
Sorry if I'm way less friendly
C                    Em7
I got n____s tryna end me,
F G           C                 Em7
oh,     I spilled all my emotions tonight, I'm sorry
F               G
Rollin', rollin', rollin', rollin', rollin'
C                                Em7
How many more shots until you're rollin'?
F              G
We just need a face to face
C                    Em7            F
You could pick the time and the place
               G
You spent some time away
C                Em7
Now you need to forward and give me all the...


[Hook: Rihanna]

F                    G
Work, work, work, work, work, work. He said me haffi
C                   Em7
Work, work, work, work, work, work! He see me do mi
F                     G
Dirt, dirt, dirt, dirt, dirt, dirt! So me put in
C                   Em7
Work, work, work, work, work, work. When you ah guh
F                        G
Learn, learn, learn, learn, learn Meh nuh cyar if him
C                   Em7
Hurt, hurt, hurt, hurt, hurting

mmm mmm mmm..


[Outro: Rihanna]

work work work work work work

F G C D
F G C D

Work

Intro: C D C D (x2)


C D
Si es que no puedes hablar
C D
no te atrevas a volver
C D
si te quieres ocultar
C D
tal vez te podria ver
Em D C G C
y el amor que no sabe a quien y que
G C
hablará si tu verdad
Em F
te abrazara otra vez

Em C
Habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G C
y te hace feliz

C D


C D
Si no puedes escuchar
C D
aunque insistas hablaré
C D
si lo quieres mírame
C D
y tus ojos hablaran tal vez
Em D C G C
sentiras el amor e iras tras el
G C
hablaras si tu verdad
Em F
te abrazará otra vez

Em C
Habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G D
y te hace feliz
Em C
habla si puedes
G C
grita si temes
Em C
dime a quien quieres
G D
y te hace feliz


Em G C G
.(CUERDAS)... abrazaméeeeeeeee..
C Em F
quiero despertarme y entender

Em C
habla si puedes
G C
grita si temes
Em C
dime a quien quieres
G D
y que haces aquì
Em C
habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G C
y te hace feliz
G C
y te hace feliz

C D
(fin)

Habla si puedes

(Chorus)
G
You xxxx X xxx'x smile xxxx xxx
Em
X can't xxxxx xxxxxxx xxx
Am7
I xxx'x xxxxx xxx X xxx'x sing
D7
I'm xxxxxxx xx xxxx xx xx xxxxxxxx
(1st Verse)
G
You xxx X xxxx xxx xxxx xxx'xx sad
Em
X feel xxxx xxxx xxx'xx glad
Am7
If xxx xxxx xxxx xxxx X'x xxxxx through
D7                              G Em G Em
X just xxx'x xxxxx without xxx
(2nd verse)
G
You xxxx along xxxx xxxx x song
Em
Xxx brightened xx xxx
Am7
Whod've xxxxxxxx xxxx xxx xxxx xxxx xx x dream
                  D7
Xxx xx xxx xxxxx light xxxxx xxxx
(Chorus)
         G 
Xxx now xxx xxx X xxx'x smile xxxx xxx
Em
X can't xxxxx xxxxxxx xxx
Am7
I xxx'x xxxxx xxx X xxx'x sing
D7                          Eb
I'm xxxxxxx xx xxxx xx xx anything
(3rd Verse)
Ab
You xxx X xxxx xxx xxxx xxx'xx sad
   Fm
X feel xxxx xxxx xxx'xx glad
Bbm
If xxx xxxx xxxx xxxx X'x xxxxx through
Ebm
X just xxx'x xxxxx
Ebm                                 Ab               C#
Now xxxx xxxxxx xxx happiness xxxxx so xxxx xxxx xx find
C#m                                         Eb     E
Well, X'x xxxxxxx xx xxxx xxxxxxx xxxx xxxx behind me
A
And xxx xxx X xxx'x smile xxxxxxx xxx
F#m
X can't xxxxx xxxxxxx xxx
Bm
X xxx'x laugh xxx X xxx'x sing
E
X'x finding xx xxxx xx xx xxxxxxxx
Bb
You xxx X xxxx xxxx xxxx xxx'xx glad
Gm
X feel xxx xxxx xxx'xx sad
Cm
If xxx xxxx knew xxxx X'x xxxxx through
F
X just xxx'x smile xxxxxxx xxx

Can't Smile Without You

LA RE
Jo et duré a casa si fa mal temps
MI FA#m
Jo t’empararé si un cas tens por
SIm MI
Jo te cuidaré si estàs malalta
RE LA
De tot cor, de tot cor
RE REm LA
De tot cor

MI RE DO#m-SIm-LA

FA#m DO#m
Estic a punt d’anar-me’n
RE LA RE
Mes abans de partir et diré
REm LA
Que et duc dins es pensament

FA#m DO#m
No deix de recordar-te
RE LA RE
I alen els teus alens tot calents
REm SIm MI
De lluny i de prop me tens


Jo et duré...

FA#m DO#m
I a dalt de s’escenari
RE LA RE
Quan estic concentrat cantant
REm MI
Jo sempre te tenc present

FA#m DO#m
Perquè m’ets necessari
RE LA
Com s’aire que respir
RE REm SIm MI
Necessit estar amb tu en tot moment


Jo et duré... ( bis )

De tot cor

Intro: Em  A  Em  A

       Em               A                Em                   
 A
Verse: Be on my side or be on your side, there is no reason for you to hide,
       Em                 A
       Its so hard for me stayin' here all alone, when you could be takin'
       A                Em                                             A
       Me for a ride... She could drag me, over the rainbow, send me away


        G     D         A    G  D          A
Chorus:  Down by the ri-ver,  I shot my ba-by

 Em        A
 Ooh, Ooh, shot her dead


Verse 2:You take my hand I'll take your hand, together we may get away,

        This must madness is too much sorrow, its impossible to make it

        today... She could drag me, over the rainbow, send me away


(Chorus)

(Verse 1)

Down By The River

Intro: D-A-Bm-Em-A  x4

         D                 A                          
I'll confess tonight your all thats on my mind
        Bm            A                   D
I know these roof top nights could last forever.
              A                            Bm
we watched the seasons change, we saw the distance pull us away,
           A
from all we shared together.

D                       A
Right now is all we have you better make this count
Bm                       A
these are the moments i wish i could forget you.

D                            A                                          Bm
I think back to the nights I looked into your bright green eyes and you said,
    Em    A
lets run away.
D                             A                             Bm
its 9am the sun wont rise for 3 more hours pacific time you said
    Em    A
lets run away.

play intro  x2

D                    A
I picked apart every word that you said
  Bm                              A
I dissected each sentence but kept coming up empty
D                         A
the way you are leaves me counting the days
        Bm                            A
till the next time this distance will be a memory


D                        A        
Right now is all we have you better make this count
Bm                     D
these are the moments i wish i could forget you.


D                            A                                          Bm
I think back to the nights I looked into your bright green eyes and you said,
     Em   A
lets run away.
D                            A                              Bm
its 9am the sun wont rise for 3 more hours pacific time you said
     Em   A
lets run away.

D-A-Bm-A

where have you been


                                                                        Bm
I think back to the nights I looked into your bright green eyes and you said,
     Em   A
lets run away.
D                            A                                          Bm
I think back to the nights I looked into your bright green eyes and you said,
     Em   A
lets run away.
D                            A                              Bm
its 9am the sun wont rise for 3 more hours pacific time you said
     Em   A
lets run away


American Dream 

G Bm Em A
Well everybody's lookin' for something they can't find,
Walking straight ahead blind-folded production line,
Only taking time for one type of shoe-shine.
Don't look left/right now you got a street fine.
Everybody lookin' for just a little more.
Working late-nights trying to fight off the day glow.
Waiting for the come-around but it is a no show.
Driving in the fast lane lookin' for the slow-mo...

C D A
Oh whats in store I don't know anymore.
Oh what's inside 'cos I can't hide from it no more.
Oh what you see well it's not me anymore.
Oh I don't know well I don't know man anymore because 

G Bm Em A
I tell you once I tell you twice, gonna be a long time
But you don't take no one's advice, gonna be a long time you,
Where were you, you weren't listenin', gonna be a long time
Gonna be a long time.

G Bm Em A
So now you're face down, face lookin like a frying pan.
Hitting up the clubs trying to feel like a real man.
Beating your chest just like you're King Kong but you're just a gui-tar no-string no-song.
Feeling free like ya don't even know it, man you're towing the line hoping you just don't blow it.
Man ya stuck in the mainframe trying to win the big game so much potential it even makes it more of a shame, shame, shame...
Here we go again, same old shit just another name.
Looking at the destiny there in your palm,
But now you got your strings but you got no song.
So sing, sing, sing - shake it like a chicken wing.
It's not what you get it's about what you bring-bring-bring.
So bring it, bring it to the table, not because you have to 'cos you're willing and you're able!

C D A
Oh what's in store I don't know anymore.
Oh what's inside 'cos I can't hide from it no more.
Oh what you see well it's not me anymore.
Oh I don't know, I don't know anymore because 

G Bm Em A
I tell you once I tell you twice, gonna be a long time.
But you don't take no one's advice, gonna be a long time.
You, where were you, you weren't listening, gonna be a long time.
Gonna be a long time.

Gonna Be A Long Time

[intro x2]
A  E  D A

A                                        E
when there's no place you feel at home
              D                               A
and you think you'd be better off alone
A                                          E
when you think there's no reason to try
               D                           A
and you hate yourself and wanna die

A                                      E
when you're filled with anxiety
             D                   A
and everyone's your enemy
A                                        E
when you wish you were someone else
                 D                        A
and you wanna go out and kill yourself

[chorus]

E D                 A
ooh you're overreacting

(you can change your mind)
E D                A
ooh you're overreacting

(take your time)


A                       E
when you get yourself depressed
                      D                   A
because you think you can't do your best
A                                         E
when you write yourself a stupid song
           D                        A
to remind yourself that you forgot

[chorus]

E D                 A
ooh you're overreacting

(you can change your mind)
E D                A
ooh you're overreacting

(take your time)


[BRIDGE]
# chords x2:
A  E  D  A

A|------------------------------------------------------|
E|-0-2--------------------------------------------------|
C|------------------------------------------------------|
G|-----2-4-2---2-4-2-1---1-1-2-2-1-2-4-2-1-22-----------|     x2



[chorus]

E D                 A
ooh you're overreacting

(you can change your mind)
E D                A
ooh you're overreacting

Overreacting

C#
There's a portrait
     Ab
In a back room
           F#
Which I'll keep for days upon
          C#
Which I relent 
              B
And gaze for hours on
    Bbm                  F#
The muscle, skin and bone
         Ab
Of some imaginary friend

F# Ab F#

        C#
So how about it 
        Ab
Show me please 
           F#
How I will look in twenty years
           C#
And let me please 
          B
Interpret history 
       Bbm        F#
In every line and scar 
               Ab                  
That's painted there in front of me

F# Ab F# Ab F# Ab

           C#
It doesn't matter
         Ab
What I'm thinking
       F#
What I tell myself to do
         C#      F#
I end up calling

       C#
I stay in to
                   Ab
Defrost the fridge
        F#
Now the kid has gone to bed
             C#
A feeling of dread
              B         
At least when she's around
    Bbm
The trouble's there
     F#                        Ab
It's worse to wake up with her falling 'round the room

F# Ab F# Ab F# Ab

       C#
Listen Johnny
              F#
You're like a mother
       C#                     F#
To the girl you've fallen for
                 C#
And you're still falling

       C#
Listen Johnny
              Ab
You're like a mother
       F#
To the girl you've fallen for
                 C#
And you're still falling

            B
And if they come tonight
       Bbm
You'll roll up tight
     F#             Ab
And take whatever's coming to you next (oh, oh oh oh)

 F# Ab to end.

City Of New Orleans	No rating	intermediate	Tab	Full
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Hobo's Lullaby

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