Amigo

Running Down the Road 

Alice's Restaurant

Outlasting the Blues 

Live in Sydney

Sharin' in the Groove

Hobo's Lullaby 

Arlo Guthrie (born July 10, 1947, Brooklyn, New York ) is an American folk singer who is the son of folk singer and composer Woody Guthrie and his wife Marjorie Mazia Guthrie, a one-time professional dancer with the Martha Graham Company and founder of The Committee to Combat Huntington's Disease. He graduated from the Stockbridge School of Massachusetts in 1965, and briefly attended Rocky Mountain College.  

C              A7                 D7      G7     C     
You can get anything you want at Alice's restaurant.
C              A7                   D7
You can get anything you want at Alice's restaurant.
C               F
Walk right in.  It's around the back.
D7
Just a half a mile from the railroad tracks.
C              A7                 D7      G7     C     
You can get anything you want at Alice's restaurant.

Arlo Guthrie

D
VICTOR JARA OF CHILE
G                     D
LIVED LIKE A SHOOTING STAR
   G                        D
HE FOUGHT FOR THE PEOPLE OF CHILE
         Em               G
WITH HIS SONGS AND HIS GUITAR
    Bm         A           G          D
HIS HANDS WERE GENTLE, HIS HANDS WERE STRONG

VICTOR JARA WAS A PEASANT
HE WORKED FROM A FEW YEARS OLD
HE SAT UPON HIS FATHER'S PLOW
AND WATCHED THE EARTH UNFOLD
HIS HANDS WERE GENTLE, HIS HANDS WERE STRONG

NOW WHEN THE NEIGHBORS HAD A WEDDING
OR ONE OF THEIR CHILDREN DIED
HIS MOTHER SANG ALL NIGHT FOR THEM
WITH VICTOR BY HER SIDE
HIS HANDS WERE GENTLE, HIS HANDS WERE STRONG

HE GREW UP TO BE A FIGHTER
AGAINST THE PEOPLE'S WRONGS
HE LISTENED TO THEIR GRIEF AND JOY
AND TURNED THEM INTO SONGS
HIS HANDS WERE GENTLE, HIS HANDS WERE STRONG

HE SANG ABOUT THE COPPER MINERS
AND THOSE WHO WORKED THE LAND
HE SANG ABOUT THE FACTORY WORKERS
AND THEY KNEW HE WAS THEIR MAN
HIS HANDS WERE GENTLE, HIS HANDS WERE STRONG

HE CAMPAIGNED FOR ALLENDE
WORKING NIGHT AND DAY
HE SANG "TAKE HOLD OF YOUR BROTHERS HAND
YOU KNOW THE FUTURE BEGINS TODAY"
HIS HANDS WERE GENTLE, HIS HANDS WERE STRONG

THEN THE GENERALS SEIZED CHILE
THEY ARRESTED VICTOR THEN
THEY CAGED HIM IN A STADIUM
WITH FIVE-THOUSAND FRIGHTENED MEN
HIS HANDS WERE GENTLE, HIS HANDS WERE STRONG

VICTOR STOOD IN THE STADIUM
HIS VOICE WAS BRAVE AND STRONG
AND HE SANG FOR HIS FELLOW PRISONERS
TILL THE GUARDS CUT SHORT HIS SONG
HIS HANDS WERE GENTLE, HIS HANDS WERE STRONG

THEY BROKE THE BONES IN BOTH HIS HANDS
THEY BEAT HIM ON THE HEAD
THEY TORE HIM WITH ELECTRIC SHOCKS
AND THEN THEY SHOT HIM DEAD
HIS HANDS WERE GENTLE, HIS HANDS WERE STRONG

Victor Jara

# Intro #

Am    C6    D    F    C    Esus4    E

# Verses #

Am    C6    D    F    C    E

# Chorus #

Am    C6    D

Am    C6    D

Am    C6    D

F     C     Esus4    E

Coming Into Los Angeles

Am               
Coming in from London
        D7
From over the pole
F               C     E7
Flying in a big airliner
Am                          D7
Chickens flying everywhere around the plane
F                       C     E7
Could we ever feel much finer?

CHORUS:
Am                 D7
Coming into Los Angeles
Am                      D7
Bringing in a couple of keys
Am                     D7
Don't touch my bags if you please
                F     C    E7
Mister Customs Man

Commin' Into Los Angeles

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RCidin' on the CGity of New OCrleans,

IlAmlinois Central, MonFday morning raiCl.G 

There's 1C5 cars and 1G5 restless rCiders, 

and Am3 conductors, 2G5 sacks of mCail. 




They're Amout on a south-bound odeyssey, 

the tEmrain pulls out of Kankakee, 

roGllin' past the houses, farms, and fiDelds. 

And the pAmassin' towns that have no name, 

fEmreight yards full of old black men, 

and the gravGeyards of G7rusted automoCbiles. 




CHORUS: 

FGood morning AGmerica. How Care you? 

Say, Amdon't you know me? IF'm your native sCon.G 

I'm the tCrain they call the CGity of New OAmrleansD7. 

I'll be gone 5F00 mGiles when the day is dCone. 




Verse:2 

Dealin' cCard games with the oGld men in the cClub car, 

PAmenny a point ain't Fno one keepin' scCore,G 

Won't you pCass the paper bGag that holds the bCottle, 

Yeah, and fAmeel the wheels a-grGumblin' 'neath the flCoor, 

And the sAmons of pullmen porters, and the Emsons of engineers, 

ride their faGthers' magic carpet made of stDeel. 




MoAmthers with their babes asleep, 

are rEmockin' to the gentle beat, 

and the rhGythm of the raG7ils is all they fCeel. 




CHORUS: 

FGood morning AGmerica. How Care you? 

Say, Amdon't you know me? IF'm your native sCon.G 

I'm the tCrain they call the CGity of New OAmrleansD7. 

I'll be gone 5F00 mGiles when the day is dCone. 




Verse:3 

NCight time on the CGity of New OCrleans, 

cAmhangin' cars in MeFmphis TennCessee,G 

HaClfway home, weG'll be there by moCrnin', 

through the MiAmssissippi darkness, 

rolGlin' down to the sCea. 




But Amall the towns and people seem, 

to fEmade into a bad dream, 

and the sGteel rail, still ain't heard the nDews. 

The conAmductor sings his songs again, 

the paEmssengers will please refrain, 

this trGain's got tt disappeG7ar in' them railroad bClues. 




CHORUS: 

FGood morning AGmerica. How Care you? 

Say, Amdon't you know me? IF'm your native sCon.G 

I'm the tCrain they call the CGity of New OAmrleansD7. 

I'll be gone 5F00 mGiles when the day is dCone. 




I'll be gone 5F00 mGiles when the day is dCone.

City Of  New Orleans

C             G           C
1. Riding on the city of New Orleans
2. Dealin' card games with the old men in the club car
3. Nighttime on the city of New Orleans

    Am                F              C
1. Illinois Central, Monday morning rail
2. Penny a point ain't no one keepin' score
3. Changing cars in Memphis, Tennessee

    C                G                C
1. Fifteen cars and fifteen restless riders
2. Pass the paper bag that holds the bottle
3. Half way home, we'll be there by morning

          Am             G7                   C
1. Three conductors and twenty-five sacks of mail
2. Feel the wheels rumblin' 'neath the floor
3. Through the Mississippi darkness rolling down to the sea

    Am                       
1. All along the southbound odyssey
2. And the sons of Pullman Porters
3. But all the towns and people seem

        Em
1. The train pulled out at Kankakee
2. And the sons of engineers
3. To fade into a bad dream

    G                                      D
1. And rolls along past houses, farms and fields
2. Ride their father's magic carpet made of steel
3. And the steel rails still ain't heard the news

    Am
1. Passin' trains that have no names
2. Mothers with their babes asleep
3. The conductor sings his songs again

        Em
1. And freight yards full of old black men
2. Are rockin' to the gentle beat
3. The passengers will please refrain

    G                         G7           C     C7
1. And the graveyards of the rusted automobiles
2. And the rhythm of the rail is all they feel
3. This train has got the disappearing railroad blues


 F                    G            C
Good morning [night] America, how are you

     Am                 F               C
Say don't you know me, I'm your native son

 G7      C                   G           Am   Am7   D7
I'm the train they call the city of New Orleans

             Bb        F       G                     C
And I'll be gone five hundred miles when the day is done

City Of New Orleans

[Am] Coming in to London from [D] over the pole
[F] Flying in a [C] big air [E7] liner
[Am] Chicken flying everywhere [D] around the plane
[F] No we couldn't [C] feel much [E7] finer

[Am] Coming in to  Los Ange [D] les
[Am] Bringing in a couple of [D] ki's
[Am] Don't touch my bags if you [D]please mister [F] customs [C] man [E7]

[Am] There's a guy with a ticket to [D] Mexico
[F] No he couldn't [C] look much [E7] stranger
[Am] Walking in the hall with his [D] things and all
[F] Smiling said he [C] was the Lone [E7] ranger


[Am] Coming in to  Los Ange [D] les
[Am] Bringing in a couple of [D] ki's
[Am] Don't touch my bags if you [D]please mister [F] customs [C] man [E7]

(REFRAIN - play chords from the verse and chorus)

[Am] Hip woman walking on the [D] moving floor
[F] Tripping on the [C] escal [E7] ator
[Am] There's a man in the line and she's [D] blowing his mind
[F] Thinking that he's [C] already [E7] made her


[Am] Coming in to  Los Ange [D] les
[Am] Bringing in a couple of [D] ki's
[Am] Don't touch my bags if you [D]please mister [F] customs [C] man [E7]



[Am] Coming in to London from [D] over the pole
[F] Flying in a [C] big air [E7] liner
[Am] Chicken flying everywhere [D] around the plane
[F] No we couldn't [C] feel much [E7] finer

[Am] Coming in to  Los Ange [D] les
[Am] Bringing in a couple of [D] ki's
[Am] Don't touch my bags if you [D]please mister [F] customs [C] man [E7]

Coming In To Los Angeles

A                     F#m
It's the tenth of January
      D                  F#m
And I still ain't had no sleep
D          D
She comes waItzing in the nighttime
        E
Made of wings
A                        F#m
She is dressed up like a bandit
       D                F#m
With a hundred sparkling rings
D        D                 E
Looking for my company to keep
D
Coming closer to me
     E             A
She doesn't say a word
       D                         E
In the shadow of the carved rock tower
A                       F#m
Where the sounds of the night
D                       F#m
Were the only things we heard
D     E       A
In my darkest hour


She don't want to hear no secrets
She would guarantee me that
She knows there ain't no words
That can describe her
With her white silk scarves
And her black Spanish hat
She knows there ain't no way I can deny her
Yes her blue velvet perfume
Filling up the night
The guards are all asleep
That watch the tower
The moon light held her breast
As she easily undressed
In my darkest hour

Her father's in his chambers with his
Friends all gathered 'round
They are plotting their enemy's demise
With their last detail done
They await the coming sun
While I am staring in my lover's eyes
Her brothers and her sisters
Are all through for tonight
Pretending that they've just
Come into power
But she far most of all, knows that they
Can only fall
In my darkest hour

Hungry wings; their melodies
While my love awakens me
In the midst of the sunburst first light
Her hands are holding up the skies
As I hid my opened eyes
Every move just for herself
And that's so right
Soon I went along my way
With no words that could explain
As she began descending to the tower
Her safety now concerns me
Her circumstance to blame
In my darkest hour

Darkest Hour

Intro: C   G   F
       C   G   C     F   


C     G     F       C
 Poor Adam alone in Eden
        G       F
 Taking off his shoes
C         G        F         C
 Tired of running around all morning
Dm                   G
 From his animal interviews
F    C           Dm         C
 He awoke with a hand on his brow
        G       F     
 Asking who are you
Am             Em           F       C
 They spent the rest of their lives together
Dm             G
 Making their debuts
F           Em        Dm     C 
 Dressed in leaves and wearing blues

Some say one thing, some say two
Ain't much about it anyone can do
Keep on walking till my soles wear through
Wearing away my shoes
Evening comes and the sky turns red
Clouds of colors cover up our heads
Ain't it something just to lie here in bed
Just me and you

Oh Mary, wrapped up in glory
What are you going to tell your groom
How's he going to feel on the day of your wedding
What will your friends assume
Oh, but Joseph and Mary were married
The angels carried the news
What the Lord has joined together
The world must not undo

There's a wedding down at the church this morning
Let's uo wish them well
It's a beautiful day for getting married
I hope the weather lasts as well
It's been years since we've been married
I know we paid some dues
Now ain't it something just to lie here together
Just me and you
Outlasting the blues

Wedding Song

Intro: C D C D (x2)


C D
Si es que no puedes hablar
C D
no te atrevas a volver
C D
si te quieres ocultar
C D
tal vez te podria ver
Em D C G C
y el amor que no sabe a quien y que
G C
hablará si tu verdad
Em F
te abrazara otra vez

Em C
Habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G C
y te hace feliz

C D


C D
Si no puedes escuchar
C D
aunque insistas hablaré
C D
si lo quieres mírame
C D
y tus ojos hablaran tal vez
Em D C G C
sentiras el amor e iras tras el
G C
hablaras si tu verdad
Em F
te abrazará otra vez

Em C
Habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G D
y te hace feliz
Em C
habla si puedes
G C
grita si temes
Em C
dime a quien quieres
G D
y te hace feliz


Em G C G
.(CUERDAS)... abrazaméeeeeeeee..
C Em F
quiero despertarme y entender

Em C
habla si puedes
G C
grita si temes
Em C
dime a quien quieres
G D
y que haces aquì
Em C
habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G C
y te hace feliz
G C
y te hace feliz

C D
(fin)

Habla si puedes

C                     G
Se a vida as vezes dá uns dias de segundos cinzas
           Am           F
E o tempo tic taca devagar
         Dm                   Am
Ponha o teu melhor vestido, brilha teu sorriso
      F              C
Vem pra cá, vem pra cá

                                     G
Se a vida muitas vezes só chuvisca, só garôa
        Am               F
E tudo não parece funcionar
         Dm                  Am
Deixe esse problema a toa, pra ficar na boa
      C
Vem pra cá

Refrão:
            Am              F
Do lado de cá, a vista é bonita
          C           G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C          E7
E o meu corpo dança sem parar
            F                  C                 G
Do lado de cá, tem música, amigos e alguém para amar
            C G Am F
Do lado de cá
            C G Am F
Do lado de cá

refrão:
           Am            F
Do lado de cá, a vista é bonita
          C           G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C          E7
E o meu corpo dança sem parar
            F                 C                 G
Do lado de cá, tem música, amigos e alguém para amar
            Am
Do lado de cá

             Am7M            Am7
A vida é agora, vê se não demora
  Dm            E7
Pra recomeçar
Am           Am7M          Am7
É so ter vontade de felicidade
  Dm     G
Pra pular

Refrão:
            Am              F
Do lado de cá, a vista é bonita
          C        G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C         E7
E o meu corpo dança sem parar
              F                C                  G
Do lado de cá, tem música, amigos e alguém para amar
            C G Am F
Do lado de cá
            C G Am F
Do lado de cá
            ( C G Am F ) (2x)
Do lado de cá

Do Lado De Cá

INTRO: un arpegio mas o menos así.

Em E9 Em E9
e|----------7----------------7----------------7----------------7--------|
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G|------9-------9--------9-------9--------9-------9--------9-------9----|
D|----9-----------9----9-----------9----9-----------9----9-----------9--|
A|--7----------------7----------------7----------------7----------------|
E|----------------------------------------------------------------------|


Como intro:
Desnudar el sin razón
que modelo nuestras vidas
Parece ser causa perdida.

Nadie apuesta detener
el motor que contamina
el aire que a diario respiras

Am
Y que respiraste ayer,
Como intro
y que mañana tal vez, no lo sé.
Por eso hoy

Am
Reflexionando en esto,
C5
la madrugada pasó,
B5 / Am / G5 / F5# / Em
y dejó otro día para ser.


BASE: (mas o menos - no la entiendo)
e|---------------------------------------------------------|
B|---------------------------------------------------------|
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A|--------------------------/3-------------------------/2--|
E|--2-3-2-0-2-3-2-0-2-3-2-0----2-3-2-0-2-3-2-0-2-3-2-0-----|


Ser guardianes o vigías de toda la miel
que guarda en toda colmena el sucio poder.
Predador, ecologista, pobre o gran señor.
Drogadependiente, doctor o paciente,
entreverado en el montón.



e|---------+----------------------|
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G|---------+----------------------| no hace la primer parte)
D|--2-/5-4-+-----/5-4-----2-/5-4--|
A|--2------+-4-5--------4-2-------|
E|--0------+-2-3--------2-0-------|

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser

Culpable o inocente, malviviente o juez.
O quien con sólo su firma decreta la ley.
Pronucleares informistas modelan la situación.
Más tecnología, por más energía.
Fuga radiactiva de progreso.

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser.


e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2-5--|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0--------|

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2-5--|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0--------|


Solo guitarra

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|



Derrame de combustible, exterminio forestal.
El motor contaminante no se detendrá.
Para ser hay otro día en el planeta inferior.
Como cualquier día, como todo día
Con o sin mi reflexión.

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser.

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser.

FIN:e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|

Ser o no ser

Chords: C F Am G
Strumming pattern: down, down, up, up, down, up

You're way too (C) beautiful girl,
That's (Am) why it'll never work
You'll have me (F) suicidal, (G) suicidal
When you (C) say it's over
Damn all these (C) beautiful girls,
They (Am) only wanna do your dirt
They'll have you (F) suicidal, (G) suicidal
When they (C) say it's over
See it (C) started at the park
Used to chill after dark
Oh, (Am) when you took my heart
That's when we fell apart
'Cause (F) we both thought
That (G) love last (C) forever (last forever)
They (C) say we're too young
To get ourselves sprung
Oh (Am) we didn't care
We made it very clear
And they (F) also said
That we (G) couldn't last (C) together (last together)
See it's (C) very divine, girl
You're one of a kind
But you (Am) mush up my mind
You ought to get declined
Oh (F) Lord
My (G) baby is driving me (C) crazy

(Chorus)

It was (C) back in '99
Watchin' movies all the time
Oh (Am) when I went away
For doin' my first crime
And (F) I never thought
That (G) we was gonna see each (C) other (see each other)
And then (C) I came out
Mami moved me down South
Oh (Am) I'm with my girl
Who I thought was my world
It (F) came out to be
That (G) she wasn't the girl for (C) me (girl for me)

(Refrain and chorus)

(C) Now we're fussin'
And now we're fightin'
(Am) Please tell me why
I'm feelin' slighted
And (F) I don't know
(G) How to make it (C) better (make it better)
You're (C) datin' other guys
You're tellin' me lies
Oh (Am) I can't believe
What I'm seein' with my eyes
I'm (F) losin' my mind
And (G) I don't think it's (C) clever (think it's clever)

(Refrain and Chorus)

Beautiful Girls

LA RE
Jo et duré a casa si fa mal temps
MI FA#m
Jo t’empararé si un cas tens por
SIm MI
Jo te cuidaré si estàs malalta
RE LA
De tot cor, de tot cor
RE REm LA
De tot cor

MI RE DO#m-SIm-LA

FA#m DO#m
Estic a punt d’anar-me’n
RE LA RE
Mes abans de partir et diré
REm LA
Que et duc dins es pensament

FA#m DO#m
No deix de recordar-te
RE LA RE
I alen els teus alens tot calents
REm SIm MI
De lluny i de prop me tens


Jo et duré...

FA#m DO#m
I a dalt de s’escenari
RE LA RE
Quan estic concentrat cantant
REm MI
Jo sempre te tenc present

FA#m DO#m
Perquè m’ets necessari
RE LA
Com s’aire que respir
RE REm SIm MI
Necessit estar amb tu en tot moment


Jo et duré... ( bis )

De tot cor

Intro
D|----------------9-8----|
A|--7--------7-10-7-6~---|X4
E|--5--------5-8---------|

e|----------------------------------------------|
B|----------------------------------------------|
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D|----------------------9-8----X-5-X-7-X-5-5-7--|X2
A|--7----7----7----7-10-7-6---------------------|
E|--5--5-5--5-5----5-8--------------------------|

e|------------------------------------------|--|-----|
B|------------------------------------------|--|-----|
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D|-----X-5-X-7-X-5-5-7--8--X-5-X-7-X-5-5-7--|X7|-8-8-|
A|--7-------------------6-------------------|--|-6-6-|
E|--5---------------------------------------|--|-----|

D|----------7-6~-----------|
A|--------7--------7-5-----|X4
E|--5-5-8--------------8-7-|

G|--5-h-7-----5-h-7-----5-h-7----------|
D|--5-h-7-----5-h-7-----5-h-7-----9-8--|X4
A|--------0-0-------0-0-------0-0-7-6--|

D|----------7-6~-----------|
A|--------7--------7-5-----|X4
E|--5-5-8--------------8-7-|

G|--5-h-7-----5-h-7-----5-h-7----------|
D|--5-h-7-----5-h-7-----5-h-7-----9-8--|X8
A|--------0-0-------0-0-------0-0-7-6--|

e|----------------------------------------------|
B|----------------------------------------------|
G|-----------------------------X-5-X-7-X-5-5-7--|
D|----------------------9-8----X-5-X-7-X-5-5-7--|X6
A|--7------7--7----7-10-7-6---------------------|
E|--5------5--5----5-8--------------------------|

G|--5-h-7-----5-h-7-----5-h-7----------|
D|--5-h-7-----5-h-7-----5-h-7-----9-8--|X12
A|--------0-0-------0-0-------0-0-7-6--|

e|----------------------------------------------|--|-----|
B|----------------------------------------------|--|-----|
G|-----------------------------X-5-X-7-X-5-5-7--|--|-----|
D|----------------------9-8----X-5-X-7-X-5-5-7--|X4|-8-8-|
A|--7------7--7----7-10-7-6---------------------|--|-6-6-|
E|--5------5--5----5-8--------------------------|--|-----|

Resistirse a complacer

INTRO: DOm - FA - MIb - LA# - DOm - MIb - FA - LA# - DOm

DOm - FA - MIb - LA#

DOm LA# DOm LA#
Saber que es lo que te pasa, sabes a veces lleva tiempo

DOm LA#
Es que el amor es una ciencia exacta,

DOm LA#
Y el dolor suele ser un misterio

SOL# DOm
Salir, parece buena idea,

SOL# DOm
Escapar, esa no es la manera de seguir

SOL# DOm
No esperar que el tiempo arregle todo,

SI LA#
Cuestión de encontrar el modo de reír

DOm FA MIb LA# DOm
Y si no estas bien, no te desarmes

FA MIb LA# DOm
Ponte de pie y andar y andar

FA MIb LA# DOm
No los escuchés pueden marearte

FA MIb LA# DOm
Solo saben hablar, y hablar y hablar

PUENTE: DOm LA# DOm LA#


DOm LA# DOm LA# DOm
A donde vas? No entiendo, no

LA# DOm LA#
Por que estas mintiendo?

DOm FA MIb LA# DOm
Y si no estas bien, no te desarmes

FA MIb LA# DOm
Ponte de pie y andar y andar…

FA MIb LA# DOm
No los escuchés pueden marearte

FA MIb LA# DOm
Solo saben hablar, y hablar y hablar...


SOLO: DOm LA#

FINAL: DOm - FA - MIb - LA# - DOm - MIb - FA - LA#

Andar

Donde hay numeros en vez de acordes es porque no se
como se llaman esos acordes y pongo abajo como se hacen




F9/A Cm
Ya no sé donde fue,
F9/A C
con su luz tu verdad,
F9/A Cm
avanzar y no avanzar,
1 G
que loco remolino,

ya no ves . . .

ya no ves . . .

la maldad que hay allí . . .

solo estás en tu cruz,

oh déjame explorarte,
F4 C
solo extiéndete una vez más . . .
F4 C
extiéndete una vez más . . .

la canción de la sed,

como el agua se nos fue . . .

líbrame . . .

Oh! líbrame . . .

Líbrame de la galaxia

ya no ves . . .

ya no ves

lo que ya sé nos pasó

respirar y oxidar,

y olvidarse y no fumar . . .

solo extiéndete una vez más . . .

exiténdete una vez más . . .

extiendete una vez más

extiendete una vez más

Nota: C B y
Am 2
eres mi esperanza
Am 3
solo una grieta en mi existir . . .
4
no somos solo hombres
5 6 7
y como fondo un cielo.

no es solo un burro,

que es un ángel de fe,

tal vez

me sentirás tal vez

me sentirás

las aguas en tus ojos

vibran su dulce brillo

una piel y una flor

son tus pechos,

que no piensan menos mal,

oh por favor,

gira loca girasol . . .

déjame como estoy,

ya te amé y allí morí,

quédate quédate oh!

déjame explicarte,

solo extiéndete una vez más . . .

extiéndete una vez más . . .

eres mi esperanza,

solo una grieta en mi existir . . .

no somos solo cuerpos,

y como un fondo un cielo . . .

no es solo un burro,

que es un ángel de fe

tal vez me sentirás

tal vez me sentirás

1:*5455*
2:*0*110
3:2**13*
4:3*445*
5:5**56*
6:7*775*
7:5*555*

Espero que puedan sacar esta genial cancion del mejor
compositor del rock de Argentina (a mi parecer).

Extiéndete una vez más

este es el solo de Tangolpeando espero q les sirva mas q nada
para q se animen
a pasar mas transcripciones a esta pagina de almaferte ovio
Solo:e-|---5---5---5---5---5-------------------------------|-
B-|---5---5---5---5---5-------------------------------|-
G-|---------------------------------------------------|-
D-|-7---6---5---4-------------------------------------|-
A-|-----------------7-----5--5-7-5-3------------------|-
E-|---------------------------------------------------|-

e-|---------------------------------------------------|-
B-|---------------------------------------------------|-
G-|-----------7-9-10---9-10-9-7-------9--7-9-7--------|-
D-|----7-9-10---------------------10-----------9--7--6|-
A-|-11------------------------------------------------|-
E-|---------------------------------------------------|-

e-|---5---5---5---5---5-------------------------------|-
B-|---5---5---5---5---5-------------------------------|-
G-|---------------------------------------------------|-
D-|-7---6---5---4-------------------------------------|-
A-|-----------------7-----5--5-7-5-3------------------|-
E-|---------------------------------------------------|-

e-|--------------------------------------------------|-
B-|---5------------------5---------------------------|-
G-|-7------7-5-4---5--7----7-5-4--5--5---------------|-
D-|--------------------------------------------------|-
A-|--------------------------------------------------|-
E-|--------------------------------------------------|-

e-|--------------------------------------------------|-
B-|--------12-12-10--10-9---9-10-12------------------|-
G-|---4--9-------------------------------------------|-
D-|--4-----------------------------------------------|-
A-|-4------------------------------------------------|-
E-|--------------------------------------------------|-

e-|-----12-10-12---10--------8-10---8-----------------|-
B-|---------------------------------------------------|-
G-|---7------------------5----------------------------|-
D-|---7------------------5----------------------------|-
A-|-5-5----------------3-3----------------------------|-
E-|---------------------------------------------------|-
F E
e-|----------------------------------------------------|-
B-|-6-5---6-5-----5------------------------------------|-
G-|-----7-----7-5---7-5-4-7-5-4-2-4--2-----------------|-
D-|----------------------------------------------------|-
A-|---------------------------------------0-2-3--------|-
E-|-------------------------------------4--------------|-

buenoesta es mi primere transcripsion pero no la ultima
esta bastane bien sacado (acepto criticas)
y !!!Aguante EL TANO LocO Lo maS GRande
desde Comodoro Km3 soy el monito saludos a todos los q me conocen

Tangolpeado

C
Working the village shop
E
Putting a poster up
Am
Dreaming of anything
C              Am               Em               Dm
Dreaming of the time when you're free from all the trouble you're in

C
In the mud, on your knees
E
Trying hard not to please
Am
Anyone, all the time
C              Am
Being a rebel's fine
           Em            C
But you go all the way to being brutal

Chorus:
G
You will have a boy tonight
You will have a boy tonight
F
On the first bus out of town
On the first bus out of town

Let's see your kit for games
All the girls look the same
You are challenging style for running miles
You're running miles in some boy's jumper

Boo to the business world!
You know a girl who's tax free on her back and making
Plenty cash
While you are working for the joy of giving

Chorus:
You will have a boy tonight
You will have a boy tonight
And you hope that she will see
And you hope that she will see

You are in two minds
Tossing a coin to decide whether you should tell your mum
About a dose of thrush you got while licking railings

But you read in a book
That you got free from Boots
There are lotions, there are potions
You can take to hide your shame from all those prying eyes

Lazy Jane, all the time
Painting lines
You sleeping at bus stops
Wondering how you got your name
And what you're going to do about it.

Chorus

Alice's Restaurant	No rating	beginner	Tab	Short
Arlo Guthrie	No rating	beginner	Chords	Short
City Of New Orleans	No rating	beginner	Chords	Full
City Of New Orleans	No rating	intermediate	Tab	Full
Coming In To Los Angeles	No rating	beginner	Chords	Full
Coming Into Los Angeles	No rating	beginner	Chords	Short
Commin' Into Los Angeles	No rating	beginner	Chords	Short
Darkest Hour	No rating	intermediate	Chords	Full
Victor Jara	No rating	intermediate	Chords	Full
Wedding Song	No rating	beginner	Chords	Full

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