Sí o Sí - Diario del Rock Argentino - Sumo

There are three bands that have went by the name Sumo during the ages, the first one is an Argentinian band formed in the early 1980s, the second an American, heavy metal experimental, and the third a Swiss deep house project led by Alex and Fred Sumi.  Sumo was a 1980s rock and reggae band. After living in London, hanging out with the members of Joy Division, Italian-born Luca Prodan accepted an invitation to visit a farm in Córdoba province to kick off his heroin habit and relax.

A             D 
Kaya, oh, oh, Kaya 
A             D 
Kaya, oh, oh, Kaya 
A             D 
Kaya, oh, oh, Kaya 
A             D 
Kaya, oh, oh, Kaya 
A             D 
Kaya, oh, oh, Kaya 
A             D 
Kaya, oh, oh, Kaya 
A 
Well, let me tell you about something 
              D 
Bigger than a big bamboo 
    A 
And me and you 
        D 
And the fat guru

Kaya

Bm7
People moving every day 
    Em                 
You know they move so slow 
         A
Do they know why they're going? 
         Bm7
Do they know why they go? 

Bm7
Look into your book of rules 
     Em              
And tell me what you see 
        A
Are you all that different? 
          Bm7
Are you just the same as me? 

G       A     Bm7
Waiting for 1989 
G        A            Bm7
We don't want no more war 

Bm7
Love is sleeping away 
    Em            
It slips away so fast 
        A                      
I always thought that it would last 
        Bm7
And it would last 

Bm7
Look into your book of rules 
     Em              
And tell me what you see
      A 
Am I all that different?
                      Bm7 
Are you just the same as me? 

G       A   Bm7
Waitin for 1989 


G        A            Bm7
We don't want no more war 
G        A    Bm7
Waiting for 1989 ...

No Tan Distintos

intro: Em A7 C G

Break... break... break... break...
break... break... break... break...
break... break... break...

I'm breaking away from you.

Em
Open your hands and show me what your holding.
A7
Is it an emerald, or is it a pearl?
C
What other information are you beholding?
G
You're such a funny girl.

Where is your mother, where did she came from?
Was your father a sailor or a thief?
Who was your brothers, where did they came from?
I'd wish you'd tell me about them at least.

But you're so silent, you're so gentle.
I think my brain will go.
This town's your town, yeah, this room's your temple.
And now you know what I have to go.

Em                      A7
That's what it takes to love you.
                        C
That's what it takes to love you too.
                        G
That's what it takes to hate you too.

So I'll just wanna go.

Break... break... break... break...
break... break... break... break...
break... break... break...

I'm breaking away from you.

Don't give me words whit no meanings.
Don't give me problems that you can't solve.
Ha! Don't tell me now you're revealing.
things we spoke of long ago.

I know you're ways, I know you're silence.
This could go on all day.
This is the way this is the violence.
And now you know why I can't stay.

That's what it takes to love you.
That's what it takes to love you too.
That's what it takes to hate you too.

Break... break... break... break...
break... break... break... break...
break... break... break...

I'm breaking away from you.

Breaking Away

Am
Night is down in insect town
Dm
I'm sitting here glued to the glowing tube
Em
Tedious, tedium, flowing slow
                                        Am
I'm crying for something I could really use
                      Dm
We're worker ants, or ants with wings
Em                                     Am  
Saying 'God I'm high' or 'Christ, I'm late'

Asking girls and women
           Dm
'Won't you show us the way
Em                                Am       
To crumple sheets and naughtier things? '
                     Dm
But it's sad, so sad
                                       Em
The old people never had not quite so bad

(not this way, anyway)
                      Am
And it,s sad, sad, sad
                                        Dm
The sadness of a long dead star on late night TV
Em                                  Am
The sadness of shooting away your bloom
                                 Dm            Em
And of old crumpled men in their workday suits
                                 Am
And telephones ringing in empty rooms
                                Dm      Em
All the birs have flown from the uptown
                                 Am
And a family I know has built an ark
                           Dm  
It's been raining long in a steady flow
Em                                   Am  
And newspaper headlines read bad and stark
                Dm
But is sad, so sad
                                      Em
The old people never had not quite so bad.
                     Am
And it,s sad, sad, sad
                                       Dm
The sadness of a long dead star on late night TV
Em                                  Am
The sadness of shooting away your bloom
                                 Dm            Em
And of old crumpled men in their workday suits
                                 Am
And telephones ringing in empty rooms

(Cambia a ritmo de ska)

Am-Dm-Em
SKa ,Ska,.... 
Am                 Dm
People of Babylon, if you want to be wrong
                   Em  
You've got to be strong

If not you'll go down
            Am
Down, down down
                                   
You can bite the hands that feeds you
Dm
Spit in the face of those who needs you
Em
But when you're old, who is gonna feed you
                     Am 
When you're on your own? 

I hear my black brothers every day
Dm
Saying how they've been put down in so many ways
            Em
Well, what about us Rasta?
                                  Am 
Some of us been treated just the same way

I look around and all I see is

White trash in a Babylon
Dm
White trash in a London
Em                                      Am
White trash right here in Buenos Aires town

White trash in Twinckenham
Dm
White trash in Birmingham
Em                                 Am 
White trash where I live in Hurlingham.
Am-Dm-Em
Solo
Am-Dm-Em
Ska, Ska...
Am
People of the Argentine
          Dm
You eat your meat everyday

And you dress so fine
Em
What about your brothers in Africa

Dying, starving
             Am  
All of the time?

Couse you can bite the hands that feeds you
Dm
Spit in the face of those who needs you
Em
But when you're old, who is gonna feed you
                     Am 
When you're on your own? 

I hear my black brothers every day
Dm
Saying how they've been put down in so many ways
            Em
Well, what about us Rasta?
                                      Am 
Some of us been treated just the same way

I look around and all I see is

White trash in a Babylon
Dm
White trash in a London
Em                               Am
White trash aca in Buenos Aires town

You've got a bilieve it

White trash in Twinckenham
Dm
White trash in Birmingham
Em                                 Am 
White trash where I live in Hurlingham.

Am-Dm-Em

Telefonos Sonando En Habitaciones Vacías

G

G                           
Dancing girl with your cheap fur on
G
Dancing girl with your cheap fur on
C                      G
you know I will forget you, 
C                 G
But for now dance on.
C                        G
you know I will forget you,
D                              G
But for now dance on.




I see your face on a summer's day 
But it's only a reflection 
On a window far away.

I saw your face on a sunny day 
Vapour trails in Heaven 
And tears in your eyes.

Brighton Past

E A E A E A E A

E           A           E               A
Mañana de sooool, bajo por el ascensooor,
E              A            E             A
calle con árboles, chica pasa con temor.
E                   A        E                A
No tengas miedo, noo,   me pelé por mi trabajo,
E                        A              E                 A
las lentes son para el sool y para la gente que me da asco.
E                    A           E                A
No vayas a la escuela por que San Martín te espera,
E                    A      E            A
estás todo el día sola y mirás a mi campera.


E               A           E               A
Tomates podridoos; por las calles del Abasto,
E                 A             E                    A
podridos por el sol que quiebra el asfalto del Abasto.
E                  A           E              A
Hombre sentado ahí,   con su botella de Resero,
E                           A              E              A
los bares tristes vacíos ya,  por la clausura del Abasto.


E                   A             E                  A 
José Luis y su nooviaa  se besan ahí por en el Abasto,
E                    A            E             A
yo paso y me saludan   bajo la sombra del Abasto.
E           A           E               A
Mañana de sooool, bajo por el ascensooor,
E              A            E             A
calle con árboles, chica pasa con temor.

E                 A             E              A
Parada Carlos Gardel, es la estación del Abasto,
E                       A             E             A
Sergio trabaja en el bar   en la estación del Abasto,
E                        A          E             A
piensa siempre más y más, será por el aburrimiento.
E            A         E                 A
Subte Línea B y yo me alejo más del suelo,
         E                      A         
y yo me alejo mas del cielo también
E                  A         E            A
ahí escucho el tren,  ahí escucho el tren,
    E                A      E                A 
estoy en el subsuelo,   estoy en el subsuelo.

E           A         E            A
mañana de soool, bajo por el ascensor...

Mañana En El Abasto

Riff
------2--5--0-0-4--7---9-9--5-2-
-3-3-------------------------------
------------------------------------
------------------------------------

Bm7
People moving every day
Em 
You know they move so slow
A
Do they know why they're going
Bm7
Do they know why they go

Bm7
Look into your book of rules
Em 
And tell me what you see
A
Are you all that different
Bm7
Are you just the same as me

G A Bm7
Waiting for 1989
G A Bm7
We don't want no more war

Bm7
Love is sleeping away
Em 
It slips away so fast
A 
I always thought that it would last
Bm7
And it would last

Bm7
Look into your book of rules
Em 
And tell me what you see
A 
Am I all that different
Bm7 
Are you just the same as me

G A Bm7
Waitin for 1989


G A Bm7
We don't want no more war
G A Bm7
Waiting for 1989

No Tan Distinto (1989)

Intro
D|----------------9-8----|
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A|--------7--------7-5-----|X4
E|--5-5-8--------------8-7-|

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A|--------0-0-------0-0-------0-0-7-6--|

e|----------------------------------------------|
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G|-----------------------------X-5-X-7-X-5-5-7--|
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A|--7------7--7----7-10-7-6---------------------|
E|--5------5--5----5-8--------------------------|

G|--5-h-7-----5-h-7-----5-h-7----------|
D|--5-h-7-----5-h-7-----5-h-7-----9-8--|X12
A|--------0-0-------0-0-------0-0-7-6--|

e|----------------------------------------------|--|-----|
B|----------------------------------------------|--|-----|
G|-----------------------------X-5-X-7-X-5-5-7--|--|-----|
D|----------------------9-8----X-5-X-7-X-5-5-7--|X4|-8-8-|
A|--7------7--7----7-10-7-6---------------------|--|-6-6-|
E|--5------5--5----5-8--------------------------|--|-----|

Resistirse a complacer

INTRO: un arpegio mas o menos así.

Em E9 Em E9
e|----------7----------------7----------------7----------------7--------|
B|--------8---8------------7---7------------8---8------------7---7------|
G|------9-------9--------9-------9--------9-------9--------9-------9----|
D|----9-----------9----9-----------9----9-----------9----9-----------9--|
A|--7----------------7----------------7----------------7----------------|
E|----------------------------------------------------------------------|


Como intro:
Desnudar el sin razón
que modelo nuestras vidas
Parece ser causa perdida.

Nadie apuesta detener
el motor que contamina
el aire que a diario respiras

Am
Y que respiraste ayer,
Como intro
y que mañana tal vez, no lo sé.
Por eso hoy

Am
Reflexionando en esto,
C5
la madrugada pasó,
B5 / Am / G5 / F5# / Em
y dejó otro día para ser.


BASE: (mas o menos - no la entiendo)
e|---------------------------------------------------------|
B|---------------------------------------------------------|
G|---------------------------------------------------------|
D|--------------------------/5-------------------------/4--|
A|--------------------------/3-------------------------/2--|
E|--2-3-2-0-2-3-2-0-2-3-2-0----2-3-2-0-2-3-2-0-2-3-2-0-----|


Ser guardianes o vigías de toda la miel
que guarda en toda colmena el sucio poder.
Predador, ecologista, pobre o gran señor.
Drogadependiente, doctor o paciente,
entreverado en el montón.



e|---------+----------------------|
B|---------+----------------------|(A partir de la 2da. vez
G|---------+----------------------| no hace la primer parte)
D|--2-/5-4-+-----/5-4-----2-/5-4--|
A|--2------+-4-5--------4-2-------|
E|--0------+-2-3--------2-0-------|

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser

Culpable o inocente, malviviente o juez.
O quien con sólo su firma decreta la ley.
Pronucleares informistas modelan la situación.
Más tecnología, por más energía.
Fuga radiactiva de progreso.

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser.


e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2-5--|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0--------|

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2-5--|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0--------|


Solo guitarra

e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|



Derrame de combustible, exterminio forestal.
El motor contaminante no se detendrá.
Para ser hay otro día en el planeta inferior.
Como cualquier día, como todo día
Con o sin mi reflexión.

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser.

Vender, comprar.
Comer, cagar.
Morir, nacer.

Sufrir, gozar.
Odiar, amar.
Ser o no ser.

FIN:e|-------------------------------------------------------|
B|-------------------------------------------------------|
G|-------------------------------------------------------|
D|-------------------------------------------------------|
A|----------------------------4-------------------3-2----|
E|--0--0-0-0-0-0---0--0-0-0-0-2---0--0-0-0-0-0--0-----3--|

Ser o no ser

INTRO: DOm - FA - MIb - LA# - DOm - MIb - FA - LA# - DOm

DOm - FA - MIb - LA#

DOm LA# DOm LA#
Saber que es lo que te pasa, sabes a veces lleva tiempo

DOm LA#
Es que el amor es una ciencia exacta,

DOm LA#
Y el dolor suele ser un misterio

SOL# DOm
Salir, parece buena idea,

SOL# DOm
Escapar, esa no es la manera de seguir

SOL# DOm
No esperar que el tiempo arregle todo,

SI LA#
Cuestión de encontrar el modo de reír

DOm FA MIb LA# DOm
Y si no estas bien, no te desarmes

FA MIb LA# DOm
Ponte de pie y andar y andar

FA MIb LA# DOm
No los escuchés pueden marearte

FA MIb LA# DOm
Solo saben hablar, y hablar y hablar

PUENTE: DOm LA# DOm LA#


DOm LA# DOm LA# DOm
A donde vas? No entiendo, no

LA# DOm LA#
Por que estas mintiendo?

DOm FA MIb LA# DOm
Y si no estas bien, no te desarmes

FA MIb LA# DOm
Ponte de pie y andar y andar…

FA MIb LA# DOm
No los escuchés pueden marearte

FA MIb LA# DOm
Solo saben hablar, y hablar y hablar...


SOLO: DOm LA#

FINAL: DOm - FA - MIb - LA# - DOm - MIb - FA - LA#

Andar

Chords: C F Am G
Strumming pattern: down, down, up, up, down, up

You're way too (C) beautiful girl,
That's (Am) why it'll never work
You'll have me (F) suicidal, (G) suicidal
When you (C) say it's over
Damn all these (C) beautiful girls,
They (Am) only wanna do your dirt
They'll have you (F) suicidal, (G) suicidal
When they (C) say it's over
See it (C) started at the park
Used to chill after dark
Oh, (Am) when you took my heart
That's when we fell apart
'Cause (F) we both thought
That (G) love last (C) forever (last forever)
They (C) say we're too young
To get ourselves sprung
Oh (Am) we didn't care
We made it very clear
And they (F) also said
That we (G) couldn't last (C) together (last together)
See it's (C) very divine, girl
You're one of a kind
But you (Am) mush up my mind
You ought to get declined
Oh (F) Lord
My (G) baby is driving me (C) crazy

(Chorus)

It was (C) back in '99
Watchin' movies all the time
Oh (Am) when I went away
For doin' my first crime
And (F) I never thought
That (G) we was gonna see each (C) other (see each other)
And then (C) I came out
Mami moved me down South
Oh (Am) I'm with my girl
Who I thought was my world
It (F) came out to be
That (G) she wasn't the girl for (C) me (girl for me)

(Refrain and chorus)

(C) Now we're fussin'
And now we're fightin'
(Am) Please tell me why
I'm feelin' slighted
And (F) I don't know
(G) How to make it (C) better (make it better)
You're (C) datin' other guys
You're tellin' me lies
Oh (Am) I can't believe
What I'm seein' with my eyes
I'm (F) losin' my mind
And (G) I don't think it's (C) clever (think it's clever)

(Refrain and Chorus)

Beautiful Girls

C                     G
Se a vida as vezes dá uns dias de segundos cinzas
           Am           F
E o tempo tic taca devagar
         Dm                   Am
Ponha o teu melhor vestido, brilha teu sorriso
      F              C
Vem pra cá, vem pra cá

                                     G
Se a vida muitas vezes só chuvisca, só garôa
        Am               F
E tudo não parece funcionar
         Dm                  Am
Deixe esse problema a toa, pra ficar na boa
      C
Vem pra cá

Refrão:
            Am              F
Do lado de cá, a vista é bonita
          C           G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C          E7
E o meu corpo dança sem parar
            F                  C                 G
Do lado de cá, tem música, amigos e alguém para amar
            C G Am F
Do lado de cá
            C G Am F
Do lado de cá

refrão:
           Am            F
Do lado de cá, a vista é bonita
          C           G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C          E7
E o meu corpo dança sem parar
            F                 C                 G
Do lado de cá, tem música, amigos e alguém para amar
            Am
Do lado de cá

             Am7M            Am7
A vida é agora, vê se não demora
  Dm            E7
Pra recomeçar
Am           Am7M          Am7
É so ter vontade de felicidade
  Dm     G
Pra pular

Refrão:
            Am              F
Do lado de cá, a vista é bonita
          C        G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C         E7
E o meu corpo dança sem parar
              F                C                  G
Do lado de cá, tem música, amigos e alguém para amar
            C G Am F
Do lado de cá
            C G Am F
Do lado de cá
            ( C G Am F ) (2x)
Do lado de cá

Do Lado De Cá

Donde hay numeros en vez de acordes es porque no se
como se llaman esos acordes y pongo abajo como se hacen




F9/A Cm
Ya no sé donde fue,
F9/A C
con su luz tu verdad,
F9/A Cm
avanzar y no avanzar,
1 G
que loco remolino,

ya no ves . . .

ya no ves . . .

la maldad que hay allí . . .

solo estás en tu cruz,

oh déjame explorarte,
F4 C
solo extiéndete una vez más . . .
F4 C
extiéndete una vez más . . .

la canción de la sed,

como el agua se nos fue . . .

líbrame . . .

Oh! líbrame . . .

Líbrame de la galaxia

ya no ves . . .

ya no ves

lo que ya sé nos pasó

respirar y oxidar,

y olvidarse y no fumar . . .

solo extiéndete una vez más . . .

exiténdete una vez más . . .

extiendete una vez más

extiendete una vez más

Nota: C B y
Am 2
eres mi esperanza
Am 3
solo una grieta en mi existir . . .
4
no somos solo hombres
5 6 7
y como fondo un cielo.

no es solo un burro,

que es un ángel de fe,

tal vez

me sentirás tal vez

me sentirás

las aguas en tus ojos

vibran su dulce brillo

una piel y una flor

son tus pechos,

que no piensan menos mal,

oh por favor,

gira loca girasol . . .

déjame como estoy,

ya te amé y allí morí,

quédate quédate oh!

déjame explicarte,

solo extiéndete una vez más . . .

extiéndete una vez más . . .

eres mi esperanza,

solo una grieta en mi existir . . .

no somos solo cuerpos,

y como un fondo un cielo . . .

no es solo un burro,

que es un ángel de fe

tal vez me sentirás

tal vez me sentirás

1:*5455*
2:*0*110
3:2**13*
4:3*445*
5:5**56*
6:7*775*
7:5*555*

Espero que puedan sacar esta genial cancion del mejor
compositor del rock de Argentina (a mi parecer).

Extiéndete una vez más

este es el solo de Tangolpeando espero q les sirva mas q nada
para q se animen
a pasar mas transcripciones a esta pagina de almaferte ovio
Solo:e-|---5---5---5---5---5-------------------------------|-
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D-|----7-9-10---------------------10-----------9--7--6|-
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e-|---5---5---5---5---5-------------------------------|-
B-|---5---5---5---5---5-------------------------------|-
G-|---------------------------------------------------|-
D-|-7---6---5---4-------------------------------------|-
A-|-----------------7-----5--5-7-5-3------------------|-
E-|---------------------------------------------------|-

e-|--------------------------------------------------|-
B-|---5------------------5---------------------------|-
G-|-7------7-5-4---5--7----7-5-4--5--5---------------|-
D-|--------------------------------------------------|-
A-|--------------------------------------------------|-
E-|--------------------------------------------------|-

e-|--------------------------------------------------|-
B-|--------12-12-10--10-9---9-10-12------------------|-
G-|---4--9-------------------------------------------|-
D-|--4-----------------------------------------------|-
A-|-4------------------------------------------------|-
E-|--------------------------------------------------|-

e-|-----12-10-12---10--------8-10---8-----------------|-
B-|---------------------------------------------------|-
G-|---7------------------5----------------------------|-
D-|---7------------------5----------------------------|-
A-|-5-5----------------3-3----------------------------|-
E-|---------------------------------------------------|-
F E
e-|----------------------------------------------------|-
B-|-6-5---6-5-----5------------------------------------|-
G-|-----7-----7-5---7-5-4-7-5-4-2-4--2-----------------|-
D-|----------------------------------------------------|-
A-|---------------------------------------0-2-3--------|-
E-|-------------------------------------4--------------|-

buenoesta es mi primere transcripsion pero no la ultima
esta bastane bien sacado (acepto criticas)
y !!!Aguante EL TANO LocO Lo maS GRande
desde Comodoro Km3 soy el monito saludos a todos los q me conocen

Tangolpeado

E|-----------------------------------|-0-1-0-3-0-----5-3-----3-----|
B|-----------1-0-----3-1/0/1---------|-----------2-------6-5---(6)-|
G|-----0---------2-1---------(2)---2-|-------------2---------------|
D|-0/2---3-2-------------------------|-------------------------(0)-|
A|---------------------------------0-|-----------------------------|
E|-------------------------------0---|-----------------------------|

|-3---------------------0--------------|
|---6/5/3/5/6---1---0-3---0-3-1--------|
|--------------------------------2-----|
|--------------------------------------|
|-------------0-2-2-------------0------|
|----------------------------------3-2-|

|-----------------------------------------------|
|--1-0-1--------0-1-0-1-0-0-0/1/2/3-3-1-3/5-<3>-|
|-2-----2------2------5-------------------------|
|--------3-2-1--------2-------------0-----------|
|-----------------------------------------------|
|-----------------------------------------------|

|--0---5--5--8/5-7--0-5-8-7-5-0-7/9-5---|
|---1-------------------------------5-5-|
|----2------------------------------5-2-|
|--------(3)----------------------------|
|-0-----------------------------------0-|
|---------------------------------------|

|-----5-7/5---9/5----10/12-10-9/10/9---7-|
|----5-----5-----5---------------------7-|
|-4/6-------6-----6----------------------|
|----------------------------------------|
|-0-----0--------------------------------|
|------------------------------------7---|

|-7-9-10-9-10/12------10-9----------------------------|
|--------------------------12-10-9--------------------|
|----------------9/11--------------11-11-9--------9-7-|
|-----------------------------------------------9-----|
|-------------------------------------9----9/11-------|
|-----------------------------------------------------|
X2
|--------------------|-------------------|
|--------7-----------|-------7-----------|
|---9-6----9-7-6-9-6-|--9-7----9-7-6-9-7-|
|------7-------------|-----6-------------|
|-0------------------|-------------------|
|--------------------|-0-----------------|
FA#
|--------------------2-0-----0-------------------------|
|---------10---------2---3-2---3/2/3---3---2---0-------|
|---9-6--------------3---------------4---2---------2-1-|
|-------7------------4---------------------------------|
|------------0-------4---------------2---0-------------|
|-0------------4-3-2-2-----------------------4---2-----|

|--------------------------------1-|---------5---7-8-7-5-|
|-10-9-7-------------------------3-|-5-4-3----5----------|
|--------9-7-6-------------------1-|-----------5---------|
|--------------9-7-6-------------3-|---------------------|
|--------------------9-7-5---------|-7-6-5-3-------------|
|--------------------------9-7-5---|---------------------|

|---7----------|------8-|------------|
|-----8---8----|----10--|-12-10-8-10-|
|----------9-9-|---9----|------------|
|-------9---9--|--------|-9----------|
|--------------|-8------|------------|
|-0------------|--------|------------|
SOLm FA
|--------0-----|-3-5-3---0-1-3-1-|-1-------3-1-----0-|
|--------------|-3-----6-------1-|-1-1-3-1-----1-3---|
|-9------------|-3-------------2-|-2-------0---------|
|---10---------|-5-------------3-|-3-----------------|
|--------------|-5-------3-----3-|-3-----------------|
|------8---1-2-|-3-------------1-|-1-----------------|
DO LA RE
|---------------0-|----2-|-----------0-2-4-|
|------1-------2--|---3--|---0-2-4---------|
|-----0-------2---|--2---|-----------------|
|------------2----|-0----|-1---------------|
|-2-3----2-0------|------|-----------------|
|-----------------|------|---------0-------|

|-----5-7/5---9/5----10/12-10-9/10/9---7-|
|----5-----5-----5---------------------7-|
|-4/6-------6-----6----------------------|
|----------------------------------------|
|-0-----0--------------------------------|
|------------------------------------7---|

|-7-9-10-9-10/12------10-9----------------------------|
|--------------------------12-10-9--------------------|
|----------------9/11--------------11-11-9--------9-7-|
|-----------------------------------------------9-----|
|-------------------------------------9----9/11-------|
|-----------------------------------------------------|
X2
|------------------------|---------------------|
|---------7---------10---|---------7-------9---|
|---9-6-----9-7-6------9-|---9-7-----9-7-6---9-|
|-------7---------7------|-------6-------------|
|-0----------------------|---------------------|
|------------------------|-0-------------------|

|--------------------2-0-----0------------------|
|---------10---------2---3-2---3/2/3--3-5-7-10--|
|---9-6--------------3---------------4-6-7-9----|
|-------7------------4--------------------------|
|------------0-------4---------------2-4-5-7----|
|-0------------4-3-2-2--------------------------|

MI LA
|-------------------7-9-10-12-14--12-14-15-17-|-----|
|-9-10-9-7---7-9-10---------------------------|---1-|
|----------9----------------------------------|-1-2-|
|---------------------------------------------|-2-2-|
|---------------------------------------------|-2-0-|
|---------------------------------------------|-0---|

BUENO ACA LES DEJO PARA RATO CON ESTA MILONGA/TANGO DEL TANO
HAY QUE PONERLE PILA EN LAS PARTES RAPIDAS
EN CUALQUIER MOMENTO SALE PARA TODOS MIS COMPAÑEROS
SALUDOS AGUANTE EL TANO (EL MEJOR GUITARRISTA ARGENTO)
R.A.F
(raf_prey07@hotmail.com)

Sopla el pampero

SIbm MI5 SIb5
En las mugrientas esquinas de Liniers pierdo los dias
MI5 SIbm
pues no me toca escapar.
MI5 SIb5
El gran apego a lo ilusorio se refleja en la vidrieras
MI5 SIbm
de un trucho centro comercial.

DO#5 SIb5
La idolatria populosa se dibuja en largas filas
DO#5 SIbm
para adorar y no pensar.
DO#5 SIb5
La piedra muerta del desvio falsamente milagrosa
DO#5 SOL# SIbm
sigue ocultando la verdad.

MI5 SIb5
Insatisfechos, renegados que se niegan a si mismos,
MI5 SIbm
faltos de calma y de piedad.
MI5 SIb5
Buscan el triangulo en las niñas para alimentar su morbo,
MI5 SIbm
y masturbarse en soledad.

DO#5 SIb5
Ellas tambien gozan mostrandose inocentes,son arpìas,
DO#5 SIbm
esclavas del televisor,
DO#5 SIb5
Viven pensando en lo externo, son adictas a la vida
DO#5 SOL# SIbm
buscan billetes y pasion.


SIbm---FA#

FA# SOL# SIbm SIbm---FA#
Solo transmito lo que observo,
FA# SOL# SIbm SIbm---FA#
no es una invencion de mi mente, no.
FA# SOL# DO#5 DO5 SIb5
Esto acontece cuando contemplo el presente
FA# SOL# SIbm
en las calles de Liniers.


MI5 SIb5
Mas cuando el sol, mi fiel testigo, da de lleno en el asfalto
MI5 SIbm
y derrite el alquitran
MI5 SIb5
Los fermentos nauseabundos de la basura estancada
MI5 SIbm
entorpecen mi pensar.

DO#5 SIb5
En la esquina un policia esta peleando con su hembra;
DO#5 SIbm
pues esta nunca le fue fiel
DO#5 SIb5
bajo el paso de las vias los mendigos se revuelcan
DO#5 SOL# SIbm
muy pocos los quieren mirar.

MI5 SIb5
Y la inverbe horda humana que desciende de los trenes,
MI5 SIbm
desesperada y alocada
DO#5 SIb5
Contamina mi cabeza y busco amarlos como sea
DO#5 SOL# SIbm
para no volver jamas, hey...


SIbm---FA#

FA# SOL# SIbm SIbm---FA#
Solo transmito lo que observo,
FA# SOL# SIbm SIbm---FA#
no es una invencion de mi mente, no.
FA# SOL# DO#5 DO5 SIb5
Esto acontece cuando contemplo el presente
FA# SOL# SIbm
en las calles de Liniers.

MI5 SIb5 MI5 SIb5 MI5 SIb5 SIbm FIN
En las calles, en las calles, en las calles de Liniers.

En las calles de Liniers

-----------------ALMAFUERTE----------------
-------------Ciudad de Rosario-------------
-----Ricardo Iorio - Claudio Marciello-----


-INTRO-

PARTE 1

e|-----------------------------------------------------|
B|-----------------------------------------------------|
G|-------5------9-8-7p5-----------9-8-7-7p5-------5----|
D|-7-5-7-5-5-7--9-8-7p5-7p5-7-7---9-8-7-7p5-7-5-7-5-5--|
A|-7-5-7---5-7----------7p5-7-7-------------7-5-7---5--|
E|-----------------------------------------------------|

PARTE 2

e|------------------------------------------|
B|------------------------------------------|
G|-9-8-7-7p5-----------9-8-7-7p5-------5----|
D|-9-8-7-7p5-7-5-7-7---9-8-7-7p5-7-5-7-5-5--|
A|-----------7-5-7-7-------------7-5-7---5--|
E|------------------------------------------|

-FIN INTRO-


ARREGLO 1

e|-----------|
B|-----------|
G|-----------|
D|-7/8/7-5-7-|
A|-7/8/7-5-7-|
E|-----------|


ARREGLO 2

e|-------------|
B|-------------|
G|-------------|
D|-----------0-|
A|-----0-1-2---|
E|-0-3---------|


RIFF 2

e|-----------------------------------------------------|
B|-----------------------------------------------------|
G|--------4h5-----4h5-----4h5------12-12/---7-7/---5-5-|
D|-----------------------------2-----------------------|
A|-3--3-3-----3-3-----3-3------2---10-10/---5-5/---3-3-|
E|-----------------------------0-----------------------|


e|-------------------------------|
B|-------------------------------|
G|-----4h5-----4h5-----4h5-------|
D|--------------------------3--5-|
A|-3-3-----3-3-----3-3------3--5-|
E|--------------------------1--3-|




MI ARREGLO 1
Alegría, alegría,
MI ARREGLO 1
exalta mi corazón
LA SOL
si el indio blanco convida
MI ARREGLO 2
sonar en el Willie Dixon.

Se dará cita la audiencia
metalera y sin revés,
para corear el canto
que te dedica Almafuerte.

RIFF 2
La más amada por cuna del pabellón,
bastión de patria, Provincia de Santa Fe.

INTRO (PARTE 2) X 2
Ciudad de Rosario, Ciudad de Rosario.
Ciudad de Rosario, Ciudad de Rosario.

Zanjeando en tus orillas
de pibe la suerte hallé,
cuando un disco de Pappo
oí por primera vez.

Mis primos del barrio Acindar,
desde ese día supieron
que seguiría los pasos
de aquél inmenso rockero.

La más amada por cuna del pabellón,
bastión de patria, Provincia de Santa Fe.

Ciudad de Rosario, Ciudad de Rosario.
Ciudad de Rosario, Ciudad de Rosario.


-SOLO-

FA - SOL - LA - FA - SOL - RE

MI - LA - SOL - MI - MI - LA - SOL - MI

-FIN SOLO-


ARREGLO 2


La más amada por cuna del pabellón
bastión de patria, Provincia de Santa Fe.

Ciudad de Rosario, Ciudad de Rosario.
Ciudad de Rosario, Ciudad de Rosario.
Ciudad de Rosario, Ciudad de Rosario.
Ciudad de Rosario, Ciudad de Rosario.


e|---------------------|
B|---------------------|
G|---------------------|
D|-5-7---5-7---5-7---7-|
A|-5-7---5-7---5-7---7-|
E|---------------------|


NOTA:(p) Pull-off

(h) Hammer-on

(/) slide




Ahi esta la tab de ciudad de Rosario espere que les guste,
cualquier correccion me avisan, estoy en face con este mail
juan-riff@hotmail.com ponganla donde quieran pero al menos
no me roben el credito!!! despues si me da el oido saco el
solo... saludos y aguante ALMAFUERTE!!

Breaking Away	No rating	beginner	Chords	Full
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