Okkervil River is an indie/folk rock band from Austin, Texas USA.  Formed in 1998, the band takes its name from a short story by Russian author Tatyana Tolstaya. The band currently consists of Will Sheff (vocals, guitar), Justin Shurburn (guitar, keyboards), Lauren Gurgiolo (guitar, pedal steel, mandolin), Scott Brackett (keyboards, trumpet, percussion), Patrick Pestorius (bass, keyboards) and Cully Symington (drums).  

En découvrant la nouvelle photo qui ouvre le site d'Okkervil River, on voit que quelque chose a changé. Ils ne sont plus que cinq, le chanteur Will Sheff au premier plan. Parti Jonathan Meiburg, l'alter-ego de toujours. Le divorce fut équitable. Sheff conserve Okkervil River, tandis que Meiburg prend la garde de Shearwater, l'autre groupe qu'ils avaient créé ensemble.  Mais ce n'est pas la seule chose qui a changé. Derrière la photo, la musique d'Okkervil River a quelque peu mué.

Okkervil River ist eine US-amerikanische Independent-Band. Sie wurde 1998 in Austin, Texas gegründet. Initiator, Kopf und letztes verbliebenes Gründungsmitglied der Band ist Will Sheff. Die Musik enthält Elemente aus Country, Folk und Punkrock.  Biografie   Der Bandname geht auf eine Kurzgeschichte der russischen Autorin Tatjana Tolstaja zurück, Leo Tolstois Urgro

La banda liderada por Will Sheff, compositor que lleva varios años recibiendo muy buenas críticas por esas composiciones en las que brillan por igual el country alternativo y el indie-rock guitarrero, pretende conseguir lo que desde hace tiempo lleva buscando: un puesto de honor en la escena independiente internacional.  Se les ha comparado con Bright Eyes y su música evoca muy diferentes sensaciones, dependiendo de la garra que impregne cada una de las canciones de este The Stage Names, su mejor trabajo hasta el momento.

intro G

(G)It's just a (C)bad movie, where there's (G)no (D)crying 
handing the (G)key to (C)me in this (G)Red (D)Lion, 
where the (C)clock that you (G)locked in the (C)suite says there's (Em)no(D)prying. 
When the (C)breath that you (G)breathed in the (C)street screams there's (Em)no (D)science
When you (C)look how you (G)looked then to (C)me, then I (Em)cease (D)lying and fall 
into silence. 

C G C Em D 

It's just a life story, so there's no climax. 
No more new territory, so pull away the imax. 
In the slot that you sliced through the scene there was no shyness. 
In the plot that you passed through your teeth there was no pity. 
No fade in: film begins on a kid in the big city. 
And no cut to a costly parade (that's for him only!). 
No dissolve to a sliver of grey (that's his new lady!) 
where she glows just like grain on the flickering pane of some great movie. 

It's just a house burning, but it's not haunted. 
It was your heart hurting, but not for long, kid. 
In the socket you spin from with ease there is no sticking. 
From the speakers your fake masterpiece is serenely dribbling. 
When the air around your chair fills with heat, that's the flames licking 
beneath the clock on the clean mantelpiece. It's got a calm clicking, 
like a pro at his editing suite takes two weeks stitching up some bad movie.

Our Life Is Not A Movie Or Maybe

Original tuning : 3.5 step up


Intro: D


D                G              Em    G    
No one wants to hear about your 97th tear, 
             Em             G
so dry your eyes or let it go 
           A                Em             G            A                Em       
uncried, my dear. I am all out of love to mouth into your ear, and not above 
           G         A                 Em           Em* G* A*
letting a love song disappear before it's written. 
          D              G            Em        G                       
    And no one wants a tune about the 100th luftballoon that was seen 
Em                  G             A             Em                G
shooting from the window of your room, to be a spot against the sky's 
        A                   Em               G                  A
colossal gloom and land, deflated, in some neighbor state that's strewn with 
   Em         Em  G  A 
99 others.   




  Em               A                      D              A                Em
     8 Chinese brothers; well, there's a reason why the last is smiling wide 
             G              A      
and sitting higher than the others,
               Em          G A
swinging his arms.




D                G              Em    G        
You would probably die before you shot up 9 miles high
         Em             G                  A 
Your eyes dilated as light played upon the sight
 Em             G            A    
Of TVC16 as it sings you goodnight
 Em            G                  A
Relaxed as hell and locked up in cell 45
Em                        Em  G  A 
I hope you're feeling better



Em               A   
51st way to leave your lover
 D              A                Em 		   G              A 
Admittedly, it doesn't seem to be as gentle or as clean as all the others
 Em          							G A
Even a scars all in the after hours of some Greenpoint bar



D                           G              Em                  G        
I told you, I can't listen, baby, 'bout the 4th time you were a lady
Em             G                  A 
and how your forthrightness betrayed a secret shyness
Em                       G                     A    
Stripped away by days of being hailed as "your highness"
               Em            G                  A
And what's new pussycat, as you were once a lionness
Em                   Em G  A 
They cut your claws out



D            G              Em                  G   
Kitten, not everyone's keen on lighting candle 17, 
             Em             G                  A 
the party's done, the cake's all gone, the plates are clean
	        Em             G                  A 
The chauffeur's near and from the cheerless mezzanine
                Em             G                  A 
And in just one year, this straight world could pay to see 
Em                        Em  G  A 
what they have been missing


Em                                   A   
You were caught kissing 8 chinese brothers
                 D              A                Em 		   G              A 
Well, there's a reason why the last is smiling wide and sitting higher than the others
Em               G A
Staking with charm



Em                                               A   
And he says, "Lets get lost, let them send out alarms
Em                                          A   
He says, "Let's get crossed out and come to harm"
Em                                            A   
"Lets make the world's stupidest stand and truly mean it
Em                                   A   
Lets hit the limit of loss over lover's arms
Em
No, lets exceed it"

Plus Ones

The Stage Names

 A                                       Bm
Remember when our so-called friend would not call out to you 
               F#m                                     D Dsus2
while tumbling loosely out a hole punched through your home? 
     A                                        Bm
It's pretty clear, though you could hear, you truly finally knew,
              F#m                                D Dsus2
in time, he'd tell his tale the way he'd like it told.

       F#m          Bm
Now he isn't on the phone, 
        Bm                     D
and his story might as well be so.

       A                            Bm
Well, loving is as loving does, and I'd say we should know,
                     F#m                       D Dsus2
because we both have loved, have lost, and are alone. 
     A                                  Bm
Your face's falling tears, to me they're lovely and they're dear,
           F#m                                     D             Dsus2
though you don't love me and it's clear that I will never see you in my arms.

       F#m             Bm
There's no room in your heart
     Bm                        D Dsus2
for even this finely-sharpened dart; 

    A      F#m      Bm                         D              A        
although I had started to think there might be hope, it isn't so.

Bridge: A Bm F#m D Dsus2

   F#m             Bm               D                A
So wake up, make up some new song again around the same tune. 

           A                                       Bm 
The water cools, the leaves they fall, the sun it bends, the summer ends;
            D                A
our so-called friend doesn't need you.

			A                                  Bm
So proceed out the door and down the street. December's lying near,
           F#m                            D Dsus2
but in the oven's heat this house is now a home.
A                                  Bm
Sixty days of trips and stays you took to tell me, dear, 
            F#m                           D Dsus2
that you cannot love me because you secretly still love a stone. 

           F#m                 Bm              
Although I put my lips to your face, 
		  Bm                       D
trying to push his kiss out of its place, 

   A         F#m      Bm                      D                   A
although my heart started to race, now it has slowed, I'll let it go.


End: A Bm F#m D (X2) A


*Comments : alex[dot]kandabarow[at]gmail[dot]com

Song Of Our So-called Friend

Black Sheep Boy

Intro
Em - C - G - D  x3 


Em      C        G              D    Em         G     D
I'm surrounded, each doorway covered by at least twenty men.

Em                    C           G            D
And they're going to take me and throw me in prison.

Em C            G     D
I ain't coming back again.

(Same chord progression entire song)

Westfall

Don't Fall In Love With Everyone You See

D              A                 Em                  G
To cheat on Maine islands — days of laughter, nights of sighing.
To love without ceasing — flowering orchards, salty sea-things.
To say without shyness “unreal city, you have killed me.”

Chorus   
         Bm            A              Em        G
When you walked out on her love was it easy?
When I left him while sleeping was I dreaming?

   D                   A             Em          G
We take each night's journey to the hotel in a hurry,
where we love without worry on a bed that's five days dirty.
And we read without irony from a book my husband bought for me.

Chorus 
         Bm        A              Em      G
When I fell on the concrete it was lovely,
because you could see what's been running so hot in me.
But when I fell on the concrete, you went white as a sheet
and wished that nothing in this world would ever hurt me. Well, keep wishing.

              D              A             Em            G
Because when I look in my future, I don't see you and don't wish to.
Idle talk made when I'm lying by your side on some Maine island
is too funny to me, honey, so let's drop it.
If you really want to love me, well, then do it.

Maine Island Lovers

Down the River of Golden Dreams

   A
Hot breath, rough skin
            D
warm laughs, and smiling,
            F#m 
the lovliest words
             E
whispered and meant
       D
you like all these things.


                    E
But though you like all these things
           A
you love a stone.
           D
You love a stone,
           E             Bm
because it's smooth and it's cold.
               F#m
And you'd love most
       E
to be told
                 D
that it's all your own.

              A
You love white veins,
              E
you love hard grey,
             Bm
the heaviest weight,
			  D
the clumsiest shape,
			  F#m
the earthiest smell,
			  E
the hollowest tone
		  D	
you love a stone.

Bridge: A E Bm D

                  A
And I'm found too fast,
called too fond of flames,
                        D
and then I'm phoning my friends,
and then I'm shouldering the blame,
                     F#m
while you're picking pebbles
           E
out of the drain,
      D
miles ago.
                   A
You're out singing songs,
and I'm down shouting names
                   D
at the flickerless screen,
going fucking insane.
			   F#m
Am I losing my cool,
               E
overstating my case?
                D
Well, baby what can I say?

           E
You know I never claimed
             A
that I was a stone.
               D
And you love a stone.
               F#m
You love white veins,
              E
you love hard grey,
             Bm
the heaviest weight,
              D
the clumsiest shape,
              F#m
the earthiest smell,
              E
the hollowest tone
         D
you love a stone.

Bridge: A E Bm D (x2) A

           D
You love a stone,
             E    
because it's dark 
         Bm
and it's old
                F#m
and if it could start
      E
being alive
                 D
you'd stop living alone.

(quieter)
                  A
And I think I believe
                     E
that if stones could dream
                      Bm
they'd dream of being laid
                      D
side-by-side piece-by-piece
                  F#m
and turned into a castle
                  E
for some towering queen
                  D
they're unable to know.

                      A
And when that queen's daughter 
        E
came of age,
                 Bm
I think she'd be lovely
                 D
and stubborn and brave,
                  F#m
and suitors would journey
             E
from kingdoms away
                    D
just to make themselves known.
          
                   A
And I think that I know
               E
the bitter dismay
                Bm
of a lover who brought
                       D
fresh brouquets every day
                    F#m
when she turned him away
                 E
to remember some knave
					D                       A
who once gave just one rose, one day, years ago.

End:

A E Bm D X4
A

A Stone

Black Sheep Boy 

Intro: C D C D (x2)


C D
Si es que no puedes hablar
C D
no te atrevas a volver
C D
si te quieres ocultar
C D
tal vez te podria ver
Em D C G C
y el amor que no sabe a quien y que
G C
hablará si tu verdad
Em F
te abrazara otra vez

Em C
Habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G C
y te hace feliz

C D


C D
Si no puedes escuchar
C D
aunque insistas hablaré
C D
si lo quieres mírame
C D
y tus ojos hablaran tal vez
Em D C G C
sentiras el amor e iras tras el
G C
hablaras si tu verdad
Em F
te abrazará otra vez

Em C
Habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G D
y te hace feliz
Em C
habla si puedes
G C
grita si temes
Em C
dime a quien quieres
G D
y te hace feliz


Em G C G
.(CUERDAS)... abrazaméeeeeeeee..
C Em F
quiero despertarme y entender

Em C
habla si puedes
G C
grita si temes
Em C
dime a quien quieres
G D
y que haces aquì
Em C
habla si puedes
G C
grita que sientes
Em C
dime a quien quieres
G C
y te hace feliz
G C
y te hace feliz

C D
(fin)

Habla si puedes

C
Working the village shop
E
Putting a poster up
Am
Dreaming of anything
C              Am               Em               Dm
Dreaming of the time when you're free from all the trouble you're in

C
In the mud, on your knees
E
Trying hard not to please
Am
Anyone, all the time
C              Am
Being a rebel's fine
           Em            C
But you go all the way to being brutal

Chorus:
G
You will have a boy tonight
You will have a boy tonight
F
On the first bus out of town
On the first bus out of town

Let's see your kit for games
All the girls look the same
You are challenging style for running miles
You're running miles in some boy's jumper

Boo to the business world!
You know a girl who's tax free on her back and making
Plenty cash
While you are working for the joy of giving

Chorus:
You will have a boy tonight
You will have a boy tonight
And you hope that she will see
And you hope that she will see

You are in two minds
Tossing a coin to decide whether you should tell your mum
About a dose of thrush you got while licking railings

But you read in a book
That you got free from Boots
There are lotions, there are potions
You can take to hide your shame from all those prying eyes

Lazy Jane, all the time
Painting lines
You sleeping at bus stops
Wondering how you got your name
And what you're going to do about it.

Chorus

Lazy Line Painter Jane

A|----------------------------------0-2-------2------------|
E|-----------0-2-0-2-2-------0---0------1-0----------------|
C|-----------------------2-2---2------------2---2----------|
G|-4-4-4-2-4-----------------------------------------------|
                                                             
A|-----5-4-2------------------------0-2-------2------------|
E|-----------0-2-0-2-2-------0---0------1-0----------------|
C|-----------------------2-2---2------------2---2----------|
G|-4-4-----------------------------------------------------|

Zebra

LA RE
Jo et duré a casa si fa mal temps
MI FA#m
Jo t’empararé si un cas tens por
SIm MI
Jo te cuidaré si estàs malalta
RE LA
De tot cor, de tot cor
RE REm LA
De tot cor

MI RE DO#m-SIm-LA

FA#m DO#m
Estic a punt d’anar-me’n
RE LA RE
Mes abans de partir et diré
REm LA
Que et duc dins es pensament

FA#m DO#m
No deix de recordar-te
RE LA RE
I alen els teus alens tot calents
REm SIm MI
De lluny i de prop me tens


Jo et duré...

FA#m DO#m
I a dalt de s’escenari
RE LA RE
Quan estic concentrat cantant
REm MI
Jo sempre te tenc present

FA#m DO#m
Perquè m’ets necessari
RE LA
Com s’aire que respir
RE REm SIm MI
Necessit estar amb tu en tot moment


Jo et duré... ( bis )

De tot cor

C                     G
Se a vida as vezes dá uns dias de segundos cinzas
           Am           F
E o tempo tic taca devagar
         Dm                   Am
Ponha o teu melhor vestido, brilha teu sorriso
      F              C
Vem pra cá, vem pra cá

                                     G
Se a vida muitas vezes só chuvisca, só garôa
        Am               F
E tudo não parece funcionar
         Dm                  Am
Deixe esse problema a toa, pra ficar na boa
      C
Vem pra cá

Refrão:
            Am              F
Do lado de cá, a vista é bonita
          C           G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C          E7
E o meu corpo dança sem parar
            F                  C                 G
Do lado de cá, tem música, amigos e alguém para amar
            C G Am F
Do lado de cá
            C G Am F
Do lado de cá

refrão:
           Am            F
Do lado de cá, a vista é bonita
          C           G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C          E7
E o meu corpo dança sem parar
            F                 C                 G
Do lado de cá, tem música, amigos e alguém para amar
            Am
Do lado de cá

             Am7M            Am7
A vida é agora, vê se não demora
  Dm            E7
Pra recomeçar
Am           Am7M          Am7
É so ter vontade de felicidade
  Dm     G
Pra pular

Refrão:
            Am              F
Do lado de cá, a vista é bonita
          C        G
A maré é boa de provar
            Am                 F
Do lado de cá, eu vivo tranquila
                  C         E7
E o meu corpo dança sem parar
              F                C                  G
Do lado de cá, tem música, amigos e alguém para amar
            C G Am F
Do lado de cá
            C G Am F
Do lado de cá
            ( C G Am F ) (2x)
Do lado de cá

Do Lado De Cá

strumming pattern
D-DUD-D

F,G,C,Em7

mmmmm mmmm mmmm 

F                    G
Work, work, work, work, work, work. He said me haffi
C                   Em7
Work, work, work, work, work, work! He see me do mi
F                     G
Dirt, dirt, dirt, dirt, dirt, dirt! So me put in
C                   Em7
Work, work, work, work, work, work. When you ah guh
F                        G
Learn, learn, learn, learn, learn Meh nuh cyar if him
C                   Em7
Hurt, hurt, hurt, hurt, hurting


[Verse 1: Rihanna]

F              G
Dry! ...Me a desert
C                 Em7
Nuh time to have ya lerkin'
F                        G
Him ago act like him nuh like it
C                           Em7
You know I dealt with you the nicest
F                        G
Nuh body touch me in the righteous
C                     Em7
Nuh botha, text me in a crisis 
           F                    G
I believed all of your dreams, adoration
            C                    Em7
You took my heart and my keys and my patience
            F                        G
You took my heart on my sleeve for decoration
                C                          Em7
You mistaken my love I brought for you for foundation
           F             G
All that I wanted from you was to give me
C            Em7
Something that I never had
F                   G
Something that you've never seen
C                     Em7
Something that you've never been!
F     G
Mmmmm!
      C                          
But I wake up and act like nothing's wrong
D
Just get ready fi...


[Hook: Rihanna]
F                    G
Work, work, work, work, work, work. He said me haffi
C                   Em7
Work, work, work, work, work, work! He see me do mi
F                     G
Dirt, dirt, dirt, dirt, dirt, dirt! So me put in
C                   Em7
Work, work, work, work, work, work. When you ah guh
F                        G
Learn, learn, learn, learn, learn Meh nuh cyar if him
C                   Em7
Hurt, hurt, hurt, hurt, hurting
F             G
Ner ner ner ner ner ner!
               C           Em7
When you a guh ner ner ner ner ner ner!
                  F                 G
Before the tables turn turn turn turn turn turn!
C             Em7
Beg you something please


[Verse 2: Rihanna]

F            G
Baby don't you leave
               C                 Em7
Do''t leave me stuck here in the streets, 
   F                  G
uh huh If I get another chance to
       C                Em7
I will never, no never neglect you
      F                         G
I mean who am I to hold your past against you?
       C                    Em7
I just hope that it gets to you
  F           G
I hope that you see this through
  C                      Em7
I hope that you see this true
F          G
What can I say?
       C          
Please recognize I'm tryin', baby!!!
 Em7
I have to


[Hook: Rihanna]

F                    G
Work, work, work, work, work, work. He said me haffi
C                   Em7
Work, work, work, work, work, work! He see me do mi
F                     G
Dirt, dirt, dirt, dirt, dirt, dirt! So me put in
C                   Em7
Work, work, work, work, work, work. When you ah guh
F                        G
Learn, learn, learn, learn, learn Meh nuh cyar if him
C                   Em7
Hurt, hurt, hurt, hurt, hurting


[Verse 3: Drake]

N.C.
Yeah, okay
F        G        C                   Em7
You need to get done, done, done, done at work, come over
F               G
We just need to slow the motion
C                   Em7
Don't give that away to no one
F            G
Long distance, I need you
C                          Em7
When I see potential I just gotta see it through
F                        G
If you had a twin, I would still choose you
C                           Em7
I don't wanna rush into it, if it's too soon
      F      G               C              
But I know you need to get done, done, done, done
   Em7
If you come over
F            G
Sorry if I'm way less friendly
C                    Em7
I got n____s tryna end me,
F G           C                 Em7
oh,     I spilled all my emotions tonight, I'm sorry
F               G
Rollin', rollin', rollin', rollin', rollin'
C                                Em7
How many more shots until you're rollin'?
F              G
We just need a face to face
C                    Em7            F
You could pick the time and the place
               G
You spent some time away
C                Em7
Now you need to forward and give me all the...


[Hook: Rihanna]

F                    G
Work, work, work, work, work, work. He said me haffi
C                   Em7
Work, work, work, work, work, work! He see me do mi
F                     G
Dirt, dirt, dirt, dirt, dirt, dirt! So me put in
C                   Em7
Work, work, work, work, work, work. When you ah guh
F                        G
Learn, learn, learn, learn, learn Meh nuh cyar if him
C                   Em7
Hurt, hurt, hurt, hurt, hurting

mmm mmm mmm..


[Outro: Rihanna]

work work work work work work

F G C D
F G C D

Work

Verse 1:
           B
I'm going back to the time when we owned this town
      E
Down Powder Mill Lane, in the battlegrounds
C#m        B                   G#m  B     F#
We were friends and lovers and clueless clowns


Verse 2:
                      B       
I didn't know I'd be finding out now I was torn from you
         E
When we thought about things we were gonna do
C#m      B                    G#m B  F# 
We were wide eyed dreamers and wiser too


Chorus:
               E              B 
Go down to the rides on East Parade,
        G#m                   F#
by the lights of the Palace Arcade
                    E                     G#m   F#   
Watch night coming down on the Sovereign Light Café


Verse 3:
                          B
I'm begging you for some sign, but you've still got nothing to say
        E
Don't turn your back on me, don't walk away
C#m     B                   G#m  B   F#
I'm a better man now than I was that day


Chorus:
                      E              B 
Let's go down to the rides on East Parade,
        G#m                   F#
by the lights of the Palace Arcade
                    E                     G#m   F#   
Watch night coming down on the Sovereign Light Café

                 E               B
Go down to the bandstand on the pier
           G#m                    F#
Watch the drunks and the lovers appear
                      E                     G#m   F#     
Take time, just the stars at the Sovereign Light Café


Bridge:
   E        B           F#
I wheel my bike off the train,
        F#
Up the North Trade Road,
 E        B             F# 
Look for you on Marley Lane
                          G#m
In every building, every streetlight
                   E               F#  G#m  B  F#
Oh why did we ever go so far from home?


Verse 4:
                        B
You keep on leaving me mile long traces of who you are
         E
You can get a big house and a faster car
C#m      B                    G#m   B  F#
You can run away boy, but you won't go far


Chorus:
                      E              B
Let's go down to the rides on East Parade,
        G#m                   F#
by the lights of the Palace Arcade
                    E                     G#m   F#   
Watch night coming down on the Sovereign Light Café

                    E                B
Stroll down to the bandstand on the pier
           G#m                    F#
Watch the drunks and the lovers appear
                     E                      G#m   F#
Take time, just the stars at the Sovereign Light Café 

      E            B    G#m
La la la la la la la la Yeah, 
     F#                      E       B   F#
I'm going where the people know my name


Outro:
E B G#m F#
E B G#m F# B

Sovereign Light Cafe

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Ocean

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Better Than

C - Am - Fm - G     x2

VERSO:
C            Am
como quisiera ver
Fm
gritando otra vez
G
al grande Kurt Cobain
C         Am
incomprendido
Fm
vistiendo de mujer
G
al mundo vomito

PRE-CORO:

E                           Am
porque morir ya no es gran cosa

Coro
F
Si tienes un problema
Dm
Difícil de arreglar
C                G
comienza por hablar
           Dm
con la verdad

rompe el destino
        Am       G
no pares de soñar
                   F
que se puede triunfar ohohoho !!

VERSO:

C            Am
como quisiera ver
Fm
a Marley otra vez
G
cantando en un club
C           Am
archibrillante
Fm
supo combinar
G
La Música Y La Paz

PRE-CORO:

E                           Am
porque morir ya no es gran cosa
Coro

F
si tienes un problema
Dm
difícil de arreglar
C                 G
comienza por hablar
           Dm
con la verdad

rompe el destino
        Am      G
no pares de soñar
                   F
que se puede triunfar ohohoh !




C - Am - Fm - G
C - Am - Fm - G



Coro
F
si tienes un problema
Dm
difícil de arreglar
C                 G
comienza por hablar
           Dm
con la verdad

rompe el destino
        Am      G
no pares de soñar
                  F
que se puede triunfar

Dm
si tienes un problema
F
difícil de arreglar
C                 G
comienza por hablar
           Dm
con la verdad

rompe el destino
        Am      G
no pares de soñar
                 F
que se puede triunfar



FINAL:

C - Am - Fm - G

Our Life Is Not A Movie Or Maybe	No rating	intermediate	Chords	Full
Plus Ones	No rating	intermediate	Chords	Full

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